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1642VLZ4

164

2VLZ4

44.  Mode (AFL/PFL)

The 1642VLZ4’s solo system comes in two flavors: 

AFL (sometimes called SIP, or solo-in-place) and PFL 
(sometimes called PFL, or pre-fader-listen). 

In AFL, the soloed channel’s signal is sent directly 

 

to the control room, headphones and meter display just 
as it would sound to the channel’s assignment switches: 
post-EQ [32], post-fader [25] and post-pan [31]. 

 

The only difference is that solo works regardless 

 

of the channel’s assignment positions, and that 

 

makes it really handy — you can check out a 

 

channel before you assign it. 

AFL is the preferred mode during mixdown: 

 

If the channel has some midrange boost at 4.236kHz, 
is panned a smidgen to the left, and its fader is at 
–5.385dB, that’s exactly what you’ll hear if you solo 

 

during AFL mode. It’s just as if you took the time to 
mute all the other channels.

PFL solo is the key player in the all-important 

 

level-setting procedure . It’ll send the channel’s  

actual internal levels to the meters so you’ll know 

 

just what’s going on, level-wise. This procedure should 
be performed every time a new sound source is patched 
into a channel’s mic [1] or line [2] input jacks. 

PFL is also the preferred mode for SR (sound 

 

reinforcement, or live sound), to preview channels 
before they are let into the mix. It won’t give you stereo 
placement, but will give you signal even if the fader 

 

is turned down.

Remember, PFL taps the channel signal before 
the fader. If you have a channel’s fader set way 
below “U” (unity gain), solo won’t know that 

and will send a unity gain signal to the control room, 
headphones, and meter display. That may result in a 
startling level boost at these outputs, depending on the 
 position of the solo [46] level knob.

45.  Level Set LED

When the mode switch [44] is engaged, it’s in PFL 

mode, the mode you must be in to set levels. Now, when 
you engage any solo switch, this LED will be a “green 
light” to set levels. If you tried to set levels during  AFL 
mode, the meter display would be at the mercy of the 
channel fader, and that would be a big problem. 

46.  Solo (Level)

This knob controls the level of the signals coming 

from the solo system. After the solo level is determined, 

the solo signals will proceed to take over the control 

room, headphones, and meter display.

Once again, PFL solo taps the channel signal 
before the fader. If you have a channel’s fader 
set way below “U” (unity gain), PFL solo 

 

won’t know that and will send a unity gain signal to  

the control room, headphones, and meter display. This 
may result in a startling level boost at these outputs, 
depending on the  position of the solo level knob. 

47.  Rude Solo Light

This flashing LED (light emitting diode) serves 

 

two purposes — to remind you that you’re in solo, 

 

and to let you know that you’re mixing on a 1642VLZ4. 
No other company is so concerned about your level of 
solo awareness. We even force the soloed chan nel’s –20 
LED to play along, so you can find that rogue switch fast.

If you work on a mixer that has a solo function with 

 

no indicator lights, and you happen to forget you’re 

 

in solo, you can easily be tricked into thinking that 
something is wrong with your mixer. Hence the rude 
solo light. It’s especially handy at about 3:00 in the 
morning, when no sound is coming out of your monitors, 
even though your multitrack is playing back like mad.

48. Meters

The 1642VLZ4’s peak metering system is made up of 

two columns of twelve LEDs. Deceptively simple, 

 

considering the multitude of signals that can be 

 

monitored by it. If nothing is selected in the source [42] 
matrix,  and no channels are in solo [27], the meter 
display will just sit there. To put them to work, 

 

you must make a selection in the source matrix 

 

(or engage a channel's solo switch).

Why? You want the meter display to reflect what 

the engineer is listening to, and as we’ve covered, the 
engineer is listening either to the control room output 
or the headphones. The only difference is that while the 
listening levels are controlled by the CR/phones [43] 
knob, the meter display reads the source mix before 

 

that control, giving you the real facts at all times, 

 

even if you’re not listening at all.

When the solo mode [44] switch is set to PFL (down), 

all soloed signals will be sent to the left meter only. 
That, combined with the level set led [45], are along 
the path of   enlightenment known as the level-setting 
 procedure (page 5).  During AFL mode, the meters will 
 behave normally.

Summary of Contents for 1642VLZ4

Page 1: ...LOW 80Hz HI 12k MID L R 15 15 U 15 15 U 15 15 U FREQ 200 2k 800 100 8k PRE 1 2 15 U AUX 15 U 3 4 15 U 15 U LOWCUT 75Hz 30 20 10 10 40 50 5 5 U 60 dB OO SOLO LINEIN6 MIC6 ONYX MIC PRE INSERT 1 2 3 4 L...

Page 2: ...ctions importantes pour le fonctionnement et l entretien service dans le livret d instruction accompagnant l appareil 20 NOTE This equipment has been tested and found to comply with the limits for a C...

Page 3: ...E SELECTOR 13 18 POWER CONNECTION 13 19 FUSE 13 20 POWER SWITCH 13 21 POWER LED 13 22 PHANTOM SWITCH 13 23 48V LED 13 24 BNC LAMP SOCKET 13 CHANNEL STRIP DESCRIPTION 25 CHANNEL FADER 14 26 ASSIGN 1 2...

Page 4: ...1642VLZ4 is designed to provide the highest headroom and lowest noise possible for maximum signal integrity Plus it is truly Built Like A Tank with a ridiculously rugged solid steel chasis that includ...

Page 5: ...attached or to the line level inputs of powered speakers Setthelevels It s not even necessary to hear what you re doing to set optimal levels But if you d like to Plug headphones into the phones outp...

Page 6: ...Q are connected to the L R main inserts Digital reverb and delay processors are connected to aux sends 1 and 2 with the aux sends set to post level Effects are added to the main mix via the stereo ret...

Page 7: ...is connected to the stereo line inputs of channels 15 16 A stereo compressor and stereo graphic EQ are connected to the L R main inserts The XLR L R main outs connect to a stereo graphic EQ before con...

Page 8: ...4 and 15 16 are stereo pairs with line inputs only 1 Mic Ins This is a female XLR connector that accepts a balanced mic or line level input from almost any type of source These Onyx mic preamps featur...

Page 9: ...ou can use these inputs for virtually any signal you ll come across from instrument levels as low as 50 dB to operating levels of 10 dBV to 4 dBu as there is 45 dB of gain available via the gain 3 kno...

Page 10: ...racks To feed an 8 track deck with only four sub outs simply use four Y cords Sub Out 1 feeds tracks 1 and 5 Sub Out 2 feeds tracks 2 and 6 Sub Out 3 feeds tracks 3 and 7 Sub Out 4 feeds tracks 4 and...

Page 11: ...s of a parallel effects devices or to the inputs of stage monitor amps To learn how signals are routed to these outputs see the Aux discussion on page 21 Effects Serial Or Parallel You ve heard us car...

Page 12: ...S plug 14 Main Outs Two sets of jacks are provided for the main outputs 1 4 TRS jacks and XLR jacks These are usually patched to the inputs of your 2 track mixdown deck unless you ve chosen to use the...

Page 13: ...s 12V socket will drive any standard BNC type lamp a Littlite 12G or 12G HI high intensity for instance 23 21 24 16 Mono Level If Mr Mono s main mono mix is maxed just reach for this knob and turn it...

Page 14: ...s or outputs that s called nondestructive solo Using the mode 44 switch the 1642VLZ4 s solo system comes in two flavors AFL sometimes called SIP or solo in place and PFL pre fader listen The mode swit...

Page 15: ...ings up this LED will glow steadily when that channel s mute switch is engaged Here is a quick reference to these LEDs 30 Mute Engaging this switch provides the same results as turning the channel s f...

Page 16: ...ffectively bypassed at the center detent The frequency knob sets the center frequency sweepable from 100 Hz to 8 kHz 32 34 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 20Hz 100Hz 1kHz 10kHz 20kHz 15...

Page 17: ...he channel s aux knobs but also by the aux send 49 master knobs 20Hz 100Hz 1kHz 10kHz 20kHz 15 10 5 0 5 10 15 34 35 36 33 Aux sends can also be used to generate separate mixes for recording or mix min...

Page 18: ...s do not pass through an insert jack on their way to the subgroup faders That s no problem should you want to send these signals through a serial effects processor simply patch from the sub outs to th...

Page 19: ...2 subs 3 4 and tape Selections made here deliver stereo signals to the control room headphones and meter display These signals are tapped off as follows post main mix fader post subgroup faders 38 and...

Page 20: ...ls coming from the solo system After the solo level is determined the solo signals will proceed to take over the control room headphones and meter display Once again PFL solo taps the channel signal b...

Page 21: ...signal off the channel and send it to the aux send 6 outputs Aux 1 and 2 are sent to the aux sends 1 and 2 49 master knobs before the aux send outputs aux 3 and 4 are sent directly These outputs can b...

Page 22: ...send 1 feeds stereo return 1 to aux send 1 master and To aux send 2 feeds stereo return 2 to aux send 2 master They are off when turned fully down deliver unity gain at the center detent and can prov...

Page 23: ...operates just like the channel solo 27 switches engaging it sends signals to the control room headphones and meter display and interrupts whatever happened to be there before you soloed It follows th...

Page 24: ...it s not the mixer Unplug everthing from the main insert 13 Noise Turn the channel faders and stereo return knobs down one by one If the sound disappears it s either that channel or whatever is plugg...

Page 25: ...left cord and a right cord which are plugged into the two mic preamps You can cook up your own adapter for a stereo microphone Y two cables out of a female 1 4 TRS jack to two male XLR plugs one for...

Page 26: ...cases you will have to make up special adapters to interconnect your equipment For example you may need a balanced XLR female connected to an unbalanced 1 4 TS phone plug TIP SLEEVE TIP SLEEVE Unbala...

Page 27: ...ack labeled left mono The signal will be routed to both the left and right sides of the return circuit and will show up in the center of the stereo pair of buses it s assigned to or it can be panned w...

Page 28: ...rt return 2 5 k All other inputs 10 k or greater Tape out 1 1 k All other outputs 120 3 Band EQ channels 1 8 High Shelving 15 db 12 kHz Mid Peaking 15 dB sweep 100 Hz 8 kHz Low Shelving 15 db 80 Hz Lo...

Page 29: ...1 TAPE OUT MAIN MIX RIGHT OUT METERS 0VU 0dBu TAPE IN L R TAPE LEVEL C R PHONES SOURCE MAIN TAPE 1 2 RUDE SOLO LED C R PHONES MIX C R LEVEL CONTROL ROOM OUT L R PHONES OUT A SIP PFL SOLO LEVEL SOLO MI...

Page 30: ...30 1642VLZ4 1642VLZ4 Track Sheet Session Notes Date...

Page 31: ...ed service representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company...

Page 32: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www 720trees com...

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