Korg microARRANGER, Owner'S Manual

Page: 111 / 244

109 Program operating mode
Page 3 - Pitch
[H/L] Decay
These parameters are an offset to the selected sample’s
EG Decay.
Velocity Switch
This is the velocity value dividing the High and Low
layers for the selected sample/key. Notes stricken harder
than this value will be played by the High multisample.
Single Trigger
Use this parameter to set the sample as a single ‐ trig ‐
gered one.
Yes When the same key (note) is played
repeatedly, the previous note will be
stopped before the new note is triggered,
so that they will not overlap.
No When the same key (note) is played
repeatedly, the previous note will not be
stopped before the new note is triggered.
Receive Note On
Use this parameter to enable/disable the reception of
the Note On (Key On) message.
Yes The Note On message is normally received.
No The Note On message is not received.
Therefore, the corresponding key is muted.
Receive Note Off
Use this parameter to enable/disable the reception of
the Note Off (Key Off) message.
Yes The sound will stop as soon as you release
the key.
No The sound will continue playing up to the
end of the sample. The Note Off message
is ignored.
Warning: If the “Single Trigger” parameter is
set to No, and the sound is looped, the sound
will play endlessly. In an “emergency” situa ‐
tion, use the Panic command (see “START/
STOP” on page 14).
Exclusive Group
Exclusive Groups are sets of mutually exclusive keys,
stopping each other. For example, if the Open Hi ‐ Hat
and Closed Hi ‐ Hat are assigned the same Exclusive
Group, playing an Open Hi ‐ Hat will stop the Closed
Hi ‐ Hat playing.
None No Exclusive Group assigned. The selected
key will not be stopped by any other key.
1…127 Exclusive Groups assigned to the selected
key. When you play this key, all other keys
assigned to the same Exclusive Group will
be stopped, and this key will be stopped
by other keys assigned to the same Exclu ‐
sive Group.
Pan
This parameter sets the position in the stereo panorama
of the selected key.
Send FX1
This parameter sets the FX1 send level for of the
selected key.
Send FX2
This parameter sets the FX2 send level for of the
selected key.
PAGE 3 - PITCH
Here you can make pitch settings for each oscillator.
These settings specify how keyboard location will affect
the pitch of each oscillator, and select the controllers that
will affect the oscillator pitch and specify the depth of
control. You can also specify the amount of pitch change
produced by the Pitch EG and by LFO1 and LFO2,
switch portamento on/off and specify how it will apply.
Selected
Use this parameter to select an oscillator to put in edit.
Alternatively, you can select oscillators using the F ‐ 1–F ‐
4 buttons.
Slope
Normally you will leave this parameter at +1.0. Positive
(+) values will cause the pitch to rise as you play higher
notes, and negative (–) values will cause the pitch to fall
as you play higher notes.
With a value of 0, there will be no change in pitch, and
the C4 pitch will sound regardless of the keyboard
location you play.
The diagram shows how the Pitch Slope and pitch are
related:
‐ 1.0…+2.0 Pitch slope value.
JS (+X)
This parameter specifies how the pitch will change
when the joystick is moved all the way to the right. A
setting of 12 produces 1 octave of change.
For example if you set this to +12 and move the joystick
all the way to the right, the pitch will rise one octave
above the original pitch.
‐ 60…+12 Maximum pitch change in semitones.
JS (–X)
This parameter specifies how the pitch will change
when the joystick is moved all the way to the left. A set ‐
ting of 12 produces 1 octave of change.
For example, if you set this to ‐ 60 and move the joystick all
the way to the left, the pitch will fall five octaves below the
original pitch. This can be used to simulate the downward
swoops that a guitarist produces using the tremolo arm.
‐ 60…+12 Maximum pitch change in semitones.
Pitch
Key
2oct
1oct
1oct
C4 C5
+2
+1
0
–1