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Korg PA 600 QT, Reference Manual

The Korg PA 600 QT is a versatile musical keyboard that offers a wide range of features and sounds. To help you make the most of its capabilities, we provide a comprehensive user manual for free download at manualshive.com. This manual will guide you through every aspect of the PA 600 QT and help you unleash your musical creativity.

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141

Global mode

General Controls: Lock

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General Controls: Lock

This page, split in more panes that can be selected by means of
the corresponding side tabs, contains all the available locks.
Locks prevent parameter values to be changed when loading
data from a storage device, or selecting a different Performance,
Style or STS.

Locks

All the available locks, listed below. Lock them to prevent
changes due to selecting different elements. These locks are also
found in various other pages, next to the locked parameter.

Hint:

  To  save  the  status  of  parameters  that  have  to  remain

unchanged, set them and save the MY SETTING Performance
(automatically selected when turning on the instrument). After
having saved the startup Performance, go to these pages and lock
the parameters that must remain unchanged.

Tuning pane

Master Transpose

When this lock is closed, Master Transpose is not
automatically changed when selecting a different
Performance  or  Style.  Also,  this  lock  prevents  a
Standard MIDI File generated with an instrument
of the Korg Pa-Series to change the Master Trans-
pose.

(See “Master transpose” on page 13).

Sub Scale/Quarter Tone

When locked, selecting a Performance or STS
will not change the Sub-Scale or Quarter Tone
value.

(See “Sub-Scale panel” on page 18).

SubScale/Quarter Tone from STS

When locked, selecting an STS will not change
the Sub-Scale or Quarter Tone settings. The STS
will change sounds and effects but not the scale.

(See “Sub-Scale panel” on page 18).

Auto Octave

Depending on the status of this lock, the Upper
tracks can be automatically transposed when
turning the SPLIT on and off.

• If locked, turning the SPLIT on or off will not
change the Upper tracks transposition.

• If unlocked, when turning the SPLIT button off
(Full keyboard mode) the Upper tracks Octave

Transpose will be automatically set to “0”. When
turning the SPLIT button on (Split keyboard
mode) the Upper tracks Octave Transpose will be
automatically set to “-1”.

Control pane

Assignable Switches

When locked, selecting a Performance or STS
will not change the functions assigned to the
Assignable Switches.

(See “Pad/Switch: Switch” on page 31).

Upper 1 FXs In Sound Edit mode, you can assign a Sound to

the FX B Group. When you assign a new Sound
to the Upper 1 track, the FX B settings and Mas-
ter FX send levels saved with that Sound can be
automatically selected, overriding Performance/
STS settings for this track. Whether Sound or
Performance/STS effect parameters will be con-
sidered, it depends on the status of this lock.

• If the Upper 1 FX Lock is turned on, when
assigning a new Sound to the Upper 1 track, Per-
formance/STS parameters are left untouched;
selected effects, and FX Send values, are not
changed.

•  If  the  Upper  1  FX  Lock  is  turned  off,  when
assigning a new Sound to the Upper 1 track,
Sound parameters are considered; selected
effects, and FX Send values, are changed accord-
ing to the Sound’s stored data.

Note:

 If the effects associated to the selected Sound

are not compatible with the effects already assigned
to the FX B block, the Master FX Send values on
the other Keyboard tracks will be automatically set
to zero.

For example, assume a chorus effect is assigned to
the Master 2 FX processor. If the new Sound
assigns a distortion effect to the Master 2 FX pro-
cessor, the Master 2 FX Send value on the Upper 2,
Upper 3, and Lower tracks will be set to zero, to
avoid these tracks sound in the wrong way. This
way, the Upper 1 track (usually the most important
one for solo playing) will sound with the needed
effect, while the other Keyboard tracks will just
sound dry.

Pad

When locked, selecting a Style or SongBook entry
will not change the Pad assignment.

(See “Pad/Switch: Pad” on page 30).

Summary of Contents for PA 600 QT

Page 1: ...Reference Guide ENGLISH OS Ver 1 0 1 E ...

Page 2: ......

Page 3: ...If this symbol is shown on the product manual battery or package you must dispose of it in the correct manner to avoid harm to human health or damage to the environment Contact your local administrative body for details on the correct disposal method If the battery contains heavy metals inexcessoftheregulatedamount a chemicalsymbolisdisplayed below the symbol on the battery or battery package Perc...

Page 4: ...ctive holders Open Source notice Portions of this product s software are copyright 2007 The FreeType Project www freetype org All rights reserved Disclaimer The information contained in this manual have been carefully revised and checked through Due to our constant efforts to improve our products the specifications might differ to those in the manual Korg is not responsible for any eventual differ...

Page 5: ... Guitar Mode 44 Style Pad Record procedure 48 Edit menu 50 Edit page structure 50 Event Edit Event Edit 51 Event Edit Filter 53 Style Pad Edit Quantize 54 Style Pad Edit Transpose 54 Style Pad Edit Velocity 55 Style Pad Edit Cut 56 Style Pad Edit Delete 56 Style Pad Edit Delete All 57 Style Pad Edit Copy from Style 57 Style Pad Edit Copy from Pad 58 Style Element Track Controls Sound Expression 59...

Page 6: ... Filter Filter LFO 125 Filter Filter EG 126 Amp Amp Level Pan 128 Amp Amp Mod 128 Amp Amp EG 129 LFO LFO1 131 LFO LFO2 132 Effects B FX Config 132 Effects Master 1 Reverb 132 Effects Master 2 Chorus 133 User PCM Samples User Samples 133 Page menu 134 Write Sound dialog box 135 Copy Oscillator dialog box 135 Copy Drum Kit dialog box 135 AMS Alternate Modulation Source list 136 Global mode 138 Overv...

Page 7: ...nk order 199 Sounds Program Change order 211 Drum Kits 221 Multisamples 222 Drum Samples 227 Pads 234 Effects 237 MIDI Preset 239 Assignable parameters 240 List of Pedal Footswitch functions 240 List of Assignable Switches functions 241 Scales 242 Effects 243 Dynamic Modulation sources 243 Dynamics Dynamic 244 EQ and Filters EQ Filter 247 Overdrive Amp models and Mic models OD Amp Mic 254 Chorus F...

Page 8: ...4 Table of Contents ...

Page 9: ......

Page 10: ...r Style is playing the name of the new Style name begins to flash mean ing it is ready to start playing at the beginning of the next mea sure Style Select page menu Touch the page menu icon to open the menu Touch a command to select it Touch anywhere in the display to close the menu without selecting a command Copy and Paste Use this command to copy the selected Style to a different selec tion 1 S...

Page 11: ...wer tabs pages Use these tabs to select one of the available pages in the selected bank Previous Next tabs Scroll the lower tabs to the left or the right when additional tabs are available but cannot be seen in the display Sounds Touch one of these buttons in the display to select a Sound Unless the Display Hold parameter see page 140 is turned on the window automatically closes shortly after you ...

Page 12: ...after you select a Performance Performance Select page menu Touch the page menu icon to open the menu Touch a command to select it Touch anywhere in the display to close the menu without selecting a command The commands are the same seen for the Style Select window s page menu Pad Select window Touch the Pad area whereas it appears in the display to open the Pad Select window Press EXIT to exit fr...

Page 13: ...rollbar to scroll the list items As an alternative you can scroll the list using the VALUE dial When the Name label is selected on top of the list keep the SHIFT button pressed and touch one of the arrows to jump to the previous or next alphabetical section You can touch one of the labels on top of the list to reorder the list items accordingly By touching the label again the order of the files wi...

Page 14: ...l when you are using an hard disk filled with midifiles While in the Song Select window press the SONG button in the SELECTION section to open the keypad and enter the number corresponding to the Song to be selected While in any page of the Song Play mode press the SONG but ton in the SELECTION section twice to open the keypad Note If no Song corresponds to the dialed number the Song not available...

Page 15: ...pe of folder is reserved to the Save operations and can be created with the New SET button in any Save page By touching the Text Edit button you can open the Text Edit window Enter the name then touch OK to confirm and close the Text Edit window Rename Available only when an item is selected in a list Use this function to change the name of an existing file or folder You cannot change the 3 charac...

Page 16: ...Perfor mance also selects a Style the one memorized with the Perfor mance Current track settings can be saved either to a Performance an STS or the Style Settings depending on the page menu com mand you select StylesandPads Each Style includes four Pads Each time you select a Style the four Pads are assigned to the four PAD buttons The Style and the Pads will play using the same Tempo value Master...

Page 17: ... the ACCOMP LED is turned on You can choose how chords are recognized by using the Chord Recognition parameter in the Global Style page see page 143 Page menu icon Touch the page menu icon to open the menu See Page menu on page 32 for more information Style area This is where the Style name is shown together with its Tempo and Meter Time Signature parameters Style name Currently selected Style Tou...

Page 18: ...ect window You can also open the Sound Select window by using the SOUND button in the SELECTION section of the control panel For more information about the Sound Select window see Sound Select window on page 7 Keyboard track octave transpose Non editable Octave transpose of the corresponding track To individually edit the octave transpose for each track go to the Mixer Tuning Tuning edit page see ...

Page 19: ...an be memorized to the current Style Settings Changing the tracks volume You can change the volume of each track by dragging the sliders in the display You can also change the volume by touching a track s slider then using the VALUE DIAL Changing the Play Mute status Play mute status of the current track Select the track then touch this area to change its status Play status The track can be heard ...

Page 20: ...ounds saved in the Performance or Style Settings or the ones saved in each Style Element Note When assigning a Sound to a Style track the Original Style Sounds parameter is automatically turned off Note This parameter can be saved with the Performance or Style Settings On Style tracks always use the original Sounds recorded in each Style Element If you assign a different Sound to a Style track thi...

Page 21: ...con This picture illustrates the bank the current Sound belongs to Touch an icon a first time to select the corresponding track detailed information are shown on the Selected Track Info area see above Touch it a second time to open the Sound Select win dow Pad panel Touch the Pad tab to select this panel This is where you can assign a different Hit or Sequence Pad to each of the four pads and see ...

Page 22: ...dered when selecting a Perfor mance or STS that does not contain a local split point Off You are editing the local split point memorized in the current Performance or STS Bass Inversion Use this parameter to turn the Bass Inversion function on or off On The lowest note of a chord played in inverted form will always be detected as the root note of the chord Thus you can specify to the arranger comp...

Page 23: ...Edit menu on page 19 Page menu icon Touch this icon to open the page menu see Page menu on page 32 Parameters area Each page contains various parameters Use the tabs to select one of the available pages For detailed information on the vari ous types of parameters see sections starting below Tabs Use tabs to select one of the edit pages of the current edit section Mixer Tuning Volume Pan This page ...

Page 24: ...ne in the dedicated Effect section see Effects A B FX Configuration on page 24 This page lets you set the level of the track s signal going to the Master FX processors The Master FX processors are connected in parallel with the dry direct signal so you can decide the amount of direct signal that will be sent to the Master FX proces sors In case you do not want to hear the direct signal just set th...

Page 25: ... s equalization pro grammed in the previous page Use the TRACK SELECT button to switch from the Keyboard to the Style tracks and vice versa Reset All Tracks button Touch this button to reset i e flatten equalization for all tracks both Realtime and Style tracks Track Reset buttons Use these buttons to reset i e flatten equalization for the cor responding track Bypass Check any of these checkboxes ...

Page 26: ...particular Quarter Tone tuning while the backing tracks play in the Equal tuning This page is where you can program the sub scale for the selected tracks a different sub scale can be associated to each Performance or STS Track selection is general and can be done with the Scale Mode parameter of the Global Mode Prefer ences Style page see page 144 The remaining tracks will use the basic scale set ...

Page 27: ...g a different Performance or STS For more information on parameter locks see General Con trols Lock on page 141 How to create a custom scale by fine tuning each note of the User scale When the User scale is selected the keyboard diagram becomes active You can then change each note tuning in cents of a semi tone within a range of 99 cents referred to Equal tuning This way you can create a custom sc...

Page 28: ...ard will not play at this time Press the notes you want to lower a quarter tone Release the pedal 3 Play with your new scale Notes you pressed on step 2 are now lowered of a quarter tone 4 Reset the original scale Press and release the Quarter Tone pedal again without playing any note All pitches will be reset and the scale selected by the Performance or STS will be recalled Effects A B FX Configu...

Page 29: ...piano with one of Pa600 s Keyboard tracks In addition here you can set the polyphony mode for each track Int Ext Internal External Internal The track plays the sounds generated by the internal sound engine It does not play an exter nal instrument connected to the MIDI OUT External The track plays an external instrument connected to the MIDI OUT The connected device must receive on the MIDI channel...

Page 30: ...lay Mute icon Track s play mute status Play status The track can be heard Mute status The track cannot be heard Track Controls Drum Edit In this page you can adjust the volume and edit the main param eters for each family of Drum and Percussion instrument for the selected track A list of families is shown below These parameters can be accessed only on tracks set to the Drum mode see above Use them...

Page 31: ...mmand from the page menu to avoid listening to the other tracks during editing Note All values are offsets referred to the value of the original Sound Easy Sound Edit parameters Use these knobs to adjust the offset value 64 0 63 Offset value 0 means no change to the original value memorized in the Sound while any other value means a decrease or increase to the original value Portamento knob and sw...

Page 32: ...on in the display to recall the original Cutoff value Keyboard Ensemble Key Velocity Range This page lets you program a key and dynamic velocity range for each of the Keyboard tracks Key range is useful to create a set of Keyboard tracks playing in different zones of the keyboard For example you may have french horns and woodwinds playing in the center range of the keyboard while only woodwinds pl...

Page 33: ...ption trills them If three or more notes are played only the last two are trilled You can set the trill speed by using the Tempo parameter see below Repeat The played note is repeated in sync with the Tempo parameter see below When playing a chord only the last note is repeated Echo As the Repeat option but with the repeated notes fading away after the time set with the Feedback parameter see belo...

Page 34: ...u can only assign this function to a volume type pedal not to a switch type one Assign the KB Expression option to the pedal or Assignable Slider then select Write Global Global Setup from the page menu to save the setting to the Global Play Mute icon Track s play mute status Play status The track can be heard Mute status The track cannot be heard Pad Switch Pad This page lets you select a differe...

Page 35: ...ct an alternative arrangement of percussive instruments for the selected Drum Kit without any additional programming Just select a Drum Map and some per cussive instruments will be replaced with different instruments Off Standard mapping Drum Mapping 1 7 Drum Map number Mapping 1 is soft sound ing while mapping 7 is loud sounding Kick and Snare Designation The Kick Designation replaces the origina...

Page 36: ...be heard Mute status The track cannot be heard Page menu Touch the page menu icon to open the menu Touch a command to select it Touch anywhere in the display to close the menu without selecting a command Write Performance Select this command to open the Write Performance dialog box and save most of the current control panel settings to a Perfor mance See Write Performance dialog box on page 33 for...

Page 37: ... or B by touching the cor responding side tab 3 Choose the Copy FX command from the page menu 4 Select the target Performance STS Style Song or Sound then go to the page of the Effects A B FX Config page 5 Choose the FX group A or B as the target by touching the corresponding side tab 6 Choose the Paste FX command from the page menu Easy Mode Easy Mode allows you to use the Style Play and Song Pla...

Page 38: ...dit window Current Style Non editable Settings are saved in one of the four STSs belong ing to the current Style This parameter displays the name of the parent Style STS Target STS location The name of the STS currently saved at the target location is shown Use the VALUE DIAL to select a differ ent location Write Style Settings dialog box Open this window by selecting the Write Style Settings item...

Page 39: ...anks While in Style Record mode you can write the new or edited Style in the Favorite banks as an alternative to the User Style banks See the Style Record chapter for more information on saving a Style While in Media mode you can load any Style into the Favorite banks as an alternative to the User Style banks See the Media chapter for more information on the Load operations Renaming the Favorite b...

Page 40: ...mines which chord you are playing Then depending on the selected Style Element it determines which Chord Variation CV should be played for the scanned chord Which Chord Variation corresponds to each scanned chord is a setting of the Style the Chord Variation Table Each Style Element contains a Chord Variation Table whose prototype is the following After deciding what CV to play the arranger trigge...

Page 41: ...ition is applied The original pattern plays always Gtr Guitar tracks When a chord is recognized the arranger triggers single notes strumming and arpeggios on a virtual guitar keeping care of the way notes are played on the guitar keyboard Note that inside a Guitar track you can also have some parts typical of an Acc track a useful addition for short free form passages What to record in a Style Rec...

Page 42: ...ganized Therefore when you press START STOP there is a delay before you can actually listen to the Style This delay is higher with a Style containing more MIDI events Note While in Record mode the footswitch is disabled On the contrary volume expression type pedals can be used Exit by saving or deleting changes When finished editing you can save your Style or Pad in mem ory or abort any change To ...

Page 43: ...n page of the Style Record mode appears with the tab Record 1 selected Style Record Pad Record Page header This line shows the current operating mode and transposition Operating mode name Name of the current operating mode Master Transpose Master Transpose value in semitones This value can be changed using the TRANSPOSE buttons on the control panel Control function CC Allowed Note On RX Noise On P...

Page 44: ...resolution in musical values For example when you select 1 16 all notes are moved to the nearest 1 16 division When you select 1 8 all notes are moved to the nearest 1 8 division A 3 after the quantization value means triplet Pad Sync Pad only This parameter allows you to set a synchronization mode for the Pad s pattern Off No synchronization The sequence will start as soon as you press the PAD bu...

Page 45: ...rrent Tempo on page 13 Meter This is the meter time signature of the Style Element or the Pad Sequence You can edit this parameter only when the Style Ele ment or Pad is empty i e before you begin recording anything Selected track info area This line lets you see the Sound assigned to the selected track Track name Name of the selected track Drum Acc5 Style track Sound name Sound assigned to the se...

Page 46: ... 1 and Ending 1 Parallel Root The root note in CMaj C is transposed to the missing notes Parallel Fifth The 5th note in CMaj G is transposed to the missing notes Parallel i Series All original patterns must be programmed on the Maj7 or min7 chords When loading old Korg i Series Styles this option is automatically selected Parallel No Transpose The chord is not modified and is moved to the new key ...

Page 47: ...oard and the MIDI IN connector Track names Style only Under the sliders a label for each track is shown Drum Acc5 Shown Style tracks Main page Record 2 Cue Style only While in the main page touch the Record 2 Cue tab to see this page Most parameters in this page are the same as in Main page Record 1 In addition here you can see and select Sounds for each Style track and the Cue mode for the Style ...

Page 48: ...ck from an external sequencer you must be sure the Guitar tracks is associated to the right channel Go to the Global MIDI MIDI IN Channels page and assign the corresponding Style track usually Acc1 Acc5 to the same channel of the Guitar track on the external sequencer Then go to the Style Record Style Track Controls Type Ten sion Trigger page and set the track as a track of type Gtr see Track Type...

Page 49: ... Together with strumming types single strings and RX Noises you can choose a Capo capotasto Note that this might pre vent some single strings to sound depending on the composed chord You can always see which strings are playing and which are not as described in the Diagram section below Recording a regular pattern Together with strums and arpeggios you can record regular pat terns exactly as if th...

Page 50: ...eble I IV 5 37 3 Strings Bass IV VI 0 38 3 Strings Bass IV VI 1 39 3 Strings Bass IV VI 2 40 3 Strings Bass IV VI 3 41 3 Strings Bass IV VI 4 42 3 Strings Bass IV VI 5 43 3 Strings MiddleBas III V 0 44 3 Strings MiddleBas III V 1 45 3 Strings MiddleBas III V 2 46 3 Strings MiddleBas III V 3 47 3 Strings MiddleBas III V 4 48 3 Strings MiddleBas III V 5 49 3 Strings MiddleTreble II IV 0 50 3 Strings...

Page 51: ...ations this chord will be used only for listening during recording During playback in Style Play mode the chord will follow chord recognition Capo Fret A capo from the Italian capotasto head of fingerboard is a movable bar attached to the fingerboard of the guitar to uni formly raise the pitch of all the strings Its use makes the strings shorter therefore changing the timbre and position of the ch...

Page 52: ...ll affect only the notes coming from the keyboard and not from the arranger 10 At this point if you want to do a Realtime Recording go on reading Realtime Record procedure below Otherwise if you prefer to do a Step Record jump to Step Record pro cedure on page 49 Realtime Record procedure 1 Select the track to record Its status icon will turn to Record For more details see Tracks volume status are...

Page 53: ...dit again 6 When the end of the pattern is reached the End of Loop event is shown and the recording restarts from the 001 01 000 position Any note exceeding the pattern length inserted at its end will be reduced to fit the total length of the pattern At this point you may go on inserting new events in over dub mode the previously inserted events will not be deleted This is very useful when recordi...

Page 54: ...ching from the Edit section pages Quantize Transpose Velocity Delete to the other pages or vice versa the Style if in play is automatically stopped Edit page structure Most edit pages share some basic elements Other pages have a slightly different structure Operating mode This indicates that the instrument is in Style Pad Record mode Edit section This identifies the current edit section correspond...

Page 55: ...Page header on page 39 Page menu icon Touch this icon to open the page menu See Page menu on page 66 Page sub header This area shows some performing info on the Song Selected track Style only Name of the track in edit Use the Track pop up menu to select one of the Style tracks SE CV Style Element Chord Variation Selected Style Element Style only and Chord Variation This parameter cannot be edited ...

Page 56: ...VALUE DIAL Other elements Track pop up menu Use this pop up menu to select the track to edit inside the cur rent Chord Variation Drum Acc5 Style track Go Meas While the Style is not running touch this button to open the Go to Measure dialog box When in this dialog box select a target measure and touch OK The first event available in the target measure will be selected Insert Touch the Insert butto...

Page 57: ...67 or select the Exit from Record com mand to cancel all changes Touch the Text Edit button to enter the Text Edit dialog box Enter a name and confirm by selecting OK Select a target memory location where to save the Style Pad The name of the Style Pad already existing at the selected location is shown after the Bank Location number Warning If you select an existing Style Pad and confirm writing t...

Page 58: ... the keyboard range to quantize If you select the same note as the Bottom and Top parameters you can select a single percussive instrument in a Drum or Percussion track Note These parameters are available only when a Drum or Per cussion track is selected Execute Touch this button to execute the operation set in this page Track status icon Status of tracks Touch this icon to change the status Play ...

Page 59: ... of the whole selected Chord Variation will be changed Drum Acc5 Selected track E CV Style Element Chord Variation Use these parameters to select the Style Element Style only and Chord Variation for editing Value Velocity change value 127 Start End Tick Use these parameters to set the starting and ending points of the range to be modified If a Chord Variation is four measures long and you want to ...

Page 60: ... measures from the pattern To remove whole measure use the Cut function see Style Pad Edit Cut on page 56 After setting the various parameters touch Execute Track Style only Use this parameter to select a track All All tracks selected After deletion the selected Chord Variation will remain empty Drum Acc5 Selected track E CV Style Element Chord Variation Use these parameters to select the Style El...

Page 61: ...le only and Chord Variation for editing All All Style Elements i e the whole Style When E Track All and CV All the whole Style is deleted and all parameters are set to the default status Var1 CountIn Single Style Element V1 CV1 CI CV2 Single Chord Variation Execute Touch this button to execute the operation set in this page Track status icon Status of tracks Touch this icon to change the status Pl...

Page 62: ...hen the first 2 measures will be copied to fit the remaining 2 measures Note Avoid copying to a Chord Variation with a different meter time signature for example a 4 4 Chord Variation onto a 3 4 one Style Pad Edit Copy from Pad Here you can copy a Chord Variation from a Pad Furthermore you can copy a whole Pad Warning The Copy operation deletes all data at the target loca tion overwrite After sett...

Page 63: ...e This monitor should help you keeping track of them and let you access Event Edit only on the tracks containing the messages Press the START STOP button to start playback and look at the indicators When one of them lights up you can enter Event Edit on the corresponding track and edit or remove the Expression messages Expression Use these knobs to set the Expression CC 11 value for the cor respon...

Page 64: ...his page press the corresponding button on the control panel to select a Style Element VARIATION1 ENDING3 To copy the settings of this page to another Style Element use the Copy Keyboard Range command from the page menu see Copy Key Range dialog box on page 68 Top Bottom Use these parameters to set the bottom and top of the keyboard range for the corresponding track of the current Style Element Vo...

Page 65: ... recognized chord will be played back by repitching notes already playing There will be no break in the sound This is very useful on Guitar and Bass tracks Track Type Use this parameter to set the type of the Pad track Drum Drum track This type of track is not transposed by the arranger and is used for Drum Kits or for tracks that you don t want to be transposed when playing a different chord Bass...

Page 66: ...ar 4 on page 31 Perc Percussion track This type of track cannot be transposed and is used for Drum Kit made of Percussion sounds It is NOT affected by the Drum Mapping Bass Bass track This type of track always plays the root when changing chord Acc Accompaniment track This type of track can be used freely for melodic or harmonic accompani ment patterns Gtr Guitar track This type of track uses Guit...

Page 67: ... to import data from any generic Song The Standard MIDI File to be imported must be pro grammed as if it was one of Pa600 s Chord Variations When importing an SMF parameters like CV Length Meter Tempo Changes Program Changes and Expression are recog nized These parameters will be imported as the header of the Style Element containing the Chord Variation provided the Initialize parameter is checked...

Page 68: ...orting an SMF separated by Markers into a Style As an alternative to importing single Chord Variations you can import a whole Style as an SMF separated by Markers i e a sin gle SMF containing all the Chord Variations Variation 1 Varia tion 2 etc each one separated by a Marker the same events used in Song Play mode 1 While in this page touch the Select button and choose the Standard Midi File to be...

Page 69: ...ample of how a SMF sepa rated by Markers can look like Considering analogies between actual workstations it will not look much different in other applications like Logic Digital Performer Pro Tools or Sonar Export SMF The Export SMF function allows you to export a Chord Varia tion as a Standard MIDI File SMF and edit it on your preferred external sequencer To Song This non editable parameter shows...

Page 70: ...nu Touch the page menu icon to open the page menu Touch a com mand to select it Touch anywhere in the display to close the menu without selecting a command Style Record Pad Record Write Style Pad Select this command to open the Write Style or Write Pad dialog box and save the Style Pad to the internal memory See Write Style Pad dialog box on page 67 for more informa tion Undo Only available in Rec...

Page 71: ...69 Solo Track Select the track to be soloed then check this item You will hear only the selected track and the Solo warning will flash on the page header Uncheck this item to exit the Solo function Keep the SHIFT button pressed and touch one of the tracks to solo it Do the same on a soloed track to deactivate the Solo function Exit from Record Select this command to exit from Record without saving...

Page 72: ...table Currently selected Style Element To Style Element Target Style Element All Settings will be copied to all Style Element of the Style in edit Var1 CountIn Single Style Element where to copy settings to Copy Expression dialog box Style only Open this window by choosing the Copy Expression item from the page menu Here you can copy all Expression val ues assigned to the current Style Element tra...

Page 73: ...le to create drum and percussion tracks To access this page select the Overdub Step Recording com mand from the page menu Track Selected track Name of the selected track in record DRUM ACC5 Style track SE Selected Style Element See Element Style Element on page 40 CV Selected Chord Variation See Chord Var Chord Variation on page 40 Pos Position This is the position of the event note rest or chord ...

Page 74: ...recorded 1 127 Velocity value The event will be inserted with this velocity value and the actual playing strength of the note played on the keyboard will be ignored Rest Touch this button to insert a rest Tie Touch this button to tie the note to be inserted to the previous note Back Goes to the previous step erasing the inserted event Next M Next Measure Goes to the next measure and fills the rema...

Page 75: ...d tracks Track parameters Changes to Keyboard tracks can be saved to a Performance You can then recall different settings by just selecting a single Perfor mance Settings for Song tracks like Pan Volume and FX Sends depend on each individual Standard MIDI File Changes to Song tracks made in Song Play mode cannot be saved to a Standard MIDI File and are only intended for realtime control To make pe...

Page 76: ...change To return to this page from one of the Song Play edit pages press the EXIT or SONG PLAY button Details on individual tracks can be seen by touching the Volume tab To switch between Keyboard tracks Normal view and Song tracks Song Tracks views use the TRACK SELECT button Pressed a first time you will see tracks 1 8 a second press will show tracks 9 16 pressed again will go back to Keyboard t...

Page 77: ...ppears you can select a single Song or a Jukebox file see Song Select window on page 9 If you select another Song while a Song is playing the previous Song will stop and the new Song will be selected and be ready to play To select a Song you can also press the SONG button in the SELECTION section of the control panel Press it a second time to select a Song by dialing in its ID number see Selecting...

Page 78: ...und name to open the Sound Select window You can also open the Sound Select window by using the SOUND button in the SELECTION section of the control panel For more information about the Sound Select window see Sound Select window on page 7 Keyboard track octave transpose Non editable Octave transpose of the corresponding track To individually edit the octave transpose for each track go to the Mixe...

Page 79: ...l setting in the Global Mode Preferences Song Sequencer page see Save Trk FX on page 145 This allows for leaving the track status unchanged even when playing a different Standard MIDI File You can leave for exam ple the bass track in mute and let your bassist play it live for the whole show However an exception to the above is when reading a Standard MIDI File created with a Pa Series instrument T...

Page 80: ...el then press PLAY STOP in the PLAYER section again Song list Use this list to browse through the Songs in the Jukebox list Use the scrollbar to scroll the list Selected Song Name of the Song currently in play You can select a different Song from the list and touch the Select button in the display to select it for playback Select button Touch this button to select the Song highlighted in the list ...

Page 81: ...status of a Song track may be reset when selecting a Song made on a Pa Series instrument Use the TRACK SELECT button to switch from the Keyboard to the Song tracks and vice versa Parameters The parameters shown in this page are the same already seen for the Style Play mode See Mixer Tuning Volume Pan on page 19 for details Mixer Tuning FX Send Pa600 is equipped with two groups of effect processors...

Page 82: ...erences Parameters The parameters shown in this page are the same already seen for the Style Play mode See Mixer Tuning FX Send on page 20 for details Mixer Tuning EQ Gain In this page you can set the three band equalization EQ for each individual track Use the TRACK SELECT button to switch from the Keyboard to the Song tracks and vice versa Hint Track EQ can be saved as a general setting in the G...

Page 83: ...ects for the A Song and B Keyboard FX groups You can use the FX A and FX B side tabs to switch from one group to the other one Songs created in Sequencer mode on a Pa Series instrument can also use the B FX group The effect types and the FX matrix are the same seen for the Style Play mode see Effects A B FX Configuration on page 24 Note The default effect settings can be saved as a general setting...

Page 84: ...let you fine tune edit parameters for Sounds assigned to the tracks Easy Sound Edit parameters The parameters shown in this page are the same already seen for the Style Play mode See Track Controls Easy Edit on page 27 for details Note Song track values edited in this page are not saved and are only intended for realtime use Keyboard Ensemble Key Velocity Range These parameters let you select a no...

Page 85: ...el All to remove all Songs from the current list Add new Songs then touch Save and enter a different name before confirming A new Jukebox file will be saved to the storage device Move Up Down Use these button to move the selected item up or down in the list Add Adds a Song at the end of the current list You can add up to 127 Songs to a list When this button is pressed a standard file selec tor ope...

Page 86: ...e Song Marker Select this command to save the markers created in the corre sponding player see Markers page on page 186 Export Jukebox List Only available when a Jukebox list is selected Select this com mand to save the current Jukebox list as a text file to a storage device Here is how it works 1 While a Jukebox file is assigned to the player select the Export Jukebox List command from the page m...

Page 87: ...he only Song track you can hear All other Song tracks are muted Keyboard tracks are left in play status Keep the SHIFT button pressed and touch one of the tracks to solo it Do the same on a soloed track to deactivate the Solo function Copy Paste FX Use this command to copy a single effect or both effects of an FX group A or B See Copy Paste FX on page 33 for detailed instructions Easy Mode Easy Mo...

Page 88: ...record MP3 files This mode only allows for editing of the Standard MIDI Files Sequencer Play Main page Press the SEQUENCER button to access this page from another operating mode In this page you can load a Song and play it back using the PLAYER transport controls Note When switching from Style Play to Sequencer mode the Sequencer Setup is automatically selected and various track parameters may cha...

Page 89: ... beginning the Song returns to this point Tempo Tempo mode Use this menu to select the Tempo change mode Manual In this mode you can change Tempo by using the TEMPO buttons The Song will be played back using the manually selected tempo Auto Tempo recorded in the Song will be used Selected track info area This line lets you see the Sound assigned to the selected track Not only it is shown on the ma...

Page 90: ...ch track is shown Use the TRACK SELECT button to switch between tracks 1 8 and 9 16 Entering Record mode To enter Record mode press the RECORD button while you are in Sequencer mode The following dialog box will appear Select one of the three available recording options and touch OK or Cancel if you don t want to enter Record mode Multitrack Sequencer Full featured sequencer Select this option for...

Page 91: ...essing the same pedal again Note The Pedal Punch function will not work on an empty Song At least one track must already be recorded Start from When checked the measure shown by this parameter is a tem porary start point of the song instead of measure 1 When you press the PLAY STOP button to stop recording or use the REWIND button to go back to the beginning the Song returns to this point Resoluti...

Page 92: ...Recording 1 Press the SEQUENCER button to enter Sequence mode 2 Press the RECORD button and select the Multitrack Sequencer option to enter the Multitrack Record mode Now you can prepare your recording parameters For more details see Record mode Multitrack Sequencer page on page 87 3 Be sure the Overdub or Overwrite recording options is selected see Rec mode Recording mode on page 87 4 Set the Tem...

Page 93: ...th a different Meter see Song Edit Cut Insert Mea sures on page 103 Free Memory Available memory for recording Duration Relative duration of the inserted note The percentage is always referred to the step value 50 Staccato 85 Ordinary articulation 100 Legato Velocity Set this parameter before entering a note or chord This will be the playing strength i e velocity value of the event to be inserted ...

Page 94: ...may go back by touching the Back button in the display This will delete the previ ously inserted event and set the step in edit again 7 When finished recording touch the Done button in the display A dialog box appears asking you to either cancel discard or save the changes If you touch Cancel exit is canceled and you can continue editing If you choose No changes are not saved and the Step Record w...

Page 95: ... this line also shows the rec ognized chord Page menu icon See Page menu icon on page 84 Page sub header See Page sub header on page 87 Recording parameters area Style This parameter shows the selected Style Either touch it or press the STYLE button in the SELECTION section to open the Style Select window and select a different Style see Style Select win dow on page 6 Free memory Percentage of rem...

Page 96: ... Kbd Pad This Backing Sequence track includes the four Key board tracks and the four Pads After finishing recording they will be saved as Song tracks 1 8 as in the following table Tempo Metronome Tempo Select this parameter and use the VALUE DIAL to change Tempo You can always change Tempo using the TEMPO buttons Meter Non Editable This parameter shows the meter or time signa ture of the selected ...

Page 97: ...C are automatically overwritten when starting recording Set a track to the PLAY or MUTE status when you don t want to delete it For example if you are recording a keyboard part on an existing Style track set the Ch Acc parameter to PLAY and the Kbd Pad track to REC 6 Start recording by pressing the left PLAY STOP button or the START STOP button if you want the Style to start immediately By pressin...

Page 98: ...rnal play ers feature a resolution of 384 ticks per quarter Style This is the latest selected Style To insert a Style change at the current position touch the Style name to open the Style Select window or follow the standard selecting procedure using the STYLE button in the SELECTION section Note Any Style Change inserted after the beginning of the mea sure i e to a position other than Mxxx 01 000...

Page 99: ...on stops to the M001 01 010 location These commands are effective even if the Measure parameter is not selected Previous or Next Measure Use these buttons to move to the previous or following measure These commands are effective even if the Measure parameter is not selected Done button Done Touch this button to exit the Step Backing Sequence mode All changes will be saved to memory Hint Save the S...

Page 100: ... Step Backing Sequence recording mode by touch ing the Done button in the display 6 Press PLAY STOP in the PLAYER section to listen to the result of your editing If it is fine save the Song to a storage device Edit menu From any page press the MENU button to open the Sequencer edit menu This menu gives access to the various Sequencer edit sections When in the menu select an edit section or press E...

Page 101: ... Song Play mode the A group is reserved to the Song and Pad tracks the B group to the Keyboard tracks However Songs created in Sequencer mode could also assign the B group to the Song tracks Parameters All parameters in this page are the same found in the same page of the Style Play mode see Mixer Tuning FX Send on page 77 Mixer Tuning EQ Gain In this page you can set the three band equalization E...

Page 102: ...lay status The track can be heard Mute status The track cannot be heard Effects A B FX Configuration This page allows you to select the effects for the A Song and B Keyboard FX groups You can use the FX A and FX B side tabs to switch from one group to the other one Songs created in Sequencer mode on a Pa Series instrument can also use the B FX group The effect types and the FX matrix are the same ...

Page 103: ... measure bb is the beat ccc is the tick each quarter beat 384 ticks You can edit this parameter to move the event to a different posi tion You can edit a position in either of the following ways a select the parameter and use the VALUE DIAL to change the value or b select the parameter then touch it again the numeric key pad will appear Enter the new position by dialing in the three parts of the n...

Page 104: ...age 103 Delete Touch the Delete button in the display to delete the event selected in the display Note The End of Track event cannot be deleted Event Edit procedure Here is the general event editing procedure 1 While in the Event Edit page press PLAY STOP in the PLAYER section to listen to the Song Press it again to stop the Song 2 Select the Filter page and turn Off the filter for the event types...

Page 105: ...types you do not wish to see in the Event Edit page Note RX Noise Notes and RX Noises Program Program Change events Control Control Change events Tempo Meter Tempo and Meter time signature changes Mas ter Track only After Touch Mono Channel Aftertouch events Poly After Touch Poly Aftertouch events Pitch Bend Pitch Bend events Pa Controls Controls exclusive to Pa600 like the Scale set tings These c...

Page 106: ...nstrument in a Drum track Song Edit Velocity Here you can change the Velocity value for the notes An Advanced mode is available allowing you to select a velocity curve for the selected range This is useful to create fade ins or fade outs After setting the various parameters touch Execute to start the operation Track Use this parameter to select a track All All tracks selected Track 1 16 Selected t...

Page 107: ...fect events are recorded Event Type of MIDI event to delete All All events Measures will not be removed from the Song and will remain empty Note All notes in the selected range Dup Note All duplicate notes When two notes with the same pitch are encountered on the same tick the one with the lowest velocity is deleted After Touch After Touch events Pitch Bend Pitch Bend events Prog Change Program Ch...

Page 108: ...measure to copy For example if From Measure 1 and To Measure 4 the first four measures are copied To Measure This parameter is the first of the target measures Repeat Times Number of times the copy must be executed Copies will be con secutive Song Edit Move Here you can shift a track forward or backward by just a few ticks or whole measures After setting the various parameters touch Execute to com...

Page 109: ...a Standard MIDI File The file is automatically added the MID extension After selecting this command the Save Song page appears see Save Song window on page 106 Warning Turning the instrument off will delete the Song from memory Save your Song to a storage device to avoid losing it Warning The Song is also lost when switching from Sequencer to Style Play or Song Play mode without previously saving ...

Page 110: ...ON sections on the control panel See Song Select window on page 9 for details Save Song window The recorded Song is lost when turning the instrument off The Song is also lost when you overwrite it in Record mode or if you confirm the warning message when switching to the Style Play or Song Play mode You must save to a storage device any Song you wish to preserve This window appears when you select...

Page 111: ...playing back the Song in Song Play mode Hint Since the Master Transpose is a global parameter loading a Song with a non standard transposition may result in unwanted transposing when loading other Songs that do not contain their own transposition data To transpose a Song it is advisable to use the Transpose function in the Edit section of the Sequencer mode see Song Edit Transpose on page 102 You ...

Page 112: ...cannot be select since the parameter contained in the current page are global and valid for the whole Sound these buttons are greyed out and cannot be selected Sounds Drum Kits Pa600 features two different types of Sounds Ordinary Sounds These are normal instrument Sounds like pianos strings basses Drum Kits These are drum and percussion kits where each note of the keyboard is a different percussi...

Page 113: ...brato LFO LFO Speed Speed of the Vibrato LFO LFO Delay Delay time before the Vibrato LFO begins after the sound starts Resonance Use the Filter Resonance to boost the cutoff fre quency Voice Assign Mode Poly The Sound will play polyphonically allowing you play chords Mono The Sound will play monophonically producing only one note at a time Legato This parameter is available when the Mono option is...

Page 114: ...ower part of the display Edit page structure All edit pages share some basic elements Operating mode This indicates that the instrument is in Sound mode Edit section This identifies the current edit section corresponding to one of the items of the edit menu see Edit menu on page 110 Page menu icon Touch this icon to open the page menu see Page menu on page 134 Selected oscillator Use these buttons...

Page 115: ... selected mode is Poly On When the same note is played repeatedly the pre vious note will be silenced before the next note is sounded so that the notes do not overlap Off When the same note is played repeatedly the pre vious note will not be silenced before the next note is sounded Legato This parameter is only available when the selected mode is Mono It is the same found on the main page of the S...

Page 116: ...n from the offset location pre determined for each sample No Attack The initial portion of the multisample is ignored AMS Activates the Alternate Modulation Source see below PseudoRandom Only works when more than one Offset point is available in the multisample Randomly selects one of the available Offset points including Attack and Off Level These parameters specify the level of each multisample ...

Page 117: ...useful to trigger different sound nuances or create vector like sound sequences Cycle 2 As the above for use with a different and paral lel group of Oscillators Having two Cycle Trig ger Modes allows for cycling stereo multisamples Random As the above but with a random selection of Oscillators within the assigned group After Touch Trigger On The Oscillator starts playing when an After Touch messag...

Page 118: ...y value of 0 and the highest range value of 20 may be converted to a Scaled Velocity value of 127 All values included between the mini mum and maximum value are scaled accordingly As a consequence you can create an RX Sound of guitar by assigning the guitar fret noise to the 10 20 velocity range When a dynamics value between 10 20 is received the real velocity value is scaled to the Scaled Velocit...

Page 119: ...c piano the dampers can only dampen strings up to a certain pitch Starting from that pitch it is as if the Damper was always pressed down Note This parameter only affects the Normal Damper mode It has no effect on the Resonance Halo mode C 1 G9 Note starting from which the Damper is always pressed down In an acoustic piano this is usually set to G6 Basic Damper Trigger Here you can set the notes t...

Page 120: ...it a Drum Kit Here you can select a different percussive sample for each key and layer Drum Kits use only one oscillator Key Key Key in edit To select a key you can press a key on the keyboard while this parameter is selected Layers Number of layers assigned to the selected key Depending on the number of selected layers you can have a different number of velocity switches Assign Use this parameter...

Page 121: ...s parameter will not be available Off The sound will start from the beginning of the sample 1st 6th The sound will begin from the offset location pre determined for each sample NoAtk The initial portion of the multisample is ignored AMS Activates the Alternate Modulation Source see below PseudoRandom Only works when more than one Offset point is available in the multisample Randomly selects one of...

Page 122: ...it Voice Mixer Drum Kits This page appears when you edit a Drum Kit Here you can set various parameters for the different percussive sample assigned to the selected key and layer Key See Key on page 116 Voice Assign Mode Single Trigger Use this parameter to set the sample as a single triggered one On When the same key note is played repeatedly the previous note will be stopped before the new note ...

Page 123: ...t 1 0 Positive val ues will cause the pitch to rise as you play higher notes and neg ative values will cause the pitch to fall as you play higher notes With a value of 0 there will be no change in pitch and the C4 pitch will sound regardless of the keyboard location you play The diagram shows how the Pitch Slope and pitch are related 1 0 2 0 Pitch slope value Pitch Bend Mode The Pitch Bend can wor...

Page 124: ...is a maximum of one octave 12 00 12 00 Parameter value Pitch EG The Pitch EG Envelope Generator is unique to all oscillators Velocity Intensity This parameter specifies the depth and direction of the modula tion that the pitch EG specified on Pitch Pitch EG will apply to the pitch With a setting of 12 00 the pitch will change a maxi mum of 1 octave 12 00 12 00 Parameter value Pitch EG AMS Alternat...

Page 125: ... specify the amount of pitch change The actual amount of pitch change will depend on the Intensity AMS1 2 Intensity parameter see below For example with an Inten sity setting of 12 00 a Level setting of 99 would raise the pitch one octave and a Level setting of 99 would lower the pitch one octave Start Level Specifies the amount of pitch change at note on 99 99 Parameter value Attack Level Specifi...

Page 126: ...he pitch EG see AMS Alternate Modulation Source list on page 136 Intensity AMS Intensity This parameter specifies the depth and direction of the effect that AMS will have on the Time parameters With a setting of 0 the pitch EG times will be just as specified by the Time set tings The alternate modulation value at the moment that the EG reaches each point will determine the actual value of the EG t...

Page 127: ...on Source list on page 136 Intensity AMS Intensity This parameter specifies the depth and direction of the effect that Res Mod by AMS Resonance modulated by AMS will have on the resonance level specified by Resonance Resonance A For example if Velocity has been selected changes in keyboard velocity will affect the resonance With positive values the resonance will increase as you play more strongly...

Page 128: ... the cutoff frequency will change according to the keyboard location pitch 99 99 Parameter value Filter EG Velocity to A This parameter specifies the depth and direction of the effect that velocity will have on the time varying changes created by the filter EG as set on Filter Filter EG to control the filter A cutoff frequency With positive values playing more strongly will cause the fil ter EG to...

Page 129: ...dulation Source 2 for filter A B Selects the source that will control modulation of the filter A cutoff frequency see AMS Alternate Modulation Source list on page 136 Intensity Intensity to AMS2 Specifies the depth and direction of the effect that the selected source will have see Intensity Intensity to AMS1 on page 125 Filter Filter LFO Here you can use the filter LFO to apply cyclic modulation t...

Page 130: ...ive levels Start This parameter specifies the change in cutoff frequency at the time of note on 99 99 Level value Attack This parameter specifies the change in cutoff frequency after the attack time has elapsed 99 99 Level value Break Break Point This parameter specifies the change in cutoff frequency after the decay time has elapsed 99 99 Level value Sustain This parameter specifies the change in...

Page 131: ...imes and negative values of Ramp Low High will shorten the EG times The direction of change is specified by At Attack Time Swing Dc Decay Time Swing Sl Slope Time Swing and Rl Release Time Swing With a setting of 0 the times specified by Frequency Cutoff Frequency A will be used If AMS1 2 is set to Velocity positive values of this parame ter will cause EG times to lengthen as you play more strongl...

Page 132: ...exam ple if Pan is set to C064 and AMS is Note Number positive values of this parameter will cause the sound to move toward the right as the note numbers increase beyond the C4 note i e as you play higher and toward the left as the note numbers decrease i e as you play lower Negative values of this parameter will have the opposite effect 99 99 Parameter value Amp Amp Mod These settings allow you t...

Page 133: ...alue Amp Amp EG These parameters let you create time varying changes in the vol ume of the selected oscillator Diagram The diagram on top of the page shows the Amplitude envelope line Level These parameters are the level of the envelope segment Start This parameter specifies the volume level at note on If you want the note to begin at a loud level set this to a high value 0 99 Level value Attack T...

Page 134: ...ge 136 With a setting of Off there will be no modulation Intensity This parameter specifies the depth and direction of the effect that AMS1 will have For example if AMS1 T is Amp KTrk the Amp Keyboard Track settings see Keyboard Track ing on page 128 will control the EG Time parameters With positive values of this parameter positive values of Ramp Ramp Setting will cause EG times to be lengthened ...

Page 135: ...y in the positive direction even if you set Offset to 0 Here are offset settings and pitch change produced by vibrato 99 99 Offset value Key Sync This parameter specifies if the LFO is synchronized to key strokes On The LFO will start each time you play a note and an independent LFO will operate for each note Off The LFO effect that was started by the first played note will continue to be applied ...

Page 136: ...see page 131 and Frequency Modulation see page 131 will be ignored Base Note When MIDI Tempo Sync is On these parameters set a note length relative to q Tempo and the multiple Times that will be applied to it These parameters will determine the fre quency of the LFO1 For example if Base Note is q quarter note and Times is 04 the LFO will perform one cycle every four beats Even if you change the q ...

Page 137: ... mem ory and purge them in case you want to load new Samples and the instrument reports there is no more room available User PCM Samples Info Use this area to see detailed information on the User PCM Sam ples loaded General information for the RAM memory is also available Samples Number of User PCM Samples in memory Drum Samples Number of User Drum Samples in memory Multisamples Number of User Mul...

Page 138: ...ommand to open the Write Sound dialog box and save all editing parameters to a Sound See Write Sound dialog box on page 135 for more information Solo Oscillator Select this command to solo the selected oscillator and mute the other oscillators Select it again to unmute the other oscillators When this function is activated the Solo OSC n indicator n oscillator number blinks on the page header While...

Page 139: ...ion Name Name of the Sound to be saved Touch the Text Edit but ton next to the name to open the Text Edit window Sound Bank Target bank of Sounds Use the VALUE controls to select a dif ferent bank Sound Target Sound location in the selected bank Use the VALUE con trols to select a different location Select Touch this button to open the Sound Select window and select a target location Copy Oscillat...

Page 140: ...lator Amp KTrk 0 Amp Keyboard Track 0 Amp keyboard tracking within the same oscillator Amp KTrk 0 Amp Keyboard Track 0 Amp keyboard tracking within the same oscillator Note Number Note number Velocity Velocity Poly AT Poly After Touch Polyphonic After Touch received transmitted via MIDI or contained in Standard MIDI Files Channel AT Channel After Touch After Touch Channel After Touch received tran...

Page 141: ...in Standard MIDI Files JS Y AT 2 Joy Stick Y After Touch 2 The effect will be controlled by the joystick Y vertically down ward and by after touch In this case the effect of after touch will be only half of the specified intensity received transmitted via MIDI or contained in Standard MIDI Files Note Number Amp Key Low Key High AMS Amp KTrk AMS Intensity positive value Ramp Low 50 Ramp High 50 Dep...

Page 142: ...d operating mode Note Saving or loading a SET folder may also save or load the Global file Parameter changing may be avoided by turning the Lock on for any single parameter or groups of parameters in the Lock page of the Global mode see General Controls Lock on page 141 Main page There is no main page in the Global edit mode When pressing EXIT you exit the Global mode and the underlying operating ...

Page 143: ...bliged to change the reverb time in each single Performance STS Style Settings or Song 50 Less reverb 0 Standard reverb 50 More reverb Fade In Out Time These parameters allows you to set the speed for the Fade In Out function Fade In Time Time for a full fade in from zero to maximum volume after you press the FADE IN OUT button 5 20 Fade time in seconds Fade Out Time Time for a full fade out from ...

Page 144: ...y default this parameter is turned on Note Program Change numbers are always shown in the various Track Info areas Track Activity Show Use this parameter to turn on off the Track Activity display When it is turned on you can monitor events coming from the tracks or the MIDI inputs Incoming events are shown by the color changing on each track s label Auto Select Style When this parameter is checked...

Page 145: ...ff Full keyboard mode the Upper tracks Octave Transpose will be automatically set to 0 When turning the SPLIT button on Split keyboard mode the Upper tracks Octave Transpose will be automatically set to 1 Control pane Assignable Switches When locked selecting a Performance or STS will not change the functions assigned to the Assignable Switches See Pad Switch Switch on page 31 Upper 1 FXs In Sound...

Page 146: ...hanged This way you can for example turn the bass track off during a whole show to allow your bassist to play the part live Also you could mute all Acc tracks to only play with the Drum and Bass tracks Style Element When this lock is closed the selected Style Ele ment Variation Intro will not change when choosing a different Style This lock has no effect on the Styles automatically selected when c...

Page 147: ...re information Chord Recognition This parameter allows you to choose how chords are recognized by the auto accompaniment engine When switching to Full Keyboard mode SPLIT LED turned off the Chord Recognition mode is automatically set as in the fol lowing table One Finger You can compose a chord using a simplified chord playing technique Play a single note for a Major chord to be recog nized Play t...

Page 148: ...way the MEMORY button works Chord When the MEMORY LED is on recognized chords are kept in memory even when raising your hand from the keyboard When the LED is off chords are reset when raising your hand Chord Lower When the MEMORY LED is on recognized chords are kept in memory and the Lower sound is held until the next note or chord is played When the LED is off both the chord and there fore the a...

Page 149: ...ks Default effect settings EQ settings for the Song tracks Internal External status of the Song tracks Mode Preferences Media This page includes various settings for the Media mode Disk Protect When on this parameter protects the internal KORG KORG DISK disk unit from writing Global Protect When on this parameter protects the global parameters from changes when loading data from disk Factory Style...

Page 150: ...ob balances the volume of the Key board Kbd tracks against the Style Accompani ment Song and Pad tracks Acc Song Volume While in Style Play and Song Play mode the BALANCE knob controls the volume of the Style Accompaniment Song and Pad tracks Controllers Foot Controllers This page lets you select a function to the Assignable Pedal Foot switch and select the polarity for the Damper and Assignable P...

Page 151: ...e up Tuning Transpose Control This page is where you can select to which tracks the Master Transpose is applied to and adjust some related parameter Transpose Control Transpose applies to Style and Kbd tracks Use this parameter to turn the Master Transpose on or off and define the way it is applied to Style and Keyboard tracks Off No Master Transpose is applied to Style and Key board tracks Chords...

Page 152: ...tru ment apart for those tracks where a different sub scale has been selected by a Performance or STS see Scale on page 22 Style Play mode See Scales on page 242 for a list of the available scales Note You cannot select a User scale in Global mode Key This parameter is needed by some scales to set the preferred key User Quarter Tone SubScale This section is where you can program the Quarter Tone s...

Page 153: ...IDI Preset you can apply any changes to each channel s settings To store the changes in memory select the Write Midi Preset command in the page menu to save it to memory see Write Midi Preset dialog box on page 155 Hint In case you don t have a SET file containing the original data you can restore the original MIDI Presets by using the Fac tory Restore command page Utility of the Media mode see pa...

Page 154: ...bove C7 depending on the Sound When this parameter is turned on notes received from MIDI or performed by the internal Player in the RX Noises range are recognized and converted to RX Noises When off notes are not recognized Note This parameter is automatically turned on when turning the instrument on again MIDI MIDI In Controls This page lets you program parameters for the MIDI IN and USB Device p...

Page 155: ...track Acc 1 5 One of the Style s Auto accompaniment tracks Ply Tr 01 16 One of the Player tracks Global Special channel to simulate the Pa600 s integrated controls keyboard pedals joystick with an external keyboard or controller MIDI messages coming on this channel are seen as if they were generated by Pa600 s integrated controllers Control On this special channel the Pa600 receives MIDI messages ...

Page 156: ...ter type Audio EQ MP3 Speakers This page lets you define various parameters for the MP3 player and the speakers MP3 Player Volume Use this parameter to set the maximum volume of the MP3 Player This control lets you balance MP3 files against SMF Songs and Styles 0 100 Max volume in percentage Speakers Speakers On Off Use this checkbox to turn the integrated speakers on or off Audio EQ Limiter The L...

Page 157: ...e Left Right audio out puts It gives you the power to design EQ curves and shape your sound Master EQ features four fully programmable bands with fully adjustable gain frequency and Q parameters All these parameters can be saved into a Master EQ Preset EQ Preset Use this pop up menu to choose one of the available EQ Presets and automatically reconfigure the EQ parameters On Off This is the on off ...

Page 158: ...t selecting a command Note In each Global page the only available Write Global options from the page menu are the ones relevant to the content of the cur rent page All other Write Global options are greyed out Write Quarter Tone SC Preset Choose this command to open the Write SC Preset dialog box and save the current scale settings in one of the four available SC Presets See Write Quarter Tone SC ...

Page 159: ...ocations where to save cur rent MIDI settings Write Limiter Preset dialog box Open this dialog box by selecting the Write Limiter Preset item from the page menu Here you can save current settings for the Limiter edit section see starting from page 152 Name Name of the Limiter Preset to be saved Touch the Text Edit button next to the name to open the Text Edit window and modify the name Limiter Pre...

Page 160: ... list is shown in the display you can select any item by touching it The selected item is highlighted You can deselect all items in any of the following ways Touch an empty area in the file list if available Touch the Device pop up icon and select the current device again Searching files By using the Search function you can search files and musical resources in all internal and external devices Fo...

Page 161: ...s a folder containing other fold ers BKP Backup file created with the Full Resources Backup function of the Media Utility page PKG Operating System and Musical Resource files GBL Global Setup QTP Quarter Tone Scale Presets MPR MIDI Presets AUD Limiter and Master EQ Presets PRF Performance PCG Sound Korg Pa Series STY Style PAD Pad SBD SongBook SBL SongBook s Custom List JBX Jukebox MID Standard MI...

Page 162: ...ET QTP BANK01 PRF 1 1 Grand Piano 1 40 Full Strings BANK PRF BANK8 PRF 8 1 Rock Brass 8 40 Rock Strings SONGBOOK LISTDB SBL SONGDB SBD SOUND USER01 PCG USERDK PCG STYLE BANK01 STY 1 1 Pop 1 1 40 Pop 40 BANK STY USER01 STY U1 1 User 1 U1 40 User 40 USER02 STY U2 1 User 1 U2 40 User 40 USER03 STY U3 1 User 1 U3 40 User 40 BANK15 STY 15 1 Contemp 1 15 40 Contemp 40 1 Piano 1 128 SynBrass22 1 Standard...

Page 163: ...name shows the selected order Scrollbar Use the scrollbar to scroll the list Touching the arrows will scroll one step at a time while touching the bar will scroll one page at a time Touching the arrows while SHIFT is kept pressed jumps to the previous or next alphabetical section or file folder type depending on the selected display order Device pop up menu Use this menu to select one of the avail...

Page 164: ...e device When the device is selected its content will appear in the display 3 If the folder you are looking for is inside another folder select this latter and touch the Open button to open it Touch the Close button to go back to the parent folder 4 Select the SET folder containing the data you wish to load and touch Load to confirm the selection To create a new SET folder with PCM samples from di...

Page 165: ...sting in memory will be deleted and overwritten 7 Select the target bank and touch OK to load the source bank Warning After confirming all User data contained in mem ory are deleted Note You can save space for loading new data by deleting all unused PCM Samples from memory When Sounds or Drum Kits based on external PCM Samples are deleted you no lon ger need the now unassigned PCM Samples Choose t...

Page 166: ...oice Processor Presets VOC files Due to the different order in memory Styles must be reassigned to SongBook entries by using the SongBook Editor software freely available on www korg com It is not possible to load Pa600 data into a Pa1X Loading Pa80 60 50 data You can load Pa80 60 50 data exactly as if they were Pa600 data apart for the Global GLB and Voice Processor Presets VOC files The only dif...

Page 167: ...ry stick You can save single files banks or all the User and Favor ite Style files of the internal memory Note While in this page only data allowed for saving are shown All other files are hidden Here are the various types of files contained in the internal memory The file folder type contains and will create on the target device All All the User data in memory A SET folder Style The FAVORITE 01 1...

Page 168: ...ncel to abort Warning After confirming all data of the selected type in the target folder is deleted Saving all data of a specified type In addition to the above you can save all data of a specified type by selecting the corresponding folder 1 If saving to an external device connect the device to the USB Host port 2 The full content All of the internal memory is already shown Select it and touch O...

Page 169: ...will appear in the display 6 At this point you can Touch the New SET button and create a new SET folder see Creating a new SET folder on page 166 or Select an existing SET folder and touch Save to con firm 7 A dialog box appears asking you to select one of the avail able User or Favorite User Style locations inside the folder In the above dialog box the previously selected bank of Styles will be s...

Page 170: ...tyle will be saved to location 01 inside the bank Usr01 inside the selected folder 9 Touch OK to confirm or Cancel to abort Warning After confirming the same item in the target folder is deleted Creating a new SET folder Pa600 proprietary data must be saved in special folders with the SET extension These special folders can be saved inside ordi nary folders When saving you can save onto existing S...

Page 171: ...a already exists at the target location the Overwrite dialog box will appear see Overwriting existing files or folders on page 168 During Copy a dialog box shows the progress of the opera tion Copying a single file or folder You can copy a single file or folder from the root or a generic folder to a different one You can t copy single files or folders from inside a SET folder 1 If copying from or ...

Page 172: ...terrupted No The file or folder is not overwritten The source file or folder is not copied The procedure will continue with the other files and folders Yes The file or folder is overwritten The procedure will continue with the other files and folders Yes to All The file or folder is overwritten Any following duplicate file or folders will be overwritten as well without this dialog box appearing ag...

Page 173: ...ice connect the device to the USB Host port 2 Choose the device to be formatted by using the Device pop up menu in the lower left corner of the display 3 Touch the Execute button in the display to confirm format ting 4 The If you confirm all data in the media will be lost Are you sure message appears in the display Touch Yes to confirm or No to cancel Note When formatting the hard disk or an exter...

Page 174: ...tored as a full package Note Loading a backup file created with other Pa Series and i Series instruments is not allowed Warning Don t play the keyboard while restoring data and stay in the Media mode Wait until the Wait message disappears 1 In case you are restoring from an external USB device con nect the device to the USB Host port 2 Select the Full Restore Resources command then touch Execute T...

Page 175: ...USB device called Device or Slave while the personal computer becomes the A USB device called the Host or Master When finished the icon of the internal memory of Pa600 will appear among the other storage devices connected to the computer Caveat Do not modify the structure of the SET folders or you will no longer be able to use them on the Pa600 Only use the USB connection for data exchange purpose...

Page 176: ...Text Edit window Object s info Select this command to see the size of any selected file or folder Also the number of files and directories folders it contains are shown Note The single file size is always shown to the right of the file name in any file list Device Info Select this command to see various info on the selected device To select a different device use the Device pop up menu on the lowe...

Page 177: ...an damage data in a device You can try to recover the data with disk repair utilities for personal computers It is however advisable to always make a backup copy of your data Merging PCM Samples from various sources When you load a SET folder all User PCM Samples in memory are deleted So there is no way to merge different samples by loading complete SET folders To merge samples from several source...

Page 178: ... START button to start the Song or Style Each entry of this database may include the song s author name genre original key tempo and meter time signature When selecting one of the entries the associated Style Standard MIDI File or MP3 file is automatically recalled Also STSs and Pads may be recalled if present List Header The List Header shows the selected entry s name on the left N and the associ...

Page 179: ...ge menu After you select this command the Num column appears To see the Key column again select the Show Key now Song Numbers command from the page menu To select a SongBook entry by entering its number press the SONGBOOK button again while you are in any page of the SongBook mode The numeric keypad will appear allowing you to enter the number corresponding to the desired entry Hint You can export...

Page 180: ...this page by keeping SHIFT pressed and pressing the SONGBOOK button List header See List Header on page 174 Custom list List of files contained in the selected Custom List Use the scroll bar to browse through the list As an alternative use the VALUE DIAL Scrollbar Use the scrollbar or the VALUE DIAL to scroll the entries Commands List pop up menu Use this pop up menu to select one of the available...

Page 181: ...rollbar Use the scrollbar or the VALUE DIAL to scroll the entries Commands Move Use these buttons to move the selected song entry up or down in the list Del Song Touch this button to delete the selected song entry from the list New List Touch this button to create a new empty Custom List Note The maximum number of Custom Lists in a SongBook file is 256 lists Warning Any unsaved Custom List is lost...

Page 182: ...y mode is also saved The Style Settings and the Pad Settings for the referenced Style and Pads are saved If you edited these Settings by changing Sounds Effects Transpose the modified data will be saved instead of the original When you are saving a Song based entry a reference to the MID KAR or MP3 file assigned to the Player whose name is shown on the right of this parameter is saved A reference ...

Page 183: ...es in a SongBook file is 3 000 entries To assign a different name to the entry touch the Text Edit button to open the Text Edit window Select an option to add the new entry to the SongBook Select Rename Overwrite to overwrite an existing entry optionally changing its name Warning The older entry will be deleted Select New Song to save a new entry to the SongBook data base Book Edit 2 The Book Edit...

Page 184: ...lecting this SongBook entry the status of the corresponding function is left unchanged Off When selecting this SongBook entry the status of the corresponding function is turned off On When selecting this SongBook entry the status of the corresponding function is turned on Linked TXT You can select a text TXT file and link it to the Style or Song associated with the current SongBook entry When you ...

Page 185: ...ailable Custom Lists Songs in the Current List Number of entries in the selected Custom List Page menu Touch the page menu icon to open the menu Touch a command to select it Touch anywhere in the display to close the menu without selecting a command Show Artist Genre Select this command to toggle between the Artist and Genre col umn on the SongBook list appearing in the Book and Cus tom List pages...

Page 186: ...age menu Touch the Text Edit button to open the Text Edit window and assign a name to the text file to be saved to a storage device Then select either the internal storage memory to save the file Touch OK to confirm ...

Page 187: ...g iii TXT file contained in the same folder as the Standard MIDI File or MP3 file recalled by a SongBook entry over riding iv Lyrics events contained in the Standard MIDI File or MP3 file Hint If you do not want to see the TXT file or the CDG file and prefer to see the Lyrics data rename the TXT or CDG file or move it to a different folder Viewing lyrics with the Styles Lyrics can be associated to...

Page 188: ...ile or MP3 file and shares exactly the same name it will be loaded with the MID or MP3 file and can be seen in the Lyrics page As an example if the file MYSONG TXT exists in the same directory as the MYSONG MID or MYSONG MP3 file it is loaded together with the matching MID or MP3 file However unlike ordinary Lyrics the text will not scroll automat ically while the Song is playing back You must scr...

Page 189: ...chord symbols if available appear or disappear Chords are shown either according to the English or Italian system depending on the selected language see General Controls Interface on page 140 Note button Touch this button to make the note name appear or disappear next to each note Note names are shown either according to the English or Italian system depending on the selected language see General ...

Page 190: ...stopped or playing touch it in the display The Song will jump to the saved position at the beginning of the next measure How to edit a marker 1 Touch the marker to be edited in the display 2 Touch the Edit button in the display to set the marker to edit The Edit Marker window will appear 3 While in Edit Marker window you can edit the name and position of the marker being edited 4 Save the markers ...

Page 191: ...ter C and a number 60 being the equivalent for C4 A Note Off message is often used to say the note has been released In some case a Note On with value 0 is used instead Together with the Note On message a Velocity value is always sent This value tells the instrument how loud the note must play Pitch Bend PB You can generate this message acting on the joystick X direction The pitch is translated up...

Page 192: ...tes arriving to a Global channel are used for the chord recog nition of the automatic accompaniment If the SPLIT LED is turned on only the notes below the split point will be used These notes will be combined with the ones of the special Chord 1 and Chord 2 channels The Chord 1 and Chord 2 channels You can set two special Chord channels see page 151 to send Pa600 notes for chord recognition These ...

Page 193: ...ontrols page of the Global mode Note that this MIDI Preset will be remain unchanged even when turning the instrument off Note Settings may change when new Global data is loaded from disk To protect settings from loading use the Global Protect function see Global Protect on page 145 4 If needed press one of the buttons in the MODE section to go to the desired operative mode Connecting Pa600 to a MI...

Page 194: ...enerated by the computer i e a song played by its sequencer are sent through the MIDI OUT of the MIDI interface to the MIDI IN connector of Pa600 or from the USB port of the computer to the USB port of Pa600 The Local Off When Pa600 is connected to an external sequencer we recom mend you to set the Pa600 in Local Off mode see Local Con trol On on page 150 to avoid that the notes are simultaneously...

Page 195: ...transmit any MIDI data to an external expander or sequencer connected to the MIDI OUT of Pa600 To only hear the expander s sounds you can lower the MASTER VOLUME control on the Pa600 or set the Keyboard tracks to the External status see Track Controls Mode on page 99 The Player Any Player s track can drive a channel on an external instru ment To set each track s MIDI output channel see MIDI MIDI O...

Page 196: ...192 MIDI Playing another instrument with Pa600 ...

Page 197: ......

Page 198: ...rn Ballad 2 3 2 Moonlight Ballad 4 3 Soft Ballad 5 4 Funky Ballad 6 5 Guitar Ballad 7 6 Easy Ballad 8 7 Organ Ballad 9 8 Folk Ballad 10 9 Orchestral Bld 11 10 Groove Ballad 12 11 Blues Ballad 13 12 Analog Ballad 1 14 13 Analog Ballad 2 15 14 Rock Ballad 1 16 15 Rock Ballad 2 17 16 Waltz Ballad 18 17 6 8 Slow 19 18 6 8 Ballad 1 20 19 6 8 Ballad 2 21 20 Pop Hit Ballad 22 21 Oriental Ballad 23 22 Blu...

Page 199: ...nplugged Ballad 3 6 5 Unplugged Slow 7 6 Desert Shuffle CC00 CC32 PC Name 8 7 Serenade 9 8 Unplugged 10 9 Meditando 11 10 Unplugged 8 Bt 12 11 Unplugged 16 Bt 13 12 Unplugged Gtr 1 14 13 Unplugged Gtr 2 15 14 Unplugged Gtr 3 16 15 Unplugged Gtr 4 17 16 Slide Blues 18 17 Unplugged Rock 19 18 Unplugged Latin 20 19 Unplugged Swing 21 20 Unplugged 22 21 Acoustic Bld Bank Country 1 0 6 0 Easy Country 2...

Page 200: ...rn Bachata 13 12 Classic Beguine 14 13 Bayon 15 14 Modern Bossa CC00 CC32 PC Name 16 15 Disco Cha Cha 17 16 Calypso 18 17 Reggae 1 19 18 Reggae 2 20 19 Club Latino 21 20 Andean Bank Jazz 1 0 10 0 Bigger Band 2 1 Serenade Band 3 2 Jazz Club 4 3 BeBop 5 4 Medium BigBand1 6 5 Medium BigBand2 7 6 Fast Big Band 1 8 7 Fast Big Band 2 9 8 Slow Swing Brush 10 9 Swing Ballad 1 11 10 Swing Ballad 2 12 11 Sw...

Page 201: ... 8 Hawaiian 10 9 Mexican Waltz 11 10 Norteno 12 11 Kebradita 13 12 Bolero Ranchero 14 13 Mariachi Polka 15 14 Mariachi Valz 16 15 Mariachi Cumbia 17 16 Alpen Schlager 18 17 Classic Schlager 19 18 Modern Schlager 20 19 Vienna Waltz 21 20 Tarantella 22 21 Rumba Napoletana CC00 CC32 PC Name 23 22 Raspa 24 23 Mad Ska 25 24 Celtic Dream 26 25 Celtic Waltz 27 26 Celtic Ballad 28 27 Scottish Reel 29 28 B...

Page 202: ... 0 Bank Select LSB CC 32 and Program Change messages on the Control channel see MIDI MIDI In Channels on page 151 If a Style is already selected just send the Program Change message Note The above Control Change and Program Change numbers are given according to the 0 127 numbering system PC Style Element PC Style Element PC Style Element PC Style Element PC Style Element 80 Intro 1 81 Intro 2 82 I...

Page 203: ... 5 FM Pad EP 121 13 5 White Pad EP 121 9 4 Thin E Piano 121 19 4 Tine E Piano 121 10 4 Dyno Tine EP 1 121 22 4 Dyno Tine EP 2 121 7 4 Studio EP 121 5 4 Pro Dyno EP 121 6 4 Pro Stage EP 121 23 4 Bell E Piano 1 121 24 4 Bell E Piano 2 Factory Mallet Bell 121 2 11 Vibraphone 1 121 7 12 Marimba 121 2 12 Marimba Key Off 121 1 13 Xylophone 121 2 9 Glockenspiel 121 1 8 Celesta 121 2 10 Music Box 121 6 12...

Page 204: ... 121 35 25 Steel Gtr RX 121 7 26 Jazz Gtr DNC CC00 CC32 PC Name 121 5 26 Soft Jazz Guitar 121 14 27 Single Coil Pro 121 18 24 Nylon Guitar DNC 121 19 24 Natural NylonDNC 121 34 25 RealFolk Gtr DNC 121 33 25 Real 12 Strings 121 8 24 Nylon Gtr Pro1 121 11 24 Nylon Gtr Pro2 121 14 24 Nylon Slide Pro 121 19 25 Steel Guitar Pro 121 17 25 12 Strings Pro 121 5 25 Steel 12 Strings 121 31 25 Real Steel Gtr...

Page 205: ...15 48 Strings Horns 121 18 48 Strings Glock 121 1 45 Pizz Ensemble 121 2 45 Pizz Section 121 8 48 Octave Strings 121 4 49 Spiccato Strings CC00 CC32 PC Name 121 10 48 Symphonic Bows 121 5 50 Analog Strings 1 121 6 50 Synth Strings 1 121 17 52 Scat V Bass1 121 18 52 Scat V Bass2 121 8 52 Wuuh Choir 121 9 52 Oh Ah Voices 121 14 52 Femal Male Scat 121 4 52 Take Voices 1 121 3 52 Ooh Slow Voice 121 19...

Page 206: ...no 1 121 4 64 Sweet Soprano 2 121 1 64 Sweet Soprano 3 121 2 64 Soprano Pro 121 3 67 Baritone Sax Pro 121 4 67 Baritone Sax CC00 CC32 PC Name 121 5 65 Sweet Alto Sax1 121 6 65 Sweet Alto Sax 2 121 7 65 Soft Alto Sax 121 8 65 Alto Sax Pro 121 8 66 Tenor Sax Expr 2 121 7 66 Tenor Sax Expr 1 121 9 66 Jazz Tenor 1 121 10 66 Jazz Tenor 2 121 1 67 Baritone Growl 121 11 65 Cool Sax Ens 121 2 65 Sax Ensem...

Page 207: ...10 81 Fire Wave 121 7 90 Digital PolySix 121 11 87 A Leadload 121 8 90 Noisy Stabb 121 9 90 Mega Synth 121 3 95 Dark Element CC00 CC32 PC Name 121 4 84 Metallic Rez 121 12 81 Synth Pianoid 121 2 88 Arp Angeles 121 8 87 Big Raw 121 2 96 Caribbean 121 10 87 OB Lead 121 12 80 Port Whine 121 13 80 2VCO Planet Lead 121 3 101 VCF Modulation Factory Ethnic 121 8 104 Sitar 121 1 110 Fiddle 121 11 25 Mando...

Page 208: ...it RX1 120 0 1 Standard Kit RX2 120 0 2 Standard Kit RX3 120 0 6 Standard Kit RX4 120 0 3 Ambient Kit RX 120 0 4 Pop Std Kit RX 120 0 75 Electro Kit RX1 CC00 CC32 PC Name 120 0 76 Electro Kit RX2 120 0 42 Brush Kit RX1 120 0 43 Brush Kit RX2 120 0 44 Brush Kit RX3 120 0 72 HipHop Kit RX 120 0 33 Jazz Kit RX1 120 0 34 Jazz Kit RX2 120 0 35 Jazz Kit RX3 120 0 73 Techno Kit RX 120 0 30 House Kit RX1 ...

Page 209: ...21 6 17 Techno Org Bass Legacy Guitar 121 4 24 Nylon Bossa 121 10 24 Nylon Vel Harm CC00 CC32 PC Name 121 6 24 Spanish Guitar 121 15 24 Nylon Guitar 121 9 24 Brazilian Guitar 121 9 25 Steel Folk Gtr 121 7 24 Guitar Strings 121 7 25 Finger Key Off 121 3 26 Club Jazz Gtr 2 121 23 25 Pop Steel Slide 121 8 25 Finger Tips 121 11 27 Country Nu 121 12 25 Reso Guitar 121 26 27 Tel Midddle 121 8 28 Clean F...

Page 210: ...orgmatose 121 6 95 Reoccuring Astra 121 1 95 Astral Dream 121 2 97 Reso Down 121 1 86 Crimson 5ths CC00 CC32 PC Name 121 7 89 Freedom Pad 121 5 97 Noble Pad 121 4 95 Mellow Pad 121 1 100 Lonely Spin 121 2 100 Synth Ghostly 121 11 90 Farluce 121 7 98 Bell Choir 121 10 91 Dance ReMix 121 7 97 Elastick Pad Legacy Synth Lead 121 1 101 Motion Raver 121 2 84 Synchro City 121 6 55 Wild Arp 121 7 81 Seq L...

Page 211: ...ide 121 2 0 Ac Piano Dark 121 0 1 Bright Piano GM 121 1 1 Bright PianoWide 121 0 2 E Grand Piano GM 121 1 2 E Grand Wide CC00 CC32 PC Name 121 0 3 Honky Tonk GM 121 1 3 Honky Wide 121 0 4 E Piano 1 GM 121 1 4 Detuned EP 1 121 2 4 EP 1 Veloc Mix 121 3 4 60 s E Piano 121 0 5 E Piano 2 GM 121 1 5 Detuned EP 2 121 2 5 EP 2 Veloc Mix 121 3 5 EP Legend 121 4 5 EP Phase 121 0 6 Harpsichord GM 121 1 6 Har...

Page 212: ... Str GM 121 0 46 Harp GM 121 1 46 Yang Chin 121 0 47 Timpani GM GM Ensemble 121 0 48 Strings Ens 1 GM 121 1 48 Strings Brass CC00 CC32 PC Name 121 2 48 60 s Strings 121 0 49 Strings Ens 2 GM 121 0 50 Synth Strings1GM 121 1 50 Synth Strings 3 121 0 51 Synth Strings2GM 121 0 52 Choir Aahs GM 121 1 52 Choir Aahs 2 121 0 53 Voice Oohs GM 121 1 53 Humming 121 0 54 Synth Voice GM 121 1 54 Analog Voice 1...

Page 213: ...107 Taisho Koto 121 0 108 Kalimba GM 121 0 109 Bag Pipes GM 121 0 110 Fiddle GM 121 0 111 Shanai GM CC00 CC32 PC Name GM Percussive 121 0 112 Tinkle Bell GM 121 0 113 Agogo GM 121 0 114 Steel Drums GM 121 0 115 Woodblock GM 121 1 115 Castanets 121 0 116 Taiko Drum GM 121 1 116 Concert BassDrum 121 0 117 Melodic Tom GM 121 1 117 Melodic Tom 2 121 0 118 Synth Drum GM 121 1 118 Rhythm Box Tom 121 2 1...

Page 214: ...it GM 120 0 24 Electro Kit GM 120 0 25 Analog Kit GM 120 0 32 Jazz Kit GM 120 0 40 Brush Kit GM 120 0 48 Orchestra Kit GM 120 0 56 SFX Kit GM 127 0 0 Standard Kit1 XG 127 0 9 Standard Kit2 XG 127 0 8 Room Kit XG 127 0 16 Rock Kit XG 127 0 24 Electro Kit XG 127 0 25 Analog Kit XG 127 0 32 Jazz Kit 1 XG 127 0 48 Jazz Kit 2 XG 127 0 40 Brush Kit XG 127 0 17 Classic Kit XG CC00 CC32 PC Name ...

Page 215: ...ory E Piano 121 9 4 Thin E Piano Factory E Piano 121 10 4 Dyno Tine EP 1 Factory E Piano 121 11 4 Club E Piano Factory E Piano 121 12 4 Classic Wurly 2 Factory E Piano 121 13 4 Soft Wurly Legacy E Piano 121 14 4 Hard Wurly Legacy E Piano 121 15 4 Velo Wurly Legacy E Piano 121 16 4 Tremolo Wurly Factory E Piano 121 17 4 Classic Wurly 1 Factory E Piano 121 18 4 Tine E Piano RX Factory E Piano 121 19...

Page 216: ...Tibia 16 8 4 Legacy Organ 121 28 16 Tibia Vox Legacy Organ 121 29 16 Post Horn Trem Legacy Organ 121 30 16 Big Theatre Org Factory Organ CC00 CC32 PC Name Sound Bank 121 31 16 Tibia Kinura Legacy Organ 121 32 16 Tibia Vox Glock Legacy Organ 121 0 17 Perc Organ GM GM Organ 121 1 17 Det Perc Organ GM Organ 121 2 17 Perc Organ 2 GM Organ 121 3 17 Old Wheels Legacy Organ 121 4 17 Organ LowPc V Factory...

Page 217: ...r Pro2 Factory Guitar 121 12 24 Nylon Gtr RX1 Factory Guitar 121 13 24 Nylon Gtr RX2 Factory Guitar 121 14 24 Nylon Slide Pro Factory Guitar CC00 CC32 PC Name Sound Bank 121 15 24 Nylon Guitar Legacy Guitar 121 16 24 RealNylon Gtr ST Factory Guitar 121 17 24 Real Nylon Gtr Factory Guitar 121 18 24 Nylon Guitar DNC Factory Guitar 121 19 24 Natural NylonDNC Factory Guitar 121 26 24 Ukulele Gtr Legac...

Page 218: ...n Guitar RX6 Factory Guitar 121 21 28 5th Mute Gtr Factory Guitar 121 0 29 Overdrive Gtr GM GM Guitar 121 1 29 Guitar Pinch GM Guitar CC00 CC32 PC Name Sound Bank 121 2 29 Soft Overdrive Factory Guitar 121 3 29 Crunch Gtr DNC Factory Guitar 121 0 30 Distortion GtrGM GM Guitar 121 1 30 Feedback DistGtr GM Guitar 121 2 30 Dist Rhythm Gtr GM Guitar 121 3 30 Joystick Gtr Y Legacy Guitar 121 4 30 Power...

Page 219: ...21 5 39 Jungle Rez Factory Bass 121 6 39 Nasty Bass Legacy Bass 121 7 39 Phat Bass Legacy Bass 121 8 39 Poinker Bass Legacy Bass 121 9 39 Synth Bass 80ish Legacy Bass 121 10 39 Autofilter Bass Legacy Bass 121 11 39 Monofilter Bass Legacy Bass 121 12 39 Reso Bass Legacy Bass 121 13 39 Auto Pilot 2 Legacy Bass 121 14 39 Bass4 Da Phunk Legacy Bass 121 15 39 Synth Bass 2 Factory Bass 121 0 40 Violin G...

Page 220: ...y Strings Vocal 121 0 54 Synth Voice GM GM Ensemble 121 1 54 Analog Voice GM Ensemble 121 2 54 Vocalesque Factory Strings Vocal 121 3 54 Vocalscape Factory Strings Vocal 121 4 54 Classic Vox Legacy Strings Vocal CC00 CC32 PC Name Sound Bank 121 5 54 Dream Voice Legacy Strings Vocal 121 6 54 Synth Voices Factory Strings Vocal 121 0 55 Orchestra Hit GM GM Ensemble 121 1 55 Bass Hit Plus GM Ensemble ...

Page 221: ...Brass 121 34 61 Trpts Trombs Factory Brass 121 35 61 Trumpet Ens1 Y Legacy Brass 121 36 61 Trumpet Ens2 Y Factory Brass 121 0 62 Synth Brass 1 GM GM Brass CC00 CC32 PC Name Sound Bank 121 1 62 Synth Brass 3 GM Brass 121 2 62 Analog Brass 1 GM Brass 121 3 62 Jump Brass GM Brass 121 4 62 Electrik Brass Factory Brass 121 5 62 Synth Brass 1 Factory Brass 121 0 63 Synth Brass 2 GM GM Brass 121 1 63 Syn...

Page 222: ... CC32 PC Name Sound Bank 121 5 80 Wave Lead Factory Synth Lead 121 6 80 Sine Wave Factory Synth Lead 121 7 80 Analog Lead Factory Synth Lead 121 8 80 Old Analog Legacy Synth Lead 121 9 80 Gliding Square Factory Synth Lead 121 10 80 Sine Switch Factory Synth Lead 121 11 80 Square Rez Legacy Synth Lead 121 12 80 Port Whine Factory Synth Lead 121 13 80 2VCO Planet Lead Factory Synth Lead 121 0 81 Lea...

Page 223: ...ad GM GM Syn Lead Syn Pad 121 1 95 Astral Dream Legacy Synth Pad 121 2 95 Meditate Factory Synth Pad 121 3 95 Dark Element Factory Synth Lead 121 4 95 Mellow Pad Legacy Synth Pad CC00 CC32 PC Name Sound Bank 121 5 95 Cinema Pad Factory Synth Pad 121 6 95 Reoccuring Astra Legacy Synth Pad 121 7 95 Vintage Sweep Factory Synth Pad 121 8 95 You Decide Legacy Synth Pad 121 0 96 Ice Rain GM GM Synth SFX...

Page 224: ... 2 117 Reverse Tom Legacy Drum SFX 121 0 118 Synth Drum GM GM Percussive 121 1 118 Rhythm Box Tom GM Percussive 121 2 118 Electric Drum GM Percussive 121 3 118 Reverse Snare Legacy Drum SFX 121 0 119 ReverseCymbalGM GM Percussive 121 1 119 Dragon Gong Legacy Drum SFX 121 2 119 Reverse Cymbal Legacy Drum SFX 121 0 120 Gtr FretNoise GM GM SFX 121 1 120 Guitar Cut Noise GM SFX 121 2 120 Ac Bass Strin...

Page 225: ...um 120 0 41 Brush Kit 2 Legacy Drum SFX 120 0 42 Brush Kit RX1 Factory Drum SFX 120 0 43 Brush Kit RX2 Factory Drum SFX 120 0 44 Brush Kit RX3 Factory Drum SFX 120 0 48 Orchestra Kit GM GM Drum 120 0 49 Orchestra Kit Legacy Drum SFX 120 0 50 Bdrum Sdrum Kit Legacy Drum SFX 120 0 51 Arabian Kit 1 Factory Drum SFX 120 0 56 SFX Kit GM GM Drum 120 0 57 SFX Kit 2 Factory Drum SFX 120 0 58 Synth Kit Fac...

Page 226: ...psichord 41 Harpsichord Key off 42 Gospel Organ Slow L 43 Gospel Organ Slow R 44 Gospel Organ Fast L 45 Gospel Organ Fast R 46 16 8 LF L 47 16 8 LF R 48 16 8 LS L 49 16 8 LS R 50 16 8 51 3 LF L 51 16 8 51 3 LF R 52 16 8 51 3 LS L 53 16 8 51 3 LS R 54 4 22 3 2 LF L 55 4 22 3 2 LF R 56 4 22 3 2 LS L 57 4 22 3 2 LS R 58 11 3 13 5 1 LF L 59 11 3 13 5 1 LF R 60 11 3 13 5 1 LS L 61 11 3 13 5 1 LS R 62 1...

Page 227: ...Accordion preset 1 180 Accordion preset 2 181 Accordion Bassoon 182 Accordion Clarinet 183 Accordion Bandoneon 184 Accordion Volkst 185 Accordion Bass 186 Accordion Noise KeyOn 187 Accordion Noise KeyOff 188 Accordion Change Voice 189 Harmonica Fall 190 Harmonica 191 Harmonica Wah 192 Highland Bag Pipes 193 Highland Drones 194 Uilleann Pipes 195 Bag Pipes 196 Bag Pipes GM 197 French Horn T1 198 Fr...

Page 228: ...ar Tel Mt 5th p 313 El Guitar Tel Mt 5th mf 314 El Guitar Tel Mt 5th f 315 El Guitar Tel Mt 5th ff 316 El Guitar Clean Str p 317 El Guitar Clean Str f 318 El Guitar Clean Mute 319 El Guitar Clean Dead 320 El Guitar Clean Slap 321 El Guitar Clean Slide 322 El Guitar Clean GM 323 El Guitar Fret Noise GM 324 El Guitar Cut Noise GM 325 El Guitar Le Neck 326 El Guitar Le Bridge 327 El Guitar Le Mute p ...

Page 229: ...Pop Synth 439 An Strings1 440 An Strings2 441 Analog Vintage 442 White Pad 443 N1 Air Vox 444 SynthBell 445 Ether Bell 446 Ether BellLP 447 Lore 448 Space Lore 449 Wave Sweep1 450 Wave Sweep2 451 Syn Ghostly 452 Ghost 453 Syn Air Pad 454 Dream Str 455 Syn AirVortex 456 Syn Palawan 457 Syn Clicker 458 Noise1 459 Noise2 460 Noise Pad 461 Swish Terra 462 Saw1 463 Saw2 464 Saw3 465 Pulse 02 466 Pulse ...

Page 230: ...4 88 HiHat Open 535 88 Cowbell 536 88 Tom 537 88 Crash 538 Tom 539 Tom Brush 540 Tom Process 541 Electric Tom 542 Melodic Tom GM 543 Agogo Bell 544 Marc Tree 545 Castanet 546 Temple Blocks 547 Orchestra BD 548 Timpani 549 Taiko 550 Djembe Mute 551 FX SD Large Hall1 L 552 FX SD Large Hall1 R 553 FX SD Large Hall2 L 554 FX SD Large Hall2 R 555 FX Rim Large Hall1 L 556 FX Rim Large Hall1 R 557 FX Rim...

Page 231: ... Electribe11 BassDr 74 BD Electribe12 BassDr 75 BD Electribe13 BassDr 76 BD Electribe14 BassDr 77 BD Electribe15 BassDr 78 BD Electribe16 BassDr 79 BD Electribe17 BassDr 80 Syn BD1 BassDr 81 Syn BD2 BassDr 82 Syn BD3 BassDr 83 Syn BD4 BassDr 84 Syn BD Buzz BassDr 85 BD Orchestra BassDr 86 BD Orchestra GM BassDr 87 Timpani BassDr 88 SD LdwVintage S Rim p Snare Dr 89 SD LdwVintage S Rim mf Snare Dr ...

Page 232: ...re Dr 225 SD AmbiHop Snare Dr 226 SD Brasser Snare Dr 227 SD Chili Snare Dr 228 SD Whopper Snare Dr 229 SD Syn 1 Snare Dr 230 SD Syn 2 Snare Dr 231 SD Syn 3 Snare Dr 232 SD Syn 4 Snare Dr 233 SD Electro Snare Dr 234 SD Orchestra Snare Dr 235 SD Orch Roll Snare Dr 236 SD JazzBrush1 Snare Dr 237 SD JazzBrush2 Snare Dr 238 SD Brush1 swirl1 Snare Dr 239 SD Brush1 swirl2 Snare Dr 240 SD Brush1 swirl3 S...

Page 233: ...382 HH Dance2 HiHat 383 HH Syn Closed HiHat 384 HH Syn Open HiHat 385 Ride 20 mp1 Cymbal 386 Ride 20 mp2 Cymbal 387 Ride 20 mf1 Cymbal 388 Ride 20 mf2 Cymbal 389 Ride Edge1 Cymbal 390 Ride Edge2 Cymbal 391 Ride Cup Cymbal 392 Ride Jazz Cymbal 393 Ride Brush1 Cymbal 394 Ride Brush2 Cymbal 395 Ride Brush3 Cymbal 396 Ride Rivet Cymbal 397 Crash 15 edge1 Cymbal 398 Crash 15 edge2 Cymbal 399 Crash 17 e...

Page 234: ...MuffledFlam Low Perc 541 Bongo1 Lo Stick Low Perc 542 Bongo1 Lo StickEdge mf Low Perc 543 Bongo1 Lo StickEdge f Low Perc 544 Bongo1 Lo StickBounce Low Perc 545 Bongo1 Lo Fingernail Low Perc 546 Bongo1 Lo Cuptone Low Perc 547 Bongo1 Lo Slap Low Perc 548 Bongo1 Hi Open mf Low Perc 549 Bongo1 Hi Open f Low Perc 550 Bongo1 Hi Pops Low Perc 551 Bongo1 Hi Hightone Low Perc 552 Bongo1 Hi OpenFlam Low Per...

Page 235: ... 4 a Low Perc 696 Wood Block 4 b Low Perc 697 Wood Block 5 a Low Perc 698 Wood Block 5 b Low Perc 699 Wood Block 6 a Low Perc 700 Wood Block 6 b Low Perc 701 Wood Block 7 Low Perc 702 Wood Block 8 Low Perc 703 Castanet 1 a Low Perc 704 Castanet 1 b Low Perc 705 Castanet 1 c Low Perc 706 Castanet 2 Low Perc 707 Castanet Single Low Perc 708 Castanet Single GM Low Perc 709 Castanet Double Low Perc 71...

Page 236: ...arbuka3 Low Perc 851 M E 1 Darbuka4 Low Perc 852 M E 1 Darbuka5 D1 Low Perc 853 M E 1 Darbuka5 D2 Low Perc 854 M E 1 Darbuka5 D3 Low Perc 855 M E 1 Darbuka6 Mute Low Perc 856 M E 1 Darbuka6 Open Low Perc 857 M E 1 Darbuka6 Rim Low Perc 858 M E 1 Darbuka6 Dom Ak Low Perc 859 M E 1 Davul Hi Perc 860 M E 1 Hollo1 Low Perc 861 M E 1 Hollo2 Low Perc 862 M E 1 Kup1 Low Perc 863 M E 1 Kup2 Low Perc 864 M...

Page 237: ...Fret Noise SFX 974 Dist Slide1 SFX 975 Dist Slide2 SFX 976 E Gtr Pick1 SFX 977 E Gtr Pick2 SFX 978 Gtr Scratch1 SFX 979 Gtr Scratch2 SFX 980 Ac Bs String Slap SFX 981 Amp Noise SFX 982 Space Lore SFX 983 Swish Terra SFX 984 Hand Drill SFX 985 Mouth Harp SFX 986 66 BD BassDr 987 88 BD BassDr 988 88 SD1 GM Snare Dr 989 88 SD2 Snare Dr 990 88 SD2 GM Snare Dr 991 88 Rim Shot GM Snare Dr 992 88 HH Clos...

Page 238: ...plash 10 Cuica 1 10 Darbuka 7 10 Rik 2 10 Timpani 4 11 Sticks 11 Cuica 2 11 Darbuka 8 11 Rik 3 11 Orchestra Tutti 12 Rim Shot 12 Jingle Bell 12 Davul 12 Sagat 1 12 13 Hi Tom Flam 13 Long Guiro 13 Douf Rim Ak 13 Sagat 2 13 14 Mid Tom Flam 14 Short Guiro 14 Dragon Gong 14 Tef 1 14 15 Low Tom Flam 15 Open Bells 15 Hollo 1 15 Tef 2 15 16 Tom Flam End 16 Rain Stick 16 Hollo 2 16 Tef 3 16 17 Drum Single...

Page 239: ... 2 Grv Drum 2 2 Bass Pick Med 2 Piano Accomp 2 3 Drum 8 Bt Easy 3 Perc Latin 1 3 Grv Brush 3 Bass Pick Busy 3 Piano Accomp 3 4 Drum 8 Bt Medium 4 Perc Latin 2 4 Grv Jazzy 4 Bass Finger Easy 4 Piano Accomp 4 5 Drum Rock 1 5 Perc Latin 3 5 Grv Latin 5 Bass Finger Med 5 Piano Accomp 5 6 Drum Rock 2 6 Perc Mix 6 Grv HipHop 1 6 Bass Finger Walk 6 Piano Accomp 6 7 Drum Brush 1 3 4 7 Perc Soft 7 Grv HipH...

Page 240: ...6 8 11 Orch Harp 5 11 Solo Harpsi 4 4 11 Synth Seq 11 11 Nature River 12 Gtr Steel Mute 1 12 French Horns 1 12 Solo Gtr Funk 12 Synth Portam 1 12 Nature Storm 13 Gtr Steel Mute 2 13 French Horns 2 13 Solo Piano 1 13 Synth Portam 2 13 Metronome 3 4 14 Guitar Country 14 Strings 1 14 Solo Piano 2 14 Synth Portam 3 14 PreCount 3 4 15 Gtr Nylon Strum1 15 Strings 2 15 Solo Piano 3 15 Synth Portam 4 15 M...

Page 241: ...Chorus Flanger 28 St HarmonicChorus 29 St Biphase Mod 30 Multitap Cho Delay 31 Ensemble 32 Polysix Ensemble 33 Stereo Flanger 34 St Random Flanger 35 St Env Flanger 36 Stereo Phaser 37 St Random Phaser 38 St Env Phaser 39 Stereo Vibrato 40 St Auto Fade Mod 41 2Voice Resonator 42 Doppler 43 Scratch 44 Grain Shifter 45 Stereo Tremolo 46 St Env Tremolo 47 Stereo Auto Pan 48 St Phaser Trml 49 St Ring ...

Page 242: ...iter Mt Delay 99 OD HG Amp Sim 100 OD HG Cho Flng 101 OD HG Phaser 102 OD HG Mt Delay 103 Wah Amp Sim 104 Decimator Amp 105 Decimator Comp 106 AmpSim Tremolo 107 Cho Flng Mt Dly 108 Phaser Cho Flng 109 Reverb Gate For FX Master 2 only 110 St Mltband Limiter 111 PianoBody Damper 112 OD HyperGain Wah 113 GuitarAmp P4EQ 114 BassTubeAmp Cab 115 St Mic PreAmp 116 Multitap Cho Delay 117 St Pitch Shifter...

Page 243: ...14 15 Ply Tr 15 Ply Tr 15 Acc 4 Acc 4 Acc 4 Ply Tr 15 16 Ply Tr 16 Ply Tr 16 Acc 5 Acc 5 Acc 5 Ply Tr 16 MIDI OUT Channel 1 Upper 1 Upper 1 Ply Tr 1 Upper 1 Ply Tr 1 Ply Tr 1 Upper 1 2 Upper 2 Upper 2 Ply Tr 2 Upper 2 Ply Tr 2 Ply Tr 2 3 Upper 3 Upper 3 Ply Tr 3 Upper 3 Ply Tr 3 Ply Tr 3 4 Lower Lower Ply Tr 4 Lower Ply Tr 4 Ply Tr 4 5 Ply Tr 5 Ply Tr 5 Ply Tr 5 6 Ply Tr 6 Ply Tr 6 Ply Tr 6 7 Ply ...

Page 244: ...m Up Selects the next Performance Perform Down Selects the previous Performance Style Change Style number Transpose Down Same functions of the control panel buttons with the same name Transpose Up Upper Octave Up Upper Octave Down Punch In Out Turns Punch Recording on off Style Upper1 Mute Style Upper2 Mute Style Upper3 Mute Style Lower Mute Style Drum Mute Style Percussion Mute Style Bass Mute St...

Page 245: ...s assigned to the Upper tracks FX CC12 Ctl Standard FX controllers FX CC13 Ctl Function Meaning Function Meaning Off No function assigned Ritardando Progressively increases the Tempo value Accelerando Progressively decreases the Tempo value Style Up Selects the next Style Style Down Selects the previous Style Perform Up Selects the next Performance Perform Down Selects the previous Performance Sty...

Page 246: ...nd matematician It is most suitable for melodies Werckmeister Late Baroque Classic Age scale Very suitable for XVIII Century music Kirnberger Harpsichord scale very common during the XVIII Century Slendro Scale of the Indonesian Gamelan The octave is divided in 5 notes C D F G A The remaining notes are tuned as in the Equal tuning Pelog Scale of the Indonesian Gamelan The octave is divided in 7 no...

Page 247: ...hen Gate 2 or Gate 2 Dmpr are used as a dynamic mod ulation source for the EG a trigger will occur at each note on In the case of Gate 1 and Gate 1 Dmpr the trigger occurs only for the first note on Effects Modulation source Note Off No modulation Gate1 Gate1 Dmpr Gate2 Gate2 Dmpr Note Nr Note Number Velocity Note Velocity Expo Velocity Exponential Note Velocity AfterTouch After Touch JS X Joystic...

Page 248: ...n dB 15 0 15 0 Sets the gain of the High EQ g Output Level 0 100 Sets the output level of the compressor Src Off Tempo Selects the modulation source for the compressor output level Amt 100 100 Sets the modulation amount for the compressor output level h Wet Dry Dry 1 99 99 1 Wet Sets the Balance between the wet and dry signal Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets t...

Page 249: ...ge to adjust the sound pressure of the low range mid range and high range in a different way from the EQ e Low Offset dB f Mid Offset dB g High Offset dB These parameters set the gain of the trigger signal For example if you do not want to apply compression to the high range reduce the High Offset value down below the Thresh old level In this way the high range limiter will not respond and compres...

Page 250: ...ource to control the gate D mod control or use the input signal as a trigger b Envelope Select L R Mix L Only R Only Selects the control signal left and right linked left only or right only Src Off Tempo Selects the source that will control the gate when Envelope Src D mod c Threshold 0 100 Sets the level at which gating is applied Polarity Switches the polarity of gating d Attack 1 100 Sets the a...

Page 251: ...d 2 g Band3 Cutoff Hz 300 10 00k Sets the center frequency of Band 3 Q 0 5 10 0 Sets the bandwidth of Band 3 Gain dB 18 0 18 0 Sets the gain of Band 3 h Band4 Cutoff Hz 500 20 00k Sets the center frequency of Band 4 Q 0 5 10 0 Sets the bandwidth of Band 4 Gain dB 18 0 18 0 Sets the gain of Band 4 i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulat...

Page 252: ...uency to be emphasized c Enhancer Delay L msec 0 0 50 0 Sets the delay time for the Enhancer left channel d Enhancer Delay R msec 0 0 50 0 Sets the delay time for the Enhancer right channel e Enhancer Depth 0 100 Sets the determines to what degree the Enhancer effect is applied Src Off Tempo Selects the modulation source of the Enhancer width Amt 100 100 Sets the modulation amount of the Enhancer ...

Page 253: ...mit of the wah center frequency b Sweep Mode Auto D mod LFO Selects the control from auto wah modulation source and LFO Src Off Tempo Selects the modulation source for the wah when Sweep Mode D mod Respon 0 100 Sets the response speed when Sweep Mode Auto or D mod c Envelope Sens 0 100 Sets the sensitivity of auto wah Envelope Shape 100 100 Sets the sweep curve of auto wah d LFO Frequency Hz 0 02 ...

Page 254: ...ct Base Note r w Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed h Output Level 0 100 Sets the output level of the effect sound Src Off Tempo Selects the modulation source that will control the effect output level Amt 100 100 Sets the modulation amount of the effect output level i Wet Dry Dry 1 99 99 1 Wet Balance between the we...

Page 255: ...the cutoff frequency center frequency Src Off Tempo Selects the modulation source of the cutoff Amt 100 100 Sets the modulation amount of the cutoff c Resonance 0 100 Sets the resonance amount Src Off Tempo Selects the source that will modulate the amount of resonance Amt 100 100 Sets the amount by which the resonance will be modulated d LFO Waveform Triangle Sine Selects the LFO Waveform Phase de...

Page 256: ...frequency range for which very low harmonics are added e Envelope Sens 0 100 Sets the sensitivity with which very low harmonics are added Envelope Shape 100 100 Sets the oscillator s volume envelope curve f Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source FX Amt Note No OSC Mode Fixed...

Page 257: ...Level to adjust the level Max Zero D mod Max Voice Bottom Voice Center Voice Top U I A A O E JS X Ribbon JS Y JS Y etc Zero Max Talking Modulator Control a Pre LPF Off On Selects whether the harmonic noise caused by a decrease in sampling frequency is generated or not High Damp 0 100 Sets the ratio of cut of the high range b Sampling Freq Hz 1 00k 48 00k Sets the sampling frequency Src Off Tempo S...

Page 258: ...al Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt Stereo In Stereo Out Analog Record Simulation Pre EQ Pre EQ EQ Trim EQ Trim a Wah Off On Switches Wah on off Src Off Tempo Selects the modulation source that switches the Wah on and off Sw Toggle Moment Selects the switching mode for the modulation source that switches the...

Page 259: ...lume level The Output Level param eter uses the signal level input to the 3 Band EQ If clipping occurs at the 3 Band EQ adjust the Output Level parameter 19 St Guitar Cabinet Stereo Guitar Cabinet This simulates the acoustical character of a guitar amp s speaker cabinet 20 St Bass Cabinet Stereo Bass Cabinet This simulates the acoustical character of a bass amp s speaker cabinet a Trim 0 100 Sets ...

Page 260: ...source a Amp Type Selects the amplifier type LA STUDIO An amp that is typical of the LA sound JAZZ A combo amp favored by jazz bassists GOLD PANEL An amp distinctive for its eye catching gold panel and clean sound SCOOPED An amp typical of 80 s sounds VALVE2 A tube amp suitable for rock VALVE A tube amp with the ULTRA LO switch turned ON CLASSIC A tube amp whose basic character changes according t...

Page 261: ...ynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Amp Type Cabinet Type LA STUDIO LA 4x10 LA 1x18 JAZZ JAZZ 1x15 GOLD PANEL MODERN 4x10 SCOOPED METAL 4x10 VALVE2 CLASSIC 8x10 VALVE CLASSIC 8x10 CLASSIC COMBI 1x12 1x18 Left Right FX Amt Volume FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out D mod Bass Amp Model1 Cabinet Simulator a Tube1 Low Cut Hz Thru ...

Page 262: ...c position has on the sound The Close setting is the closest mic position and the Far setting is the farthest Mic Pre Amp Saturation In Out Saturation 0 Saturation 50 Saturation 100 Bias 0 In Out Satulation 50 Bias 0 Bias 50 Bias 100 Mic Pre Amp Bias a Mic Type Vintage Dynamic Multi Condenser Percussion Condenser Drums Dynamic Vocal Dynamic Multi Dynamic Vocal Condenser Vocal Tube Kick Dynamic Sel...

Page 263: ...t specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed d L Pre Delay msec 0 0 50 0 Sets the delay time for the left channel R Pre Delay msec 0 0 50 0 Sets the delay time for the right channel e Depth 0 100 Sets the depth of LFO modulation Src Off Tempo Selects the modulation source for the LFO modulation depth Amt 100 100 Sets the modulation amount of the LFO modu...

Page 264: ...the frequency split point between the low and high range g Feedback 100 100 Sets the feed back amount of the chorus block High Damp 0 100 Sets the high range damping amount of the chorus block h Low Level 0 100 Sets the low range output level High Level 0 100 Sets the high range chorus output level i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modul...

Page 265: ... L1 C R1 R6 Sets the Tap3 stereo image e Tap4 270 msec 0 1000 Sets the Tap4 LFO phase 270 degrees delay time Depth 0 30 Sets the Tap4 chorus depth Level 0 30 Sets the Tap4 output level Pan L6 L1 C R1 R6 Sets the Tap4 stereo image f Tap1 Feedback 100 100 Sets the Tap1 feedback amount Src Off Tempo Selects the modulation source of Tap1 feedback amount and effect balance Amt 100 100 Sets the Tap1 fee...

Page 266: ...lation sources on page 243 Amt 100 100 Amount of modulation source Polysix Ensemble Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out a Delay Time msec 0 0 50 0 Sets the delay time from the original sound b LFO Waveform Triangle Sine Selects the LFO Waveform LFO Shape 100 100 Changes the curvature of the LFO Waveform c LFO Phase degree 180 180 Sets the LFO phase di...

Page 267: ...s the modulation amount of LFO step speed e MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base Note r w Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed f Step Base...

Page 268: ...he LFO modulation depth Amt 100 100 Sets the modulation amount of the LFO modulation depth h Resonance 100 100 Sets the resonance amount High Damp 0 100 Sets the resonance damping amount in the high range j Wet Dry Wet 1 99 Dry 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right Resonance LFO ...

Page 269: ...etween the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source EG Attack Decay EG D mod Sweep Mode D mod Phaser Phaser Left Right Resonance FX Amt FX Amt High Damp Stereo In Stereo Out a AUTOFADE Src Off Tempo Selects the modulation source that starts AutoFade b Fade In Delay msec 00 2000 Sets the fade in delay time Fade In Rate 1 1...

Page 270: ...rce Gate1 LFO Freq Mod AUTOFADE LFO Frequency Hz 1 0 Amount 3 0 LFO Frequency 1 0 3 0 4 0Hz LFO Frequency 1 0Hz Gate1 Signal AUTOFADE Fade In Dealy a AUTOFADE Src Off Tempo Selects the modulation source that starts AutoFade Fade In Delay msec 00 2000 Sets the fade in delay time Rate 1 100 Sets the rate of fade in b LFO Frequency Mod D mod AUTOFADE Switches between D mod and AUTOFADE for the LFO fr...

Page 271: ...Manual LFO D mod Switches the controls of resonance intensity LFO D mod Invert Off On Reverses the Voice 1 and 2 control when LFO D mod is selected b LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO D mod Src Off Tempo Selects the modulation source that controls resonance intensity c MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI...

Page 272: ...20 00 Sets the modulation amount of LFO speed d MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base Note r w Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed e Pitch...

Page 273: ...cal character to the sound a Duration c LFO Sample Cycle Hz Duration sets the length of the sampled grain and the LFO Sample Cycle controls how often a new grain is sampled In between Sample Cycles the current grain is repeated continu ously Max Zero Scratch D mod Max JS X Ribbon JS Y JS Y etc Zero Max Scratch Source Recorded Sound Scratch Source Start Playback Position End a Duration 0 100 Sets t...

Page 274: ... of LFO speed d MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base Note r w Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed e Depth 0 100 Sets the depth of LFO mod...

Page 275: ...tion f Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt Stereo In Stereo Out LFO Phase LFO Shape Pan Pan LFO Tri Sin Depth a Type Phs Trml Phs LR Trml LR Selects the type of the tremolo and phaser LFOs Phaser Tremolo Phaser Tremolo Spin Phaser Tremolo LR Phase...

Page 276: ...99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source a OSC Mode Fixed Note Key Follow Switching between specifying the oscillator frequency and using a note number Pre LPF 0 100 Sets the damping amount of the high range input to the ring modulator b Fixed Frequency Hz 0 12 00k Sets the oscillator frequ...

Page 277: ...Time msec 0 1000 Sets the delay time c Feedback 100 100 Sets the feedback amount High Damp 0 100 Sets the damping amount in the high range d Input Level Dmod 100 100 Sets the modulation amount of the input level Src Off Tempo Selects the modulation source for the input level e Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 24...

Page 278: ...y for this individual effect Time Over OVER Displays an error message when the delay time exceeds the upper limit e Delay Base Note r w Selects the type of notes to specify the delay time Times x1 x32 Sets the number of notes to specify the delay time f Feedback Position Pre Post Switches the feedback connection g Feedback 100 100 Sets the feedback amount High Damp 0 100 Sets the damping amount in...

Page 279: ...e vibrato depth Src Off Tempo Selects the modulation source that will control vibrato depth Amt 100 100 Sets the modulation amount for controlling the vibrato depth f Custom Speed Hz 0 02 20 00 Sets the vibrato speed Src Off Tempo Selects the modulation source for controlling the vibrato speed Amt 20 00 20 00 Sets the modulation amount for controlling the vibrato speed g Wet Dry Dry 1 99 99 1 Wet ...

Page 280: ...he tone of the delayed sound becomes darker and lighter as it feeds back g Spread This parameter sets the pan width of the effect sound The stereo image is widest with a value of 50 and the effect sound of both channels is output from the center with a value of 0 Mic Spread Microphone Microphone Mic Distance Mic Distance Rotary Speaker Top View Rotary Speaker Mic Placement a L Delay Time msec 0 27...

Page 281: ...s the modulation source for the input level i Spread 50 50 Sets the width of the stereo image of the effect sound j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Delay Delay Stereo Cross Left Right Feedback FX Amt FX Amt Stereo In Stereo Out Input Level D mod Input Level D mod High...

Page 282: ...c Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect Base Note r w Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed g L LFO Phase deg 180 180 Sets the phase obtained when the left...

Page 283: ... 0 1360 0 Sets the delay time for the left channel L Feedback 100 100 Sets the feedback amount for the left channel b R Delay Time msec 0 0 1360 0 Sets the delay time for the right channel R Feedback 100 100 Sets the feedback amount for the right channel c High Damp 0 100 Sets the damping amount in the high range Low Damp 0 100 Sets the damping amount in the low range d LFO Waveform Triangle Sine ...

Page 284: ...t e Tap2 Level 0 100 Sets the Tap2 output level Pan L 1 99 R Sets the stereo image of tap2 FB Amt 100 100 Sets the Tap2 feedback amount f Tap3 Level 0 100 Sets the Tap3 output level Pan L 1 99 R Sets the stereo image of tap3 FB Amt 100 100 Sets the Tap3 feedback amount g Feedback 0 100 Sets the amount of feedback for Taps 1 2 and 3 Src Off Tempo Selects the modulation source of feedback amount Amt...

Page 285: ...e Input Mode Single Mode Multi Time Reverse Time Reverse Time Envelope Select Input Reverse Reverse a BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect b Rhythm Pattern x eee 3 Selects a rhythm pattern c Tap1 Pan L 1 99 R Sets the panning of Tap1 Tap2 Pan L 1 99 R Sets the panning of Tap2 Tap3 Pan L 1 99 R Sets the panning of Tap3 Tap4 P...

Page 286: ...level Src Off Tempo Selects the modulation source for the input level h Spread 0 50 Sets the width of the stereo image of the effect sound i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source C Delay Left Right Feedback Spread FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo ...

Page 287: ...mod High Damp Low Damp High Damp Low Damp Delay Delay Feedback Tap1 Level Mode Mode 1 2 1 2 Tap1 1 Tap2 2 a Modulation Mode LFO D mod Switches between LFO modulation control and modulation source control b D mod Modulation L R L R Reversed L R control by modulation source Src Off Tempo Selects the modulation source that controls delay time Response 0 30 Sets the rate of response to the modulation ...

Page 288: ...ets the number of notes to specify the right channel delay time Feedback 100 100 Sets the feedback amount for the right channel d High Damp 0 100 Sets the damping amount in the high range Low Damp 0 100 Sets the damping amount in the low range e LFO Waveform Triangle Sine Selects the LFO Waveform Shape 100 100 Changes the curvature of the LFO Waveform LFO Phase 180 180 Sets the LFO phase differenc...

Page 289: ... Sets the position of Tap 2 relative to the Tap 1 delay time the depth of pitch variation e Tap3 Position 0 100 Sets the position of Tap 3 relative to the Tap 1 delay time the depth of pitch variation f Tap1 Level 0 100 Sets the Tap1 output level Pan L 1 99 R Sets the stereo image of tap1 FB Amt 100 100 Sets the Tap1 feedback amount g Tap2 Level 0 100 Sets the Tap2 output level Pan L 1 99 R Sets t...

Page 290: ...ons and reverb sound allows you to simulate nuances such as the type of walls of a room a Reverb Time sec 0 1 10 0 Sets the reverberation time High Damp 0 100 Sets the damping amount in the high range b Pre Delay msec 0 200 Sets the delay time from the dry sound Pre Delay Thru 0 100 Sets the mix ratio of non delay sound c EQ Trim 0 100 Sets the EQ input level d Pre LEQ Fc Low Mid Low Selects the c...

Page 291: ... Low EQ Pre HEQ Gain dB 15 0 15 0 Sets the gain of High EQ h Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out EQ Trim EQ Trim LEQ HEQ Pre Delay Reverb Reverb Level ER Level ER Level Pre Delay Thru ERs...

Page 292: ...l Routing P4EQ Wah Wah P4EQ Changes the order of the parametric equalizer and wah connection b E B1 Cutoff Hz 20 1 00k Sets the center frequency of Band 1 Q 0 5 10 0 Sets the bandwidth of Band 1 Gain dB 18 18 Sets the gain of Band 1 c E B2 Cutoff Hz 50 5 00k Sets the center frequency of Band 2 Q 0 5 10 0 Sets the bandwidth of Band 2 Gain dB 18 18 Sets the gain of Band 2 d E B3 Cutoff Hz 300 10 00k...

Page 293: ...mal Wet Invert Selects the output mode for the chorus flanger j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Trim Parametric 4Band EQ Chorus Flanger FX Amt Chorus Flanger Feedback LFO Tri Sine Cho Flng F...

Page 294: ...and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Trim Parametric 4Band EQ Multitap Delay Feedback High Damp Delay 2 1 Mt Dly FX Amt COMPRESSOR a C Sensitivity 1 100 Sets the sensitivity b C Attack 1 100 Sets the attack level Output Level 0 100 Sets the...

Page 295: ...utput level OD HI GAIN c O Drive Mode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion d O Output Level 0 50 Sets the overdrive output level Src Off Tempo Selects the modulation source for the overdrive output level Amt 50 50 Sets the modulation amount of the overdrive output level e O Low Cutoff Hz 20 1 00k Sets the center frequency f...

Page 296: ...es the order of the compressor and parametric EQ i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Routing Compressor Trim Parametric 4Band EQ Output Level Envelope Control Comp COMPRESSOR a C Sensitiv...

Page 297: ...e 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Phaser Phaser Resonance LFO Tri Sine Phaser FX Amt Normal Wet Invert Output Mode COMPRESSOR a C Sensitivity 1 100 Sets the sensitivity b C Attack 1 100 Sets the attack level Output Level 0 100 Sets t...

Page 298: ...he bandwidth of Band 1 Gain dB 18 18 Sets the gain of Band 1 f E B2 Cutoff Hz 50 5 00k Sets the center frequency of Band 2 Q 0 5 10 0 Sets the bandwidth of Band 2 Gain dB 18 18 Sets the gain of Band 2 g E B3 Cutoff Hz 300 10 00k Sets the center frequency of Band 3 Q 0 5 10 0 Sets the bandwidth of Band 3 Gain dB 18 18 Sets the gain of Band 3 h E B4 Cutoff Hz 500 20 00k Sets the center frequency of ...

Page 299: ...d dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Chorus Flanger Feedback Cho Flng FX Amt Normal Wet Invert Output Mode Limiter Limiter Gain Adjust Envelope Control LEQ HEQ EQ Trim Chorus Flanger LFO Tri Sine LIMITER a L Ratio 1 0 1 50 0 1 Inf 1...

Page 300: ... Delay Mt Delay Limiter Switches the order of the limiter and multitap delay i Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Routing Multitap Delay Feedback High Damp Delay 2 1 Mt Dly FX Amt Limiter ...

Page 301: ... In Stereo Out Routing LEQ HEQ EQ Trim Exciter Exciter Limiter Limiter Gain Adjust Envelope Control EXCITER a X Exciter Blend 100 100 Sets the intensity depth of the Exciter effect b X Emphasis Frequency 0 70 Sets the frequency range to be emphasized c X Trim 0 100 Sets the EQ input level d X Pre LEQ Gain dB 15 15 Sets the gain of Low EQ Pre HEQ Gain dB 15 15 Sets the gain of High EQ CHORUS FLANGE...

Page 302: ...00 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser FX Amt Normal Wet Invert Output Mode EXCITER a X Exciter Blend 100 100 Sets the intensity depth of the Exciter effect b X Emphasis Frequency 0 70 Sets the frequency range to be emphasized c X Trim 0 100 S...

Page 303: ...iver OD HI GAIN a O Drive Mode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion b O Output Level 0 50 Sets the overdrive output level Src Off Tempo Selects the modulation source for the overdrive output level Amt 50 50 Sets the modulation amount of the overdrive output level e O Low Cutoff Hz 20 1 00k Sets the center frequency for Low ...

Page 304: ...po Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Stereo Out FX Amt 0 Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Phaser Phaser Resonance LFO Tri Sine Phaser FX Amt Normal Wet Invert Output Mode OD HI GAIN a O Drive Mode Overdrive Hi Gain Switches between...

Page 305: ...ng Wah Amp Amp Wah Switches the order of the wah and amp simulation g Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source FX Amt Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Routing Amp Simulation Amp Simulation Filter Wah Auto Wah Wah D mod Envelope...

Page 306: ...ry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Decimator Routing Pre LPF High Damp Output Level Decimator Resolution Compressor Comp Output Level Envelope Control AMP SIM a A Amplifier Type SS EL84 6L6 Sel...

Page 307: ...In Mono Out FX Amt 0 Stereo In Stereo Out LEQ HEQ EQ Trim Multitap Delay Feedback High Damp Delay 2 1 Chorus Flanger Cho Flng FX Amt Mt Dly FX Amt Chorus Flanger Feedback LFO Tri Sine PHASER a P LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO LFO Waveform Triangle Sine Selects the LFO Waveform b P Manual 0 100 Sets the frequency to which the effect is applied Depth 0 100 Sets the depth of LF...

Page 308: ...m 0 100 Sets the EQ input level Reverb Balance 0 100 Sets the reverb effect balance d R PreLEQ Fc Low Mid Low Selects the cutoff frequency low or mid low of the low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer e R PreLEQ Gain dB 15 0 15 0 Sets the gain of Low EQ Pre HEQ Gain dB 15 0 15 0 Sets the gain of High EQ GATE f G Envelop...

Page 309: ...on ratio b Threshold dB 40 0 Sets the level above which the compressor is applied c Attack 1 100 Sets the attack time d Release 1 100 Sets the release time e Low Offset dB 40 0 Sets the low range gain of trigger signal f Mid Offset dB 40 0 Sets the mid range gain of trigger signal g High Offset dB 40 0 Sets the high range gain of trigger signal h Gain Adjust dB Inf 38 24 Sets the output gain Src O...

Page 310: ... 2 i Direct Mix 0 50 Sets the amount of the dry sound mixed to the distortion Speaker Simulation Off On Switches the speaker simulation on off j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off Tempo Table Dynamic Modulation sources on page 243 Amt 100 100 Amount of modulation source Left Right FX Amt FX Amt FX Amt 100 Mono In Mono Out FX Amt 0 Stereo In Stereo Out Amp Simu...

Page 311: ...H30 4x12 BOUTIQUE CL UK H30 4x12 BLACK 2x12 BLACK 2x12 TWEED 1x12 TWEED 1x12 TWEED 4x10 TWEED 4x10 a Amp Type Selects the type of the amplifier STUDIO COMBO A tube combo ideal for the Motown sound VOX AC100 A 100W tube amp AC100 made by Vox UK MAJOR A 200W tube amp made in the UK b Drive Gain 0 100 Sets the input gain c Volume 0 100 Sets the output level Src Off Tempo Selects the modulation source...

Page 312: ...put d Tap3 060 msec 0 2000 Sets the Tap3 LFO phase 60 degrees delay time Depth 0 30 Sets the Tap3 chorus depth Status Always On Always Off On Off Dm Off On Dm Selects on off or modulation source for the control of Tap3 output e Tap4 240 msec 0 2000 Sets the Tap4 LFO phase 240 degrees delay time Depth 0 30 Sets the Tap4 chorus depth Status Always On Always Off On Off Dm Off On Dm Selects on off or ...

Page 313: ...evel Feedback Position Pre Pre Post Post Delay Pitch Shifter Delay Pitch Shifter a Mode Slow Medium Fast Switches Pitch Shifter mode L R Pitch Normal Up Down Determines whether or not the L R pitch shift amount is inverted b Pitch Shift 1 2tone 24 24 Sets the pitch shift amount in steps of a semitone Src Off Tempo Selects the modulation source of pitch shift amount Amt 24 24 Sets the modulation am...

Page 314: ... g Horn Acceleration 0 100 Sets how quickly the horn rotation speed changes Horn Ratio Stop 0 50 2 00 Adjusts the high frequency horn rotation speed Standard value is 1 00 Stop stops the rotation h Rotor Acceleration 0 100 Sets how quickly the rotor speed changes Rotor Ratio Stop 0 50 2 00 Adjusts the low frequency rotor rotation speed Standard value is 1 0 Stop stops the rotation i Mic Distance 0...

Page 315: ... High Damp 0 100 Sets the damping amount in the high range g Low Damp 0 100 Sets the damping amount in the low range h Input Level Dmod 100 100 Sets the modulation amount of the input level Src Off Tempo Selects the modulation source for the input level i Spread 50 50 Sets the width of the stereo image of the effect sound j Wet Dry Dry 1 99 99 1 Wet Balance between the wet and dry signal Src Off T...

Page 316: ...corded If the Loop Time parameter has been set to Auto the loop time is also reset The effect is off when a value for the modulation source specified for the RST Control Src parameter is 63 or smaller and the effect is on when the value is 64 or higher 123 LCR BPM Long Dly The L C R delay enables you to match the delay time with the song tempo a Time Over You can set the delay time up to 10 920mse...

Page 317: ...tion amount of the left channel feedback e R Feedback 100 100 Sets the feedback amount for the right channel R Amt 100 100 Sets the modulation amount of the right channel feedback f High Damp 0 100 Sets the damping amount in the high range g Low Damp 0 100 Sets the damping amount in the low range h Input Level Dmod 100 100 Sets the modulation amount of the input level Src Off Tempo Selects the mod...

Page 318: ...ct Pa600 to the computer via an USB cable only after having installed the KORG USB MIDI Driver Tools 1 Insert the included Accessory DVD into the optical drive of your Windows PC 2 Open the folder DVD ROM USB MIDI Driver Win KORG USB MIDI Driver v n nn and double click on KORG USB MIDI Driver Tools Setup v n nn exe to run the installer n nn meaning the version number 3 Follow the instructions appe...

Page 319: ... a standard USB cable Driver s ports After installation the following ports will be shown in you MIDI application e g sequencer among the other MIDI devices Pa600 KEYBOARD This allows for reception of MIDI messages from Pa600 keyboard and controller s data to the MIDI appli cation running on the Mac Pa600 SOUND This allows for transmission of MIDI messages from the MIDI application running on the ...

Page 320: ...nce 75 Decay T Decay time 76 Lfo1 Sp Vibrato speed 77 Lfo1 Dpt Vibrato depth 78 Lfo1 Dly Vibrato initial delay 79 FilterEgþ 80 Gen pc 5 Sound Controller 1 81 Gen pc 6 Sound Controller 2 82 Gen pc 7 83 Gen pc 8 84 Port ctl 85 90 Undef ctl 91 Fx 1 depth A B Master FX 1 reverb send level 92 Fx 2 ctl 93 Fx 3 depth A B Master FX 2 modul send level 94 Fx 4 ctl 95 Fx 5 ctl 96 Data Inc 97 Data Dec 98 NRPN...

Page 321: ...ed while in Split keyboard mode in Full Upper keyboard mode Fingered 3 or Expert are selected instead Recognized chords 2 note T T T T 3 note T T T T T Major 2 note 4 note T T Major 6th 3 note T 4 note T T Major 7th 2 note T T constituent notes of the chord can be used as tension 3 note T T Sus 4 2 note 3 note Sus 2 3 note T T T T 2 note T T T 4 note T T T T T Dominant 7th 4 note T T Dominant 7th ...

Page 322: ... T 4 note T T Minor Major 7th 3 note T 3 note T T Diminished 4 note Diminished 7th 4 note T T Diminished Major 7th 4 note T T T Minor 7th 5 3 note T T Augmented 4 note T T T T Augmented 7th 4 note T T T T Augmented Major 7th No 3rd no 5th No 3rd 1 note 2 note 3 note T T Minor 2 note T 4 note T T Minor 6th ...

Page 323: ...ols page Style Play mode Style Play Selects the Global Mode Preferences Style page Accomp Memory Variation Selects the corresponding Variation in the Style Play Controls Drum Fill page Ensemble Selects the Ensemble Type parameter in the Style Play Keyboard Ensemble Ensemble page Pad any Selects the Style Play Pad Assignable Switches Pad page Assignable Switch any Selects the Style Play Pad Assigna...

Page 324: ... using the MIDI Clock of another device you must set the MIDI Clock parameter to MIDI or USB depending on the port the Pa600 is hooked to the other device through and make sure that the external device transmits MIDI Clock data 150 Does not respond to MIDI messages Make sure that all MIDI or USB cables are connected correctly 187 Make sure that the external device is transmitting through MIDI chan...

Page 325: ...Sound parameter LFO 131 Fade In Out 139 Favorite Styles 35 Filter Cutoff Frequency 123 Filter Type 123 Filter Cutoff 125 Filter EG 125 Filter LFO 125 Footswitch 146 Format 169 G General MIDI 188 Global 138 155 Global channel 188 J Jukebox 76 81 K Keyboard Mode Split Lock 142 L Level Sound parameter Trim 123 LFO Waveform LFO waveform 131 Local Off 150 190 Lower Lock 142 M Markers 186 Master Transpo...

Page 326: ... 73 SongBook 174 182 Sound Editing 27 80 99 Selecting 7 Writing 135 Sound mode 108 137 Split Keyboard Mode Lock 142 Split Point 18 188 Standard MIDI File 71 84 188 Style Recording 36 70 Selecting 6 Style Settings 12 Style Play mode 12 35 Style Record mode 36 70 Style Settings Selecting see Style Writing 34 Sync Key Sync LFO 131 MIDI Tempo LFO 132 T Touch Panel Calibration 154 Tracks Drum Percussio...

Page 327: ......

Page 328: ... KORG Italy 2012 All rights reserved Address KORG ITALY SpA Via Cagiata 85 I 60027 Osimo An Italy Web www korg com www korg co jp www korg co uk ...

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