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INTRODUCTION 

 

This manual is designed to help you get the most from your L2 audio WM/WMP series stage 
monitor. The WM range refers to passive or unpowered stage monitors. These monitors require 
an external amplification source. The WMP range refers to active or powered monitors. These 
monitors are self powered so only require a signal source.  
 
There are 2 models in each range, 10” and 12”. Both models feature 2 way speaker 
configurations, a low frequency (LF) woofer and a high frequency (HF) compression driver. The 
woofer has been carefully selected for optimum performance and the basket is constructed from  
steel. The HF is a titanium diaphragm and a light mass voice coil, enabling it to reach frequencies 
as high as 20KHz. There is a quality crossover unit built in that separates the high and low 
frequencies.  
 
Both ranges of monitors have a 35mm top hat to enable mounting onto a speaker stand. You will 
notice that the WM stage monitors are designed to enable you to use 2 different angles. The 
popular angle is the one that has the most surface area of the monitor on the stage. If you need a 
longer throw, then the monitor can be used ‘sitting up’ at a sharper angle. Remember that you 
can link many powered monitors together to be placed in various positions on the stage. If you 
have purchased a WMP/WM pair, you cannot link in another WM. If you have purchased WM 
series monitors, you are able to run up to 4 from a L2 audio PA series power amplifier (2 off each 
channel, linking through). If you have 2 WMP series monitors and 2 auxiliaries on your mixer, you 
can have 2 separate monitor mixes from your desk.   

Connections On Your WMP Series Stage Monitors 

1.  

Input 

on the WMP10H is via ¼” jack. This should be a quality screened signal lead from the 

 

auxiliary or monitor output of your mixer.  

 
2. Output 

or link out is for connectivity to another powered monitor and should be linked 

 

with a quality screened ¼”jack signal lead. 

 
3. Volume

. To increase or decrease the volume of the signal in.

 

 

Summary of Contents for WMP12H

Page 1: ...WM Range of Powered and Unpowered Stage Monitors Owners Manual And Instruction Guide ...

Page 2: ...e take some time to read this manual and then keep it somewhere safe for future reference Also here at L2 audio we welcome your feedback and information We like to know what you re using your L2 audio product for Please take a few minutes to register your purchase online at www l2audio co uk warranty within 14 days of purchase Failure to do so could affect your warranty This information is for our...

Page 3: ......

Page 4: ...stand You will notice that the WM stage monitors are designed to enable you to use 2 different angles The popular angle is the one that has the most surface area of the monitor on the stage If you need a longer throw then the monitor can be used sitting up at a sharper angle Remember that you can link many powered monitors together to be placed in various positions on the stage If you have purchas...

Page 5: ...e the chances of feedback 10 Speaker output This is to connect to a WM12H unpowered monitor This will then share the 200 watts power amplifier within the WMP12H Connection is via speakon WMP10 WMP12 Frequency response 72Hz 20KHz 55Hz 20KHz Sensitivity 1w 1mt 96dB 97dB Maximum SPL 117dB 119dB Power handling RMS 140 watts 200 watts Horn dispersion 90º x 45º 90º x 60º Crossover frequency 5KHz 3 5KHz ...

Page 6: ...Power handling RMS 100 watts 150 watts Horn dispersion 90º x 45º 90º x 60º Crossover frequency 5KHz 3 5KHz Impedance 8 ohm 8 ohm Input connectors jack speakon Link out jack speakon Top hat 35mm 35mm Handles 1 plastic bar 1 plastic bar Construction Carpet over 18mm chipboard Carpet over 18mm chipboard Dims WxHxD 370x442x319 412x547x360 Weight 12kg 17kg ...

Page 7: ...se initially contact your place of purchase to obtain a returns advice number We will however always try first to establish if the fault can be rectified without returning the product 5 Every effort must be made to retain the original packaging Any return not in original packaging is more susceptible to transit damage Any subsequent claim may be invalidated due to insufficient packaging MGD is not...

Page 8: ...E OE ...

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