M-Audio SUPER DAC 2496 User Manual Download Page 8

OPERATION

The SUPER DAC 2496 is compatible with 24-bit, 20-bit, 18-bit, and 16-bit data.

The more bits per data word, the better the dynamic range.  Better dynamic

range translates into higher audio quality.

The term "sampling rate" means the number of times that digital audio takes a

"picture" of the analog signal.  The more times per second you take a picture of

the analog signal, the more accurate the digital representation is.  Therefore,

higher sample rates equate to better audio quality.  Whichever sampling rate

you send to the Super DAC, from 22 kHz to 100 kHz, the Super DAC

automatically detects the sample rate and synchronizes to it.  Once locked to

the sample rate, the front panel "Data Valid" LED will light.

The Super DAC has three digital inputs.  AES/EBU is regarded as a

professional digital transmission protocol.  Utilizing a three-conductor

balanced "XLR" type cable, this transmission method is considered the most

stable and runs the longest distances.  S/PDIF and TOSLINK are essentially the

same transmission protocol, one using a two-conductor "coaxial" cable with

RCA connectors as the standard and the other a special "TOSLINK" type

optical cable.  S/PDIF and TOSLINK are used in many professional situations

but are much more common in consumer equipment.

The front panel Format pushbutton selects the digital input that will feed the

D/A converter.  Only one digital input may be selected at a time.  When the

Super DAC recognizes valid data at the selected input, it decodes it to and

converts it to stereo audio which goes to the internal output amplifiers that

drive the balanced and unbalanced analog outputs.  

The Super DAC balanced XLR outputs carry a professional-level audio signal

(+4 dBu nominally) across a pair of conductors surrounded by a ground shield

conductor. The two signal conductors are opposite polarity from each other

and at the receiving end are subtracted from each other.  This results in a signal

that is twice as hot.  More importantly though, any noise that is common to

both signal conductors gets cancelled during the subtraction!  This makes

balanced signals more noise-immune than unbalanced signals.  The noise

immunity and "voltage doubling" help to make balanced signals run further

distances than unbalanced ones.

The Super DAC 1⁄4” unbalanced outputs carry a consumer-level audio signal (-

10 dBV nominally) across a single conductor surrounded by a ground shield

conductor. Most consumer equipment operates with unbalanced connections.

Although by definition not as quiet as the balanced signals, the unbalanced

signals are still extremely quiet when used in a properly grounded system with

short cable runs. 

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Summary of Contents for SUPER DAC 2496

Page 1: ...on 2 Features 3 Panel Description 3 Installation 4 Typical Setup 5 Typical Setup Figure 1 5 Typical Setup Figure 2 6 Typical Setup Figure 3 7 Typical Setup Figure 4 7 Operation 8 Troubleshooting 9 Lif...

Page 2: ...decks MiniDiscs DVDs or CD players Your analog sound will receive an instant upgrade to professional audiophile quality This manual assumes that you have a basic understanding of D A conversion and di...

Page 3: ...LEDs indicate current digital input selection D A Valid LED indicates valid incoming digital data PANEL DESCRIPTION Front Panel 1 Data Valid LED This LED indicates valid incoming digital data at the...

Page 4: ...EBU cable is connected to ground at the source end not the Super DAC end this prevents potential system ground loops therefore the factory default position is with ground lifted with the switch set t...

Page 5: ...rk for coaxial S PDIF After all connections are made power up your equipment Start with your sound source then the Super DAC and then your audio target or sound system TYPICAL SETUP Your SUPER DAC 249...

Page 6: ...ve its sound quality by replacing its built in D A converters with something more high end The solution is to hook all three to the Super DAC s inputs and use the front panel Format button as a conven...

Page 7: ...Typical Setup Fig 3 or an analog mixdown deck with balanced ins and a sound system that accepts _ inch or RCA jacks You could use this setup to A B the mix deck with the source Typical Setup Fig 4 7...

Page 8: ...e much more common in consumer equipment The front panel Format pushbutton selects the digital input that will feed the D A converter Only one digital input may be selected at a time When the Super DA...

Page 9: ...per DAC mutes its analog outputs until it sees a valid digital signal for 200 milliseconds Symptom When applying a digital signal to the Super DAC the DAC s Data Valid LED lights erratically or not at...

Page 10: ...100 dB A weighted SNR idle channel noise 117 dB A weighted Frequency response 20Hz 20kHz 0 1 0 18 dB Balanced Outputs 4 dBu nominal 20 dBu peak Unbalanced Outputs 10 dBV nominal 6 dBV peak PHYSICAL S...

Page 11: ...m audio com warranty for terms and limitations applying to your specific product Warranty Registration Thank you for registering your new M Audio product Doing so immediately both entitles you to ful...

Page 12: ...12...

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