Korg NAUTILUS Series, Parameter Manual, Page: 925 / 961

Controller Assignments Foot Switch Assignments
915
MIDI CC#83 (CC#83)
You can use this general-purpose controller as an AMS or
Dmod source. Note that you’ll also need to assign
Controller #83 to control the desired parameter within the
Program or Effect.
MFX Send 1 & 2 (CC#s 93 & 91)
These control the send levels to Master Effects 1 and 2,
respectively.
CC#s 93 and 91 actually control send levels in two different
places: the sends directly from the Program OSC or EXi, and
the send levels of the last Insert Effect in the chain which
matches the CC’s MIDI channel.
MIDI CC#00–95 and 102-119
These settings let you transmit any MIDI CC, except for
registered and non-registered parameters (CCs 96-101). If
you choose a CC which is used by AMS, Dmod, or the
standard CC routings, then it will affect the corresponding
NAUTILUS parameters.
RT control knob functions when SOUND
is selected
The functions of the RT control knobs 1–6 cannot be
changed when the SELECT button on the front panel is set
to “SOUND”.
Knob1: LPF CUTOFF (Filter Cutoff: CC#74)
This scales the cutoff frequency of all of the filters at once.
For instance, in the HD-1, it affects both Filters A and B.
Knob2: RESONANCE (Filter Resonance: CC#71)
This scales the resonance of all of the filters at once. For
instance, in the HD-1, it affects both Filters A and B.
Knob3: EG INTENSITY (Filter EG Intensity: CC#79)
This scales the effect of the Filter EG on the cutoff
frequency. It affects all of the filters at once; for instance, in
the HD-1, it affects both Filters A and B.
Knob4: EG RELEASE (Filter, Amplifier EG Release:
CC#72)
This scales the release times of the Filter and Amp EGs.
Knob5: EFFECT
Outputs a CC#20 message. For preloaded data, this knob
adjusts how much the IFX effect is applied.
Knob6: REVERB
Outputs a CC#21 message. For preloaded data, this knob
adjusts how much the reverb effect is applied.
Foot Switch Assignments
You can connect a footswitch (such as the optional Korg PS-
1) to the rear-panel ASSIGNABLE SWITCH input, and then
use it to control a wide variety of functions, as described
below.
This setting is made globally, on the GLOBAL >
Controllers/Scales– Controller “Foot Switch Assignment”
(2–1a) page.
Foot Switch and MIDI CCs
Some of the assignments include MIDI CCs, which are
transmitted each time the switch is turned on or off (Off = 0,
and On = 127). Note that the MIDI CCs can still be received
even if they are not assigned to a physical controller.
RT Knobs 1–6 and SW1/2 are special cases, since these can
themselves be assigned to different MIDI CCs. If the foot
switch is assigned to duplicate these controls, it will also use
their CC assignments.
List of Foot Switch assignments
Off
This setting disables the switch.
Foot Switch (CC#82)
This lets you use the switch as an AMS or Dmod source.
Note that you’ll also need to assign Foot Switch (CC#82) to
control the desired parameter within the Program or Effect.
Portamento SW (CC#65)
This controls portamento on/off. For more information, see
“Portamento SW (CC#65)” on page 913.
Sostenuto (CC#66)
This controls the sostenuto effect, which holds only the notes
being played at the moment that the footswitch is turned on.
Soft (CC#67)
Turns the soft pedal effect on and off.
Program Up
This lets you use the switch to increment the current
Program, Combination, or Set List Slot number, for hands-
free patch changes. Note that this is only active while on the
PROGRAM > Home or COMBINATION > Home pages,
respectively, or while in SET LIST mode.
When you use this control, the NAUTILUS will also
transmit the corresponding MIDI Program Change and Bank
Select messages.
Program Down
This decrements the current Program, Combination, or Set
List Slot number, for hands-free patch changes. For more
information, see “Program Up,” above.
Song Start/Stop
The switch can be used to start/stop the sequencer.
Simultaneously, a MIDI Start or Stop message will be
transmitted.
Song Punch In/Out
If SEQUENCER > Preference “Recording Setup” is set to
Manual Punch In, the switch will control recording punch-in
and punch-out. (See “0–6a: Recording Setup” on page 456.)