Leica Digital Modul R Brochure Download Page 11

22

LFI  DMR /2006

TECHNOLOGY 

R LENSES IN DIGITAL OPERATION

FACTOR 1.37

One of the key arguments in favour of the Digital-Modul-R is that you
can benefit from the potential of R lenses – ranging from 15 to 800 millimetre
focal lengths – both in analogue and digital use. 35-mm photographers 
will simply have to befriend themselves with a slightly altered perspective.

Modul-R would appear to be a logical
next move, if an entry into high-end
digital photography is on the cards.
Those to whom the Digital-Modul-R
marks the occasion to enter into the 
Leica R system not only have the
prospect of an unrivalled camera concept
with outstanding ergonomics, technology
and handling, but also – and above all –
one of the best optical systems in the
world for 35-mm photography.

KEYWORD: 35-MM FORMAT

Leica, of all brands, as the pioneer of 
35-mm photography, is now, with the
digitalisation of the R system, being
unfaithful toward this format. At least
this is what critics never cease to slate.
For reasons mentioned on page 6, the

sensor is slightly smaller than 35 mm
film – while the latter has a diagonal 
of 43.3 millimetres, the sensor of the 
Digital-Modul-R has a 31.7-mm diagonal;
and when one alters the format of the
exposure medium, the behaviour of the
lenses changes accordingly. Those who
as 35-mm photographers occasionally
stray into medium format will know how
confusing the whole thing can be. A lens
that was built for the image circle of a 
6-by-7 system has, with a 100-mm focal
length, a view angle of approximately 
48 degrees, which more or less equals a
50 mm lens in 35-mm lingo. Yet the
reorientation with the Digital-Modul-R 
is not so severe. One can even claim that
the related crop factor is fairly moderate,
resulting from the division of the 

Super-Elmarit-R 15 mm f/2.8 Asph: expensive
luxury for friends of extreme perspectives

Vario-Elmar-R 21–35 mm f/3.5–4 Asph:
compact and better than the fixed focal lengths

Maximum system compatibility has
always been a founding virtue of Leica –
to this day, owners of an R3 can still use
Leica’s most recent R lenses, and an 
R8 or R9 remains companionable with
almost all lenses throughout the past 
40 years of Leica’s SLR history. Even the
ones featuring the Leicaflex metering
cams can be reinforced with a ROM
module. Since photokina 1998, this is
what has been enabling today’s R lenses
to electronically transfer parameters,
such as aperture, focal length and
vignetting, to the camera. 

Even during the inception of the

Digital-Modul-R concept, this general
idea played a central role. For Leica R
photographers who already own an R8 
or R9 and an array of lenses, the Digital-

21045_E_2225_Objektive.QXD  14.06.2006  18:44 Uhr  Seite 22

Summary of Contents for Digital Modul R

Page 1: ...LFI LEICA FOTOGRAFIE INTERNATIONAL LEICA FOTOGRAFIE INTERNATIONAL D EUR 8 00 NL EUR 9 30 B 9 30 L EUR 9 30 4 194043 108000 09 SPECIAL DIGITAL MODUL R D 19088 F SPECIAL DIGITAL MODUL R...

Page 2: ...tal camera with brilliant photo quality DEAR READERS In this special edition on the Digital Modul R we present to you in addition to an abundance of information on Leica s professional digital system...

Page 3: ......

Page 4: ...in fact accomplished a singular solution the Leica R9 which normally operates with film and its R8 predecessor which has an almost identical body can now be equipped with a digital back transforming t...

Page 5: ...0 megapixel resolution a high input dynamic range and an accurate colour recognition and that the concept is beginning to bear fruit becomes evident when we study the respective field reports or what...

Page 6: ...m the matt screen the R8 or R9 requires no modification or re equipping for digital operation Fortunately Leica had already included all of the important electronics for the communication with the dig...

Page 7: ...key condition to force the sensor into the unaltered 24 by 26 mm film window of the R8 or R9 required the development of a new sensor concept Since the chip had to contain the connecting wires and a f...

Page 8: ...urs and magical atmospheres Varanasi of India also known as the City of Light is so holy that it brings accelerated salvation to those who live and die there Uwe D rigen used his Leica and Digital Mod...

Page 9: ...hotographer from Ettlingen Germany was able to produce a series of mystical exposures A transcendental light gently caresses his well composed photographs taking us deep into the ritualistic lifestyle...

Page 10: ...tai Mountains where I used the Digital Modul R to document the Kazakh Nomads and their ancient tradition of hunting with golden eagles for magazines Terra and LFI LFI In what way has your photographic...

Page 11: ...ure medium the behaviour of the lenses changes accordingly Those who as 35 mm photographers occasionally stray into medium format will know how confusing the whole thing can be A lens that was built f...

Page 12: ......

Page 13: ...rBook and a calibrated monitor in the studio set up The LFI art direction had provided the photographer with a wealth of ideas and draft layouts enabling the team to assess the exposures in an eventua...

Page 14: ...res must only be sharpened at the very end of the imaging process In our case it was performed by the Alphabeta repro service where the pictures Several hours of retouching were necessary before the p...

Reviews: