Laney
2
Active and Passive/Active Inputs:
Gain:
Compressor:
Bass:
Treble:
Volume:
Direct Inject:
FX Loop:
Tuner out:
ACTIVE and PASSIVE/ACTIVE inputs are
provided for connection of bass guitars. Active basses should be connected via the
ACTIVE socket. Non active basses should be connected using the passive input. Active
basses may also be placed in the PASSIVE input if pre-amp overloading is desired.
This control is used to set the level of gain present in the pre-amp. The higher the
level of gain, the more the signal will clip producing distortion. The GAIN control should
be used in conjunction with the VOLUME control (8) to produce the desired signal
characteristics.
Engages and disengages the on-board COMPRESSOR.
This
compresses the input-signal giving a punchier sound.
Controls the low-frequency response of the pre-amplifier.
Controls the high-frequency response of the pre-amplifier.
Sets the overall listening level of the amplifier.
XLR socket for direct-injection of the amplifier signal to a mixing-desk or
additional power-amplifier. The XLR socket provides a low-impedance output-signal.
Send and return sockets are provided for connecting external effects-units.
Socket for connecting external tuner.
Enhance:
Limiter Defeat:
The ENHANCE control provides an increased definition at the low-end of the
frequency spectrum giving you a tighter, punchier sound. The ENHANCE control does
this by providing a dip in the frequency-response of the amplifier at approximately 200hz.
This dip eliminates some of the secondary-harmonics of the important low-frequencies
around 40-80 Hz producing a thicker sound. Turning the control through to its maximum
has the effect of boosting both the low and high-frequency content of the signal whilst not
effecting the mids.
Allows the on-board LIMITER to be defeated if desired. With the switch
in the out position the LIMITER is engaged. The LIMITER is automatically triggered at
high-output levels and is designed to prevent power-amp distortion at high-output levels.
The LIMITER monitors both power-amp clipping and load so it automatically registers the
cabinet-impedance and sets itself accordingly.
1.Inputs:
2.Gain:
3.Compressor:
4.Bass:
7.Treble:
8.Volume:
9.D.I:
11.FX loop:
12.Tuner out:
MBH165 front
8
FREQUENCY
500
ACTIVE
ACTIVE
INPUT
100
7
7
2
3
2
3
0
2
1
8
8
2
10
GAIN
COMP
9
5
5
10
0
ENHANCE
BASS
4
9
1
4
3
3
4
6
5
6
5
4
1
-0+
1
MBH165
4
2
2
2
2
2
TREBLE
4
1K
3
5
GAIN
5
5
5
4K
400
5
FREQUENCY
GAIN
4
4
4
4
3
3
3
3
5
LO PARAMID
LO PARAMID
1-0+ 1
1
-0+
1
HI PARAMID
HI PARAMID
1K5
-0+
1
1
2
7
3
DEFEAT
LIMIT
3
8
2
HORN
10
0
VOLUME
VOLUME
9
1
D.I.
6
5
4
0
POWER
1
13
9
16
14
1
2
7
3
19
20
21
18
4
PASSIVE/
MBH165
16.Limiter:
14.Enhance:
Summary of Contents for MBH165
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