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LOOPTROTTER

AUDIO ENGINEERING

Contact:
www.looptrotter.com.pl
[email protected]

Distribution:

www.mjadiolab.pl

[email protected]

Signal

 

Path

The

 

FET

 

Compressor

 

Stage

:

ATTACK

RELEASE

0

1

2

3

4

5

6

7

8

9

10

OUTPUT

INPUT

FET  COMPRESSOR

COMP.

LIMITER

BYPASS

PROCESS

0

1

2

3

4

5

6

7

8

9

10

.5

15

25

50  

70

100

150

.2

.3

1

1.5

ms/sec

.1

.2

.5

1

2

5

7

15

30

50

100

ms

ATTACK

RELEASE

0

1

2

3

4

5

6

7

8

9

10

OUTPUT

INPUT

FET  COMPRESSOR

COMP.

LIMITER

BYPASS

PROCESS

0

1

2

3

4

5

6

7

8

9

10

.5

15

25

50  

70

100

150

.2

.3

1

1.5

ms/sec

.1

.2

.5

1

2

5

7

15

30

50

100

ms

S I D E C H A I N

F I L T E R S

T I M I N G

C I R C U I T

V O L T A G E  -  C O N T R O L L E D

R E S I S T O R  A T T E N U A T O R

A M P L I F I E R

O T H E R  C H .

ATTACK

RELEASE

OUTPUT

INPUT

L I N K

DUAL

COMP.

LIMITER

S I D E C H A I N

O U T P U T

I N P U T

 

The

 

FET

 

compressor

 

is

 

fed

 

by

 

INPUT

 

knob

There

 

is

 

no

 

threshold

 

or

 

ratio

 

setting

,

 

so

 

the

 

more

 

signal

 

gets

 

into

 

the

 

compressor

the

 

more

 

gain

 

reduction

 

occurs

However

there

 

are

 

traditional

 

attack

 

/

 

release

 

setting

 

knobs

allowing

 

you

 

to

 

set

 

fast

 

to

 

slow

 

attack

 

time

 

(

0

.

1

 

ms

 

-

 100

 

ms

),

 

and

 

release

 

time

 

between

 

15ms

 

to

 

1

.

5

 

sec

This

 

is

 

useful

 

to

 

shape

 

the

 

compressor

'

s

 

behavior

 

and

 

allows

 

to

 

use

 

for

 

example

 

fast

 

attack

/

release

 

times

 

for

 

drums

and

 

slower

 

settings

 

for

 

vocals

.

The

 

compressor

 

/

 

limiter

 

switch

 

gives

 

you

 

the

 

choice

 

of

 

compression

 

curve

The

 

compressor

'

s

 

curve

 

has

 

softer

 

knee

while

 

the

 

limiter

'

s

 

knee

 

is

 

harder

 

(

see

 

diagram

)

INPUT

O

U

T

P

U

T

20

20

LIMITER / COMPRESSOR

0

40

35

5

10

30

25

15

0

40

5

35

10

30

15

25

INPUT

O

U

T

P

U

T

20

20

LIMITER / COMPRESSOR

0

40

35

5

10

30

25

15

0

40

5

35

10

30

15

25

 

The

 

bypass

 

switch

 

makes

 

the

 

signal

 

avoid

 

the

 

compressor

 

section

 

completely

.

Output

 

knob

 

controls

 

compressor

'

s

 

output

 

level

.

Summary of Contents for Monster compressor

Page 1: ...LOOPTROTTER AUDIO ENGINEERING Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl OWNER S MANUAL FET COMPRESSOR with TUBE SATURATION ...

Page 2: ...sing It is intended to sound transparent but gives perfect functionality when using MONSTER as an insert device when 100 processing is unwanted Monster Compressor is a device with analog character It was designed to either complement super clean digital technology or expand sonic possibilities in your analog studio The compression module treats the signal in a very musical way before the tube satu...

Page 3: ... 2 3 4 5 MIX OUTPUT dB OUT INPUT O U T P U T 20 20 LIMITER COMPRESSOR 0 40 35 5 10 30 25 15 0 40 5 35 10 30 15 25 V U 7 5 3 20 10 1 0 3 5 L I N K DUAL INPUT OUTPUT OTHER CH BYPASS BYPASS TRUE BYPASS DESYM SYM G R GAIN REDUCTION LEVEL TUBE 2nd SATURATION BYPASS PROCESS BOOST 0 1 2 3 4 5 6 7 8 9 10 ATTACK RELEASE 0 1 2 3 4 5 6 7 8 9 10 OUTPUT INPUT FET COMPRESSOR COMP LIMITER BYPASS PROCESS 0 1 2 3 ...

Page 4: ...MITER S I D E C H A I N O U T P U T I N P U T The FET compressor is fed by INPUT knob There is no threshold or ratio setting so the more signal gets into the compressor the more gain reduction occurs However there are traditional attack release setting knobs allowing you to set fast to slow attack time 0 1 ms 100 ms and release time between 15ms to 1 5 sec This is useful to shape the compressor s ...

Page 5: ...nd BOOST switch brings up even harmonics introduced by the tube circuit The process bypass switch allows the signal to bypass tube circuit completely Mix and Output Stage 0 10 20 30 40 50 60 70 80 90 100 MAIN 5 4 3 2 1 0 1 2 3 4 5 MIX OUTPUT dB 0 10 20 30 40 50 60 70 80 90 100 MAIN 5 4 3 2 1 0 1 2 3 4 5 MIX OUTPUT dB This section allows you to mix completely dry signal from the input of the device...

Page 6: ... BYPASS switches MONSTER s channels into fully operational circuit or completely bypasses the unit s circuits the input signal is led directly to it s output Connectors Rear Panel 1 3 2 1 3 2 1 3 2 1 3 2 Channels 1 and 2 has input and output connectors based on XLR sockets There are additional TRS unbalanced outputs for each channel marked as Monitor Output Sidechain Input and Output This circuit ...

Page 7: ... engage the tube saturation circuit and check how it works with the processing you ve already achieved The most natural warmth and tube style distortion can be obtained with Saturation at 4 and 2dBoost switch to off More overdrive may be obtained by switching the 2d Boost and turning the saturation knob over 6 Adding very fast attack and release time and switching compressor to limit mode gives mo...

Page 8: ...LOOPTROTTER AUDIO ENGINEERING Contact www looptrotter com pl looptrotter looptrotter com pl Distribution www mjadiolab pl office mjaudiolab pl ...

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