45
Style Play operating mode
Page 8 - FX: C/D Select
PAGE 8 - FX: C/D SELECT
This
page
lets
you
select
the
C
and
D
effects.
Usually,
the
C
effect
is
the
reverb,
and
the
D
effect
is
the
modu
‐
lating
effect
for
the
Realtime
(Keyboard)
tracks.
C, D
Effects
assigned
to
the
C
and
D
effect
processors.
Usu
‐
ally,
C
is
the
reverb,
while
D
is
the
modulating
effect
(chorus,
flanger,
delay…).
For
a
list
of
the
available
effects,
see
175.
ModTrk (Modulating Track)
Source
track
for
modulating
MIDI
messages.
You
can
modulate
an
effect
parameter
with
a
MIDI
message
generated
by
a
physical
controller.
D>Csend (D>C Send)
Amount
of
the
D
effect
going
back
to
the
input
of
the
C
effect.
PAGE 9 - FX: A EDITING
This
page
contains
the
editing
parameters
for
the
A
effect
(usually,
reverb
for
the
Style
tracks).
Use
the
E
and
H
VOLUME/VALUE
buttons
to
scroll
the
parameter
list.
Parameters
See
for
a
list
of
available
parame
‐
ters
for
each
effect
type.
PAGE 10 - FX: B EDITING
This
page
contains
the
editing
parameters
for
the
B
effect
(usually
modulating
effect
for
the
Style
tracks).
For
more
details,
see
above.
Parameters
PAGE 11 - FX: C EDITING
This
page
contains
the
editing
parameters
for
the
C
effect
(usually
reverb
for
the
Realtime
tracks).
For
more
details,
see
above.
Parameters
PAGE 12 - FX: D EDITING
This
page
contains
the
editing
parameters
for
the
D
effect
(usually
modulating
effect
for
the
Realtime
tracks).
For
more
details,
see
above.
Parameters
PAGE 13 - TRACK: EASY EDIT
In
this
page
you
can
edit
the
main
parameters
of
the
Programs
assigned
to
each
track.
Note:
All
values
are
relative
to
the
value
of
the
original
Pro
‐
gram.
You
can
also
change
the
volume
for
each
class
of
Drums
and
Percussion,
if
the
selected
track
is
set
in
Drum
mode
(see
below
Mode”).
Here
is
the
edit
procedure:
1.
Use
the
VOLUME/VALUE
(A–H)
buttons
to
select
a
track.
2.
Use
the
F
‐
1–F
‐
4
buttons
to
select
a
Program
parameter,
or
its
value.
(For
the
Drum
and
Percus
‐
sion
tracks,
see
below
the
section).
3.
Use
the
TEMPO/VALUE
controls
to
change
the
Program
parameter
or
its
value.
Parameters
Attack
Attack
time.
This
is
the
time
during
which
the
sound
goes
from
zero
(at
the
moment
when
you
strike
a
key)
to
it’s
maximum
level.
Decay
Decay
time.
Time
to
go
from
the
final
Attack
level
to
the
beginning
of
the
Release.
Release
Release
time.
This
is
the
time
during
which
the
sound
goes
from
the
sustaining
(or
Decay)
phase,
to
zero.
The
Release
is
triggered
by
releasing
a
key.
Cutoff
Filter
cutoff.
This
sets
the
sound
bright
‐
ness.
Resonance Use
the
Filter
Resonance
to
define
the
width
of
the
frequency
range
affected
by
the
Filter.
Summary of Contents for microARRANGER
Page 1: ...Owner s Manual E 1...
Page 9: ...INTRODUCTION...
Page 25: ...BASIC GUIDE...
Page 41: ...REFERENCE GUIDE...
Page 145: ...APPENDIX...
Page 244: ...2011 KORG INC 4015 2 Yanokuchi Inagi city Tokyo 206 0812 Japan...
