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Korg M50-73, Parameter Manual

The Korg M50-73 is a versatile and powerful synthesizer with 73 keys. Unlock the full potential of this incredible instrument by downloading the free Parameter Manual from our website. This comprehensive manual provides essential guidance on programming and exploring the M50-73's vast array of features and functions.

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Appendices

374

AMS (Alternate Modulation 
Source) List

Physical and MIDI controllers

Off

This means that no modulation source is selected.

Note Number

This is the note’s MIDI note number, from 0 (C-2) to 127 
(G9).

Velocity

This is the note’s MIDI note-on velocity. 

Exp. Velocity (Exponential Velocity)

This is MIDI note-on velocity through an exponential curve. 
The curve means that low velocities won’t have very much 
effect, and the difference between two lower velocity values 
won’t be very noticeable. 

On the other hand, high velocities produce increasingly 
greater effects, and the difference between any two higher 
velocity values will be more pronounced.

Poly After

Polyphonic aftertouch allows a different aftertouch value for 
each note. This can be received from external MIDI devices 
or generated by the internal sequencer. The M50 keyboard 
itself does not generate poly aftertouch, however.

After Touch

The effect will be applied by channel aftertouch messages 
from the M50’s sequence data or received from MIDI IN.

JS X

This is the horizontal movement of the main joystick. It also 
receives MIDI Pitchbend.

JS+Y: CC#01

This is the vertical movement of the main joystick, upwards 
from the center. It also receives MIDI CC#01 (mod wheel).

JS–Y: CC#02

This is the vertical movement of the main joystick, 
downwards from the center. It also receives MIDI CC#02 
(breath controller).

JS +Y & AT/2 (Joy Stick +Y & After Touch/2)

The effect will be controlled by the joY (Vertical 
upward) and by aftertouch. In this case, the effect of 
aftertouch will be only half of the specified intensity.

JS –Y & AT/2 (Joy Stick –Y & After Touch/2)

The effect will be controlled by the joystick –Y (Vertical 
downward) and by aftertouch. In this case, the effect of 
aftertouch will be only half of the specified intensity.

Pedal: CC#04 (Foot Pedal: CC#04)

This AMS source receives MIDI CC#04. It can also be 
generated by a foot pedal connected to the rear-panel 
ASSIGNABLE PEDAL input, if the Global 

Foot Pedal 

Assign

 parameter is set to Foot Pedal (CC#04). For more 

information, please see “Foot Pedal Assignments” on 
page 385.

ValueSldr: #18 (Value Slider: CC#18)

You can use the value slider as a modulation source, but 
only when the following are true:

• You’re on the Prog P0: Play page, and the big Program 

name is selected, or

• You’re on the Combi P0: Play page, and the big 

Combination name is selected.

In these cases only, the value slider sends MIDI CC#18, and 
can be used as a modulation source.

KnobMod1: #17 (Realtime Knob Modulation1: CC#17)

This AMS source always responds to MIDI CC#17. A MIDI 
value of 0 causes the maximum negative modulation; 64 
(center) means no modulation; and 127 causes the maximum 
positive modulation. (You can invert this response, if 
desired, by using a negative AMS intensity.)

It also usually corresponds on the control surface to 
Realtime Control B mode knob 1 on the Controllers Setup 
page; but this will depend on the Realtime Control Slider 
Assign settings of each individual Program, Combination, 
and Song. 

Basically, there are two separate factors: a physical knob 
named B mode knob 1, and an AMS source named “Knob 
Mod.1: #17.” This provides a great deal of flexibility–but’s 
it’s also easy to link the two together. To do so:

1. Go to the current mode’s Controllers page.

2. Set knob 1-B’s Realtime Control Knob Assign to Knob 

Mod.1: #17.

For more information, please see “1–7: Controllers Setup” 
on page 18, and “Realtime Control Knobs 1–4 Assignments” 
on page 383.

KnobMod2: #19 (Realtime Knob Modulation2: CC#19)

This AMS source always responds to MIDI CC#19, and will 
usually also correspond to control surface to Realtime 
Control B mode knob 2. For more information, please see 
“KnobMod1: #17 (Realtime Knob Modulation1: CC#17)” on 
page 374.

KnobMod3: #20 (Realtime Knob Modulation3: CC#20)

This AMS source always responds to MIDI CC#20, and will 
usually also correspond to control surface to Realtime 
Control B mode knob 3. For more information, please see 
“KnobMod1: #17 (Realtime Knob Modulation1: CC#17)” on 
page 374.

KnobMod4: #21 (Realtime Knob Modulation4: CC#21)

This AMS source always responds to MIDI CC#21, and will 
usually also correspond to control surface to Realtime 
Control B mode knob 4. For more information, please see 
“KnobMod1: #17 (Realtime Knob Modulation1: CC#17)” on 
page 374.

Kn] (Realtime Knob Modul])

Kn] (Realtime Knob Modul])

Kn] (Realtime Knob Modul])

Kn] (Realtime Knob Modul])

With these AMS sources, the knob position and the direction 
of the resulting change are different than KnobMod1: #17–
KnobMod4: #21. If AMS intensity is set to a positive (+) 
value, rotating the knob to the far left will produce an AMS 
effect of 0. Rotating the knob toward the right will apply 
change only in the positive direction. (If the intensity is set 
to a negative value, the result will be the opposite.)

Damper: #64

This is the Damper pedal, also sometimes called the sustain 
pedal. It corresponds to MIDI CC#64.

When using Korg’s optional half-damper pedal, the DS-1H, 
this AMS source is continuous–not just on/off.

Porta.SW: #65

This is the MIDI portamento switch (CC#65), which also 
enables and disables portamento.

Sostenuto: #66

This is the MIDI sostenuto pedal (CC#66).

Soft: CC#67

This is the MIDI oft pedal (CC#67).

SW 1: CC#80 (SW 1 Modulation: CC#80)

This is CC#80, which is the default for assignable front-
panel switch 1 (SW1). To use SW1 and SW2 as AMS sources:

Summary of Contents for M50-73

Page 1: ...2 E Parameter Guide ...

Page 2: ...ip Example screen displays The parameter values shown in the example screens of this manual are only for explanatory purposes and may not necessary match the values that appear in the Display of your instrument MIDI related explanations CC is an abbreviation for Control Change Number In explanations of MIDI messages numbers in square brackets always indicate hexadecimal numbers This product uses t...

Page 3: ... 6 5 OSC 2 AMS Mix2 57 6 7 Common KeyTrk 1 Common Keyboard Track 1 57 6 8 Common KeyTrk 2 Common Keyboard Track 2 58 PROG P7 ARP DT Arpeggiator Drum Track 59 7 1 ARP Setup 59 7 2 ARP Scan Zone 61 7 4 DrumTrk Pattern DrumTrack Pattern 62 7 5 DrumTrk Program DrumTrack Program 63 PROG P8 IFX Insert Effect 65 8 1 Routing 65 8 2 Insert FX Setup 66 8 3 IFX1 67 8 4 IFX2 8 5 IFX3 8 6 IFX4 8 7 IFX5 68 8 8 ...

Page 4: ...RP 146 SEQ P1 Controllers 147 1 1 Controllers Setup 147 1 2 Chord Trigger Setup 148 SEQ P2 EQ 149 2 1 Trim T01 08 2 2 Trim T09 16 149 2 3 EQ T01 08 2 4 EQ T09 16 150 SEQ P3 Track Param Track Parameters 151 3 1 MIDI ch T01 08 3 2 MIDI ch T09 16 151 3 3 OSC T01 08 3 4 OSC T09 16 152 3 5 Pitch T01 08 3 6 Pitch T09 16 153 3 7 Other T01 08 3 8 Other T09 16 154 SEQ P4 Zones Delay 156 4 1 Key Z T01 08 4 ...

Page 5: ...uide 271 Overview 271 Effects in each mode 271 Dynamic modulation Dmod and Tempo Synchronization 272 Common FX LFOs 273 FX Control Buses 274 Effect I O 275 Insert Effects IFX1 IFX5 276 In Out 276 Routing 277 Mixer 279 Controlling the Insert Effects via MIDI 280 Master Effects MFX1 2 281 In Out 281 Routing 282 Mixer 283 Controlling the Master Effects via MIDI 284 Total Effect TFX 285 In Out 285 Rou...

Page 6: ...Modulation 323 053 Organ Vib Chorus Organ Vibrato Chorus 323 054 Rotary Speaker 324 Delay 325 055 L C R Delay 325 056 Stereo CrossDelay 325 057 St Multitap Delay Stereo Multitap Delay 326 058 St Mod Delay Stereo Modulation Delay 326 059 St Dynamic Delay Stereo Dynamic Delay 327 060 St AutoPanningDly Stereo Auto Panning Delay 328 061 Tape Echo 329 062 Auto Reverse 329 063 Sequence BPM Dly Sequence ...

Page 7: ... 119 Comp Limiter Compressor Limiter 356 120 Comp Exciter Compressor Exciter 356 121 Comp OD HG Compressor Overdrive Hi Gain 357 122 Comp Wah Compressor Wah 357 123 Comp Cho Flng Compressor Chorus Flanger 357 124 Comp Phaser Compressor Phaser 357 125 Comp BPM Dly Compressor Multitap BPM Delay 357 126 Limiter Limiter 357 127 Limiter Exciter 358 128 Limiter OD HG Limiter Overdrive Hi Gain 358 129 Li...

Page 8: ...elay 371 170 Early Reflections 372 Appendices 373 Alternate Modulation Sources AMS 373 Alternate Modulation Overview 373 AMS Alternate Modulation Source List 374 Alternate Modulation settings 376 Dynamic Modulation Sources Dmod 380 Dynamic Modulation Source List 380 Controller Assignments 382 SW1 2 Assignments 382 Realtime Control Knobs 1 4 Assignments 383 Foot Switch Assignments 384 Foot Pedal As...

Page 9: ...AY P0 Play Select and play programs p 2 Oscillator and Drum track level settings p 4 Simple arpeggiator editing p 5 Tone Adjust settings p 8 Editing from the control surface p 11 EDIT P1 Basic Ctrls Basic program settings such as voice assign mode p 15 SW1 2 and knob settings p 18 Chord trigger switch note and velocity settings p 20 P2 OSC Pitch Oscillator selection and pitch settings p 21 P3 1 Fi...

Page 10: ...Voice Name List PDF Program Select A E 0 127 GM g 1 g 9 g d 1 128 Here you can select a program To switch programs Choose Program Select use the numeric keys 0 9 to enter a program number and press the ENTER switch Choose Program Select and turn the VALUE dial or use the q u switches Note You cannot use the Value slider to select programs while in the P0 Play page instead the VALUE slider operates...

Page 11: ... the tempo for the current Program which applies to the arpeggiator tempo synced LFOs and tempo synced effects 040 00 300 00 allows you to set a specific tempo in BPM with 1 100 BPM accuracy In addition to using the standard data entry controls you can use the TEMPO knob to adjust the bpm or just play a few quarter notes on the TAP TEMPO button EXT is displayed if the MIDI Clock Global 1 1a is set...

Page 12: ...0 4 OSC DrumTrk Mixer 0 4a Program Select Tempo Bank Bank Select A E GM g 1 g 9 g d Program Select A E 000 127 GM g 1 g 9 g d 001 128 This shows the bank number and name of the currently selected program Here you can also select a program For more information please see 0 1a Program Select on page 2 Tempo 040 00 300 00 EXT For more information please see Tempo on page 3 0 4b OSC DrumTrack Mixer He...

Page 13: ...age 73 0 5 Arpeggiator Arpeggiator parameters are edited in P7 ARP DT Arpeggiator Drum Track but major parameters can be edited here as well When you are playing in Prog P0 Play you can edit the arpeggiator in realtime such as changing the arpeggio pattern etc To write save the edited content use Write Program or Update Program You can also use the TEMPO knob and the control surface arpeggio contr...

Page 14: ...lly adjust two or more Program parameters simultaneously For instance F A EG Attack Time affects a total of six Program parameters The value of the Relative parameter shows the amount of change to these underlying Program parameters If the Relative parameter is set to 0 the slider in the display is at the center position the value of the corresponding program parameter will not change The definiti...

Page 15: ...trol LFO1 Speed playing back the sequencer will cause the LFO speed not the filter resonance to change Interaction between Tone Adjust and MIDI CCs A number of the Common Tone Adjust parameters can affect parameters which are also modulated by dedicated MIDI CCs The specific CC numbers are noted in the descriptions for the individual Tone Adjust parameters For more information please see Tone Adju...

Page 16: ...s A and B Filter Resonance 99 99 CC 71 This scales the resonance of all of the filters at once It affects both Filters A and B Filter EG Intensity 99 99 CC 79 This scales the effect of the Filter EG on the cutoff frequency It affectsFilters A and B simultaneously 99 means no modulation 99 means maximum Modulation is in the same direction positive or negative as the original Program For instance if...

Page 17: ...ices If Unison is not On or if Detune is set to 0 this parameter has no effect For more information please see Thickness on page 16 Tone Adjust Parameters Macro parameters The following three parameters affect both Oscillator 1 and Oscillator 2 Note In the list below at the right of each parameter the value range and edit type are shown in parentheses Pitch Stretch 12 12 Relative This special cont...

Page 18: ...age 22 Drive 0 99 Absolute This controls the Oscillator s Drive parameter as described under Drive on page 41 Low Boost 0 99 Absolute This controls the Oscillator s Low Boost parameter as described under Low Boost on page 41 Pitch Slope 1 0 2 0 Absolute This controls the Oscillator s Pitch Slope parameter as described under Pitch Slope on page 23 LFO 1 Waveform Triangle Rad6 Absolute This selects ...

Page 19: ...ches are linked changing one will change the other correspondingly In Program mode you can select one of three different functions Realtime Control Use the knobs to control the sound or effects External lets you send MIDI messages to external MIDI devices Use the Global P1 MIDI External Mode 1 2 page to select the MIDI message you wish to transmit ARP Use the knobs to control the Arpeggiator funct...

Page 20: ...de is remembered independently for Program mode Combination mode and Sequencer mode If you switch to a different control surface function and then press the REALTIME CONTROL switch to return to realtime control the mode you had selected will still be active In A mode the functions assigned to knobs 1 4 are fixed In B mode you can assign a variety of modulation functions to knobs 1 4 To assign func...

Page 21: ... switch for transmission on a specified MIDI channel See 1 3 External Mode 1 on page 224 and 1 4 External Mode 2 You can create 128 different external setups in the Global P1 MIDI External Mode 1 2 pages For instance you might make one setup for controlling several different pieces of MIDI gear on stage another for controlling a software synthesizer such as one of Korg s Legacy Collection synths a...

Page 22: ...trol surface 0 8e Arpeggiator The functions of knobs 1 4 are fixed The knobs will control the duration of the arpeggiated notes their velocity the pitch range and the length of the arpeggio pattern Knob 1 Gate 64 00 64 Adjusts the duration gate time of the arpeggiated notes See Gate on page 60 Knob 2 Velocity 64 00 64 Adjusts the velocity of the arpeggiated notes See Velocity on page 60 Knob 3 Len...

Page 23: ...gardless of whether you play legato or detached With some Multisamples Poly Legato may not have any effect Single Trigger Off On Single Trigger is available when the Voice Assign Mode is set to Poly On checked When you play the same note repeatedly the previous note will be silenced before the next note is sounded so that the two do not overlap Off unchecked When you play the same note repeatedly ...

Page 24: ...09 Unison voices will be detuned in an asymmetric way increasing the complexity of the detune and changing the way in which the different pitches beat against one another This creates an effect similar to vintage analog synthesizers in which oscillators would frequently drift slightly out of tune Higher numbers increase the effect 1 1c Half Damper Control A half damper pedal is a special type of c...

Page 25: ... held If you turn off Hold in the Program no keys will be held regardless of their Enable Note Off Receive setting Using Hold with Acoustic Pianos Hold is also useful for simulating the top octaves of an acoustic piano in which notes always sustain until they fade out naturally regardless of how long you hold the key The Hold Bottom and Hold Top parameters are designed for exactly this purpose The...

Page 26: ...e Solo p 73 2 Copy Oscillator p 74 3 Swap Oscillator p 74 For more information please see Program Menu Command on page 73 1 7 Controllers Setup Here you can specify the SW1 and SW2 switch and front panel 1 4 knobs of the program when Control Assign 0 8b Realtime Control B mode is selected Note SW1 and SW2 can be controlled by the SW1 and SW2 switches 1 7a Panel Switch Assign SW SW1 Assign Off JS Y...

Page 27: ...gs for what the knobs will do When using the sliders for AMS or Dmod it s important to understand that creating an assignment is a two step process First you assign the knob to send a MIDI controller such as Knob Mod 1 CC 17 Second you assign that MIDI controller to modulate one or more Program or effects parameters For the first part of the above use the mode s Controllers Setup page See Setting ...

Page 28: ...ant to assign the set tings The note numbers and velocities you played in step 2 will automatically be assigned Note As an alternative to the automatic assignment procedure described here you can perform the steps in the order of 2 1 3 However in this case you won t be able to add notes one by one while holding down a note as described in step 2 above Copying notes from one chord trigger switch to...

Page 29: ...w Each of these zones can play a Multisample and has separate settings for Level Start Offset and so on Each of the zones can fade into the next to create smoother velocity transitions Zones can even be layered together two at a time You can stack a maximum of two velocity zones causing two samples to sound simultaneously layering You can also use velocity to smoothly fade between the samples of t...

Page 30: ...r Equal Power let you fine tune the way that the two Multisamples mix together one or the other may be more appropriate for a given pair of Multisamples Layer true to its name lets you layer the two Multisamples together without any crossfading Linear means that the two samples will each be at 50 of their full volume in the middle of the crossfade Sometimes this may create a dip in the volume leve...

Page 31: ... all of the settings for Oscillator 1 s pitch modulation For example you can Specify pitch bend controlled by the joystick X or an incoming pitch bend message set to independent Bend Up and Bend Down or controlled by an incoming message CC 16 the ribbon control message etc Use Pitch Slope to control how the pitch changes when you play up and down the keyboard Assign AMS modulation for pitch Set up...

Page 32: ...ve values greater modulation will increase the effect of the Pitch EG as shown in example B below With negative values greater modulation will introduce the opposite effect of the Pitch EG like inverting the polarity of the envelope You can use this in several different ways You can set an initial positive amount with the Intensity parameter and then reduce this amount with AMS In this case the fi...

Page 33: ...FO will now have a fairly strong effect on the pitch bending it by a perfect 5th 2 Set JS Y Int Intensity to 7 00 Now if you move the joystick up the effect of the LFO will fade away When the joystick is all the way at the top of its range the LFO will be completely cancelled out AMS LFO1 List of AMS Sources This selects any AMS modulation source to scale the amount of the LFO applied to pitch For...

Page 34: ... sound by a particular amount of time the sound will play as soon as you release the key You can use this to create the click heard when a harpsichord note is released for instance In general when you use the KeyOff setting it s also best to set the oscillator s Amp EG Sustain Level to 0 Mode Key Key Damper Normally you play notes simply by pressing keys on the keyboard In special cases however yo...

Page 35: ...which the EG will be reset effectively controlling its groove against other rhythmic effects When the threshold is positive the EG triggers when passing through the threshold moving upwards When the threshold is negative the EG triggers when passing through the threshold moving downwards Note For several LFO waveform types or if the LFO cycle is fast the LFO output may not always keep up with high...

Page 36: ...near 1 9 10E Exp Log This sets the curvature of the Decay segment the transition from the Attack level to the Break level Slope 0L Linear 1 9 10E Exp Log This sets the curvature of the Slope segment the transition from the Break level to the Sustain level which for the Pitch EG is always 0 Rel Release 0L Linear 1 9 10E Exp Log This sets the curvature of the Release segment the transition from the ...

Page 37: ... Attack time For example if you set the AMS source to Velocity and set Attack to 99 the Attack time will get much longer at higher velocities If you instead set Attack to 99 the Attack time will get much shorter at higher velocities When the AMS source is at its maximum value for instance when Velocity is at 127 a setting of 8 will make the Attack time almost twice as long and a setting of 8 will ...

Page 38: ...Filter B will be grayed out Serial This uses both Filter A and Filter B The oscillator first goes through Filter A and then the output of Filter A is processed through Filter B Parallel This also uses both Filter A and Filter B The oscillator feeds both filters directly and the outputs of the two filters are then summed together 24dB oct This merges both filters to create a single 4 pole 24 dB oct...

Page 39: ...e resonance track the keyboard pitch please see Key Follow on page 33 AMS Resonance List of AMS Sources This selects a AMS source to control the Resonance amount For a list of AMS sources please see AMS Alternate Modulation Source List on page 374 AMS Int 99 99 This controls the depth and direction of the Resonance modulation For example if Velocity has been selected changes in keyboard velocity w...

Page 40: ...ly over the middle of the keyboard and then open more slowly or not at all in the higher octaves Make the cutoff increase as you play lower on the keyboard Create abrupt changes at certain keys for split like effects How it works Keys and Ramps The keyboard tracking works by creating four ramps or slopes between five keys on the keyboard The bottom and top keys are fixed at the bottom and top of t...

Page 41: ... a ramp of 50 changes the filter frequency by 1 octave for every octave of the keyboard and a ramp of 99 changes the frequency by 2 octaves for every octave of the keyboard Btm Lo Bottom Low Inf 99 99 Inf This sets the slope between the bottom of the MIDI note range and the Key Low key For normal key track use negative values Lo Cent Low Center Inf 99 99 Inf This sets the slope between the Key Low...

Page 42: ...d B parameters Use velocity to scale the amount of the EG applied to the filter Use any AMS source to scale the amount of the EG applied to the filter You can use all three of these at once and the results are added together to produce the total EG effect To set up the EG itself including attack and release times levels and so on please see 3 1 5 EG on page 37 Velocity to A 99 99 This lets you use...

Page 43: ...A above AMS Filter EG AMS List of AMS Sources This selects any AMS modulation source to scale the amount of the Filter EG applied to Filters A and B The two filters share a single AMS source with separate intensity settings Otherwise the AMS modulation will work in the same way as the Velocity to A parameter described above For a list of AMS sources please see AMS Alternate Modulation Source List ...

Page 44: ... to A above For example 1 Set Intensity to A to 50 The LFO will now have a fairly strong effect on the filter cutoff 2 Set JS Y Intensity to A to 50 Now if you move the joystick down the effect of the LFO will fade away When the joystick is all the way at the bottom of its range the LFO will be completely cancelled out JS Y Intensity to B LFO1 99 99 This lets you use JS Y to scale the amount of th...

Page 45: ...O shapes and with faster LFO speeds the LFO may not always reach the extreme values of 99 or 99 In this case setting the Threshold to these values may cause inconsistent behavior or may mean that the EG doesn t reset at all If this happens reduce the Threshold until the EG triggers consistently 3 1 5b Envelope Filter EG An envelope creates a modulation signal by moving from one level to another ov...

Page 46: ...ets the curvature of the Release segment the transition from the Sustain level to the Release level 3 1 5c EG Level Time Modulation Level These settings let you use any AMS source to control the Level parameters of the EG The Start Attack and Break levels share a single AMS source but can each have different modulation intensities By using different settings for each of the three levels you can ca...

Page 47: ... almost twice as long and a setting of 8 will cut the Attack time almost in half See page 379 Dc Decay 99 99 This controls the depth and direction of the AMS modulation for the Decay time Sl Slope 99 99 This controls the depth and direction of the AMS modulation for the Slope time Rl Release 99 99 This controls the depth and direction of the AMS modulation for the Release time AMS2 and AMS3 These ...

Page 48: ...or Parallel Otherwise the parameters for Filter B will be grayed out 3 2 3 Modulation This page controls Oscillator 2 s filter modulation It is available only when the Oscillator Mode is set to Double if not the page will be grayed out The parameters are identical to those for Oscillator 1 as described under 3 1 3 Modulation on page 34 3 2 4 LFO Mod Modulation This page controls Oscillator 2 s LFO...

Page 49: ...tion Often it s useful to increase the Low Boost along with the Drive Note Even when the Drive amount is set to 0 the Driver circuit still affects the timbre If your goal is a completely pristine sound use the Bypass control instead AMS Drive List of AMS Sources This selects an AMS modulation source to control the Drive amount For a list of AMS sources please see AMS Alternate Modulation Source Li...

Page 50: ... p 74 3 Swap Oscillator p 74 For more information please see Program Menu Command on page 73 4 2 Amp1 Modulation This page contains the settings for Oscillator 1 s Amp level modulation Among other things you can Set up complex keyboard tracking shapes to control the Amp level Assign AMS modulation for the Amp level Control the effect of the LFOs on the Amp level The total effect of the modulation ...

Page 51: ...ud as the programmed level Btm Lo Bottom Low Inf 99 99 Inf This sets the slope between the bottom of the MIDI note range and the Key Low key For normal key track use negative values Lo Cent Low Center Inf 99 99 Inf This sets the slope between the Key Low and Center keys For normal key track use negative values Cent Hi Center High Inf 99 99 Inf This sets the slope between the Center and Key High ke...

Page 52: ...e the volume increase when move the joystick in the Y direction Note that if the other modulation settings have already raised the volume to its maximum level double the Amp Level and Amp EG level settings the volume cannot be increased any further LFO 1 2 You can modulate the Amp level with both LFO1 and LFO2 LFO1 Intensity LFO1 99 99 This controls the depth and direction of LFO1 s effect on the ...

Page 53: ... 99 This sets the level at the end of the Slope time Once it reaches the Sustain level the EG will stay there until note off unless it is reset via AMS Time Higher values mean longer times as shown below Attack 00 99 This sets how long the EG takes to move from the Start level to the Attack level For the fastest possible attack time you can set the Start level to 99 in this case the EG will start ...

Page 54: ... s Level parameters For a list of AMS sources please see AMS Alternate Modulation Source List on page 374 St Start 99 99 This controls the depth and direction of the AMS modulation for the Start level For example if you set the AMS source to Velocity and set St Start to 99 the Start level will increase as you play harder If you instead set St Start to 99 the Start level will decrease as you play h...

Page 55: ...The parameters are identical to those for Oscillator 1 as described under 4 2 Amp1 Modulation on page 42 4 7 Amp2 EG This page controls Oscillator 2 s amp EG It is available only when the Oscillator Mode is set to Double if not the page will be grayed out The parameters are identical to those for Oscillator 1 as described under 4 3 Amp1 EG on page 45 4 8 EQ This three band EQ with sweepable mid is...

Page 56: ...ions of Random 1 3 with ramps instead of steps You can use them to create more gentle random variations Phase 180 180 Random This controls the phase of the waveform at the start of the note in steps of 5 degrees If Key Sync is Off the Start Phase will apply only to the first note of the phrase Freq Frequency 00 99 This controls the speed of the LFO before any modulation Higher values mean faster s...

Page 57: ...ttings and pitch change produced by vibrato The one exception to this is the Guitar waveform which is designed to emulate bending a string on a guitar so that the pitch only goes up and not down Because of this the waveform is centered on 50 and not on 0 Of course you can always use a negative Offset to shift it back down below 0 again Since Offset affects the output values of the LFO it s importa...

Page 58: ...po Sync is Off the Frequency and Frequency Modulation settings will determine the speed of the LFO and the tempo settings will have no effect Base Note Sync Base Note This sets the basic speed of the LFO relative to the system tempo The values range from a 32nd note to a whole note including triplets Times Sync Times 01 32 This multiplies the length of the Base Note For instance if the Base Note i...

Page 59: ...n which the value is reset with every note on You can use this in conjunction with the Random waveforms to create static random modulation with the value changing only when you first select the Program Off unchecked When Stop is Off the LFO will function normally Shape 99 99 Shape adds curvature to the basic waveform For more details please see the entry under LFO1 Shape on page 48 Note Shape does...

Page 60: ...e information please see A B on page 52 Amt Ax B scales the amount of one AMS source with the other For more information please see Amt AxB on page 53 Offset adds or subtracts a constant value to or from an AMS source For more information please see Offset on page 53 Smoothing specifies the smoothness of movement between two values You can use this to smooth sudden changes such as an abrupt moveme...

Page 61: ...G will increase the amount of LFO1 Tip use SW 1 2 to turn an AMS source on and off You can use Amt AxB to gate an AMS source 1 Set AMS A to the desired source and set the AMS A Amount to 0 2 Set AMS B to SW1 or 2 and AMS B Amount to 99 Now SW1 or 2 will turn AMS A on and off Offset AMS Mixer Type Offset This simple processor adds a constant offset to the input and also allows you to double the gai...

Page 62: ... alter the shape of programmable modulation sources such as EGs and LFOs Note Shape only affects AMS signals which already have some amount of slope such as EGs triangle and sine LFOs and so on It does not affect signals which only contain abrupt transitions such as square waves AMS A List of AMS Sources This selects the AMS input source to be shaped For a list of AMS sources please see AMS Altern...

Page 63: ...A 5 Set the Number Of Steps to the same number you used in Step 2 Now playing the joystick will create quantized pitch bends JSX will still produce smooth pitch bends as usual so you can use both techniques together Gate Control AMS Mixer Type Gate Control This Mixer Type lets you set up two different AMS sources or fixed AMS amounts and then switch between the two using a third AMS source It s si...

Page 64: ... using a switch You can use Control At Note On Only to apply an effect to some notes but not others based on the state of an AMS source at the start of the note For instance 1 Set the Control Source to Foot SW CC 82 2 Set Control At Note On Only to On checked 3 Set the Threshold to 50 4 Set Below Threshold to a Fixed Value of 00 5 Set At Above Threshold to AMS B JS X 6 On the OSC Pitch page assign...

Page 65: ...ing lets you vary the modulation amount as you play up and down the keyboard This can be useful for making the timbre consistent across the entire range or adjusting parameters according to pitch The M50 keyboard tracking can be fairly complex if desired You can create different rates of change over up to four different parts of the keyboard For instance you can Make the modulation increase very q...

Page 66: ... 99 Inf This sets the slope between the bottom of the MIDI note range and the Low Break key For normal key track use negative values Low Center Inf 99 99 Inf This sets the slope between the Low Break and Center keys For normal key track use negative values Center High Inf 99 99 Inf This sets the slope between the Center and High Break keys For normal key track use positive values High Top Inf 99 9...

Page 67: ...nel TEMPO knob Alternatively you can set the tempo by pressing the TAP TEMPO switch at the desired interval When MIDI Clock Global P1 1 1b is set to either External MIDI or External USB this parameter will indicate EXT and the arpeggiator will synchronize to the MIDI Clock received from an external MIDI device 7 1b Arpggiator Setup Pattern P0 P4 U0000 INT U0899 INT U0900 USER U1027 USER Selects th...

Page 68: ... Sort Off On This specifies the order in which the notes you press will be arpeggiated On checked Notes will be arpeggiated in the order of their pitch regardless of the order in which you pressed them Off unchecked Notes will be arpeggiated in the order in which you pressed them Latch Off On Specifies whether or not the arpeggio will continue playing after you take your hand off of the keyboard O...

Page 69: ...h is on the arpeggio will continue even after you release the keys You can use the C4 and higher keys to play conventionally along with the arpeggio sounded by the B3 and lower keys To change the arpeggio play keys in the range of B3 and below Top Velocity 001 127 Bottom Velocity 001 127 Specifies the range of velocities for which the arpeggiator will function Top Velocity is the upper limit and B...

Page 70: ... ON OFF switch to turn it on LED lit the drum pattern will wait to start When you play the keyboard or when a MIDI note on is received the drum pattern will start according to the Sync setting If you ve selected Start Immediately the DRUM TRACK ON OFF switch will always be saved in the OFF state Sync Off On Off The drum pattern will not synchronize to the currently running arpeggiator but will sta...

Page 71: ...em fixed Uncheck this item The EQ settings will not change when you select programs Bypass On Off When Bypass is checked all of the EQ will be disabled including the Input Trim Bypass can be convenient for comparing the results of the EQ with the original signal Input Trim 00 99 This controls the volume level going into the EQ This setting corresponds to the volume a value of 50 corresponds to 6 d...

Page 72: ...Output Select is set to DKit and the Bus IFX Output Select Global 5 4b for each key of the drum kit is set to IFX1 5 As the patch destination choose an insert effect or L R IFX1 5 or Off as the output bus Note If you want to return the drum kit to its previous state change these settings to IFX1 IFX1 IFX2 IFX2 IFX3 IFX3 IFX4 IFX4 and IFX5 IFX5 For the preloaded kits snare sounds are normally sent ...

Page 73: ...cillator Mode Prog 1 1a is set to Drums If Oscillator Mode is set to Single or Double this setting is ignored On checked The Bus IFX Output Select FX Control Bus Send 1 and Send 2 settings Global 5 4b for each key of the selected drum kit will be used Check this if you want to apply an individual insert effect to each drum instrument Tip In most preloaded drumkits the drum instruments have the sam...

Page 74: ...h IFX5 You can chain two or more effects into the same down stream effect For instance both IFX1 and IFX2 can be chained to IFX5 Effects can also join a chain in the middle For instance you can chain IFX3 to IFX4 to IFX5 and then chain IFX2 to IFX5 as well The Pan 8 Bus Bus Select Ctrl FX Control Bus and Send1 2 settings apply only to the last effect in the chain However any effect in the chain ca...

Page 75: ...eed to store them as an Effect Preset Presets just make it easier to re use your favorite settings For instance you can save an Effect Preset while working on a particular Program and then later use the same Effect Preset in a different Program Combination or Song P00 Initial Set These are the default settings that are recalled when you select an effect type in the Insert FX Setup page You can t s...

Page 76: ...thin the individual effects you can choose whether to use one of the Common LFOs or to use the individual effect s frequency sync and or reset settings instead This is done via the effect s LFO Type parameter select Individual to use the effect s settings or Common 1 or 2 to use the Common LFOs Dmod Dynamic Modulation is controlled on the global MIDI channel specified in Global mode P1 8 8a Common...

Page 77: ...the tempo specified by the BPM value If BPM is set to MIDI this will operate according to the Tempo Prog 0 1a setting If MIDI Clock Global 1 1a is set to External this will follow the MIDI clock of the master device 8 8b Common FX LFO2 The parameters are identical to those for Common FX LFO1 as described under 8 8a Common FX LFO1 above 8 8 Menu Command 0 Write Program p 73 1 Exclusive Solo p 73 2 ...

Page 78: ...rn 1 000 127 This specifies the return level from the master effect to the L R bus after which it passes through TFX and is sent from L MONO and R MFX2 MFX2 000 153 MFX2 On Off Off On Return 2 000 127 These parameters specify the effect type for master effect 2 its on off status and the return level from master effect 2 to the L R bus For more information please see MFX1 above MFX2 cannot use doub...

Page 79: ...X Routing page Effect dynamic modulation Dmod is controlled on the global MIDI Channel Global 1 1a For more information please see Dynamic Modulation Source List on page 380 MFX1 On Off Off On This turns master effect 1 on off It is linked with the on off setting in the P9 MFX TFX Routing page The setting will alternate between On and Off each time you press this Alternatively you can use CC 94 to...

Page 80: ... pages let you edit the parameters of Master Effect 2 and Total Effect To select different effects types use the P9 MFX TFX Routing page The parameters for MFX2 TFX is the same as for MFX1 For more information please see 9 2 MFX1 on page 71 ...

Page 81: ...t you wish to keep An edited Program cannot be recovered if you do not write it before turning off the power or selecting another Program 1 The upper line of the dialog shows the Bank number and Program name If you wish to modify the program name press the text edit button to move to the text edit dialog box and enter the desired program name 2 In Category and Sub Category specify the category of ...

Page 82: ...ages This command is used to copy the settings from one oscillator to another 1 Use the From field to select the oscillator that you want to copy 2 Use Program to select the bank and number of the copy source program You can press a BANK SELECT switch to select the desired bank 3 In To specify the copy destination oscillator Swap Oscillator Swap Oscillator is available on all of the tabs under the...

Page 83: ...or 2 together When it is checked editing the Filter EG of either Oscillator 1 or 2 will change both Filter EGs simultaneously Similarly editing the Amp EG of either Oscillator will change both Amp EGs This option is available only when the Oscillator Mode is set to Double 1 Select Sync Both EGs The display will indicate Sync and the two EGs will be synchronized 2 If you no longer want the EGs to b...

Page 84: ... and its parameters will be copied Copying 000 No Effect Copying a single effect set to 000 No Effect will not work no data will be copied If either All or All used is selected and 000 No Effect exists within a chain it will be copied However if the entire chain consists of 000 No Effect nothing will be copied Swap Insert Effect Swap Insert Effect is available on all of the IFX pages This command ...

Page 85: ...or total effect s that you want to swap Write FX Preset Write FX Preset is available on all of the effects parameter editing pages including IFX 1 5 MFX 1 and 2 and TFX This command saves the edited effect into the M50 s internal memory 1 Press the text edit button to open the text edit dialog box and input a name for the effect preset 2 Use the To field to select the writing destination We recomm...

Page 86: ...Program mode 78 ...

Page 87: ...e Page Main content PLAY P0 Play Select and play combinations p 80 Program selection for each timbre p 81 Pan and volume settings etc for each timbre p 83 Simple arpeggiator editing p 84 Editing from the Tone Adjust p 86 Editing from the control surface p 87 EDIT P1 Controllers SW1 2 and knob function settings p 91 Chord trigger switch note and velocity settings p 92 P2 EQ EQ settings for each tim...

Page 88: ...ng one of the PROG BANK A G switches while the Program Select parameter is selected will change the timbre program bank rather than the combination bank Combination Select 000 127 Here you can select the desired Combination To switch combinations Choose Combination Select use numeric keys 0 9 to input the desired combination number and press the ENTER switch Choose Combination Select and turn the ...

Page 89: ...eft tabs to select a sub category Note Sub categories not assigned to any programs cannot be selected from the tabs Press the OK button to confirm your selection or press the Cancel button to cancel it You will return to the main categories 5 Press the OK button to execute or press the Cancel but ton to cancel your selection Note The category of each combination can be specified in the Write Combi...

Page 90: ...the global MIDI channel At the same time timbres whose Status is set to EXT or EX2 will transmit the same messages on their own MIDI channel If bank select and program change messages are received on a MIDI channel that matches the MIDI channel of a timbre whose Status is INT the program of that timbre will change However if the MIDI channel of the incoming message matches the global MIDI channel ...

Page 91: ...ts the volume of each timbre 1 8 The volume of each timbre is determined by multiplying this volume value with the MIDI volume CC 7 and expression CC 11 If Status Combi 3 1 2 c has been set to INT incoming MIDI CC 7 or CC 11 messages will control the volume of a timbre However these messages will not affect the setting of this parameter If Status is EXT or EX2 the value of this parameter will be t...

Page 92: ...e Tempo on page 81 0 5 6 b Arpeggiator Run A B Timbre assign Arpeggiator Run A B When the ARP ON OFF switch is on the arpeggiator s you checked here will run if they are assigned to a timbre by Arpeggiator Assign 7 1 2 c When the arpeggiator is on these check boxes let you turn A and B on off This parameter can also be set from P7 Arpeggiator Drum Track page Arpeggiator Run A B Timbre assign This ...

Page 93: ...between the different timbres as much as you like without losing your edits Auto Load Auto Load PRG Off On When you first load a Program into a Timbre this parameter determines whether or not the Program s Tone Adjust settings will be loaded as well The parameter settings assigned to the sliders and switches in the display and the on off settings assigned to the Absolute parameters will be loaded ...

Page 94: ...er such as Hold this will always be the same as the Switch Status see below Switch Status Off On This simply shows whether the switch is On or Off Sliders 1 8 Assign This assigns Tone Adjust parameters to the sliders in the display For a full list of the available choices please see Common Tone Adjust Parameters on page 8 and Tone Adjust Parameters on page 9 Assignments are exclusive Per Oscillato...

Page 95: ...ttings Resetting a single control To reset individual knob 1 Hold down the RESET CONTROLS switch 2 While holding down RESET CONTROLS move a knob or press one of the control surface buttons The knob will be reset to the value stored in the Program 3 When you re done release the RESET CONTROLS switch Resetting a group of controls 1 Use the display s Control Assign or the front panel CONTROL ASSIGN s...

Page 96: ...nobs 1 4 Knob1B Knob4B MIDI control changes are assigned for each function When you move a knob it sends out the corresponding MIDI CC This will control timbres on the global MIDI channel Most of these functions adjust scale the parameter settings of the timbre programs Unless otherwise noted scaling means that the parameters are at their programmed values when the controller is at 64 at their min...

Page 97: ...an External Setup it stays selected even when you change Programs or switch to Combination or Sequencer modes This makes it easy to select different M50 sounds without disrupting any external MIDI control and vice versa 0 8b Control Assign Ext Knob Mode Setup Control Assign Realtime Control External ARP This selects the items that will be affected by the control surface Ext Knob Mode 1 4 5 8 Selec...

Page 98: ...4 00 64 Adjusts the duration gate time of the arpeggiated notes See Gate on page 60 Knob 2 Velocity 64 00 64 Adjusts the velocity of the arpeggiated notes See Velocity on page 60 Knob 3 Length 64 00 64 Adjusts the length of the arpeggio pattern Knob 4 Octave 64 00 64 Adjusts the pitch range over which the arpeggiator will play in one octave steps See Octave on page 59 If Arpeggio Tone Mode is set ...

Page 99: ...W1 Mode Toggle Momentary This specifies the on off operation when you press the SW1 switch Toggle The state will alternate between On and Off each time you press the SW1 switch Momentary The state will remain On only while you continue holding down the SW1 switch SW2 SW2 Assign Off JS Y Lock Mode SW2 Mode Toggle Momentary This assigns the function of SW2 The functions that can be assigned to SW2 a...

Page 100: ... Channel setting This is the default For more information please see MIDI Channel Global MIDI Channel on page 220 Notes 1 8 Off C 1 G9 001 127 These parameters let you edit the 8 notes assigned to each switch along with a separate velocity for each note To play fewer than 8 notes just set the unwanted notes to Off Off Select this to disable the note C 1 G9 This sets the note number 001 127 This se...

Page 101: ... in the Combination without affecting the original Program Regardless of this setting subsequent edits to the Program s EQ in Program mode will not affect the Combination On the Program s EQ settings will be loaded automatically along with the Program This is the default setting Off the Program s EQ settings won t be loaded Use this if you ve set up the EQ in a specific way and then want it to sta...

Page 102: ...cy 100 10k This sets the center frequency for the Mid sweep EQ Mid Gain dB 18 0 00 0 18 0 This controls the gain of the Mid Sweep EQ in increments of 0 5 dB Low Gain dB 18 0 00 0 18 0 This controls the gain of the 80 Hz Low Shelf EQ in increments of 0 5 dB Timbre 02 08 09 16 Timbre Number These parameters adjust the three band EQ with sweepable mid range for timbres 2 8 and 9 16 They are the same ...

Page 103: ...X2 LSB and MSB parameters on the MIDI tab of the Timbre Parameters page In all other ways this is the same as EXT MIDI Channel 01 16 Gch Sets the MIDI transmit receive channel for each timbre Gch The timbre will use the channel that has been selected as the global MIDI Channel Global 1 1a When Status is INT MIDI messages will be received on the channel you specify here If this setting is the same ...

Page 104: ...only OSC1 or OSC2 will sound BTH Both OSC1 and 2 will sound as specified by the settings of the program OS1 Only OSC1 will sound OS2 Only OSC2 will sound Programs will not sound if Oscillator Mode is set to Single or Drums Portamento PRG Off 001 127 Make portamento settings for each timbre PRG Portamento will be applied as specified by the program settings Off Portamento will be off even if the or...

Page 105: ...ussive loops Transpose and Detune can be controlled via MIDI RPN messages The way that this works depends on whether or not the Timbre uses a Drum Program If the Timbre does not use a Drum Program for example if it uses a Single or Double Program then MIDI RPN Coarse Tune will control Transpose and RPN Fine Tune will control Detune If the Timbre uses a Drum Program MIDI RPN Coarse Tune and Fine Tu...

Page 106: ...settings are the same as for timbre 1 For more information please see Timbre 01 Timbre Number above Scale This specifies the scale that the combination will use For more information please see 1 2b Scale on page 17 Type Combi s Scale Equal Temperament User Octave Scale15 Selects the scale Key C B Selects the tonic key of the selected scale Random 0 7 As this value is increased an increasingly rand...

Page 107: ...hat will sound each timbre Top Slope 00 01 02 03 04 06 08 10 12 18 24 30 36 48 60 72 Specifies the range of keys 12 is one octave over which the volume will be reached starting from the top key 0 The volume will be at the original level from the top key 12 The volume will increase gradually as you play downward and will reach the original volume one octave below the top key 72 The volume will incr...

Page 108: ...ics Layer If you set two or more timbres to velocity zones that overlap the sounds will be heard together Velocity Cross fade If the slope ranges gray line overlap different sounds will be sounded together and your playing dynamics will determine the proportion of each sound It is not possible to set the bottom velocity greater than the top velocity for the same timbre nor can the top slope and th...

Page 109: ...n units of ms 1 1000th of a second This setting is available if MIDI Tempo Sync is set to Off KeyOff The note will begin sounding at note off In this case the sound will not die away if the sustain level of the program s amp EG is other than 0 This setting is used when creating harpsichord sounds Normally you will set this to 0000 MIDI Tempo Sync Off On The time delay time from note on until the t...

Page 110: ...ngs for timbres 2 8 and 9 16 They are the same as for timbre 1 For more information please see Timbre 01 Timbre Number above 4 5 6 Menu Command 0 Write Combination p 120 1 Exclusive Solo p 73 2 Copy from Program p 120 For more information please see Combination Menu Command on page 120 ...

Page 111: ... MIDI Filter pages 1 1 through 1 3 will take priority Also if the same control change is assigned to two or more controllers in the MIDI Filter pages 1 4 and 2 5 checking any one of them will enable that control change Off unchecked Transmission and reception of MIDI data is disabled Note MIDI CC MIDI control change message numbers COMBI P5 1 MIDI Filter 1 5 1 1 1 T01 08 5 1 2 1 T09 16 5 1 1 2 a C...

Page 112: ...en the CONTROL ASSIGN REALTIME CONTROL switch saelection is Realtime Control A mode will be transmitted and received The MIDI control messages assigned to knobs 1 4 when Realtime Control A mode is selected are fixed 5 1 5 6 a Combination Name Tempo 5 1 5 6 b Timbre Info For more information please see 2 1 EQ Trim T01 08 2 2 EQ Trim T09 16 on page 93 5 1 5 6 c MIDI Filter3 Timbre 01 Timbre Number E...

Page 113: ...8 c MIDI Filter4 Timbre 01 Timbre Number Enable Realtime Control Knob 1 B Off On Enable Realtime Control Knob 2 B Off On Enable Realtime Control Knob 3 B Off On Enable Realtime Control Knob 4 B Off On These settings enable or disable transmission and reception of the MIDI messages assigned to knobs 1 4 when control surface Realtime Control B mode is selected Timbre 02 08 09 16 Timbre Number These ...

Page 114: ...Controllers Foot Controllers page This filter setting is valid when a MIDI control change is assigned Timbre 02 08 09 16 Timbre Number These are the MIDI Filter5 settings for timbres 2 8 and 9 16 They are the same as for timbre 1 For more information please see Timbre 01 Timbre Number above 5 2 1 2 Menu Command 0 Write Combination p 120 1 Exclusive Solo p 120 2 Copy from Program p 120 For more inf...

Page 115: ...ernal sequencer and wish to playback the external sequencer to trigger the M50 s arpeggiator If you want to record the note data generated by the arpeggiator to an external sequencer turn Local Control ON and turn off the echo back function on your external sequencer You can control the arpeggiator from an external sequencer or use an external sequencer to record arpeggio note data See page 400 Ex...

Page 116: ... U0900 USER U1027 USER Octave 1 2 3 4 Resolution Gate 000 100 Step Velocity 001 127 Key Step Swing 100 100 Sort Off On Latch Off On Key Sync Off On Keyboard Off On These parameters are the arpeggiator settings for the combination For more information please see PROG P7 ARP DT Arpeggiator Drum Track on page 59 These parameters can also be set from 0 5 6 c Arpeggiator A B 7 3 4 Menu Command 0 Write ...

Page 117: ... in Combination mode The dual arpeggiator functionality lets you do the follow ing things Assign an arpeggiator for each timbre Choose from Off arpeggiator A or arpeggiator B step 5 Independently specify whether A and B will operate step 6 Select an arpeggio pattern and set parameters independently for A and B step 7 Make Scan Zone page settings so that you can use keyboard range or playing veloci...

Page 118: ...nation C027 Electric Piano Sax make sure that the ARP ON OFF switch to turn it on and play Arpeggiator A is assigned to T timbre 3 and 5 When you play the keyboard the bass riff arpeggio pattern will sound the T3 program The A Bottom Key and Top Key Combi P7 ARP DT ARP Scan Zone page are set so that arpeggiator A will operate only for notes B3 and lower Arpeggiator A is also assigned to T5 but thi...

Page 119: ...utput to an external device will depend on the Status setting of the timbre that matches the Output MIDI channel 7 7b Trigger Trigger Mode Start Immediately Wait KBD Trig Start Immediately When you press the DRUM TRACK ON OFF switch to turn it on LED lit the drum pattern will start according to the Sync setting When you turn it off LED dark the drum pattern will stop Wait KBD Trig When you press t...

Page 120: ...112 7 7 Menu Command 0 Write Combination p 120 1 Exclusive Solo p 73 2 Copy from Program p 120 3 Copy Drum Track p 74 4 Erase Drum Track Pattern p 75 For more information please see Combination Menu Command on page 120 ...

Page 121: ...re s program oscillator This parameter can also be edited from the P8 2 IFX Routing 2 T01 08 T09 16 page L R Output to the L R bus IFX1 5 Output to the IFX1 5 buses Off The timbre will not be output from the L R bus or IFX1 5 buses Choose the Off setting if you want the program oscillator output of the timbre to be connected in series to a master effect Use Send1 to MFX1 and Send2 to MFX2 to speci...

Page 122: ... 8 1 3 Insert FX Setup 8 1 3a Combination Name For more information please see 2 1 EQ Trim T01 08 2 2 EQ Trim T09 16 on page 93 8 1 3b Insert Effect Here you can choose the type of each insert effect 1 through 5 its on off status chaining and adjust the post IFX mixer settings For insert effects the direct sound Dry is always stereo in and out The input output configuration of the effect sound Wet...

Page 123: ...which of these channels will be used to control the effect G ch The global MIDI Channel Global 1 1a will be used to control the effect Normally you will set this to G ch All R All Routed The channel of any timbre routed through this effect can be used to control the effect Channels of each routed timbre will be indicated by Drum Kits and the MIDI Control Channel If a Timbre is using a Drum Kit and...

Page 124: ...ttings but they don t save the number of the selected Effect Preset If you select an Effect Preset and then save the Combination the Effect Preset setting will revert to For more information please see Using Effect Presets on page 67 IFX1 Parameters IFX1 Parameters Here you can set the effect parameters of the insert effect you chose in the Insert FX Setup page For more details please see Insert E...

Page 125: ...8 Common FX LFO The two Common FX LFOs allow you to synchronize LFO based modulation for multiple effects such as phasers flangers filters and so on The Common LFOs control only the frequency MIDI synchronization and reset options each individual effect still has its own settings for the LFO waveform and phase Within the individual effects you can choose whether to use one of the Common LFOs or to...

Page 126: ...ge 70 9 1a Combination Name These are the bank number and name of the current Combination For more information please see 0 1 2 a Combination Select on page 80 9 1b MFX1 2 MFX1 MFX1 000 170 MFX1 On Off Off On Return 1 000 127 MFX2 MFX2 000 153 MFX2 On Off Off On Return 2 000 127 Chain Chain On Off Off On Chain Direction MFX1 MFX2 MFX2 MFX1 Chain Level 000 127 For more information please see 9 2 MF...

Page 127: ...re the default settings that are recalled when you select an effect type in the P9 MFX TFX Routing page You can t save your own settings here P01 P15 These contain preset data that Korg plans to provide in the future We recommend that you store your settings in U00 U15 U00 U15 These are areas in which you can store your own settings This shows that no Effect Preset has been selected You ll see thi...

Page 128: ...his lets you Save your edits Rename the Combination Assign the Combination to a Category Mark the Combination as a Favorite Copy the Combination to a different Bank and number Be sure to Write any Combination that you wish to keep If you turn off the power or select another Combination before writing an edited Combination it cannot be recovered If you use Category or Sub Category to specify a cate...

Page 129: ...urce program will also be copied 6 Use the To field to specify the copy destination timbre The parameters for each timbre will be initialized The copy source program will be assigned to Program see 0 1 2 b Program Select on page 82 The MIDI Channel Combi 3 1 2 c setting will not change if Arp is checked If Arp is unchecked MIDI Channel will be automatically set to G ch The Bank Select When Status ...

Page 130: ...1 08 Scan Zone tabs of the ARP DT page This command can copy arpeggiator settings from another location to the current Combi 1 In From select the source mode bank number of the arpeggiator you wish to copy If you are copying from a Combination or Song select either A or B if you wish to copy settings from only one arpeggiator or select A B if you wish to copy the settings of both arpeggiators 2 If...

Page 131: ...e drum kit must be set to one of IFX1 5 1 In the Routing1 page or Routing2 page select the tim bre for which you want to make settings Select a tim bre parameter or Timbre Number 2 Select DrumKit IFX Patch to open the dialog box 3 In the DrumKit IFX popup select the output bus to which you want to patch the signal an insert effect or L R or Off Note To restore the condition of the drum kit execute...

Page 132: ...Combination mode 124 ...

Page 133: ...ods of recording are supported including realtime recording in which your performance on the keyboard and controllers including MIDI control events is recorded as you play and step recording in which the timing length and velocity of each note can be specified in the display as you input the pitches from the keyboard The musical data and control events that you recorded can be edited in various wa...

Page 134: ...ltaneously play multiple tracks of performance data from an external MIDI sequencer Normally you ll use Combination mode if you want to use the M50 as a master keyboard You can switch the M50 s setting as appropriate for these two purposes This setting is made in Global P1 MIDI MIDI Basic page SEQ Mode Track MIDI Out for Master is the appropriate setting if you want to use the M50 s internal seque...

Page 135: ...ich Compare is available In general track and pattern event data can not be returned to its original state Comparing song parameters is possible only during song editing when executing a menu command Recording to a MIDI track Track Edit All commands except for the menu commands Memory Status Exclusive Solo FF REW Speed and Set Location of the P6 Track Edit Track Edit page Recording to a pattern Pa...

Page 136: ... Adjust editing p 136 Recording method selection p 137 P0 2 Play REC Control Simple arpeggiator editing p 142 Editing from the control surface p 143 EDIT P1 Controllers SW1 2 and knob settings p 147 Chord trigger switch note and velocity settings p 148 P2 EQ EQ settings for each track p 149 P3 Track Param Various parameter settings for each track MIDI channel OSC selection Pitch setting etc p 151 ...

Page 137: ...TART STOP switch to begin recording the time signature you specify will be recorded on the Master Track and on previously recorded tracks Be aware that if you press the SEQUENCER START STOP switch during the pre count to stop recording the time signature will not be recorded Normally you will specify the time signature when you record the first track and select when recording subsequent tracks Cha...

Page 138: ...rack Song Select 000 127 Select the song that you want to record or play back Either select the song name from the popup menu or use numeric keys 0 9 to specify the song number and then press the ENTER switch Creating a new song Choose a number from the popup menu whose song name is blank or use the numeric keys 0 9 to specify the song number and press the ENTER switch to open the dialog box Then ...

Page 139: ...tton to access the Category Program Select menu and choose a program Category Track Program Select menu Here you can select the program for each track by main category and sub category All programs are classified into a maximum of eighteen main categories and each category is classified into eight sub categories You can select programs using these main categories and sub categories Press Category ...

Page 140: ... are muted by Mute or by the Solo function note on off messages will not be transmitted on the MIDI channel selected for those tracks Solo settings are not saved with the song Exclusive Solo The menu s Exclusive Solo parameter also affects the way that Solo works When Exclusive Solo is Off unchecked you can solo multiple Tracks at once The solo setting of each track will change each time you press...

Page 141: ...FX Setup page will adjust the panning of the sound after the Insert Effect For more information please see Mixer on page 279 RND The pan position will change randomly at each note on If Status Seq 3 1 2 c is INT or BTH CC 10 Pan can be received to control the panning When receiving CC 10 a value of 0 or 1 is far left 64 is center and 127 is far right When you change the song or return to the begin...

Page 142: ...ack Info This displays information about the currently selected MIDI track For more information please see 0 1 1 2 b Track Program Select on page 131 Track 01 Track Number Category Category Name Indicates the category Track Play Loop Off On Specifies looping for a MIDI track On checked That track will loop between Loop Start Measure and Loop End Measure Loop Start Measure 001 999 Specifies the fir...

Page 143: ...stored with the Song and do not alter the original Program Each of the sixteen tracks has its own set of tone adjust parameters For more information see Absolute Abs Relative Rel Meta parameter on page 6 Tone Adjust and MIDI SysEx on page 7 Interaction between Tone Adjust and MIDI CCs on page 7 Saving Tone Adjust Edits In Program mode when you make edits via Tone Adjust and then save the results t...

Page 144: ...e Adjust parameters which control a single Program parameter If you un assign a parameter from a control it will revert to this value 0 1 7c Tone Adjust Here you can assign Tone Adjust parameters to the switches and sliders in the display Switches 1 8 Tone Adjust switches act a little differently than sliders in the display When a switch is assigned to a Relative parameter or an Absolute parameter...

Page 145: ...tup Selects the method of realtime recording Overwrite When recording for the first time you will normally select this method If you use this method to record on a track on which data has already been recorded all previous data will be replaced from the measure at which you began recording through all subsequent measures With this method the newly recorded data overwrites musical data previously r...

Page 146: ...h connected to the ASSIGNABLE SWITCH jack Set the Global P2 Controllers page Foot Switch Assign to Song Punch In Out 7 Press the SEQUENCER START STOP switch Playback will stop and you will return to the location that you specified in step 3 Auto Punch In Select this method when you wish to automatically re record selected portions of a previously recorded track Recording will occur only over the s...

Page 147: ...at note number will be deleted for the time that you continue holding down the key Controller data can also be erased in a similar way For example while you move and hold the joystick in the X horizontal direction bender data will be erased This applies to Joystick Y CC 01 Y CC 02 Joystick X Pitch Bend and Damper CC 64 Also you can press and hold down the SEQUENCER REC WRITE switch to delete all M...

Page 148: ...itted by your external sequencer 9 When playback has ended stop your external sequencer The M50 s sequencer will automatically stop recording when it receives the MIDI Stop message transmitted by the external sequencer You can also stop recording by pressing the SEQUENCER START STOP switch of the M50 After this you can play back the newly recorded sequence 10 In the Global P1 MIDI MIDI Basic page ...

Page 149: ...191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as User Template Song p 192 7 FF REW Speed p 192 8 Set Location Set Location for Locate Key p 192 9 GM Initialize p 193 10 Copy From Combi Copy from Combination p 194 11 Copy from Program p 195 For more information please see Sequencer Menu Command on page 191 ...

Page 150: ...rpeggiator s you checked here will run if they are assigned to a timbre by Arpeggiator Assign 7 1 2 c When the arpeggiator is on these check boxes let you turn A and B on off This parameter can also be set from P7 ARP DT page Arpeggiator Run A B Track assign This indicates the arpeggiator A and B assignment status for each track 1 8 These settings are made in Arpeggiator Assign Seq 7 1 2 c 0 2 1 2...

Page 151: ...ol To reset individual knob 1 Hold down the RESET CONTROLS switch 2 While holding down RESET CONTROLS move a knob or press one of the control surface buttons The knob will be reset to the value stored in the Program 3 When you re done release the RESET CONTROLS switch Resetting a group of controls 1 Use the display s Control Assign or the front panel CONTROL ASSIGN switches to access the controlle...

Page 152: ...MIDI CC When you operate a knob the corresponding MIDI control change message will be transmitted on the Track Select MIDI channel Most of these functions adjust scale the parameter settings of the track programs Unless otherwise noted scaling means that the parameters are at their programmed values when the controller is at 64 at their minimum when the controller is at 0 and at their maximum when...

Page 153: ...rol surface which just happens to share M50 s knobs and chord trigger switches When you select an External Setup it stays selected even when you change Programs or switch to Combination or Sequencer modes This makes it easy to select different M50 sounds without disrupting any external MIDI control and vice versa 0 2 8b Control Assign Ext Knob Mode Selected Parameter Information Control Assign Rea...

Page 154: ...ggiated notes See Velocity on page 60 Knob 3 Length 64 00 64 Adjusts the length of the arpeggio pattern Knob 4 Octave 64 00 64 Adjusts the pitch range over which the arpeggiator will play in one octave steps See Octave on page 59 If Arpeggio Tone Mode is set to Fixed Note operating knob 4 will not affect the pitch range 0 2 8 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Rename Song p...

Page 155: ...etting the status is reset to off Mode SW1 Mode Toggle Momentary This specifies the on off operation when you press the SW1 switch Toggle The function will alternate between on and off each time you press the SW1 switch Momentary The function will be on only while you continue holding down the SW1 switch SW2 SW2 Assign Off JS Y Lock Mode SW2 Mode Toggle Momentary This assigns the function of SW2 T...

Page 156: ...es assigned to each switch along with a separate velocity for each note To play fewer than 8 notes just set the unwanted notes to Off Off Select this to disable the note C 1 G9 This sets the note number 001 127 This sets the note s velocity value For more information on switches and velocity please see 1 8a Chord Trigger Switches on page 20 SW 2 4 These are the same as for SW 1 as described above ...

Page 157: ...fault setting Off the Program s EQ settings won t be loaded Use this if you ve set up the EQ in a specific way and then want it to stay unchanged while you try out different Programs Bypass Off On If this is On checked all of the EQ will be disabled including Input Trim Bypass can be convenient for comparing the results of the EQ with the original signal Input Trim 00 99 This controls the volume l...

Page 158: ... 0 5 dB Low Gain dB 18 0 00 0 18 0 This controls the gain of the 80 Hz Low Shelf EQ in increments of 0 5 dB Track 02 08 09 16 Track Number These parameters adjust the three band EQ with sweepable mid range for MIDI tracks 2 8 and 9 16 They are the same as for track 1 For more information please see Track 01 Track Number above 2 3 4 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Rename ...

Page 159: ...o an external device but the internal tone generator of the M50 will not sound When you select another song or return to the beginning of the song the program change volume panpot portamento sends 1 and 2 post IFX pan and post IFX sends 1 and 2 of each MIDI track set to EXT will be transmitted via MIDI See Global P1 MIDI SEQ Mode Track MIDI Out on page 222 EX2 This enables you to specify a particu...

Page 160: ...ce OSC Mode PRG Poly MN LGT This lets you override the Program s stored Voice Assign Mode settings if desired PRG The Program s stored Prog P1 Basic Ctrls Program Basic Voice Assign Mode settings will be used Poly The track will play polyphonically regardless of the Program s settings MN Mono The track will play monophonically regardless of the Program s settings LGT Legato The track program will ...

Page 161: ...ng p 191 3 Delete Song p 191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as User Template Song p 192 7 FF REW Speed p 192 8 Set Location Set Location for Locate Key p 192 9 GM Initialize p 193 10 Copy From Combi Copy from Combination p 194 11 Copy from Program p 195 For more information please see Sequencer Menu Command on page 191 3 5 Pitch T01 08 3 6 Pitch T09 16 ...

Page 162: ...n adjust the settings for the scale for each MIDI track 3 7 8 a Location Meter Tempo Tempo Mode Song Select Track Select Reso RPPR 3 7 8 b Track Info For more information please see 0 1 1 2 a Location Meter Tempo Tempo Mode Song Select Track Select Reso RPPR on page 129 For more information please see 2 1 Trim T01 08 2 2 Trim T09 16 on page 149 3 7 8 c Scale Track 01 Track Number Use Program s Sca...

Page 163: ... 3 Delete Song p 191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as User Template Song p 192 7 FF REW Speed p 192 8 Set Location Set Location for Locate Key p 192 9 GM Initialize p 193 10 Copy From Combi Copy from Combination p 194 11 Copy from Program p 195 For more information please see Sequencer Menu Command on page 191 ...

Page 164: ...or each MIDI track Top Slope 00 01 02 03 04 06 08 10 12 18 24 30 36 48 60 72 Specifies the range of keys 12 is one octave over which the volume will be reached starting from the top key 0 The volume will be at the original level from the top key 12 The volume will increase gradually as you play downward and will reach the original volume one octave below the top key 72 The volume will increase gra...

Page 165: ...that will be sounded by MIDI tracks 1 8 and 9 16 and Top Bottom Slope specify the range over which the volume will be adjusted For more information please see 4 3 Vel Z T01 08 4 4 Vel Z T09 16 Velocity Zones T01 08 T09 16 on page 100 These settings do not affect MIDI transmission reception All note data that is received will be recorded into the internal sequencer and all note data from the intern...

Page 166: ...umber Delay Time ms 0000 5000ms KeyOff Specifies the time delay time from note on until the MIDI track begins to produce sound in units of ms 1 1000th of a second This setting is available if MIDI Tempo Sync is set to Off KeyOff The note will begin sounding at note off In this case the sound will not die away if the sustain level of the program s amp EG is other than 0 This setting is used when cr...

Page 167: ...ve 4 5 6 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Rename Song p 191 3 Delete Song p 191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as User Template Song p 192 7 FF REW Speed p 192 8 Set Location Set Location for Locate Key p 192 9 GM Initialize p 193 10 Copy From Combi Copy from Combination p 194 11 Copy from Program p 195 For more information ple...

Page 168: ...e same control change is assigned to multiple controllers for which there are filter settings in the MIDI Filter 1 4 and 2 5 pages checking any one of these will enable that control change Off unchecked Reception of MIDI data is disabled Note MIDI CC MIDI control change message numbers SEQ P5 1 MIDI Filter 1 5 1 1 1 T01 08 5 1 2 1 T09 16 5 1 1 2 a Track Select Tempo RPPR 5 1 1 2 b Track Info For m...

Page 169: ...ecifies whether or not MIDI CC 2 the Y axis of the joystick or a realtime control knob assign setting will be received Enable Ribbon Off On Specifies whether or not MIDI CC 16 specified as the assignment of a realtime control knob will be transmitted or received Track 02 08 09 16 Track Number These are the MIDI Filter 2 settings for MIDI tracks 2 8 and 9 16 They are the same as for track 1 For mor...

Page 170: ... mode is selected Enable Realtime Control Knob 3A Off On Enables or disables reception of MIDI CC 79 the M50 s filter EG intensity which is assigned to knob 3 when Realtime Control A mode is selected Enable Realtime Control Knob 4A Off On Enables or disables reception of MIDI CC 72 the M50 s filter amp EG release time which is assigned to knob 4 when Realtime Control A mode is selected Track 02 08...

Page 171: ... Control Knob 3B Off On Enable Realtime Control Knob 4B Off On These settings enable or disable reception of the MIDI messages assigned to knobs 1 4 when control surface Realtime Control B mode is selected Track 02 08 09 16 Track Number These are the MIDI Filter 4 settings for MIDI tracks 2 8 and 9 16 They are the same as for track 1 For more information please see Track 01 Track Number above 5 1 ...

Page 172: ...ers page This filter setting is valid when a MIDI control change is assigned Enable Foot Pedal Off On Specifies whether or not the effect of the ASSIGNABLE PEDAL will be received The function is assigned in Global P2 Controllers Foot Controllers page This filter setting is valid when a MIDI control change is assigned Track 02 08 09 16 Track Number These are the MIDI Filter 5 settings for MIDI trac...

Page 173: ...k Number These are the MIDI Filter 6 settings for MIDI tracks 2 8 and 9 16 They are the same as for track 1 For more information please see Track 01 Track Number above 5 2 3 4 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Rename Song p 191 3 Delete Song p 191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as User Template Song p 192 7 FF REW Speed p 192 8 ...

Page 174: ...n page 149 6 1c Track data Map From Measure To End of Measure Track data Map This area shows the presence or absence of performance data and indicates the edit range etc The currently selected Track will be highlighted From Measure 001 999 To End of Measure 001 999 Specifies the range of measures that you wish to edit or copy from or step record Use From Measure to specify the starting measure and...

Page 175: ...rs For more information please see Editing names on page 91 of the Owner s manual 6 2 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Step Recording p 195 3 Event Edit p 196 4 Set Song Length p 198 5 Erase Track p 198 6 Copy Track p 198 7 Bounce Track p 198 8 Erase Measure p 198 9 Delete Measure p 199 10 Insert Measure p 199 11 Copy Track p 198 12 Copy Measure p 200 13 Move Measure p 20...

Page 176: ...ormance will be recorded from the beginning of the pattern when recording starts When MIDI Clock is set to External MIDI or External USB clock messages transmitted from an external MIDI device can perform the same type of control Even in this case you can start stop using the M50 s SEQUENCER START STOP switch 7 1 ARP Setup T01 08 7 2 ARP Setup T09 16 7 1 2 a Location Meter Tempo Tempo Mode Song Se...

Page 177: ...the track Status Seq 3 1 2 c is set to INT or BTH tracks 1 16 to which arpeggiator A or B are assigned will be sounded by the note data generated by the arpeggiator regardless of the MIDI Channel Seq 3 1 2 c setting of that track If the track Status is set to BTH EXT or EX2 the track will transmit MIDI note data on the MIDI Channel of that track In this case arpeggiator A or B will be triggered by...

Page 178: ...ff On Keyboard Off On These are the arpeggiator parameters for the song For more information please see PROG P7 ARP DT Arpeggiator Drum Track on page 59 These parameters can also be set from 0 2 1 2 c Arpeggiator A B 7 3 4 Menu Command 0 Memory Status p 191 1 Exclusive Solo p 73 2 Rename Song p 191 3 Delete Song p 191 4 Copy From Song p 191 5 Load Template Song p 191 6 Save Template Song Save as U...

Page 179: ...he lower limit Top Velocity 001 127 Bottom Velocity 001 127 Specifies the range of velocities that will operate arpeggiator A B Top Velocity specifies the upper limit and Bottom Velocity specifies the lower limit Specifies the range of notes keys and velocities that will operate arpeggiator A B Note The values of these parameters can also be entered by holding down the ENTER switch and playing a n...

Page 180: ...uencer mode can be converted into user drum patterns See page 208 Shift 24 00 24 This transposes the drum pattern in semitone steps This means that the instruments played by the pattern will change MIDI Channel Input 01 16 Tch This specifies the MIDI channel that will trigger the drum pattern Tch The MIDI channel that triggers the drum pattern will automatically be set to the MIDI channel Seq 3 1 ...

Page 181: ...ction The Trigger Sync parameter The trigger timing of a drum track will depend on the setting of its Trigger Sync parameter On checked The trigger timing will be quantized to the nearest beat relative to the base tempo Off unchecked If Trigger Mode is Start Immediately triggering will occur at the moment you press the DRUM TRACK ON OFF switch If this is set to Wait KBD Trig triggering will occur ...

Page 182: ...et to MIDI Clock Auto it will also synchronize to the external MIDI device in the same way if MIDI realtime clock messages are being received from the external device Synchronization to MIDI clock The arpeggiator will synchronize to the tempo coming from an external MIDI clock source Synchronization with MIDI realtime commands In Sequencer mode the M50 will respond to Song Start Continue and Stop ...

Page 183: ...f the selected drum kit will be used Check this setting if you want to apply an individual insert effect to each drum instrument Tip In most preloaded drumkits the drum instruments have the same Bus IFX Output Select settings according to their type as follows Snares IFX1 Kicks IFX2 Other IFX3 If you want to edit these routings use the DrumKit IFX Patch menu command For more information please see...

Page 184: ... played back You can also change these settings during playback However if pan CC 8 send 1 or 2 data has been recorded the settings will change accordingly If Status Seq 3 1 2 c is either INT or BTH CC 8 CC 93 and CC 91 can be received to control the pan following the insert effect send 1 or send 2 respectively and change their settings When you switch songs or return to the beginning of the song ...

Page 185: ...e settings For instance you can save an Effect Preset while working on a particular Song and then later use the same Effect Preset in a different Program Combination or Song P00 Initial Set These are the default settings that are recalled when you select an effect type in the Insert FX Setup page You can t save your own settings here P01 P15 These contain preset data that Korg plans to provide in ...

Page 186: ...ing to Track p 204 For more information please see Sequencer Menu Command on page 191 8 2 8 Common FX LFO The two Common FX LFO 1 2 allow you to synchronize LFO based modulation for multiple effects such as phasers flangers filters and so on The Common LFOs control only the frequency MIDI synchronization and reset options each individual effect still has its own settings for the LFO waveform and p...

Page 187: ... Memory Status p 191 1 Exclusive Solo p 73 2 Copy Insert Effect p 76 3 Swap Insert Effect p 76 4 FF REW Speed p 192 5 Set Location Set Location for Locate Key p 192 6 Put Effect Setting to Track p 204 For more information please see Sequencer Menu Command on page 191 ...

Page 188: ...or more information please see 2 1 Trim T01 08 2 2 Trim T09 16 on page 149 9 1b MFX1 2 MFX1 MFX1 000 170 MFX1 On Off Off On Return 1 000 127 MFX2 MFX2 000 153 MFX2 On Off Off On Return 2 000 127 Chain Chain On Off Off On Chain Direction MFX1 MFX2 MFX2 MFX1 Chain Level 000 127 For more information please see 9 2 MFX1 on page 71 9 1c TFX TFX TFX 000 153 TFX On Off Off On For more information please ...

Page 189: ... a different Program Combination or Song P00 Initial Set These are the default settings that are recalled when you select an effect type in the P9 MFX TFX Routing page You can t save your own settings here P01 P15 These contain preset data that Korg plans to provide in the future We recommend that you store your settings in U00 U15 U00 U15 These are areas in which you can store your own settings T...

Page 190: ...ns and user patterns can be placed in or copied into a track You can convert user patterns to drum track patterns 10 1a Location Song Select Track Select Location 01 99 Displays the current measure location of the selected pattern Song Select 000 127 name Selects a song The user pattern will be created in the song you select Track Select Track01 16 Master Track Selects the track that will be used ...

Page 191: ...Data Off On On checked Unwanted performance data can be removed during pattern recording The procedure is the same as explained in Remove Data of Loop All Tracks For more information please see Remove Data on page 139 10 1c USED IN SONG TRACK USED IN RPPR USED IN SONG TRACK This area indicates the pattern usage status for the patterns selected for the track USED IN RPPR This area indicates the RPP...

Page 192: ...to which a pattern is not assigned will play the program of the track that s selected in Track Select In this case the arpeggiator will operate if Arpeggiator A or B is active and assigned to the track Notes generated by the arpeggiator will not trigger the RPPR function When Local Control is OFF Local Control On Global 1 1a the keyboard will not trigger RPPR pattern playback except via notes rece...

Page 193: ... selected pattern playback will begin when you press the first key The second and subsequent patterns that are triggered from the keyboard will synchronize to the pattern that was started by the first key with a setting of Beat they will synchronize in steps of a beat and with a setting of Measure they will synchronize in steps of a measure When SEQ is selected the pattern will play back in synchr...

Page 194: ...nd un check Multi Rec On the other hand even if RPPR uses only one track use multi track recording if you will be recording another track at the same time You should also select multi track recording if you specified the RPPR data using multiple tracks rather than just a single track and want to simultaneously record the performance of multiple tracks The RPPR pattern will be recorded as performan...

Page 195: ... plays an RPPR pattern If during the pre count before recording you press a key that s assigned to an RPPR pattern the pattern will begin playing and will be recorded the moment that recording begins Record the RPPR pattern playback and keyboard performance When recording the playback of patterns triggered by RPPR the timing of the recorded events may be slightly skewed If this occurs try setting ...

Page 196: ...e will cause the location to change Meter Time Signature 1 4 16 16 This displays the time signature of the currently playing song Tempo 040 00 300 00 Specifies the tempo at which the song in the cue list will be played For more information please see Tempo on page 81 Tempo Mode Auto Manu Auto Playback will follow the tempo specified by each song in the cue list It will not be possible to change th...

Page 197: ... be required to switch effects In this case playback will not be smooth from song to song If you want to transition smoothly from song to song inside of a cue list check Load FX in Step 01 For the remaining steps do not check Load FX With these settings the effects will be set before playback begins so there will be no time lag to interrupt the smooth transition between songs Although it is not po...

Page 198: ... complete a cue list and convert it into a song the track settings e g program pan volume of each song will be converted into performance data so that they will be reproduced correctly However it may not be possible for the playback result of a cue list to be converted to a song if settings such as the MIDI channel do not match Using a foot switch to switch the Step You can use a foot switch to sw...

Page 199: ...om specify the copy source song number 2 Select the data that you wish to copy All will copy all setting data and musical data track events and patterns etc Without Track Pattern Events will copy only the setting data of songs except for Play Loop and RPPR data Be aware that if you execute All all setting data and musical data of the currently selected song will be erased and rewritten by the data...

Page 200: ... with the current settings Note The Play Loop and RPPR settings are not saved If you want to save these settings and the user patterns execute Save SEQ in Media mode and save them to an SD card FF REW Speed This allows you to set the speed at which fast forward or rewind will occur when you press the FF switch or REW switch 1 In Speed specify the speed relative to the playback tempo at which fast ...

Page 201: ...ng remains unchanged Bank Select MSB LSB 000 000 OSC T01 08 T09 16 Force OSC Mode Setting remains unchanged OSC Select Setting remains unchanged Portamento Off Off Pitch T01 08 T09 16 Transpose 00 00 Detune 0000 0000 Bend Range 02 02 Other T01 08 T09 16 Use Program s Scale Setting remains unchanged P4 Key Z T01 08 T09 16 C 1 G9 Slope 000 C 1 G9 Vel Z T01 08 T09 16 001 127 Slope 000 001 127 Delay T...

Page 202: ...o make additional changes to the track settings in addition to the settings here If the recorded performance is not reproduced correctly during playback If you use the menu command Copy From Combi to copy the settings of a combination and then perform multi track recording with the arpeggiator turned on there may be cases in which the performance during recording is not reproduced correctly during...

Page 203: ... setting of the copy destination track s MIDI Channel See step 4 Copy Tone Adjust For more information please see Copy Tone Adjust on page 74 Reset Tone Adjust For more information please see Reset Tone Adjust on page 74 Copy Drum Track This command copies the drum track settings of the specified Program Combination or Song For more information please see Copy Drum Track on page 74 Erase Drum Trac...

Page 204: ...ess and release the keyboard the location will advance by the length specified in step 4 Inputting rests Press the Rest button to input a rest of the length specified in step 4 Inputting a tie If you press the Tie button without pressing the keyboard the previously input note will be tied and lengthened by the amount specified in step 4 If you press the Tie button while holding down a note the not...

Page 205: ...ialog box will open and the song will begin playing Use this to audition the edits you ve made in Event Edit Playback will begin from the measure specified by Measure Playback will occur according to the settings of the song The song will play back in the same way as in the P01 1 Play REC page etc If you want to play back only the track you re editing exit Event Edit and solo the desired track Alt...

Page 206: ...during playback after the bounce command is executed To prevent this from happening use Event Edit or Erase Control Data to edit the MIDI control data of the two tracks before you use Bounce Track 1 Use Track Select to select the MIDI track Track 01 16 that you want to bounce 2 Select Bounce Track to open the dialog box 3 Use the From field to select the source track and To to select the destinati...

Page 207: ... and execute this operation the specified measures of musical data will be deleted from all tracks including the master track and the time signature and tempo will also move forward by the number of measures that were deleted If control data extends across a line between measures that were deleted and measures that were not deleted only the data within the range being deleted will be erased Insert...

Page 208: ...he same way as it did before Copy Measure This command copies the measures of musical data specified as the From source to the beginning of the measure specified as the To location When you execute the Copy Measure command the existing track data at the copy destination will be rewritten 1 Select the copy source song 2 Select Copy Measure to open the dialog box 3 In From Track select the copy sour...

Page 209: ...he dialog box 3 Specify the range into which the control data will be inserted In From Measure and To End of Measure specify the measures and in Beat Tick specify the beat and clock By default From Measure and To End of Measure will be set to the range you specified in the Track Edit page 4 Set Kind to the type of musical data event that you wish to create Control change Control change data will b...

Page 210: ...f Measure specify the measures In Beat Tick specify the beat and clock By default From Measure and To End of Measure will be the range that you specified in the Track Edit page 4 In Kind select the type of musical data events that you wish to quantize All Quantization will be applied to all performance MIDI data Note Quantization will be applied only to note data Use Bottom and Top to specify the ...

Page 211: ...Kind to Note However this Shift Erase Note command lets you specify the Beat Tick range and to erase only specific ranges of note data Modify Velocity This command modifies the velocity values of notes in the specified area so that they will change over time according to a selected curve 1 In Track Select specify the track whose velocity will be modified 2 Select Modify Velocity to open the dialog...

Page 212: ...s the example of switching IFX4 used by track 2 at the beginning of measure 9 2 Select Put Effect Setting to Track to open the dialog box The values in the dialog box are settings for the example described in step 1 3 Use Effect to select the desired effect 4 Use To Song to specify the song into which the settings will be inserted Track to specify the insert destination track Measure to specify th...

Page 213: ...3 and set our parameters so that it uses 035 Stereo Phaser from the beginning of the song At measure 9 we ll insert a MIDI parameter change System Exclusive message to make IFX3 switch to the 032 Stereo Flanger effect settings that were created for a different song 1 Select a desired program for MIDI track 3 and send it to IFX3 Make the following settings for MIDI track 3 Track Select Track 03 P0 ...

Page 214: ... specify the number of measures in the pat tern 4 In Meter specify the time signature of the pattern However this time signature is only temporary and when you put or copy the pattern in a track of a song the pattern will play according to the time signature of that measure Erase Pattern This command erases the data from the selected pattern 1 Use Pattern and Pattern Select to specify the pattern ...

Page 215: ...es the pattern number in the song so that when playback reaches that point the pattern will be recalled The musical data of the pattern will not actually exist in the track By creating patterns that contain frequently used phrases or drum patterns and then placing them on the tracks you can conserve memory Be aware that when you edit a pattern all locations in the song where that pattern has been ...

Page 216: ...the Get From Track menu command in the Seq P10 Pattern RPPR Pattern Edit page see page 207 Converting to a Drum Track pattern 1 Press the MODE SEQ switch to enter Sequencer mode 2 Access the Seq P10 Patern RPPR Pattern Edit page 3 Use Pattern and Pattern Select to select the conversion source pattern 4 Select Convert to Drum Trk Pattern to open the dia log box 5 Use the To Drum Track Pattern Selec...

Page 217: ...nversion the track and effect settings of the song specified for Step 01 will be copied to the beginning of the resulting song and all track and effect settings of subsequent songs will use the set tings of the song for Step 01 Settings of the Tone Adjust function will not be reflected in this conversion 1 Select the cue list C00 C19 that you want to convert to a song 2 Select Convert to Song to o...

Page 218: ... of the note data will be shifted Example If Step 01 Transpose 1 and Step 02 Transpose 1 the actual note numbers of the Step 02 track note data will be shifted downward by 2 Repeat FS Foot Switch Repeat 1 If Repeat is set to FS Foot Switch it will be converted as Repeat 1 When you execute Convert to Song to convert a cue list to a song the repeat settings within the cue list and the pattern and tr...

Page 219: ...Out on page 222 Realtime recording will not record parameter edits that you perform by executing menu commands in the various pages nor changes you make by using the Effect Preset function to recall effect parameters Front panel Page Parameter Front panel ARP ON OFF switch GATE VELOCITY LENGTH OCTAVE knobs Drum Track ON OFF switch Control Surface REALTIME CONTRIL EXTERNAL ARP switches P0 Play REC ...

Page 220: ...ay REC Preference page Recording Setup to Overdub as described on page 138 Select Track 09 in Track Select Then press the SEQUENCER REC WRITE switch and then the START STOP switch and begin recording At the appropriate time while recording adjust the parameter s that you want to realtime record Select another effect for IFX1 in the P8 1 IFX Insert FX Setup page and edit the effect parameter values...

Page 221: ...e 268 M50 Song format This is the native M50 sequencer format which is required to ensure that all M50 specific data is saved correctly Standard MIDI Files You can also load and save Standard MIDI Files SMF for compatibility with other sequencers Note that some M50 specific data may not be maintained when in SMF files GM XG and GS System Exclusive Data The M50 sequencer can record System Exclusive...

Page 222: ...Sequencer mode 214 ...

Page 223: ...ed prior to pressing the PAGE SELECT switch is shown in grey 2 Select the desired page in the display Other ways to select pages Hold down the PAGE SELECT switch and press numeric keys 0 6 to specify a page number you will access the corresponding page For example if you want to access the P3 Scales page hold down the PAGE SELECT switch and press numeric key 3 You can press the EXIT switch to retu...

Page 224: ... 5 6 c Seq 3 5 6 c Velocity Curve 1 9 This specifies the way in which the volume and or tone will change in response to variations in keyboard playing dynamics velocity The curves you can select will depend on the Convert Position Global 1 1a setting If the setting is PreMIDI the curve is applied immediately after the keyboard If the setting is PostMIDI the curve is applied immediately before the ...

Page 225: ...gram Combination and Sequencer modes will be valid TFX Off Off On On checked Total effect TFX will be off Off unchecked The P9 MFX TFX setting TFX On Off in Program Combination and Sequencer modes will be valid When IFX Off MFX1 2 Off or TFX Off settings are switched control change messages CC 92 effect control 2 CC 94 effect control 4 and CC 95 effect control 5 will be transmitted respectively Th...

Page 226: ...On Mode Reset Memorize Specifies the condition at power on Reset The M50 will be in Program mode P0 Play and Program A000 will be selected Memorize The location mode and page which you most recently accessed when you last powered off the M50 will be recalled If you were in Program or Combination mode the program or combination bank number at power off will be recalled Before turning off the power ...

Page 227: ...med Recording to the sequencer Loading preloaded song data Loading song data from media Receiving song data via MIDI data dump Off unchecked Data can be written to internal song memory Drum Kit Off On This setting protects the internal drum kit memory On checked Internal drum kit memory will be protected and the following write operations cannot be performed Writing a drum kit Loading preloaded dr...

Page 228: ...is set to EXT or EX2 In Sequencer mode musical data will be transmitted on the channel specified for the currently selected track Seq 3 1 2 c whose Status is BTH EXT or EX2 External mode When control surface EXTERNAL is selected in each mode you can use knobs 1 4 to control a connected software or hardware MIDI device The MIDI CC control change messages are transmitted on the MIDI channel specifie...

Page 229: ...u want the M50 to be the master controlling device so that connected external MIDI devices will synchronize to the M50 MIDI Clock External MIDI The arpeggiator and internal sequencer will operate in synchronization to the MIDI Clock input from an external MIDI device External USB The arpeggiator and internal sequencer will operate in synchronization with the MIDI Clock from a computer for example ...

Page 230: ...or the edited parameter will be transmitted as a parameter change Note For these to operate Enable Control Change or Enable Exclusive Global P1 MIDI MIDI Routing must be checked respectively Applicable parameters Pan CC 10 pan Volume CC 7 volume Send 1 2 CC 93 send 1 level CC 91 send 2 level Drum Track Drum track programs in Program mode will be triggered on the global MIDI channel if Trigger Mode...

Page 231: ...d when a program change message is received on the global MIDI channel However it is possible to set the Enable Combination Change parameter so that the combination is not switched When a program change is received on the channel specified for each timbre by MIDI Channel Combi 3 1 2 c the program of that timbre will be switched However the program changes for each timbre will be affected by the se...

Page 232: ...quencer p 253 7 Dump Drum Track Pattern p 253 For more information please see Global Menu Command on page 251 1 3 External Mode 1 The assignments you make in this external setup will determine the MIDI controller and MIDI channel that is transmitted by each knob when control surface EXTERNAL is selected For more information please see 0 8d External on page 14 In this page and the 1 4 External Mode...

Page 233: ... you to adjust the sound since you can view the parameter assignments and see the precise values Note Control via the control surface is active regardless of the page shown in the display 4 Choose Setup Setup Select and select the external setup that you want to use The set list is shown in the lower portion of the page showing the functions that are currently assigned to the switches and sliders ...

Page 234: ...g names on page 91 of the Owner s manual 1 4 External Mode 2 When control surface EXTERNAL is selected the chord trigger switches will transmit the note on off messages or control change messages on the specified channel For more information please see 0 8d External on page 14 1 4a External Setup Setup External Setup 000 127 This selects the External Setup to edit You can assign a name to each set...

Page 235: ...rogram p 253 2 Dump Combination p 253 3 Dump Drum Kit p 253 4 Dump Arpeggio Pattern p 253 5 Dump Global Setting p 253 6 Dump Sequencer p 253 7 Dump Drum Track Pattern p 253 8 Reset External Setup p 254 9 Rename External Setup p 254 For more information please see Global Menu Command on page 251 ...

Page 236: ...ITCH jack By assigning the appropriate function you can increment or decrement the program number in steps of one This lets you change Programs without using your hands great for quick Program changes in live performance situations There are two ways of doing this by assigning the footswitch to Program Up Down or to Value Inc Dec Each of these is suited to a particular application as described bel...

Page 237: ...age 251 2 2 MIDI CC Assign 2 2a ARP Controllers Here you can assign control change messages to the arpeggiator switches and knobs 1 4 when control surface ARP is selected When you operate a switch or knobs 1 4 when control surface ARP is selected the assigned control change message will be transmitted from the MIDI OUT connector The assigned control change messages can also be received from an ext...

Page 238: ...0 CC 119 SW 4 Off C 1 G9 CC 000 CC 119 These assign note numbers or control change messages to chord trigger switches 1 4 For more information please see Chord Trigger SW MIDI Out on page 223 2 2 Menu Command 0 Write Global Setting p 251 1 Reset Controller MIDI Assign p 254 For more information please see Global Menu Command on page 251 ...

Page 239: ...ependent pitch settings for each of the 128 notes Adjust the pitch of each of the 128 notes C 1 G9 in one cent steps This adjustment is relative to equal temperament A setting of 99 lowers the pitch approximately a semitone below normal pitch A setting of 99 raises the pitch approximately a semitone above normal pitch Use the horizontal scroll bar to move to the key range that you want to set and ...

Page 240: ...Drum track programs in Program mode are selected from programs assigned here to program main category 15 default setting Drums 4 1 Program Main 4 1a Program Main 00 17 Main Category Edit Text Editor Here you can edit the main category names for programs Press the text edit button to open the text edit dialog box and enter a name You can enter up to 24 characters See OM p 91 You can name each of th...

Page 241: ...ou want the edited drum kit settings to be backed up when the power is turned off Editing a drum kit will affect all programs that use that drum kit If Enable Exclusive Global 1 2b is checked the drum kit can be edited using exclusive data For detailed step by step instructions on creating drum kits please see Editing Drum Kits on page 239 5 1 Sample Setup Here you can select a drum kit and specif...

Page 242: ... sample will play back in reverse The location at which reverse playback starts and ends is already specified for each drum sample Off unchecked The drum sample will play back normally Ofs Start Offset Off 1st 8th In addition to simply starting playback from the beginning drum samples can have up to 8 different pre programmed alternate starting points However you can t select drum samples for whic...

Page 243: ... High DS1 High On Off Off On This parameter is linked with 5 1b Drumsample DS1 On checked Check this if you want to use DS1 High The selected drum sample will sound Off unchecked DS1 High will not be used The drum sample will not sound Transpose 64 63 Adjusts the pitch in semitone steps 12 is one octave up and 12 is one octave down Tune 99 99 This adjusts the pitch in cents over a range of 1 octav...

Page 244: ...d DS1 High will not be used The drum sample will not sound Drive 99 99 This adjusts the drive level This offset value for each key and drum sample is applied to the driver Drive Prog 4 1a setting of the programs that use this drum kit Low Boost Driver Low Boost 99 99 This adjusts the low boost level of the driver This low boost setting for each key and drum sample is applied to the driver Low Boos...

Page 245: ...ame group will be treated as a single group and will be played monophonically with last note priority For example you might assign closed and open hi hat sounds to the same group so that two or more hi hat sounds can not sound simultaneously Off Keys will not be grouped This is the default setting Enable Note On Receive Off On On checked Note on messages will be received Normally you will check th...

Page 246: ...or and gate type effects 002 Stereo Limiter 005 Stereo Gate Example Gated Reverb This is an example of applying a gated reverb to a specific snare sound When using a gate effect on reverb you may not be able to control the gating timing correctly if you use the extended reverberant sound to control the gate Normally you will control the gate using sound from before reverb is applied For the key fo...

Page 247: ... is already set up for drums with the appropriate EG settings effects and so on Just use the Program Category select popup and choose a drum Program You ll probably want to start from Program mode press the Category popup button to access the Category Program Select menu and choose a drum kit program from the Drums category OSC1 Basic Octave setting The Oscillator s Octave setting needs to be 0 8 ...

Page 248: ...et s create a simple velocity crossfade between two stereo drumsamples 1 On the left side of the page make sure that DS1 and DS2 are turned On Just press the On Off buttons to toggle them if necessary 2 Similarly make sure that DS3 and DS4 are turned Off When they are turned off most of their parameters will be grayed out 3 Select Stereo as the Bank for DS1 and DS2 There are two main types of Drum...

Page 249: ... Hold 1 Access the Prog P1 Basic Ctrls Key Zone Scale page 2 Under Key Zone make sure that the Hold check box is checked Once you ve turned on Hold for the Program the function is controlled on a note by note basis according to settings within the Drum Kit 3 Access the Global P5 Drum Kit Voice Mixer page 4 For each key set the Enable Note Off Receive parame ter as desired If this parameter is unch...

Page 250: ...ettings for each key of the Drum Kit 3 Access the Global P5 Drum Kit Voice Mixer page 4 Use Pan to specify the panning for each key Saving Drum Kits Once you ve spent all this time editing you ll want to save your work The contents of your editing in Global mode are preserved as long as the power is on but will be lost when you turn off the power If you want to keep your edits you must execute Wri...

Page 251: ...sible to edit the arpeggio pattern If you want the edited user arpeggio pattern settings to be backed up even when the power is turned off you must write them into memory Select the Write Arpeggio Pattern menu command to access the Write Arpeggio Pattern dialog box Alternatively press the SEQUENCER REC WRITE switch to access the Update Arpeggio Patterns dialog box Then press the OK button to write...

Page 252: ...oard the arpeggio will return to the first note if Sort is Off or the lowest note if Sort is On and sound it Up Down If there are more Tones in a step than arpeggio notes specified notes played on the keyboard the arpeggio will return in reverse direction from the last arpeggio note back toward the first Example If you set Length to 04 Step No 01 to Tone0 Step No 02 to Tone1 Step No 03 to Tone2 St...

Page 253: ... will continue sounding until the same Tone is sounded next or until the pattern returns to the beginning At this time the display will change to or This setting is valid when the Program Combination or Song parameter Gate Program P7 7 1b Combination P7 7 3 4 c Sequencer P7 7 3 4 c is set to Step When making this setting make sure that Gate is set to Step in the previous mode before entering this ...

Page 254: ...f a blank pattern is selected playing the keyboard will not start an arpeggio Although preset arpeggio patterns P0 P4 can be selected they cannot be edited When you edit a user arpeggio pattern the changes will have an effect anytime that this pattern is used in Program Combination or Song 6 In Length specify the length of the pattern After the pattern has played for the length specified it will r...

Page 255: ...e Gate and Velocity settings you make here will be valid if the Gate and Velocity parameters Program P7 ARP DT ARP Setup page of the program selected in Program mode are set to Step If these parameters have a setting other than Step the Gate and Velocity that were specified for each individual step will be ignored and all notes of the arpeggio will sound according to the settings in Program P7 ARP...

Page 256: ...ative value Drum pattern You can use the arpeggiator to play a rhythm pattern by using Fixed Note with a drum program 1 In Program mode select a drum kit program For this example select the preset program Studio Standard kit Category Drums 2 In Global P6 Arpeggio Pattern select the Setup page and parameter settings Arpeggio Tone Mode Set this to Fixed Note This will cause the tone to always sound ...

Page 257: ...ation as an example in our explanation The same procedure applies when editing an arpeggio pattern in Sequencer mode If you have entered this mode from the Combination mode the arpeggio pattern selected by the combination will be affected by your editing 1 In Combination mode select a combination that uses the arpeggio pattern you wish to edit For this example select a combination to which both ar...

Page 258: ...the Tempo based on the internal MIDI clock timing If an RPPR pattern is playing in Sequencer mode the arpeggiator will synchronize to the beat based on that pattern Note If you want the RPPR pattern playback to synchronize to the currently running arpeggiator set Sync to SEQ SEQ P10 Pattern RPPR RPPR Setup page Pattern playback will synchronize to the Tempo timing of the arpeggiator While playing ...

Page 259: ...ore you can load this data you must navigate to Memory Protect Global 0 1b and un check the protect setting for the type of data you want to load If you execute this operation with the protect setting checked the display will indicate Memory Protected and the data will not be loaded 1 Use Kind to select the type of data you want to load 2 If you selected Program Combination Drum Kit or Arpeggio Pa...

Page 260: ... adjustment could not be performed correctly an error message will be displayed Please perform the procedure once again Update System Software Here you can update the M50 system You can download the latest system file onto your computer from the Korg website http www korg com For details please see the Korg website Before you begin the system update you should back up your important data on an SD ...

Page 261: ...mps together If multiple data is saved together then when the data is re transmitted from the data filer the M50 will have less than the required time to write the data into memory and will be unable to receive all of the data correctly Receiving SysEx data dumps Do not touch the M50 s switches or turn off the power while SysEx data is being received Before receiving MIDI data we recommend that yo...

Page 262: ...e data is being received the display will indicate Now receiving MIDI data Reset External Setup This command initializes the external setup All settings for knobs EXT 1 4 EXT 5 8 and chord trigger switches 1 4 will be initialized for the selected setup number MIDI Channel Gch CC Note CC Off Fixed Velocity 127 Chord Trigger switch only Rename External Setup This lets you rename the external setup F...

Page 263: ...te Copy Drum Kit the settings of the currently selected drum kit will be overwritten Copy Key Setup This command copies the settings of an individual key to another key You can also copy settings from two or more contiguous keys at once 1 In the From Key fields select the range of keys that you wish to copy 2 In theTo Key field select the copy destination key If you selected two or more keys in th...

Page 264: ...so be copied together 1 In From Step select the range of steps that you wish to copy 2 In To Step select the copy destination step If you selected more than one step in From Step the steps will be copied starting at To Step and continuing through the steps to the right Delete Step This command deletes the step parameters Tone Pitch Offset Gate Velocity Flam of the currently selected step number Su...

Page 265: ... directories Different types of DOS file are distinguished by the extension added to their file name In the case of a DOS file with an extension other than listed below selecting Load selected to access the dialog box will cause the file to be considered to be a Standard MIDI File SMF However you can t load files that are not in SMF format When M50 data is saved one of these filename extensions wi...

Page 266: ...e DOS files All programs 1 program bank A E 1 program All combinations 1 combination bank A D 1 combination 1 drum kit 1 drum track pattern All track All drum track patterns Global settings All drum kits User 1 drum kit bank INT USER DOS directory DOS files MID file EXL file SNG file 1 song S000 127 1 user pattern U00 99 Cue list ...

Page 267: ...tly from the media without having to load the file If you ve selected a combination the timbres in the combination will use the M50 s internal programs In the case of a user drum kit the sound parameters of the program that was selected before entering Media mode will be used 0 1b Current Directory Current Directory The directory currently selected for processing is referred to as the current dire...

Page 268: ...known files p 262 1 Lock Unlock selected p 262 2 Sort p 262 3 Save All PCG SEQ p 267 4 Save PCG p 268 5 Save SEQ p 268 6 Save to Standard MIDI File p 268 7 Save Exclusive p 268 For more information please see Media Menu Command on page 262 0 3 Utility Here you can rename copy or delete the selected media or file create a new directory format and set the date and time After selecting media or a fil...

Page 269: ...lume Label The volume label of the media Format Type The type of format If not formatted this will indicate Unformatted Total Size The capacity of the media in bytes Free Size The free capacity of the media in bytes Write Protect The write protect status of the media This will indicate On if protected or Off if not protected 0 1a 0 8a ...

Page 270: ...iles in the current directory Lock Unlock selected This locks unlocks the file or directory that s selected in the directory window Media 0 1c If you lock the file or directory the lock icon Lock will appear and overwriting copying or deleting will not be possible 1 In the directory window Media 0 1c select the file or directory that you want to lock or unlock 2 Select Lock Unlock selected the sel...

Page 271: ...ll be aborted if you press the Cancel button If you want to abort the loading process press the OK button If you press the Skip button the indicated file will be skipped and the next file will be loaded Except for special situations such as when the media containing the indicated file has been damaged or cannot be found you should use the Select button to continue the loading process 1 Load PCG Da...

Page 272: ... in internal memory 1 If you wish to load a combination other than the one already selected use Combination upper field to select the combination that you wish to load Note The selected combination can be played from the keyboard even before you load it This is convenient when you want to audition the combination be fore loading it For more information please see PCG Preview on page 259 2 In To Co...

Page 273: ...g destination user arpeggio pattern 14 Load Drum Track Patterns This command loads all drum track user patterns from the PCG file 15 Load a Drum Track Pattern This command loads the selected single drum track user pattern data into the drum track user pattern location that you specify as the load destination 1 If you want to load a pattern other than the selected pattern use Pattern the upper fiel...

Page 274: ... Exclusive messages and Universal Exclusive messages included in the SMF data will be loaded as System Exclusive events The GS XG sound maps and messages are not supported Depending on the content of the data it may not play back correctly but the data itself will be maintained if Exclusive is checked If you select an undefined file and choose Load selected the file will be assumed to be a Standar...

Page 275: ...t directory is a DOS directory 1 Use the text edit button to move to the text input dialog box and specify the filename See OM page 91 For example if you specify NEWFILE and execute the save command files named NEWFILE PCG and NEWFILE SNG will be saved to the media 2 Select the bank s that you want to save Programs combinations drum kits and user arpeggio patterns can be saved in units of banks In...

Page 276: ... Off unchecked System Exclusive events and Universal Exclusive events included in the song data will not be saved 3 Use the text edit button to move to the text input dialog box and specify the filename By default the first eight characters uppercase of the song name will be assigned automatically 4 Use the radio buttons to specify the format Format 0 will save sixteen channels of MIDI data togeth...

Page 277: ...G PRELOAD2 PCG PRELOAD3 PCG When wildcards are used only files will be subject to copying Directories will not be copied 4 Use the Open button and Up button to select the copy destination directory 5 If you wish to copy the file or directory with a different name use the text edit button in the lower field to access the text input dialog box and specify the new name for the file or directory to be...

Page 278: ...olume label can be a maximum of eleven characters After formatting it is not possible to press the COMPARE switch to undo formatting 1 Make sure that the media you want to format is inserted 2 Select Format to open the dialog box 3 In Volume Label use the text edit button to access the text input dialog box and specify the volume label See OM page 91 The previously specified volume label will be d...

Page 279: ... that you use the Filter Driver Amplifier and EQ equalizer to process the sound from the oscillators OSC 1 2 Then the master effects are used to create overall ambience such as reverb and use the total effect to make final adjustments All of these settings can be made independently for each program Combination Sequencer mode In Combination and Sequencer modes you can use the track EQ and insert ef...

Page 280: ...hat the left channel will be delayed by an eighth note and the right channel will be delayed by a dotted eighth note three sixteenth notes 3 Set the BPM as desired To synchronize to the system clock set BPM to MIDI To set the delays to a specific tempo separate from the system clock set BPM to the desired tempo between 40 00 and 300 00 BPM If the combination of the tempo Base Note and Times x sett...

Page 281: ...nge the tempo while the delay is sounding This is because the delay sound becomes discontinuous and is not a malfunction For some effects you can synchronize the LFO frequency to the tempo Set the effect parameters MIDI Sync to On and BPM to MIDI For details please see Tempo Synchronization on page 272 Common FX LFOs Normally LFO based effects such as choruses flangers phasers filters and auto pan...

Page 282: ...ontrol Bus to FX Ctrl1 and set the IFX1 Stereo Limiter Envelope Source parameter to FX Control 1 Example Vocoder Combination Vocoder effects produce their distinctive sound by using an audio signal the modulator to modulate a different audio signal the carrier As shown in the illustration using the output of timbre 1 as the carrier and the voice type output of timbre 2 as the modulator allows you ...

Page 283: ...vel is too high clipping may occur The following table shows the parameters related to the level settings Program mode Combination mode Sequencer mode 1 Some effects may not have these parameters Input OSC 1 2 Volume P0 OSC1 2 MS1 2 3 4 Level P2 Filter1 2 Trim P3 Filter1 2 Output P3 Driver1 2 Drive P4 Amp1 2 Amp Level P4 EQ Input Trim P4 Send1 2 P8 Effect Trim parameter 1 P8 P9 Output Effect Wet D...

Page 284: ...r each effect are shown in upper left of the block diagrams starting on page 356 If you select 000 No Effect stereo input signals are output in stereo without being processed Pressing the On Off button of IFX1 IFX5 in the P8 IFX Insert FX Setup pages in each mode will toggle between On and Off When Off is selected the effect will be bypassed and the stereo input signal will be output in stereo wit...

Page 285: ... can create a chain of up to five insert effects in series IFX1 through IFX5 When the Insert Effects are connected in series the values of the Pan CC 8 Bus Send1 and Send2 parameters for the post IFX signal will be used In the example shown in the next diagram the Chain check box is checked and each Chain to parameter is set to the subsequent effect creating a series connection of IFX1 IFX2 IFX3 I...

Page 286: ...tput Select see the following diagram If Bus IFX Output Select is set to DKit of each key in the drum kit letting you specify the bus to which each drum instrument will be sent For example you can send snare sounds to IFX1 kick sounds to IFX2 and other drum sounds to L MONO and R If this check box is unchecked all drum instruments will be output according to the Bus IFX Output Select setting of ea...

Page 287: ...the post IFX signal If you are using the stereo in stereo out Insert Effects set this parameter to C064 to enable the Pan settings for the oscillators Prog 4 1c 4 5 timbres Combi 0 3 4 b tracks Seq 0 1 3 4 b If you are using mono in stereo out or mono in mono out Insert Effects the Pan settings for the oscillators timbres and tracks are ignored and they are set to Center Use the Pan CC 8 parameter...

Page 288: ... Send2 parameters in the same way Program mode You can control the parameters on the global MIDI channel Global 1 1a Combination mode The P8 IFX IFX1 5 page lets you specify the control channel Ch Control Channel for IFX1 5 You can choose from CH01 16 Gch or All R All Routed Ch01 16 Select this when you want to control each insert effect from a different channel An symbol will be displayed at the ...

Page 289: ...of the stereo input each have their own independent mono effect Each mono output can then be panned to the desired position in the stereo field Normally you will use these as insert effects but you can also use them as master effects For details see Mono Mono Parallel Effects on page 276 Input output variations for each effect are shown in upper left of the block diagrams starting on page 356 Pres...

Page 290: ...ill be valid for all drum instruments in the same way as when Oscillator Mode is Single or Double Combination and Sequencer modes Use Send1 to MFX1 and Send2 to MFX2 P8 Routing page for timbres Combination and tracks Sequencer to set the Send1 and 2 levels for each timbre and track As with Program mode if Bus IFX Output Select is set to L R or Off Send1 to MFX1 and Send2 to MFX2 become effective T...

Page 291: ...ing series connection between the two master effects 1 Return1 Return2 These adjust the amount of signal that is returned from the master effects MFX1 and MFX2 outputs to the L R bus The left side value of the Wet Dry parameter for the MFX1 or 2 effect is the output level of that master effect In other words if Wet Dry is 25 75 the output level is 75 It is 100 if Wet and 0 if Dry The Wet Dry value...

Page 292: ...tion and Sequencer modes the control channel for MFX1 and MFX2 are specified by the Ch Control Channel setting in the MFX1 and 2 pages You can choose Ch01 16 or Gch Ch01 16 Select this option if you wish to control the parameters for each Master Effect on different channels Gch Select this option if you wish to control the parameters on the global MIDI channel Global 1 1a This is the normal settin...

Page 293: ...d immediately before the AUDIO OUTPUT L MONO and R outputs Effect TFX is available in all modes If the Bus IFX Output Select setting for an oscillator Program mode timbre Combination mode track Sequencer mode or the post insert Bus IFX Output Select is set to L R the signal will be output from the AUDIO OUTPUT L MONO and R jacks The sound from MFX1 and 2 is routed through TFX and then output to AU...

Page 294: ...Effect Guide 286 Outputs Main Outputs The main L MONO and R outputs of the M50 are output from the AUDIO OUTPUT L MONO R jacks and the headphone jack ...

Page 295: ...3 IFX5 Bus Select Off Oscillator 2 Bus Select stereo Insert Effects Post IFX Pan CC 8 Post IFX Bus Select Select from L R Send2 stereo Master Effects L R Bus stereo Bus Select IFX1 stereo stereo stereo stereo stereo Chain Effect Mixer Block Diagram in Program Mode P8 IFX Post IFX Send1 2 P9 MFX TFX Drum Track Bus Select L R Bus Select L R stereo stereo TFX Master Level IFX3 IFX4 IFX5 Off stereo To...

Page 296: ...nsert Effects Post IFX Pan CC 8 Post IFX Bus Select Select from L R Send2 stereo Master Effects L R Bus stereo stereo stereo stereo stereo stereo Chain Effect Mixer Block Diagram in Comination Sequencer Mode P8 IFX Post IFX Send1 2 P9 MFX TFX Bus Select L R stereo stereo TFX Master Level IFX3 IFX4 IFX5 Off stereo Total Effect Off Bus Select L R Bus Select IFX1 Timbre Track 3 Timbre Track 4 Bus Sel...

Page 297: ...Effect Mixer Block Diagrams Main Outputs 289 ...

Page 298: ...r mid high of the high range equalizer f Pre LEQ Gain dB 15 0 15 0 Sets the gain of the Low EQ PreHEQGain dB 15 0 15 0 Sets the gain of the High EQ g Output Level 0 100 Sets the output level of the compressor p 290 Src Off Tempo Selects the modulation source for the compressor output level Amt 100 100 Sets the modulation amount for the compressor output level h Wet Dry Dry 1 99 99 1 Wet Sets the b...

Page 299: ...tack time will cause the compression to be applied more slowly g Trigger Monitor Setting this parameter On will cause the trigger signal to be output instead of the effect sound Use this parameter to check the trigger signal with EQ applied Usually set this to Off g Side PEQ Insert h Side PEQ Cutoff Hz h Q h Gain dB These parameters are used to set the EQ applied to the trigger signal The Limiter ...

Page 300: ... 292 f Mid Offset dB 40 0 Gain of the mid range trigger signal p 292 g High Offset dB 40 0 Gain of the high range trigger signal p 292 h Gain Adjust dB Inf 38 24 Sets the output gain p 291 Src Off Tempo Selects the modulation source for the output gain Amt 63 63 Sets the modulation amount of the output gain i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off T...

Page 301: ...ght linked left only or right only p 291 Src Off Tempo Selects the source that will control the gate when Envelope Src D mod c Threshold 0 100 Sets the level at which gating is applied p 293 Polarity Switches the polarity of gating p 293 d Attack 1 100 Sets the attack time p 293 Release 1 100 Sets the release time p 293 e Delay Time msec 0 100 Sets the delay time for the gate input p 293 f Side PE...

Page 302: ...s the center frequency of Band 3 Q 0 5 10 0 Sets the bandwidth of Band 3 p 294 Gain dB 18 0 18 0 Sets the gain of Band 3 h Band4Cutoff Hz 500 20 00k Sets the center frequency of Band 4 Q 0 5 10 0 Sets the bandwidth of Band 4 p 294 Gain dB 18 0 18 0 Sets the gain of Band 4 i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for...

Page 303: ...of the Exciter intensity b Emphasis Frequency 0 70 Sets the frequency to be emphasized p 295 Src Off Tempo Selects the modulation source of the frequency to be empha sized Amt 70 70 Sets the amount of modulation of the frequency to be empha sized c Enhancer Delay L msec 0 0 50 0 Sets the delay time for the Enhancer left channel p 295 d Enhancer Delay R msec 0 0 50 0 Sets the delay time for the Enh...

Page 304: ...er frequency p 297 Frequency Top 0 100 Sets the upper limit of the wah center frequency p 297 b Sweep Mode Auto D mod LFO Selects the control from auto wah modulation source and LFO p 297 Src Off Tempo Selects the modulation source for the wah when Sweep Mode D mod Respns 0 100 Sets the response speed when Sweep Mode Auto or D mod c Envelope Sens 0 100 Sets the sensitivity of auto wah p 297 Envelo...

Page 305: ...e tonal character of a vintage wah pedal You can customize the tone and range settings Max D mod Frequency Bottom 25 Top 75 Higher Max Zero Higher D mod Frequency Bottom 60 Top 30 Higher Zero Higher Frequency Bottom 25 Top 75 Higher Frequency Bottom 75 Top 25 Higher Sweep Mode Auto Envelope Envelope Time Wah Woo Woo Woo Envelope Wah Wah Time Woo Woo Wah Wah Sweep Mode D mod Time Level Envelope val...

Page 306: ...t for Wet Dry a LFO Waveform Step Tri Random Selects the LFO Waveformp 298 LFO Phase degree 180 180 Sets the LFO phase difference between the left and right p 298 b LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO p 298 Src Off Tempo Selects the modulation source used for both LFO speed and step speed Amt 20 00 20 00 Sets the modulation amount of LFO speed c LFO Step Freq Hz 0 05 50 00 Sets t...

Page 307: ... Wet Dry Wet Dry Stereo In Stereo Out Multimode Filter Driver Driver Trim Output Output Trim LFO Phase LFO Tri Sine LFO Shape LPF HPF BPF BRF Filter Type Multimode Filter f MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency p 297 BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect p 297 Ba...

Page 308: ...ut Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry a Sweep Mode D mod LFO Switches between modulation source control and LFO control b Manual Voice Control Bottom 1 49 Center 51 99 Top Voice pattern control Src Off Tempo Selects the modulation source that controls the voice pattern c Voice Top A I U E O Selects a vowel sound at the top end o...

Page 309: ... to the system tempo 40 300 sets the tempo manually for this individual effect Base Note Selects the type of notes that specify the LFO speed Times x1 x32 Sets the number of notes that specify the LFO speed e LFO Type Individual Common1 Common2 Selects either individual LFO Common FX LFO1 or Common LFO2 p 297 CmnLFO Offset deg 180 180 Sets the phase offset when Type Common 1 or Common 2 p 297 f De...

Page 310: ... input to the 3 Band EQ If clipping occurs at the 3 Band EQ adjust the Output Level parameter a Wah Off On Switches Wah on off p 302 Src Off Tempo Selects the modulation source that switches the Wah on and off Sw Toggle Moment Selects the switching mode for the modulation source that switches the Wah on and off p 302 b Wah Sweep Range 10 10 Sets the range of Wah p 302 Wah Sweep Src Off Tempo Selec...

Page 311: ...1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Trim Trim Right Wet Dry Wet Dry Stereo In Stereo Out Cabinet Simulator Cabinet Simulator a Trim 0 100 Sets the input level b Cabinet Type Selects the cabinet type LA 4x10 Four 10 speakers LA sound cabinet MODERN 4x10 Four ...

Page 312: ... the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry a Amp Type LA STUDIO JAZZ COMBO GOLD PANEL SCOOPED VALVE2 VALVE CLASSIC Selects the type of the amplifier p 304 Left Right Wet Dry Volume Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out D mod Bass Amp Model Left Right Wet Dry Volume Wet Dry Wet Mono In Mono Out Dry Stereo I...

Page 313: ...ut filter of stage 1 High Cut Hz 53 20 00k Thru Sets the cutoff frequency for the high cut filter of stage 1 b Tube1 Gain dB 24 0 24 0 Sets the input gain for stage 1 Saturation 0 100 Sets the input output response for stage 1 p 305 c Tube1 Bias 0 100 Sets the bias voltage for stage 1 p 305 d Tube1 Phase Normal Wet Invert Turns phase reversal on off p 305 e Tube2 Low Cut Hz Thru 21 8 00k Sets the ...

Page 314: ...Off Far Sets the mic placement distance p 306 c Tube Low Cut Hz Thru 21 8 00k Sets the frequency of the low cut filter High Cut Hz 53 20 00k Thru Sets the frequency of the high cut filter d Tube Gain dB 24 0 24 0 Sets the input gain to the vacuum tube preamp Saturation 0 100 Sets the input output response of the preamp p 305 e Tube Bias 0 100 Sets the bias level of the preamp p 305 f Tube Output L...

Page 315: ...low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer i Pre LEQ Gain dB 15 0 15 0 Sets the gain of the Low EQ PreHEQGain dB 15 0 15 0 Sets the gain of the High EQ j Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and the dry input p 299 Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modul...

Page 316: ...00 Sets the modulation amount of LFO2 speed d LFO1 Type Individual Common1 Common2 Selects either individual LFO Common FX LFO1 or Common LFO2 p 297 CmnLFO Offset deg 180 180 Sets the phase offset when LFO1 Type Common 1 or Common 2 p 297 e LFO2 Type Individual Common1 Common2 Selects either individual LFO Common FX LFO1 or Common LFO2 p 297 CmnLFO Offset deg 180 180 Sets the phase offset when LFO...

Page 317: ...0 Sets the Tap3 chorus depth Level 0 30 Sets the Tap3 output level Pan L6 L1 C R1 R6 Sets the Tap3 stereo image f Tap4 270 msec 0 1000 Sets the Tap4 LFO phase 270 degrees delay time Depth 0 30 Sets the Tap4 chorus depth Level 0 30 Sets the Tap4 output level Pan L6 L1 C R1 R6 Sets the Tap4 stereo image g Tap1 Feedback 100 100 Sets the Tap1 feedback amount Src Off Tempo Selects the modulation source...

Page 318: ... LFO Waveform Triangle Sine Selects the LFO Waveform LFO Shape 100 100 Changes the curvature of the LFO Waveform p 298 c LFO Phase degree 180 180 Sets the LFO phase difference between the left and right p 298 d LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO p 298 Src Off Tempo Selects a modulation source for LFO speed Amt 20 00 20 00 Sets the modulation amount of LFO speed e MIDI Sync Off O...

Page 319: ...00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect p 297 Base Note Selects the type of notes that specify the LFO speed p 297 Times x1 x32 Sets the number of notes that specify the LFO speed p 297 f Step Base Note Selects the type of notes to specify the LFO step speed p 299 Times x1 x32 Sets the number of notes to specify the LFO step speed p 299 g LFO Typ...

Page 320: ...th 0 100 Sets the depth of LFO modulation Src Off Tempo Selects the modulation source for the LFO modulation depth Amt 100 100 Sets the modulation amount of the LFO modulation depth h Resonance 100 100 Sets the resonance amount p 312 High Damp 0 100 Sets the resonance damping amount in the high range p 312 i Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and the dry input p 299 ...

Page 321: ...wer limit of the frequency range for the effect on the right channel R Manu Top 0 100 Sets the upper limit of the frequency range for the effect on the right channel c Sweep Mode EG D mod Determines whether the flanger is controlled by the envelope generator or by the modulation source p 311 Src Off Tempo Selects the modulation source that triggers the EG when EG is selected for Sweep Mode or modu...

Page 322: ...00 100 Changes the curvature of the LFO Waveform p 298 d LFO Frequency Mod D mod AUTOFADE Switches between D mod and AUTOFADE for the LFO frequency modulation p 314 e LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO Src Off Tempo Selects a modulation source for LFO speed Amt 20 00 20 00 Sets the modulation amount of LFO speed f MIDI Sync Off On When this is on the LFO speed is set by BPM Base...

Page 323: ...unt for Wet Dry AutoFade LFO Frequency Wet Dry Delay Delay Left Right Feedback LFO Shape LFO Phase LFO Tri Sine Wet Dry Wet Dry High Damp Stereo In Stereo Out a Control Mode Manual LFO D mod Switches the controls of resonance intensity p 316 LFO D mod Invert Off On Reverses the Voice 1 and 2 control when LFO D mod is selected p 316 b LFO Frequency Hz 0 02 20 00 Sets the speed of the LFO D mod Src ...

Page 324: ...he Src parameter is smaller than 64 and the effect is on when the value is 64 or higher The Doppler effect is triggered when the value changes from 63 or smaller to 64 or higher f Pitch Depth With the Doppler effect the pitch is raised when the sound approaches and the pitch is lowered when the sound goes away This parameter sets this pitch variation g Pan Depth This parameter sets the width of th...

Page 325: ... 100 Sets the speed of the response to the Scratch Src p 317 c Envelope Select D mod Input Selects whether the start and end of recording is controlled via the modulation source or the input signal level p 317 Src Off Tempo Selects the modulation source that controls recording when Envelope Select is set to D mod p 317 d Threshold 0 100 Sets the recording start level when Envelope Select is set to...

Page 326: ...modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry a LFO Waveform Triangle Sine Vintage Up Down Selects the LFO Waveform p 318 LFO Shape 100 100 Changes the curvature of the LFO Waveform p 298 b LFO Phase degree 180 180 Sets the LFO phase difference between the left and right p 318 In Out Sample Cycle Duration Sample Cycle Duration Left Right Wet Dry Wet Dry Stereo In...

Page 327: ...the speed of the LFO p 319 Envelope Amount Hz 20 00 20 00 Sets the amount added to or subtracted from the Frequency when the envelope is at maximum p 319 e Depth 0 100 Sets the initial amount of tremolo p 319 Envelope Amount 100 100 Sets the amount added to or subtracted from the Depth when the envelope is at maximum p 319 f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry...

Page 328: ... type of notes that specify the LFO speed p 297 Times x1 x32 Sets the number of notes that specify the LFO speed p 297 d LFO Type Individual Common1 Common2 Selects either individual LFO Common FX LFO1 or Common LFO2 p 297 CmnLFO Offset deg 180 180 Sets the phase offset when Type Common 1 or Common 2 p 297 e Phaser Manual 0 100 Sets the phaser frequency range Resonance 100 100 Sets the phaser reso...

Page 329: ...on source for LFO speed Amt 20 00 20 00 Sets the modulation amount of LFO speed e MIDI Sync Off On When this is on the LFO speed is set by BPM Base Note and Times instead of Frequency p 297 BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect p 297 Base Note Selects the type of notes that specify the LFO speed p 297 Times x1 x32 Sets the nu...

Page 330: ...hift amount p 322 c Fine cents 100 100 Sets the pitch shift amount by steps of a cent p 322 Amt 100 100 Sets the modulation amount of pitch shift amount p 322 d Delay Time msec 0 2000 Sets the delay time e Feedback Position Pre Post Switches the feedback connection p 322 f Feedback 100 100 Sets the feedback amount p 322 High Damp 0 100 Sets the damping amount in the high range g Input Level Dmod 1...

Page 331: ...Common 1 or Common 2 p 297 f Depth 100 100 Sets the LFO modulation depth for pitch shift amount p 323 Src Off Tempo Selects the modulation source of the depth of modulation Amt 100 100 Sets the modulation amount of the depth of modulation g Pan L 1 99 99 1 R Sets the panning effect sound and dry sound separately p 323 h Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry inpu...

Page 332: ...tes or decelerates gradually after you switch the speed The Horn and Rotor Acceleration parameters set the transition times between fast and slow speeds g Mic Distance g Mic Spread This is a simulation of stereo microphone settings g Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation ...

Page 333: ...the width of the stereo image of the effect sound p 325 h Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry C Delay R Delay Left Right Feedback Spread Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Input Level D mod High Damp Low Damp L Delay Input...

Page 334: ...mt 100 100 Sets the modulation amount for Wet Dry Left Right Feedback Spread Wet Dry Wet Dry Stereo In Stereo Out Input Level D mod Input Level D mod High Damp Low Damp High Damp Low Damp Delay Delay Feedback Tap1 Level Mode Mode 1 2 1 2 Tap1 1 Tap2 2 Mode Normal Mode Cross Feedback Mode Cross Pan1 Mode Cross Pan2 a Modulation Mode LFO D mod Switches between LFO modulation control and modulation s...

Page 335: ... positive the Control Target value is obtained by multiplying the parameter value by the Offset value if the input level is below the threshold or equals the parameter value if the input level exceeds the threshold When Polarity is negative Control Target value equals the parameter value if the input level is below the threshold or is obtained by multiplying the parameter value by the Offset value...

Page 336: ...Sets the panning speed g MIDI Sync Off On Switches between using the frequency of the panning speed and using the tempo and notes p 297 BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect p 297 Base Note Selects the type of notes to specify the delay time for the panning speed p 297 Times x1 x32 Sets the number of notes to specify the dela...

Page 337: ...the Tap2 output level Pan L 1 99 R Sets the stereo image of tap2 FB Amt 100 100 Sets the Tap2 feedback amount p 329 f Tap3 Level 0 100 Sets the Tap3 output level Pan L 1 99 R Sets the stereo image of tap3 FB Amt 100 100 Sets the Tap3 feedback amount p 329 g Feedback 0 100 Sets the amount of feedback for Taps 1 2 and 3 p 329 Src Off Tempo Selects the modulation source of feedback amount Amt 100 100...

Page 338: ...Multi Time Reverse Time Reverse Time Envelope Select Input Reverse Reverse a BPM MIDI 40 00 300 00 MIDI syncs to the system tempo 40 300 sets the tempo manually for this individual effect p 330 b Rhythm Pattern 3 Selects a rhythm pattern p 330 c Tap1 Pan L 1 99 R Sets the panning of Tap1 Tap2 Pan L 1 99 R Sets the panning of Tap2 Tap3 Pan L 1 99 R Sets the panning of Tap3 Tap4 Pan L 1 99 R Sets th...

Page 339: ...he modulation source for the input level p 321 h Spread 0 50 Sets the width of the stereo image of the effect sound p 325 i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry C Delay Left Right Feedback Spread Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Ste...

Page 340: ...o BPM BPM Base Note x Times Base Note x Times Left Right Feedback Spread Wet Dry Wet Dry Stereo In Stereo Out Input Level D mod Input Level D mod High Damp Low Damp High Damp Low Damp Delay Delay Feedback Tap1 Level Mode Mode 1 2 1 2 Tap1 1 Tap2 2 a Modulation Mode LFO D mod Switches between LFO modulation control and modulation source control b D mod Modulation L R L R Reversed L R control by mod...

Page 341: ...e left channel c R Delay Base Note Selects the type of notes to specify the right channel delay time p 322 Times x1 x32 Sets the number of notes to specify the right channel delay time p 322 Feedback 100 100 Sets the feedback amount for the right channel d High Damp 0 100 Sets the damping amount in the high range p 325 Low Damp 0 100 Sets the damping amount in the low range p 325 Tempo BPM BPM Bas...

Page 342: ...the position of Tap 2 relative to the Tap 1 delay time the depth of pitch variation p 329 e Tap3 Position 0 100 Sets the position of Tap 3 relative to the Tap 1 delay time the depth of pitch variation p 329 f Tap1 Level 0 100 Sets the Tap1 output level Pan L 1 99 R Sets the stereo image of tap1 FB Amt 100 100 Sets the Tap1 feedback amount p 329 g Tap2 Level 0 100 Sets the Tap2 output level Pan L 1...

Page 343: ...ow of the low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer e Pre LEQ Gain dB 15 0 15 0 Sets the gain of Low EQ PreHEQGain dB 15 0 15 0 Sets the gain of High EQ f Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation am...

Page 344: ... reflection d EQ Trim 0 100 Sets the input level of EQ applied to the effect sound e Pre LEQ Fc Low Mid Low Selects the cutoff frequency low or mid low of the low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer f Pre LEQ Gain dB 15 0 15 0 Sets the gain of the Low EQ PreHEQGain dB 15 0 15 0 Sets the gain of the High EQ g Wet Dry Dry...

Page 345: ... Exciter Parametric 4Band EQ Exciter P4EQ a E Trim 0 100 Sets the parametric EQ input level Routing P4EQ Wah Wah P4EQ Changes the order of the parametric equalizer and wah connection b E B1 Cutoff Hz 20 1 00k Sets the center frequency of Band 1 Q 0 5 10 0 Sets the bandwidth of Band 1 p 294 Gain dB 18 18 Sets the gain of Band 1 c E B2 Cutoff Hz 50 5 00k Sets the center frequency of Band 2 Q 0 5 10 ...

Page 346: ...y modulation amount for the chorus flanger i F Output Mode Normal Wet Invert Selects the output mode for the chorus flanger p 338 j Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Trim Parametric ...

Page 347: ... the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Trim Parametric 4Band EQ Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry COMPRESSOR a C Sensitivity 1 100 Sets the sensitivity p 290 b C Attack 1 100 Sets the attack level p 290 Output Level 0 100...

Page 348: ... OD HI GAIN c O Drive Mode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion p 302 d O Output Level 0 50 Sets the overdrive output level p 302 Src Off Tempo Selects the modulation source for the overdrive output level Amt 50 50 Sets the modulation amount of the overdrive output level e O Low Cutoff Hz 20 1 00k Sets the center frequency ...

Page 349: ...e compressor and parametric EQ i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Compressor Trim Parametric 4Band EQ Output Level Envelope Control Comp COMPRESSOR a C Sensitivity 1 1...

Page 350: ...Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Compressor LEQ HEQ EQ Trim Comp Output Level Envelope Control Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode COMPRESSOR a C Sensitivity 1 100 Sets the sensitivity p 290 b C Attack 1 100 Sets the attack level p 290 Output Level 0 10...

Page 351: ...of Band 1 p 294 Gain dB 18 18 Sets the gain of Band 1 f E B2 Cutoff Hz 50 5 00k Sets the center frequency of Band 2 Q 0 5 10 0 Sets the bandwidth of Band 2 p 294 Gain dB 18 18 Sets the gain of Band 2 g E B3 Cutoff Hz 300 10 00k Sets the center frequency of Band 3 Q 0 5 10 0 Sets the bandwidth of Band 3 p 294 Gain dB 18 18 Sets the gain of Band 3 h E B4 Cutoff Hz 500 20 00k Sets the center frequenc...

Page 352: ...c Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Chorus Flanger Feedback Cho Flng Wet Dry Normal Wet Invert Output Mode Limiter Limiter Gain Adjust Envelope Control LEQ HEQ EQ Trim Chorus Flanger LFO Tri Sine LIMITER a L Ratio 1 0 1 50 0 1 Inf 1 Sets the signal c...

Page 353: ... Limiter Switches the order of the limiter and multitap delay i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Routing Multitap Delay Feedback High Damp Delay 2 1 Mt Dly Wet Dry Limiter Lim...

Page 354: ...ting LEQ HEQ EQ Trim Exciter Exciter Limiter Limiter Gain Adjust Envelope Control EXCITER a X Exciter Blend 100 100 Sets the intensity depth of the Exciter effect p 295 b X Emphasis Frequency 0 70 Sets the frequency range to be emphasized p 295 c X Trim 0 100 Sets the EQ input level d X Pre LEQ Gain dB 15 15 Sets the gain of Low EQ PreHEQGain dB 15 15 Sets the gain of High EQ CHORUS FLANGER e F LF...

Page 355: ... 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out LEQ HEQ EQ Trim Exciter Exciter Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode EXCITER a X Exciter Blend 100 100 Sets the intensity depth of the Exciter effect p 295 b X Emphasis Frequency 0 70 Sets the frequency range to be emphasized p 295 ...

Page 356: ...ode Overdrive Hi Gain Switches between overdrive and high gain distortion Drive 1 100 Sets the degree of distortion p 302 b O Output Level 0 50 Sets the overdrive output level p 302 Src Off Tempo Selects the modulation source for the overdrive output level Amt 50 50 Sets the modulation amount of the overdrive output level e O Low Cutoff Hz 20 1 00k Sets the center frequency for Low EQ shelving typ...

Page 357: ...c Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Routing Overdrive Hi Gain 3 Band PEQ Output Level Mode Overdrive Hi Gain Drive Driver Phaser Phaser Resonance LFO Tri Sine Phaser Wet Dry Normal Wet Invert Output Mode OD HI GAIN a O Drive Mode Overdrive Hi Gain Switches b...

Page 358: ... LFO LFO Left Right Wet Dry Wet Dry Wet Mono In Mono Out Dry Stereo In Stereo Out Decimator Routing Amp Simulation Amp Simulation Filter Pre LPF High Damp Output Level Decimator Resolution DECIMATOR a D Pre LPF Off On Turn the harmonic noise caused by lowered sampling on and off p 301 High Damp 0 100 Sets the ratio of high range damping b D Sampling Freq Hz 1 00k 48 00k Sets the sampling frequency...

Page 359: ...tap Delay Feedback High Damp Delay 2 1 Chorus Flanger Cho Flng Wet Dry Mt Dly Wet Dry Chorus Flanger Feedback LFO Tri Sine MULTITAP DELAY a D Tap1Time msec 0 0 1360 0 Sets the Tap1 delay time Tap1 Level 0 100 Sets the Tap1 output level p 326 b D Tap2Time msec 0 0 1360 0 Sets the Tap2 delay time Feedback 100 100 Sets the Tap2 feedback amount c D High Damp 0 100 Sets the damping amount in the high r...

Page 360: ... R Reverb Time sec 0 1 10 0 Sets the reverberation time High Damp 0 100 Sets the damping amount in the high range b R Pre Delay msec 0 200 Sets the delay time of the reverb sound and gate control signal c R EQ Trim 0 100 Sets the EQ input level Reverb Balance Dry 1 99 99 1 Wet Sets the reverb effect balance d R PreLEQ Fc Low Mid Low Selects the cutoff frequency low or mid low of the low range equa...

Page 361: ...s the stereo image LIMITER a Ratio 1 0 1 50 0 1 Inf 1 Sets the signal compression ratio p 343 b Threshold dB 40 0 Sets the level above which the compressor is applied p 343 c Attack 1 100 Sets the attack time d Release 1 100 Sets the release time e Gain Adjust dB Inf 38 24 Sets the output gain p 343 f L Wet Dry R Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src O...

Page 362: ...127 Sets the stereo image PHASER a LFO Freq Hz 0 02 20 00 Sets the speed of the LFO b LFO Waveform Triangle Sine Selects the LFO Waveform c Manual 0 100 Sets the frequency to which the effect is applied d Depth 0 100 Sets the depth of LFO modulation e Resonance 100 100 Sets the resonance amount p 312 f L Wet Dry R Wet Dry Wet 1 99 Dry 1 99 Wet Sets the balance between the effect and the dry input ...

Page 363: ...d a wah p 354 in parallel Left Right Stereo In Stereo Out Wet Dry Pan Wet Dry Pan Trim Trim Parametric 4Band EQ Parametric 4Band EQ Parametric 4Band EQ Parametric 4Band EQ Envelope Control Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim Trim LEQ HEQ Output Level Compressor Parametric 4Band EQ Compressor Parametric 4Band EQ Envelope Control Left Right Wet Dry Pan Wet Dry Pan Stereo In ...

Page 364: ...ereo In Stereo Out Trim Parametric 4Band EQ Chorus Flanger Parametric 4Band EQ Chorus Flanger Feedback LFO Tri Sine Trim LEQ HEQ Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim Parametric 4Band EQ Phaser Parametric 4Band EQ Phaser Resonance LFO Tri Sine Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim Parametric 4Band EQ Multitap BPM Delay Parametric 4Band EQ Feedback High...

Page 365: ...pe Control Compressor Compressor Output Level Overdrive Hi Gain 3 Band PEQ Overdrive Hi Gain Driver Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out D mod Wah Auto Wah Wah LFO Sweep Mode Envelope Trim LEQ HEQ Output Level Envelope Control Compressor Compressor Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Chorus Flanger Chorus Flanger Feedback LFO Tri Sine Trim LEQ HEQ Trim LEQ HE...

Page 366: ...t Gain Adjust Envelope Control Limiter Limiter Exciter Exciter Trim LEQ HEQ Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Gain Adjust Envelope Control Limiter Limiter Output Level Overdrive Hi Gain 3 Band PEQ Overdrive Hi Gain Driver Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Gain Adjust Envelope Control Limiter Limiter Wah Auto Wah Wah D mod LFO Sweep Mode Envelope Left Rig...

Page 367: ...ft Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim LEQ HEQ Exciter Exciter Exciter Exciter Trim LEQ HEQ Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim LEQ HEQ Exciter Exciter Output Level Overdrive Hi Gain 3 Band PEQ Overdrive Hi Gain Driver Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Trim LEQ HEQ Exciter Exciter Wah Auto Wah Wah D mod LFO Sweep Mode Envelope Left...

Page 368: ...i Gain 3 Band PEQ Overdrive Hi Gain Driver Output Level 3 Band PEQ Overdrive Hi Gain Driver Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Overdrive Hi Gain Wah Auto Wah Wah D mod LFO Sweep Mode Envelope Output Level 3 Band PEQ Overdrive Hi Gain Driver Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Overdrive Hi Gain Chorus Flanger Chorus Flanger Feedback LFO Tri Sine Trim LEQ HEQ...

Page 369: ...us Flanger Feedback LFO Tri Sine Trim LEQ HEQ LFO Sweep Mode Envelope Wah Auto Wah Wah D mod Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out LFO Sweep Mode Envelope Wah Auto Wah Wah Phaser Phaser Resonance LFO Tri Sine D mod Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Multitap BPM Delay Feedback High Damp Delay 2 1 Tempo BPM Base Note x Times Base Note x Times LFO Sweep Mode En...

Page 370: ... Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Phaser Phaser Phaser Resonance LFO Tri Sine LFO Tri Sine Phaser Resonance Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Phaser LFO Tri Sine Phaser Resonance Multitap BPM Delay Feedback High Damp Delay 2 1 Tempo BPM Base Note x Times Base Note x Times Left Right Wet Dry Pan Wet Dry Pan Stereo In Stereo Out Multitap BPM Delay Multitap BPM Delay...

Page 371: ... applied p 343 c Attack 1 100 Sets the attack time d Release 1 100 Sets the release time e Low Offset dB 40 0 Sets the low range gain of trigger signal p 292 f Mid Offset dB 40 0 Sets the mid range gain of trigger signal p 292 g High Offset dB 40 0 Sets the high range gain of trigger signal p 292 h Gain Adjust dB Inf 38 24 Sets the output gain p 343 Src Off Tempo Selects the modulation source for ...

Page 372: ...vocoder High Gain dB 12 12 Sets the high range output level of the vocoder j Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Left Right Wet Dry Wet Dry Wet Stereo In Mono Out Dry Stereo In Stereo Out Band Pass Filter Envelope Carrier Trim Modulator Trim Modulator...

Page 373: ...urce for the output level Amt 100 100 Sets the modulation amount of the output level c Bass 0 100 Sets the bass low range level Middle 0 100 Sets the middle mid range level d Treble 0 100 Sets the treble high range level Presence 0 100 Sets the presence high frequency tone p 365 e Post P4EQ Thru On Selects through or on for the equalizer p 365 f Band1Cutoff Hz 20 1 00k Sets the center frequency of...

Page 374: ... LA 4x10 MODERN 4x10 METAL 4x10 CLASSIC 8x10 UK 4x12 STUDIO 1x15 JAZZ 1x15 VOX AC100 2x15 US 2x15 UK 4x15 LA 1x18 COMBI 1x12 1x18 Selects the cabinet type p 304 p 366 j Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Amp Type Cabinet Type STUDIO COMBO STUDIO 1x15...

Page 375: ... 246 R 3 L 1 3 5 2 4 6 R 4 L 1 4 5 6 3 2 R Selects the stereo panning pattern for each tap p 367 i Tap1 Feedback 100 100 Sets the Tap1 feedback amount Src Off Tempo Selects the modulation source for the Tap output level feedback amount and effect balance Amt 100 100 Sets the modulation amount of Tap1 feedback amount j Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input ...

Page 376: ...s a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry Tempo BPM BPM Base Note x Times Base Note x Times Left Right Feedback Spread Wet Dry Wet Dry Stereo In Stereo Out High Damp High Damp Input Level Input Level Feedback Position Pre Pre Post Post Delay Pitch Shifter Delay Pitch Shifter a Overdrive Off On Switches overdrive on off Src Off Tempo Selects a modulation s...

Page 377: ... Selects the modulation source for the input level p 321 g Spread 0 50 Sets the width of the stereo image of the effect sound p 325 h Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry C Delay R Delay Left Right Feedback Spread Wet Dry Wet Dry Wet Mono In Stereo Out...

Page 378: ...ng the joystick in the Y direction forward you can also overdub performances over the phrase that is being held e REC Control Src g Manual REC Control REC Control Src selects the modulation source that controls recording If this modulation is on or if Manual REC Control is set to On you can record the input signal If a recording has already been carried out additional signals will be overdubbed Th...

Page 379: ...o image of the effect sound p 325 i Wet Dry Dry 1 99 99 1 Wet Sets the balance between the effect and the dry input Src Off Tempo Selects a modulation source for Wet Dry Amt 100 100 Sets the modulation amount for Wet Dry C Delay R Delay Left Right Feedback Spread Wet Dry Wet Dry Wet Mono In Stereo Out Dry Stereo In Stereo Out Input Level D mod High Damp Low Damp L Delay Input Level D mod Level Lev...

Page 380: ...ion d EQ Trim 0 100 Sets the input level of EQ applied to the effect sound e Pre LEQ Fc Low Mid Low Selects the cutoff frequency low or mid low of the low range equalizer Pre HEQ Fc High Mid High Selects the cutoff frequency high or mid high of the high range equalizer f Pre LEQ Gain dB 15 0 15 0 Sets the gain of Low EQ PreHEQGain dB 15 0 15 0 Sets the gain of High EQ g Wet Dry Dry 1 99 99 1 Wet S...

Page 381: ... to change the shapes of LFOs and EGs in various ways modify the response of realtime controllers and more The AMS Mixer outputs appear in the list of AMS sources just like the LFOs and EGs The original unmodified inputs to the AMS Mixers are still available as well For instance if you use LFO 1 as an input to a AMS Mixer you can use the processed version of the LFO to control one AMS destination ...

Page 382: ...s the maximum negative modulation 64 center means no modulation and 127 causes the maximum positive modulation You can invert this response if desired by using a negative AMS intensity It also usually corresponds on the control surface to Realtime Control B mode knob 1 on the Controllers Setup page but this will depend on the Realtime Control Slider Assign settings of each individual Program Combi...

Page 383: ...tion source 120 is the center for a value of 0 60BPM is 99 and 240BPM is 99 Note that this is different from actually syncing to tempo for that purpose use the dedicated synchronization functions for the LFOs effects etc Gate1 Gate1 Damper Gate 1 is triggered by a new note after all notes have been released such as at the beginning of a phrase Gate 1 Damper is similar except that it is triggered b...

Page 384: ...Amp KeyTrack 99 0 99 Common KeyTrack 1 2 99 0 99 Note Number C 1 C4 C9 EXT 1 Max 0 Max EXT Tempo 2 60 00 120 00 240 00 EXT 3 0 127 Parameter AMS Intensity Pitch 4 12 00 0 1 Octave 1 0 1 Octaves Filter EG as AMS dedicated parameter for Pitch EG Dedicated parameter 1 0 1 Octaves Dedicated parameter 1 0 1 Octaves 0 1 Octave Pitch EG Int 12 00 Dedicated parameter for Pitch EG 1 0 1 Octaves 1 0 1 Octav...

Page 385: ...s SW1 or 2 as the AMS you can press the SW1 or SW2 switch when desired to turn on the vibrato effect Filter Cutoff Frequency Prog 3 1 1b c The cutoff frequency of filter A B can be controlled by the pitch amp EG Common keyboard tracking controllers or tempo Use the 3 1 3 Modulation page Filter A B Modulation Prog 3 1 3b to set AMS and Intensity for Filter A or B If you select JS X as the AMS1 or A...

Page 386: ... changes of the AMS In addition to the time variant changes in volume produced by the amp EG you can also make the volume change in synchronization with the pitch filter EG Select Pitch EG or Filter EG as the AMS and adjust Intensity If you wish to cancel the effect of the Amp EG and use the pitch filter EG to control the volume set all levels of the Amp EG to 99 Amp LFO1 2 Intensity Prog 4 2b The...

Page 387: ... 32 or 64 times or divided by 1 2 1 4 1 8 1 16 1 32 1 64 Select JS Y CC 01 for AMS and set Intensity to 16 When you move the joystick in the Y direction the LFO frequency will be increased by a maximum of 2 times If you set Intensity to 16 and move the joystick in the Y direction the LFO frequency will be decreased by up to 1 2 LFO Frequency AMS Intensity Prog 5 1b You can use the EG keyboard trac...

Page 388: ...2 and TFX Dynamic Modulation Source List Wet Dry Max Zero Higher D mod Dry Wet 60 40 10 90 Dynamic Modulation Example Wet Dry 10 90 Amt 50 Wet Dry 60 40 Amt 50 Off dynamic modulation is not used Gate1 note on off p 381 Gate1 Dmpr note on damper on off p 381 Gate2 note on off retrigger p 381 Gate2 Dmpr note on damper on off retrigger p 381 Note Numbr note number Velocity velocity Exp Velocity expon...

Page 389: ... Knob Mod 4 CC 21 for each program combination or song See Realtime Control Knobs 1 4 Assignments on page 383 Then put the control surface in Realtime Control B mode and you can use knobs 1 4 to control the effects If the knob is set to the 12 o clock position the resulting effect as a dynamic modulation source will be zero If the Amount is a positive value rotating the knob toward the right will ...

Page 390: ... for both OSC 1 and 2 or off for both then the Portamento Switch controls both OSC If Portamento is enabled for only one of the two only that element will be affected by the switch for the other element Portamento will always be off Octave Down When the switch is on LED lit the pitch will be transposed down by one octave Octave Up When the switch is on LED lit the pitch will be transposed up by on...

Page 391: ...ncy of all of the filters at once For instance it affects both Filters A and B Resonance CC 71 This scales the resonance of all of the filters at once For instance it affects both Filters A and B Filter EG Int CC 79 This scales the effect of the Filter EG on the cutoff frequency It affects all of the filters at once for instance it affects both Filters A and B F A Attack CC 73 This scales the atta...

Page 392: ...M50 will also transmit the corresponding MIDI Program Change and Bank Select messages Program Down This decrements the current Program or Combination number for hands free patch changes For more information please see Program Up above Value Inc Operating the foot switch will produce the same operation as pressing the q INC switch For more information please see Using a footswitch to select Program...

Page 393: ...in the Program or Effect Portamento Time CC 05 Controls the speed at which portamento will change the pitch Volume CC 07 Control the volume of a Program Combination or of a MIDI track in Sequencer modes Post IFX Pan CC 08 Control the pan after passing through the Insert Effect Pan CC 10 Control the pan of a Program of a timbre in a Combination or of a MIDI track in Sequencer modes Expression CC 11...

Page 394: ...9 Knob modulation 6 20 Knob modulation 7 21 Knob modulation 8 22 ARP GATE control 1 1 23 ARP VELOCITY control 1 1 24 ARP LENGTH control 1 1 25 ARP OCTAVE control 1 1 26 27 28 29 30 31 32 Bank select LSB 33 37 38 Data entry LSB 39 63 64 Damper 65 Portamento On Off 66 Sostenuto 67 Soft pedal 68 69 70 Sustain level 71 Filter resonance level Knob2 72 Release time Knob4 73 Attack time 74 Filter cutoff ...

Page 395: ...f Master Volume the universal exclusive message Master Volume will be transmitted only on the global MIDI channel You can make settings for MIDI Filter Combi P5 to enable or disable control changes and controllers for each timbre When checked the above operations will be enabled Effect dynamic modulation can be controlled when the Ch Combi 8 1 4a 9 2a setting for IFX1 5 MFX1 2 or TFX is either set...

Page 396: ...ob modulation 3 0 127 corresponds to when the realtime control knob function is set to Knob Mod 3 21 Knob modulation 4 0 127 corresponds to when the realtime control knob function is set to Knob Mod 4 22 ARP GATE control 0 127 equivalent to when CC 22 is assigned to arpeggio control knob 1 GATE 7 23 ARP VELOCITY control 0 127 equivalent to when CC 23 is assigned to arpeggio control knob 2 VELOCITY...

Page 397: ...set this to 12 by transmitting B0 06 34 06H CC 6 34H 52 corresponds to 12 and B0 26 00 26H CC 38 00H 0 3 The volume of the M50 is determined by multiplying the Volume CC 07 with the Expression CC 11 In Sequencer mode when you stop the song playback and return the location to the beginning of the track the Volume will be set to the starting value and the 81 SW2 modulation On Off 0 63 Off 64 127 On ...

Page 398: ... with these controllers Normally you will assign these CC s Parameters controlled by MIDI CCs 70 79 CC 70 79 correspond to the M50 s program parameters listed below In Program mode the corresponding program parameters will be temporarily edited when CC 70 79 messages are received on the global MIDI channel MIDI Channel Global 1 1a when knobs 1 4 are operated when the control surface is in Realtime...

Page 399: ...ayed back from the internal sequencer Outgoing MIDI data will be handled with settings equiv alent to Key Transpose 0 and Velocity Curve 4 Local Control On settings If you ve connected the M50 to a computer or external MIDI sequencer and want to use the echo back from that device to play the M50 turn echo back on for your external MIDI sequencer or computer so that the data it receives at MIDI IN ...

Page 400: ... 2 c The Drum Track function will transmit and receive on the following MIDI channels Receive The MIDI channel specified by the Drum Pat tern Input Seq 1 1a setting of each song You will nor mally set this to Tch and use the M50 s keyboard to control triggering Transmit The MIDI channel specified by the Drum Pat tern Output Seq 1 1a setting of each song Set this to match the MIDI channel of the MI...

Page 401: ...50 itself cannot transmit aftertouch Aftertouch can be received only from the internal sequencer or from MIDI IN Aftertouch reception for the entire instrument can be turned on off in Enable After Touch Global 1 2b In Combination and Sequencer modes aftertouch can be turned on off independently for each timbre track Enable After Touch Combi Seq 5 1 1 2 c Polyphonic aftertouch An kk vv n channel kk...

Page 402: ...ge is received the result will be the same as when the controller is operated Expression CC 11 Bn 0B vv When the above CC is assigned to the Assignable Pedal or knobs 1 4 when the control surface Realtime Control B mode is selected operating that controller will transmit Expression messages and the volume will change When this message is received the result will be the same as when the controller ...

Page 403: ...ect TFX If you check IFX1 5 Off MFX1 2 Off or TFX Off the corresponding message will be transmitted with vv 0 00 If you uncheck these settings the corresponding message will be transmitted with vv 127 7F If you check these settings the corresponding effect s will be turned off as a group If you uncheck these settings the on off settings of each mode will be used The same applies to reception vv of...

Page 404: ...n 4D vv LFO 1 delay CC 78 Bn 4E vv These messages are transmitted when assign the above CC to the control surface Realtime Control B knobs 1 4 function When you operate these the corresponding program parameters will be controlled and the sound and envelope will change When these messages are received the result will be the same as when the controller is operated When the message has a value vv 64...

Page 405: ...ue of all controllers on that channel will be reset Using RPN Registered Parameter Numbers RPN Registered Parameter Numbers are a type of message that allow settings to be made in a way that is common between instrument manufacturers NRPN Non registered Parameter Numbers and exclusive messages can be freely used in non compatible ways by different manufacturers and models of instrument RPN message...

Page 406: ...v 40 00 is center 6656 mm vv 34 00 is 12 semitones and 9728 mm vv 4C 00 is 12 semitones When this is received the Key Transpose Global 0 1a parameter will be set Transmitting sound settings data Data Dump Data for programs combinations drum kits user arpeggio pattern global settings and sequencer data can be transmitted as MIDI System Exclusive messages The operation of sending this system exclusi...

Page 407: ... Track function or sequencer You can change the overall settings programs levels effects by using song select messages to switch songs Note MIDI Clock External USB will operate in the same way as External MIDI With the Auto setting an external MIDI clock received at the MIDI IN connector or the USB B connector will automatically cause the M50 to switch to the same method of operation as External M...

Page 408: ...n Program mode the Drum Track function will transmit performance data if the Drum Track Prog MIDI Out setting Global 1 1a is on checked By default this is off unchecked so you ll need to turn it on In your external sequencer computer turn the echo back setting on With these settings the sound generator won t produce duplicate notes and recording and playback will occur correctly Using the Realtime...

Page 409: ...t Bank Map to GM 2 Sequencer mode In Media mode when you convert a song into a Standard MIDI File and save it you can choose either format 0 or format 1 If M50 song data that was saved as a format 1 SMF file is loaded into another device the track configuration may be different than it was before being saved This is because MIDI tracks that contain no musical data are omitted and the remaining tra...

Page 410: ...Song Drum Kit The M50 provides two audio outputs L MONO and R The M3 provides six audio outputs L MONO and R When an M3 file is loaded the various BUS Select parameters and DrumKit IFX Patch parameters will be maintained as internal data but will actually operate in the following ways Metronome Setup Bus Select parameters Song Bus Select parameter settings will be maintained as internal data but w...

Page 411: ...ed KARMA LATCH KARMA SCENE X Y MODE X Y MOTION KARMA Slider 5 8 KARMA Switch 1 8 PAD 5 8 Global Mode Foot Pedal Assign parameter Settings related to other functions will be loaded in the following ways KARMA Slider 5 8 settings will be maintained as internal data but will be ignored M3 M50 KARMA ON OFF ARP ON OFF RT Slider 1 8 RT Knob 1 A 4 B KARMA Slider 1 4 ARP GATE VELOCITY LENGTH OCTAVE PAD 1 ...

Page 412: ...onfigurations on the M3 Bank configurations on the M50 Result when an M3 format file is loaded into the M50 Combination Combination INT A A A INT B B B INT C C C INT D D D INT E INT F INT G USER A USER B USER C USER D USER E USER F USER G Program Combination and Program bank setting of song Drum track setting of program INT A A A A INT B B B B INT C C C C INT D D D D INT E E E E INT F A g d G GM g...

Page 413: ...eric key 0 9 you can jump to the corresponding page Note In pages that contain multiple sub pages the first page e g P3 1 or P8 1 will be selected EXIT switch This button makes it easy to return to the main page of the current mode 1 Press it once to go to the previously selected tab on the main P0 page 2 Press the EXIT switch You will move to the previously selected parameter of the P0 top page P...

Page 414: ... Depth All Insert FX Off On C Bn 5D 93 vv vv Effect 3 Depth Knob Pdl MFX Send1 S Chg C Bg 5E 94 00 7F 00 127 Effect 4 Depth Master FX1 2 Off On C Bg 5F 95 00 7F 00 127 Effect 5 Depth Total FX Off On C Bn 6E 110 vv vv Chord Trigger SW1 ASW 3 C Bn 6F 111 vv vv Chord Trigger SW2 ASW 3 C Bn 70 112 vv vv Chord Trigger SW3 ASW 3 C Bn 71 113 vv vv Chord Trigger SW4 ASW 3 C Bn cc cc vv vv Control cc 0 119...

Page 415: ...NGTH 4 C Bn 19 25 vv vv as ARP Knob4 OCTAVE 4 C Bn 20 32 bb bb Bank Select LSB for Prog Combi change 1 P Bn 26 38 vv vv Data Entry LSB for RPC edit C Bn 40 64 vv vv Hold1 as Damper C Bn 41 65 3F 40 63 64 Portamento Off On C Bn 42 66 3F 40 63 64 Sostenuto Off On C Bn 43 67 vv vv Soft Pedal C Bn 46 70 vv vv Sound Controller 1 for Sustain Level control C Bn 47 71 vv vv Sound Controller 2 for Resonanc...

Page 416: ...ected track s channel 2 2 SYSTEM COMMON MESSAGES H Hex D Decimal Status Second Third Description Use for Hex H D H D F2 ss ss tt tt Song Position Pointer Location 6 ss Least significant LSB tt Most significant MSB F3 ss ss Song Select Song or Cue List select ss Song 0 127 No Receive when in Sequencer mode 2 3 SYSTEM REALTIME MESSAGES Status Hex Description Use for F8 Timing Clock Tempo AMS FX Dmod...

Page 417: ... EXCLUSIVE 2 4 1 UNIVERSAL SYSTEM EXCLUSIVE MESSAGE NON REALTIME DEVICE INQUlRY When received this message transmits INQUlRY MESSAGE REPLY F0 7E nn 06 01 F7 3rd byte nn Channel 0 F Global Channel 7F Any Channel GM System On Receive when in Sequencer mode F0 7E nn 09 01 F7 3rd byte nn Channel 0 F Global Channel 7F Any Channel 2 4 2 UNIVERSAL SYSTEM EXCLUSIVE MESSAGES REALTIME Master Volume F0 7F 0g...

Page 418: ...Appendices 410 ...

Page 419: ...or via a telephone sale you must verify that this product is intended to be used in the country in which you reside WARNING Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer s or distributor s warranty Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufactur...

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