Korg TRITON Extreme, Manual

Page: 84 / 354

73
Sequencer
P0
P1
P2
P3
P4
P5
P6
P7
P8
P9
CC#65 of 127 and CC#05 of 1–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted and received on the MIDI chan-
nel specified for each track by “MIDI Channel” (2–1a/
2a).
2–5: Pitch 1–8
(Pitch T01–08)
2–6: Pitch 9–16
(Pitch T09–16)
Here you can make pitch-related settings for each track.
2–5(6)a: Transpose, Detune, Bend Range
Transpose [–24...+24]
Adjusts the pitch of each track in semitone steps.
12
steps are one octave.
Detune (BPM Adj. in Page Menu) [–1200... +1200]
Adjusts the pitch of each track in one-cent steps from the
normal pitch.
0: Normal pitch.
You can use the “Detune BPM Adjust” (2–5A) page menu
command to make a calculation in BPM units and set
Detune automatically.
“Transpose” and “Detune” settings do not affect the
note data that is transmitted via MIDI. “Transpose” and
“Detune” are controlled by received MIDI RPN mes-
sages. The “Oscillator Mode” (Program P1: 1–1a) of the
programs selected for tracks 1–16 will be controlled as
follows. These messages will be received on the MIDI
channel that is specified for each track by “MIDI Chan-
nel” (2–1a/2a).
• If “Oscillator Mode” is Single or Double, MIDI RPN
Coarse Tune messages can be received to control and
change the “Transpose” setting, and Fine Tune
messages to control and change the “Detune” setting.
• If “Oscillator Mode” is Drums, MIDI RPN Coarse
Tune and Fine Tune messages can be received to
control and change the “Detune” setting. The range of
control will be ±1 octave when Coarse Tune and Fine
Tune are added.
Bend Range [PRG, –24...+24]
Specifies the range of pitch change in semitone steps that
will occur when the pitch bender is operated.
PRG: The pitch range specified by the program will be used.
–24–+24: Regardless of the setting of the program, pitch
bending will use the range you specify here.
This setting can be controlled and changed by received
MIDI RPN Pitch Bend Range messages. (These mes-
sages will not be received if the setting is PRG.)
▼
2–5: Page Menu Command
2–5A: Detune BPM Adjust
When the program selected for a track uses a phrase,
rhythm loop multisample (or sample that was created to
match a specific BPM in Sampling mode in Media mode)
you can use this command to change the BPM of the phrase
or rhythm. The BPM can be adjusted by modifying the pitch.
This command is available when the “Detune” setting of
that track is selected. When you execute this command, the
selected “Detune” value will be adjusted.
For the procedure, refer to “Detune BPM Adjust” (Combina-
tion P2: 2–3A).
2–7: Other 1–8
(Other T01–08)
2–8: Other 9–16
(Other T09–16)
Here you can make additional settings for each track.
2–7(8)a: Delay [ms], Use Program’s Scale, Scale
Delay [ms] [0000...5000, KeyOff]
Specifies a delay time from when a track receives a note-on
until it actually sounds.
KeyOff: The sound will begin when note-off occurs. In this
case, the sound will continue indefinitely unless the amp EG
Sustain Level of the program is other than 0. This setting is
useful for simulating harpsichord sounds.
Normally you will leave this at 0.
Use Program’s Scale [Off, On]
Each track can use the scale that is specified for the program
by “Scale.”
On (checked): The scale that is saved with the program will
be used.
Off (unchecked):
The scale specified here by Scale will be
used.
2–5
0–1a
2–5a
0–1b
0–3a
0–1A
0–1B
0–1C
0–1D
0–1E
0–1G
0–1H
0–1I
0–1J
2–5A
0–1F 0–1L
0–1
0–1a
2–7a
0–1b
0–3a