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SYSTEM SETUP 

Overall system setup is crucial to avoid unnecessary room acoustic interaction.  A 
room’s natural acoustics may alter the sound level at various frequencies due to 
abnormal dampening or reflections. Follow the checklist below for more details.   
 

9

 

The system setup (studio monitors and work table) should be placed within the 
front 1/3 of the room. Doing so will reduce reflection buildup of peak frequencies.  

9

 

The left and right sides of the system setup should be centered an equal distance 
from the left and right walls. This will produce even mid and low frequency 
response and preserve stereo imaging. 

9

 

Avoid a listening position (your ears) that is closer than 1 meter (3 feet) from any 
wall.  Also avoid large objects (such as lamps or decorations) near the studio 
monitor and listening position. 

9

 

Diffusers and absorption material in the corners and back of a room will help 
remove room interaction by preventing reflections.  

9

 

Carpeting will help prevent reflections from hard floor surfaces. 

9

 

Studio monitor isolators (foam or rubber pads) will help remove low frequency 
coupling between the stands and desk. Low frequency coupling will cause the 
stand or desk to vibrate causing unwanted sounds. 

9

 

A low noise floor (no outside interference from refrigerators or fans) is important 
to prevent the masking of low frequency detail. Rattles due to studio monitor 
playback should be removed as well. 

 

W

ithin the system setup, the studio monitors and listening placement should be 

positioned in a near field configuration as follows: 

 

The left and right studio monitors should be 
approximately 1 to 1.5 meters (3 to 5 feet) apart and 
directed at a 60 degree angle towards the listening 
location. Measure the distance between the left and 
right studio monitors and note the listening position is 
equal distance to both sides. This will form an 
equilateral triangle. It is important that both left and 
right studio monitors are level matched. 
 
The ROKIT is a two-way studio monitor with a tweeter 
(producing high frequencies) and a woofer (producing 
mid and low frequencies) in one enclosure. In between 
the tweeter and woofer is the acoustic axis point 
where the full frequency range comes together. The 
ideal location for the acoustic axis point is located at 
ear level in the listening position. It is acceptable to 
angle the studio monitors so the acoustic axis is in the 
correct direction. 

Summary of Contents for ROKIT G3 series

Page 1: ...ROKIT G3 POWERED SERIES NEAR FIELD STUDIO MONITORS USER GUIDE GUIDE DE L UTILISATEUR GUÍA DEL USUARIO ...

Page 2: ...equiring Service Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions a When the power supply cord or plug is damaged b If liquid has been spilled or objects have fallen into the product c If the product has been exposed to rain or water d If the product does not operate normally by following the operating instructions Adjust on...

Page 3: ...ter to minimum level The HF and LF LEVEL ADJUST are set at 0dB factory setting The VOLUME is set at 6dB factory setting Set the POWER switch to ON position Play an audio track and slowly bring up the volume on the input device mixer audio interface or computer to an acceptable listening level Set the POWER switch to OFF Connect the AC power cord provided to the AC inlet socket on the studio monito...

Page 4: ...preference Room acoustics may dictate which type of adjustment you need to make to retain the proper frequency response from the studio monitor For example placement near a wall or corner will boost the low frequencies Location LF Setting Technical Term Large Room 2dB Open Space Normal 0dB flat Full Room Against the Wall 1dB Half Room Corner of a Room 2dB Quarter Room Note that results may vary Th...

Page 5: ... between the stands and desk Low frequency coupling will cause the stand or desk to vibrate causing unwanted sounds 9 A low noise floor no outside interference from refrigerators or fans is important to prevent the masking of low frequency detail Rattles due to studio monitor playback should be removed as well Within the system setup the studio monitors and listening placement should be positioned...

Page 6: ...puter to a mixer or audio interface On all audio source devices verify if there is a mute feature and confirm it is not active Also check if there is a balance control and that it is set to middle Play a continuous audio signal such as a loop or song and slowly increase the volume on the audio source If the ROKIT still has no sound or bad sound follow the checklist A ROKIT pair contains a left and...

Page 7: ...e blows again contact customer service there is sound and it is bad excessive hum and terrible hiss A ROKIT pair contains a left and right side Confirm which ROKIT has the bad sound Verify that both left and right ROKIT s have identical knob settings Then simply move the audio signal cable from the working ROKIT to the bad sound ROKIT If the bad sound ROKIT produces good sound the previously used ...

Page 8: ...ON MAKES NO OTHER EXPRESS WARRANTY OF ANY KIND WHATSOEVER ALL IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE EXCEEDING THE SPECIFIC PROVISIONS OF THIS WARRANTY ARE HEREBY DISCLAIMED AND EXCLUDED FROM THIS WARRANTY SOME STATES AND OR COUNTRIES DO NOT ALLOW THE EXCLUSION OR LIMITATION OF IMPLIED WARRANTIES SO THAT THE ABOVE MAY NOT APPLY TO YOU GIBSON...

Page 9: ...may be copied or reproduced in any form without prior written consent from GIBSON BRANDS INC GIBSON BRANDS INC shall not be liable for operational technical or editorial errors omissions made in this document ROKIT G3 SERIES USER GUIDE REV B 2013 GIBSON BRANDS INC ...

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