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LINE-MASTER  –  THE  REFERENCE  THROUGH  DIGITAL  PRECISION

The Line-Master is an active 3.5 way studio monitor designed for up to high volumes.

The signal processing, such as equalization, cross-over and correction of the transient

behavior of the components, is taken care of completely at a digital level. The connection

to an existing, digital studio environment occurs digitally via the AES3 interface. An analogue

input is also possible. A high quality 27 Bit gain staging, Sigma-Delta converter with 64 bit

oversampling and a dynamic of more than 130dB is responsible for the conversion. The

digital signals are further processed utilizing a 60MHz floating point, Sharc-DSP in our

proprietary motherboards. This converts the 24-27Bit wide input data into a float word

with 32Bit Mantisse and 8Bit exponent that result in a theoretical dynamic of over 1500dB.

Overloading as well as scaling and rounding noises that maybe typical in similar equipment,

are excluded here. A patented process (Pat.Nr: 198 23 110) raises signals with a word

length of less than 24 Bit to an audiophile level. The external adjustable parameters ,

such as volume or filter etc., directly influence the process at the floating point level, so

that here, for example when adjusting the volume, no scaling malfunctions occur. On the

output side, the DSP works with two 24 Bit D/A converters connected to high performance

MOFSET output stages that have been equipped with hand selected transistors and work

with a bandwidth of 100kHz and a rise time of 80 V/us.

FEATURES  OF  DIGITAL  SIGNAL  PROCESSING

Digital signal processing must include the following:

-Separation of the signal’s components into treble, mid-range and bass.

-Equalization of the transmission behavior of the individual components.

- Protection against overloading

Every interference with the signal, like for example, a crossover filter or an equalization of

an individual speaker, not only makes the required change to the frequency characteristic

but also changes the impulse behavior of the system. With an analogue equalization, a

short impulse will automatically by smeared across the whole time axis and produce at

the end of the equalization a decaying oscillation of the impulse response. In addition, the

inertia of the membrane causes further oscillations of the membrane with every impulse.

All together this causes a right-angle at the signal input to be transformed into an unrelated

signal characteristic at the output.  The Line-Master’s FIRTEC (Finite Impulse Response)

equalization in connection with DMC™ technology is free from such run-time distortions.

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Summary of Contents for LINE-MASTER

Page 1: ...OPERATION INSTRACTIONS LINE MASTER Gesellschaft für digitale Studiotechnik mbH ACTIVE DIGITAL STUDIO REFERENZ SPEAKER ...

Page 2: ...NOLOGY AM DÖRRWALD 5 D 66571 EPPELBORN GERMANY INFO KSDIGITAL DE WWW KSDIGITAL DE FURTHER INFORMATION AVAILABLE UNDER WWW KSDIGITAL DE KSDIGITAL GMBH AM DÖRRWALD 5 D 66571 EPPELBORN GERMANY TEL 49 6827 305915 FAX 49 6827 305916 STAND NOV 1 2006 ...

Page 3: ... a radiator or other similar source of heat 8 The equipment is designed for use with anAC voltage of 230V 50 Hz Never attempt to operate the equipment with another power supply 9 Power cable Please lay your power cable in such a way that it is not a hazard for tripping over or can be damaged In particular be careful where cable connections and sockets are located 10 Ensure that neither foreign obj...

Page 4: ...ES OF THE LINE MASTER REFERENCE MONITOR 7 LINE MASTER THE REFERENCE THROUGH DIGITAL PRECISION 8 FREQUENCY AND PHASE DIAGRAMS 9 REAR VIEW CONTROLS 10 OPERATION 11 PARAMETER TABLES 12 SCREEN SHOT OF THE REMOTE CONTROL SOFTWARE 13 DIGITAL INTERFACE CONNECTION DIAGRAM 14 TECHNICAL SPECIFICATIONS 3 ...

Page 5: ...ectional bass radiation with our dipole bass with DMC we have built a linear phase and time aligned conus loudspeaker and with NEXT we have introduced new technology that especially in the area of mastering it brings the ear closer to the sound and revolutionizes sound emission In view of this we have to congratulate you on your excellent choice of reference monitor from KS digital and wish you pl...

Page 6: ...ristic of 0 or expressed in musical terms all frequencies exit the speaker at the same time Naturally any individual room specific or installation dependent adjustments to the frequency characteristics can be made at any time in the area of sound radiation behavior utilizing the recently developed NEXT technology A newly designed element that irradiates cylindrical waves is responsible in the Line...

Page 7: ...equires changing the control needs to be pressed and rotated until the desired value is displayed In this way it is possible under Digital In Left or Digital In Right to choose the required data input word that feeds the signal processor in DSP If both input words are activated then a mono signal will be generated and reproduced REMOTE CONTROL The remote control permits a control of volume from th...

Page 8: ...int level so that here for example when adjusting the volume no scaling malfunctions occur On the output side the DSP works with two 24 Bit D A converters connected to high performance MOFSET output stages that have been equipped with hand selected transistors and work with a bandwidth of 100kHz and a rise time of 80 V us FEATURES OF DIGITAL SIGNAL PROCESSING Digital signal processing must include...

Page 9: ...srespons without FIRTEC processing impulsrespons with FIRTEC processing amplituderesponse withFIRTEC red amplituderesponse without FIRTEC green phaseresponse with FIRTEC red phaseresponse without FIRTEC green ...

Page 10: ...9 Digital IN OUT Rotary control with two line display to set parameters Remote Control IN Mains Socket with Fuse Mainswitch Remote Control OUT Analogue IN ...

Page 11: ...ed and is immediately changed but only saved as soon as the knob is released If no further parameters are chosen after several seconds the display will return to its original text Remote Control For comfortable operation the PC Software ADMControl was developed Via the serial interface in your network or optionally with a TCP IP address you can send data to the controller or receive from there All...

Page 12: ...0 1 5 0 Low shelving 80Hz EQ 6dB 6dB High shelving 12kHz EQ 6dB 6dB Distance shift Speaker delay In meter Subwoofer Switches between 20Hz and 35Hz fgu Active Not active Phase reversal Phasing shift of 180 Active Not active Digital In Left Turns on left data word Active Not active and turns off analogue input Digital In Right Turns on right data word Active Not active and turns off analogue input U...

Page 13: ...PC Screen shot of the ADMControl Software ...

Page 14: ...t Line Master Remote control to control parameters In a studio environment a digital connection is made by connecting the AES signal with the Digital IN socket of the right speaker The left speaker is connected to the active Digital OUT socket of the first speaker The digital source must be connected to the speaker with the right digital In in paramter menue ...

Page 15: ...ES3 format 32 110 KHz XLR symmetric DSP 60 MHz 32 bit floatingpoint 1500 dB dynamic process FIRTEC equalization FIR crossover limiter 3 parametrc EQs 2 FIR presets digital floatingpoint gain control delay room equalization bass shelving high shelving 3 full parametric equalizer for fine tuning user room equalization crossover 80Hz 400Hz 800Hz FIR Crossover power peak 500W Bass 300W Mid 300W High ...

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