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 ALPIN MASTER 128                                                                                               BANK 32         

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ALPINE MASTER 128 offers a selection of German folk music sounds from the TRADITION Exclusive 200 sound board.

Info: Bass Bank 32

The bass programs on BANK 32 are special versions specifically for accordion players. The program symbol C/Cis means that the 

lowest note C36 (36 is the key number) will automatically play one octave higher. Es/E means that all notes lower than E will play 

one octave higher. By simply selecting a program number, you can set how low the bass should be. The setting is purely a matter 

of personal taste, key and your own style.

Accordion and diatonic harmonica mechanics allow play within one octave. The range between low C and B (notes 36-47) has 

become the standard range for MIDI. However, the C-B range is rarely playable on natural bass instruments. The lowest note on 

four-string e-bass guitars and contrabass is E.

* NOTE This program does not react to velocity in the normal sense for MIDI accordions specifically. The sound will not be louder 

or softer when you play with velocity by pressing the key faster or slower. Use the VEL value to select the samples in exactly the 

dynamic range that you want. Use the bellows dynamic to play louder or softer. In other words, you can play “piano” samples 

loudly if you so choose.

E-bass

Prg.

MS P Discription

1

E-bass 1

M

2 ideal in combination with a baritone to create a double bass foundation

2

E-bass 1

                    C/Cis M

2 -“-

3

E-bass 1

                      Es/E M

2 -“-

4

E-bass 2

 

M

2 velocity zones: 1-31 “ghost note” / 32-96 mp / 97-126 mf / 127 forte  

the attack sound is emphasized with the MOD parameter

5

* E-bass 2

                 C/Cis M

2 VZ: * 1-96 mp / 97-126 mf / 127 forte  MOD = attack sound

6

* E-bass 2

                    Es/E M

2 -“-

7

E-bass 3 Bridge 

 

M

2 VZ: 1-31 “ghost note” / 32-96 mp / 97-126 mf / 127 forte  

the attack sound is emphasized with the MOD parameter

8

* E-bass 3 

                C/Cis M

2 all parameters as in program 5 except: VZ: * 1-63 mp / 64-95 mf / 97-127 forte

9

* E-bass 3

                    Es/E M

2 -“-

10

E-bass 4 Pick

 

 

M

2 velocity zones: 1-31 “ghost note” / 32-95 mf / 96-127 forte  

Sub-bass is controlled with the MOD parameter

11

* E-bass 4 Pick

          C/Cis M

2 all param. as in program 10 except: velocity zones: * 1-95 mf / 96-127 forte

12

* E-bass 4 Pick

            Es/E M

2 -“-

19

E-bass SUB

M

1 Sub sinus bass

20

E-bass SUB 

              C/Cis M

1 Sub sinus bass                         

21

E-bass SUB

                 Es/E M

1 Sub sinus bass           

Summary of Contents for ALPIN MASTER 128

Page 1: ...LIMEX USER MANUAL SOUND BOARD ALPIN MASTER 128 ...

Page 2: ...change MOD A special parameter of the LIMEX MIDI systems MPR3 M P not model L Push up the value on any instrument and listen to what this does for your sound Adz Velocity zones ranges in which various samples may be played ghost note A ghost note is created by muffling the bass strings as they are played so much that no clear tone is heard Use these samples to add a groove to your MIDI files Witho...

Page 3: ...TER128 becomes a professional arranger INTEGRATION Here s how the sound boards can be integrated into your system Installation in the instrument accordion or diatonic harmonica that is equipped with a LIMEX MIDI system Installation in a LIMEX rack unit making four audio outputs available that can be sent separately to a mixer Installation in a LIMEX W3 wireless receiver TECHNICAL DETAILS Sound boa...

Page 4: ...ed instrument The CE certification is available at www limexmusic com LIMEX MUSIC HANDELS GMBH A 6114 Kolsass Austria COPYRIGHT The recordings used in this device are protected by copyright LIMEX Music Handels GmbH alone has been given the right by all musicians involved to use this material Any duplication editing or any other copy by or given to a third party in any form audio sampling CD data s...

Page 5: ...e all of your data on your instrument is first then Under the MIDI menu go to Load data Select the following Set 0 Set 1 Patch 0 199 Under the File menu select Save As name the file and click OK Switch to a different sound board Other Under the Unit menu select Sound Board At the top near Sound Board ALPINE MASTER 32 or AM16 etc select Other Under the MIDI menu select Write File Set 0 OK Save the ...

Page 6: ...rdion 0 23 Harmonica 0 24 Diatonic accordion Bank Prg GUITAR 0 25 Nylon Guitar 3 25 Mandoline Tremolo 0 26 Steel Guitar 3 26 Steel Guitar Rhythm 0 27 Jazz Guitar 3 27 Jazz Guitar 3 0 28 Clean Guitar 0 29 Mute Guitar 0 30 Overdrive Guitar 3 30 Overdrive Guitar 3 stereo 0 31 Distortion Guitar 3 31 Distortion Guitar 3 4 31 Distortion Guitar 4 5 31 Distortion Guitar 5 0 32 Guitar Harmonics 3 32 Guitar...

Page 7: ...ad 0 83 Calliope 0 84 Chiff 0 85 Charang 0 86 Solory 0 87 Fifths 0 88 Bass Lead 0 89 New Age 0 90 Warm Pad 0 91 Polysynth 0 92 Space 0 93 Bowed Bank Prg SYNTHESIZER 0 94 Metallic 3 94 Digitalic 4 94 Digi 4 0 95 Halo 0 96 Sweep 0 97 Rain 3 97 Sleigh Bells 0 98 Soundtrack 0 99 Crystal 3 99 Hyper Crystal 0 100 Atmosphere 0 101 Brightness 0 102 Goblins 0 103 Echoes 3 103 Echo Pan 0 104 Sci fi Star ETH...

Page 8: ... 57 CLARINET 58 CLARINET vibrato 1 59 CLARINET vibrato 2 60 CLARINET staccato 61 SOPRANO SAX 63 ALT SAX vibrato 1 64 ALT SAX vibrato 2 65 ALT SAX without vibrato Prg 66 TENOR SAX vibrato 1 67 TENOR SAX vibrato 2 68 TENOR SAX 1 69 TENOR SAX 3 sharp 70 TRUMPET vibrato 1 71 TRUMPET vibrato 2 72 TRUMPET ENSEMBLE 73 FLUGELHORN 74 TENOR HORN 75 TENOR HORNS 76 TROMBONE 77 BASS TROMBONE 78 BARITON effects...

Page 9: ...lay with velocity by pressing the key faster or slower Use the VEL value to select the samples in exactly the dynamic range that you want Use the bellows dynamic to play louder or softer In other words you can play piano samples loudly if you so choose E bass Prg MS P Discription 1 E bass 1 M 2 ideal in combination with a baritone to create a double bass foundation 2 E bass 1 C Cis M 2 3 E bass 1 ...

Page 10: ...ti talented Tyrolean musician Guenther Sponring has been used in most recent German folk mu sic productions Its neutral tone blends well and is very flexible material for sound technicians The baritone sound in the winning title for the Grand Prix of German Folk Music 2008 is a good example of the sound s quality 85 Baritone staccato M 2 MOD parameter emphasizes the overtones 86 Baritone staccato ...

Page 11: ...ng program 128 ensures that nothing will be played allowing you to turn a MIDI channel on or off without the danger of a stuck note Gerhard Renato C Guitar The following program is a combination of the TRADITION Exclusive programs 1 6 11 Castello AZ10 M 3 Velocity zones 1 95 mp 96 127 mf MOD combination The programs below are from the popular SOLI MUSIC Tradition XL series These guitar programs ar...

Page 12: ...Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 46 Hi Hat Open 808 Hi H Op Timpani 47 Tom M Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani C2 48 Tom H Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 49 Crash Cymbal 808 Cym Brush Crash Timpani D2 50 Tom HH Power Tom Power Tom Elec Tom 808 Tom Brush Tom Timpani 51 Ride Cymbal Brush Ride Timpani E2 52 China Cym Brush China Timpani F2 ...

Page 13: ... programs perfectly A compact recorded chord always sounds more authentic than three individual strings played at the same time The only problem is its use on bass keys The chord guitar sounds perfect and powerful when played on the ground bass but when you play alternating bass there are problems with the chord 3 Chord conflict programs 1 16 on bass When you play a major chord of the bass on ever...

Page 14: ...ments then the patch on the MIDI system is NOT set to the lowest C Set the lowest note to C CHORD GUITAR IN WRONG KEY If the WRONG chords are playing on a diatonic accordion the instrument has not been pro gramed to the specified octaves For all notes Accompanying chords small octave bass great octave In addition the part that is playing the accompanying chord must be set to 3 on the octave parame...

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