background image

4

// 

How to read a polar pattern diagram 

First of all, you have to be able to read a polar pattern diagram properly . It contains 
all necessary information you need to foresee the result during recording . 
 
Think  of  a  a  360°  field  surrounding  the  microphone.  0°  is  the  “front”  of  the 
microphone and the angle where the microphone has its maximum sensitivity . 
The scale of the circle consists of smaller circles, each representing a 5 dB 
decrease in sensitivity .
 
The decibel (dB) is a logarithmic unit to compare two values. If the specification 
of a cardioid pattern microphone states it has a rear rejection of 25 dB, it means 
that the most sensitive part (0°) is compared with the least sensitive part (180°) .
 
For (sound) pressure, current and v6 dB is double the signal strength, 
+20 dB leads to 10 times the signal .  A typical rear rejection for a cardioid pattern 
is about -20 dB . Sound coming from the back of the microphone is picked up at 
1/10th sensitivity relative to the front signal . 
 

// 

Cardioid

The most commonly used polar 
pattern is most sensitive at 0° and 
least sensitive at 180° . You cannot go 
wrong using this for most recording 
applications . It is easy to get a dry 
signal as the cardioid pattern blends 
out a bad sounding room, a noisy fan 
in the background, etc .  

4.2.

 

Phantom power explained 

// 

All condenser microphones require an external power source called “Phantom 

Power” to generate polarization voltage for the capsule and to power the circuitry . 
Without phantom power, a condenser microphone will not work .

// 

Phantom power is a DC voltage, that can be supplied by an audio interface, 

mixing console, pre-amplifier or a designated phantom power supply unit.   

// 

Phantom power needs to be switched on using a designated button located 

on the audio interface, preamp, or other recording devices . In most cases,  
the designated button reads “P48” or “Phantom Power” .  

// 

Phantom power is always supplied via the connected standard 3-pin XLR cable 

and does not require any other connector or cable in addition to that . 

// 

When activating phantom power, a sound can be audible - this is perfectly 

normal . You can mute the microphone channel while turning on phantom power 
to avoid this sound .

4.3. 

Polar patterns 

It is important to understand the basic principles of polar patterns to get the best out 
of every recording . The polar pattern of a microphone determines the sensitivity on 
different angles. In other words, it defines how much of the signal will be picked up 
by the microphone from different directions . By selecting the right pattern, you can 
avoid unwanted sound sources to bleed into your signal, adjust the mix between dry 
and room sound or change the frequency response and handling noise sensitivity .

Polar graph frequency

1 .000 Hz

180˚

0

-10

30˚

330˚

150˚

210˚

60˚

120˚

300˚

240˚

90˚

270˚

Figure 4 .1

Summary of Contents for LCT 440 PURE

Page 1: ...1 1 TRUE CONDENSER MICROPHONE FOR ALL APPLICATIONS LCT 440 PURE USER MANUAL THE ESSENCE OF A TRUE CONDENSER MICROPHONE...

Page 2: ...3 Polar patterns 4 4 4 Important specs of a condenser microphone 5 5 Before you start 6 6 Setting up your LCT 440 PURE 6 7 Recording tips 7 8 Applications 8 8 1 Vocals 8 8 2 Guitar amps 8 8 3 Acoustic...

Page 3: ...internal electronics This external power source is commonly known as phantom power Microphones with permanently polarized condenser capsules still need phantom power to make the internal electronics w...

Page 4: ...All condenser microphones require an external power source called Phantom Power to generate polarization voltage for the capsule and to power the circuitry Without phantom power a condenser microphon...

Page 5: ...the source material and the listener s perception Most manufacturers state the MAX SPL at 0 5 THD Total Harmonic Distortion measured at 1kHz 4 4 Important specs of a condenser microphone Sensitivity...

Page 6: ...nd the right gain setting With having your peaks around 12 dBFS you will be save in most cases and do not need to worry about ugly distortions but still have a good signal to noise ratio 5 Before you...

Page 7: ...the mic as a flashlight Whatever your beam of light illuminates will be in the focus of your recording Room sound Try different rooms if you have the possibility every location sounds different A livi...

Page 8: ...microphones point one towards the 12th fret the other one points towards the soundhole 8 Applications A condenser microphone is a classic go to microphone for studio work as it can capture every subtl...

Page 9: ...nt sound Also vary the distance but be aware the further away the more bleed you get from other parts of the drum kit 2 Adding a snare mic Try to position the snare mic in a way that it does not pick...

Page 10: ...120 300 240 90 270 Polar graph frequency 125 Hz 250 Hz 500 Hz 1 000 Hz 2 000 Hz 4 000 Hz 8 000 Hz 16 000 Hz 0 180 0 10 30 330 150 210 Hz 50 100 200 500 1 000 2k 5k 10k 20k 60 120 300 240 90 270 Polar...

Page 11: ...ing applications as it reduces unwanted structure borne noise The open front of the shock mount allows you to position the microphone as close as you like to the source LCT 50 PSx magnetic pop filter...

Page 12: ...are well connected and functional My signal sounds distorted what can I do Check and adjust input gain on your audio interface mic preamp or other subsequent equipment always make sure you leave suffi...

Page 13: ...nnot be limited Please note The capsule is a sensitive high precision component Make sure you do not drop it from high heights and avoid strong mechanical stress and force To make sure that the microp...

Page 14: ...o the date of purchase as shown on your purchase receipt LEWITT GmbH shall satisfythe warranty obligations by remedying any material or manufacturing faults free of charge at LEWITT s discretion eithe...

Reviews: