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Korg EXB-RADIAS, Owner'S Manual

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Korg EXB-RADIAS Owner'S Manual Download Page 35

PROG P1: Basic/DT/Ctrls 1–1: Program Basic

27

RADIAS program Audio In (OSC&Vocoder) Source

Insert 

Effects

Insert 

Effects

L/R

Bus

AUX

1/2

AUX

3/4

Bus =  L/R or IFX1-5

Insert 

Effects

Drum Track (EDS)

Analog Input 1/2

S/P DIF L/R

Insert 

Effects

FireWire L/R

Level

Pan

Level

Pan

Level

Pan

AUX Bus =  1/2

Audio Inputs 

(Send to RADIAS)

AUX Bus

(Send to RADIAS)

OSC

Audio Input 

Source

Vocoder

Carrier/

Modulator

Source

Audio Input Source

AUX Bus Source

Summary of Contents for EXB-RADIAS

Page 1: ...1 E ...

Page 2: ...ollowing ways M3 OG M3 Operating Guide M3 PG M3 Parameter Guide Parameters in the LCD display screen Parameters displayed in the display are enclosed in double quotation marks Symbols Note Tips These symbols respectively indicate a caution a MIDI related explanation a supplementary note or a tip Example screen displays The values of the parameters shown in the example screens of this manual are on...

Page 3: ...trollers to vary the sound 6 Operation 7 Editing a program 7 Basic settings for the program 7 Voice Assign Mode 7 Oscillators 7 Selecting the waveform 7 Filter 8 Filter Routing 8 Filter A Filter B Filter settings 8 Amp 9 Drive Wave Shape 9 Amp Level 9 Pan 9 EG Envelope Generator 10 Envelope settings 10 EG Level Time Modulation 10 LFO 11 LFO waveform 11 MIDI Tempo Sync 11 Virtual Patch 11 Virtual P...

Page 4: ...e factory set state 18 Parameter guide 19 Program mode 19 Page Select 19 PROG P0 Play 19 0 1 Main 19 0 5 KARMA GE 19 0 6 KARMA RTC 19 0 7 Sampling Audio In 20 0 8 Control Surface 20 OSC Mix 20 0 8c RADIAS Play Mute 20 0 8d RADIAS Volume 21 Tone Adjust 21 0 8g Tone Adjust 21 Common Tone Adjust Parameters 22 RADIAS Tone Adjust Parameters 23 Tone Adjust Default Settings 24 PROG P1 Basic DT Ctrls 25 1...

Page 5: ... 3 b EG Level Time Modulation 38 5 4 LFO1 5 5 LFO2 39 5 4 5 a LFO 1 LFO2 39 5 4 5 b Frequency MIDI Tempo Sync 40 5 6 MSEQ1 5 7 MSEQ2 5 8 MSESQ3 40 5 6 7 8 a SEQ Common 40 5 6 7 8 b SEQ1 SEQ2 SEQ3 41 5 6 7 8 Menu Command 41 PROG P6 Vocoder 42 6 1 Carrier Modulator 42 6 1a Vocoder On Off Formant Motion REC On Off 42 6 1b Carrier Input 42 6 1c Modulator 42 6 1d Out Mix 43 6 1 Menu Command 43 6 2 Voco...

Page 6: ... RADIAS Vocoder1 52 2 7a Vocoder On Off Formant Motion REC On Off 52 2 7b Carrier Input 52 2 7c Modulator 52 2 7d Out Mix 52 2 7 Menu Command 52 2 8 RADIAS Vocoder2 53 2 8a Filter 53 2 8b Band1 16 Pan and Level 53 2 8 Menu Command 53 COMBI P3 Timbre Parameters 54 3 1 MIDI T01 08 3 2 MIDI T09 16 54 3 3 OSC T01 08 3 4 OSC T09 16 54 3 3c OSC 54 3 5 Pitch T01 08 3 6 Pitch T09 16 54 3 5 6 a Combination...

Page 7: ... RADIAS Vocoder1 60 2 7a Vocoder On Off Formant Motion REC On Off 60 2 7b Carrier Input 60 2 7c Modulator 61 2 7d Out Mix 61 2 7 Menu Command 61 2 8 RADIAS Vocoder2 61 2 8a Filter 61 2 8b Band1 16 Pan and Level 61 2 8 Menu Command 61 SEQ P3 Track Parameters 62 3 1 MIDI T01 08 3 2 MIDI T09 16 62 3 3 OSC T01 08 3 4 OSC T09 16 62 3 3 4 a OSC 62 3 5 Pitch T01 08 3 6 Pitch T09 16 62 3 5 6 a Pitch 62 3 ...

Page 8: ...opy from Program 64 Write Formant Motion Data 64 Copy Vocoder 64 Global mode 65 Menu Command 65 Load Preload Demo Data 65 Set Program User Bank Type 66 Media mode 67 Menu Command 67 Load selected 67 Appendices 69 EXB RADIAS Specifications 69 ...

Page 9: ...hesizer waveforms such as sawtooth and triangle to DWGS digital synthesizer waveforms as well as the signals from the AUDIO INPUT S P DIF and EXB FW separately sold option jacks or signals from the AUX bus You can also apply cross modulation unison or VPM Variable Phase Modulation to basic analog synthesizer waveforms such as sawtooth or triangle wave Oscillator 2 OSC2 lets you choose from four di...

Page 10: ...ncy and EG2 is assigned to control the volume of the amp You can also use virtual patching VIRTUAL PATCH to assign these EGs as envelope sources for other parameters LFO LFO1 LFO2 LFO Low Frequency Oscillator is used to apply cyclic change to the sound parameters RADIAS program contains two LFOs and for each LFO you can choose one of four waveforms Shape control key sync and phase controls extend ...

Page 11: ...carrier bandpass filters This will raise or lower the frequency response while preserving the character of the modulator creating major changes in the sound Carrier CARRIER A sawtooth wave SAW or other waveform rich in overtones is the best choice for the carrier As the carrier you can use a combination of two sources In Source1 and In Source 2 As the In Source1 you can use the mono mixed signal f...

Page 12: ...ant to use a vocoder program in a combination or song you ll need to use the menu command Copy from program or Copy Vocoder to copy the vocoder settings of the program You can use this for the timbre or song of one RADIAS program Even if you ve assigned four timbres or MIDI tracks to play programs in which the RADIAS vocoder is turned on it is not the case that four vocoders are operating Note Tim...

Page 13: ...he Realtime Controller function of the control surface to control the sound parameters Press the CONTROL ASSIGN REALTIME CONTROLLER switch the LED will light You can control the sound parameters that are assigned to the sliders and switches For details on Realtime Controller please see Using realtime control to edit sounds or effects on page 48 of the M3 operation guide 3 Use the Tone Adjust funct...

Page 14: ...ting Off unchecked Input Analog Input 2 BUS Select L R 6 While vocalizing into your mic use the AUDIO INPUT LEVEL knob to adjust the input level The optimum input level is a point slightly below the level where the ADC OVER AD converter input overload indication appears When you ve finished adjusting the level turn Input 2 BUS Select Off 7 While vocalizing into your mic play the keyboard You ll he...

Page 15: ...Number of Voices specifies the number of voices that will be stacked 5 Use Number of Voices to specify the number of voices that you want to sound simultaneously 6 Use Detune cents to specify the amount of detuning pitch difference between the voices that are sounded simultaneously The number of simultaneously sounded voices specified by Number of Voices will be equally spread apart in pitch by th...

Page 16: ...ilter types low pass filter high pass filter and band pass filter as well as intermediate types that interpolate between the characters of adjacent filters The basic filter settings including the filter routing filter type cutoff frequency and resonance are set on the PROG P3 Filter page Filter Routing 1 Use Filter Routing to select the filter routing RADIAS programs provide two filters filter A a...

Page 17: ...Wave Shape Type to select the type of wave shaping This choice is available if Drive Wave Shape is set to Wave Shape You can choose from a wide variety of wave shape types For more information please see Wave Shape Type on page 36 3 Use Position to select the position at which wave shaping will be applied You can apply drive and wave shaping before filter A or before the amp section For more infor...

Page 18: ...2 Use Curve to select the curve by which the decay and release time will change You can choose linear logarithmic or exponential curve This will affect the way in which the envelope changes EG Level Time Modulation You can use velocity and keyboard tracking to modulate the EG 1 Use Level Velocity Intensity to specify how velocity will affect the amount of amplitude change produced by the EG Higher...

Page 19: ...itch or to the MIDI Clock from an external device 2 Use Base Note to specify the LFO cycle This specifies the ratio of the LFO cycle relative to the system tempo or external MIDI clock This parameter is valid if MIDI Tempo Sync is On checked Virtual Patch These are the parameters for the Virtual Patch function Virtual Patch is a function that lets you assign modulation sources such as EG or LFO to...

Page 20: ...Q On checked If this is On checked the three modulation sequencers will be on and the values stored in each step of each modulation sequencer will modulate the sound parameters 3 Set LastStep to 16 The sequence will begin playing when a note on occurs and will proceed for sixteen steps 4 Set Sequence Type to Alt1 Sequence Type on page 40 5 Set Run Mode to Loop Run Mode on page 41 6 Set KeySync to ...

Page 21: ...l way 6 Use Threshold to cut the noise when there is no input Raising this setting will make it easier for the sound to be cut Adjust this so that noise is not obtrusive when you re not speaking into the mic 7 Use Modulator HPF Gate and Modulator High Mix to adjust the high frequency portion of the input source that will be mixed into the vocoder output Use Modulator HPF Gate to specify whether th...

Page 22: ...ecording will stop automatically if the memory capacity assigned to the data becomes full approximately 7 5 seconds 6 Set Modulator to Formant Motion 7 Play the keyboard The vocoder will sound using the formant motion data you recorded If you want to keep the data you recorded you ll need to write the formant motion data For more information please see Write Formant Motion Data on page 46 Writing ...

Page 23: ... to a user bank that has been assigned for saving RADIAS programs Saving a program RADIAS programs can be saved in bank INT F and in user banks whose bank type has been set to RADIAS by the Global mode menu command Set Program User Bank Type For more information please see Set Program User Bank Type on page 66 The save procedure is the same as for EDS programs For more information please see Savin...

Page 24: ...AS program Note You can turn up to four Enable RADIAS settings on Timbres for which this is off unchecked will not sound 4 Access the COMBI P0 1 Combination Select T01 08 or P0 2 Combination Select T09 16 page An indication of is shown above the category for timbres whose Enable RADIAS On checked 5 Use Program Select to select a bank INT F program 6 Edit the parameters of each timbre make arpeggia...

Page 25: ...bination up to four RADIAS programs can be used in one song The maximum polyphony of the RADIAS programs will be 24 voices MIDI track settings The way in which to make settings the operation of the parameters and the points of caution are the same as for a combination For more information please see Editing a combination Combination mode on page 16 ...

Page 26: ...up Basic page Press the GLOBAL switch to enter Global mode If the Global P0 Basic Setup Basic page is not shown press the EXIT switch and then press the Basic tab 2 Press the menu button and choose Load Preload Demo Data A dialog box will appear 3 Specify the Kind and bank Set Kind Program and Bank I F To I F see the illustration Note RADIAS programs can be saved in bank INT F and in user banks wh...

Page 27: ... performance realtime parameters controlled when you operate these controllers is also shown For details on the available parameters and menu commands please see 0 6 KARMA RTC on page 6 of the M3 parameter guide Page Main content PLAY P0 Play Select and play RADIAS programs Simple KARMA editing Audio input settings and resampling settings Editing from the control surface M3 PG p 2 EDIT P1 Basic DT...

Page 28: ...urn effects on off EXTERNAL lets you send MIDI messages to external MIDI devices Use the GLOBAL P1 MIDI External Mode 1 2 page to specify the MIDI message that will be transmitted TONE ADJUST gives you hands on access to sound editing using the sliders and switches KARMA Use the sliders and switches to control the KARMA function You can freely change back and forth between the different functions ...

Page 29: ...he volume of RADIAS oscillator Drum Trk Volume 000 127 Adjusts the volume of the drum track Tone Adjust Tone Adjust lets you use all of the sliders and switches on the Control Surface to edit Program parameters like the knobs on an analog synth Each physical control can be assigned to any one of a number of Program parameters Absolute Relative and Meta parameters For more information please see Ab...

Page 30: ... Decay Time 99 99 This scales the decay and slope times of the EG2 Amp EG Sustain Level 99 99 This scales the sustain levels of the EG2 Amp EG Release Time 99 99 This scales the release times of the EG2 Pitch EG EG3 Attack Time 99 99 This scales the attack times of the EG3 Pitch EG EG3 Decay Time 99 99 This scales the decay and slope times of the EG3 Pitch EG EG3 Sustain Level 99 99 This scales th...

Page 31: ...lects the oscillator 2 waveform OSC2 Mod Off Ring RingSync Absolute Selects the modulation type for the oscillator OSC2 Semitone 24 24 Absolute Controls the amount of detune semitone units relative to oscillator 1 OSC2 Tune 63 63 Absolute Controls the amount of detune relative to oscillator 1 OSC1 Level 000 127 Absolute Controls the output level of oscillator 1 OSC2 Level 000 127 Absolute Controls...

Page 32: ...more information about Tone Adjust please see 0 8g Tone Adjust on page 21 of the M3 parameter guide RADIAS Tone Adjust parameters The EXB RADIAS supports all of the Common Tone Adjust parameters as described under Common Tone Adjust Parameters on page 22 It also adds a number of its own original RADIAS Tone Adjust parameters RADIAS Tone Adjust default Settings OSC1 Level OSC1 Mod OSC2 Level OSC2 M...

Page 33: ...am plays normally Number of Voices 2 6 Specifies the number of voices that are stacked when using the Unison function When you play a note the specified number of voices will be heard producing a richer tone Depending on other voice related settings the number of voices you specify here may not actually sound Detune cents 00 99 Specifies the amount of detuning pitch spread that will be applied bet...

Page 34: ...ctor will directly be the input source This can be selected if the EXB FW option is installed For more information see the diagram RADIAS program Audio In OSC Vocoder Source on 27 page Note The signals will be mixed to monaural if the Unison parameter is Off AUX Bus Send to RADIAS Off AUX1 2 AUX3 4 Selects the AUX bus that will be the input source to the EXB RADIAS For more information see the dia...

Page 35: ...cts L R Bus AUX 1 2 AUX 3 4 Bus L R or IFX1 5 Insert Effects Drum Track EDS Analog Input 1 2 S P DIF L R Insert Effects FireWire L R Level Pan Level Pan Level Pan AUX Bus 1 2 Audio Inputs Send to RADIAS AUX Bus Send to RADIAS OSC Audio Input Source Vocoder Carrier Modulator Source Audio Input Source AUX Bus Source ...

Page 36: ...aveShape Driver page Amp Level Amp Level parameter will be modulated Pan The P4 Amp WaveShape Driver page Pan parameter will be modulated LFO1 Freq LFO2 Freq The P5 LFO1 LFO2 page LFO1 LFO2 Frequency Hz parameter will be modulated Note If MIDI TempoSync is turned On for LFO1 or LFO2 selecting LFO1 Freq or LFO2 Freq respectively will have no effect Int Intensity 63 63 Specifies the depth of the mod...

Page 37: ...etup Here you can make settings for X Y control For details on the available parameters and menu commands please see 1 5 X Y Setup on page 31 of the M3 parameter guide 1 6 Controllers Setup Here you can specify the SW1 and SW2 switch and 5 8 slider functions of the program when Control Assign REALTIME CONTROL is selected For details on the available parameters and menu commands please see 1 6 Cont...

Page 38: ...ovides various DWGS waveforms taken from acoustic instruments and digital synthesizers You can choose one of 64 different DWGS waveforms AudioIn This lets you use the input source specified by Audio In as the oscillator output Audio In Audio Input Source AUX Bus Source Selects the audio input source This is valid only if Waveform is set to AudioIn Use Control1 Gain to adjust the input volume and C...

Page 39: ... 5 4a Waveform to Triangle and applying this effect you can produce a result similar to detuning the waveform producing a richer sound By setting the LFO1 waveform to Triangle and applying this effect you can create a pulse width modulation effect giving the sound more depth When Waveform Saw Square Tri Sine OSC Mod Cross When you re using cross modulation the waveform selected by Waveform will be...

Page 40: ... output will be set to Balance of L001 and R127 respectively 2 1b OSC2 These are the parameters for the oscillator 2 waveform Waveform Oscillator2 Waveform Saw Square Tri Sine Selects the waveform for oscillator 2 This setting will affect the maximum number of voices Saw Sawtooth wave is suitable for creating a broad range of typical analog synthesizer sounds such as synth bass and synth brass Squ...

Page 41: ...ch note as it is played this lets you simulate the pitch instability and oscillator drift that was characteristic of analog synthesizers Higher settings will produce greater variations in pitch JS Y Vibrato Int cents JS Y Vibrato Intensity 2400 2400 Moving the joystick up from the center detent position away from yourself produces the JS Y controller You can use this to scale the amount of the LFO...

Page 42: ...ype Balance Filter Type Balance LPF24 LPF12 HPF BPF THRU Selects the filter type for filter A The effect that you obtain will depend on the filter type Intermediate values other than LPF24 LPF12 HPF BPF and THRU will provide a response that is interpolated between the two filters LPF12 12dB oct LPF24 24dB oct LPF Low Pass Filter is the most common type of filter it passes the frequencies below the...

Page 43: ...spose and modulation sequencer It does not reflect pitch changes produced by vibrato or virtual patching Velocity Sens Velocity Sensitivity 63 63 Specifies how velocity keyboard playing dynamics will affect the cutoff frequency Positive values will cause the cutoff frequency to rise as you play more strongly Negative values will cause the cutoff frequency to fall as you play more strongly 3 1c Fil...

Page 44: ...g to the oscillator waveform Pre Amp Drive or wave shaping will be applied to the oscillator waveform before the amp This setting is typically used to apply drive to the output of the filter in which the resonance has been boosted producing a distinctive distortion Depth 000 127 Specifies the depth at which the drive or wave shape functions will be applied Wave Shape Type Decimator Level Boost Sel...

Page 45: ...c this will have no effect Keyboard Track 63 63 Specifies how keyboard tracking will affect the volume With positive settings the volume will increase as you play upward from the C4 key and decrease as you play downward With negative settings the volume will decrease as you play upward from the C4 key and increase as you play downward If this value is 0 keyboard tracking will not affect the volume...

Page 46: ...hes 0 5 1 2 3 b EG Level Time Modulation Level Velocity Intensity 63 63 This allows the amplitude of the EG to be controlled by the velocity of the note on Greater values allow velocity to have more of an effect on the amplitude With positive settings When you play softly the EG amplitude will decrease when you play strongly the EG amplitude will increase With negative settings When you play stron...

Page 47: ...nd S H Phase Initial Phase 000 180 Specifies the starting position of the LFO waveform This parameter is valid if KeySync is set to 1st Note or Each Note With a setting of 0 modulation will start from the zero point and begin ascending the positive portion of the LFO wave A setting of 90 will begin at the highest point of the LFO wave With a setting of 180 modulation will start from the zero point...

Page 48: ...5 8 MSESQ3 Here you can make settings for the modulation sequencer Here you can Specify the number of steps the type and playback method for a modulation sequence Select the parameter that will be modulated and specify the value of each step 5 6 7 8 a SEQ Common These parameters are common to SEQ1 SEQ2 and SEQ3 MOD SEQ On Modulation Sequencer On Off On Switches the modulation sequencer on off Last...

Page 49: ...7 8 b SEQ1 SEQ2 SEQ3 Destination Param Destination Parameter None Pitch Patch8 Int Selects the modulation sequence destination parameter None The modulation sequence will do nothing Pitch The modulation sequence will modify the overall pitch of the sounding oscillators over a range of 24 semitones Other The modulation sequence will modify the parameter assigned to a specific panel knob over a rang...

Page 50: ...ed as the mono mixed signal of the amp section output the signal before entering the EQ In Source 2 Select Audio In1 AUX Send L R AUX Send L AUX Send R Selects input source 2 Note You must first assign the input source using the P1 Program Basic page Audio In OSC Vocoder Source parameter For more information please see 1 1c AudioIn OSC Vocoder Source on page 26 Audio In1 The signal of audio input ...

Page 51: ...yed back This is shown and can be edited if Modulator is set to Formant Motion Free Run The formant motion data will play as a loop from the beginning to the end Trigger Reset The formant motion data will play from the beginning to the end each time you press a note The formant motion data can be triggered by the Global MIDI channel 6 1d Out Mix Vocoder Output Level 000 127 Sets the output level o...

Page 52: ...he cutoff frequency of each of the carrier s band pass filters How Formant Shift and Frequency Offset are related When Formant Shift 0 and Frequency Offset 0 the response of the carrier filters will match the cutoff frequency of the modulator filters The filter response is shifted upward or downward in two discrete steps by the Formant Shift This can be adjusted upward or downward another two step...

Page 53: ...le only if the EXB RADIAS is installed For details on the other commands refer to the M3 parameter guide Initialize MOD SEQ This command initializes the modulation sequence settings 1 Choose Initialize MOD SEQ to access the dialog box 2 Select the modulation sequence that you want to initialize All All modulation sequences 1 3 will be initialized The following parameters will be initialized Last S...

Page 54: ...hange the formant motion name press the text edit button to access the text edit dialog box and enter the desired name 3 In the To field select the save destination 4 Press the OK button to write the formant motion data If you decide not to execute press the Cancel button If you want to save the formant motion data you recorded you must write it If you perform any of the following actions before w...

Page 55: ...er guide Page Main content PLAY P0 Play Select and play combinations Program selection for each timbre Pan and volume settings etc for each timbre Simple KARMA editing Audio input settings and resampling settings Editing from the control surface M3 PG p 120 EDIT P1 DT X Y Ctrls Drum track settings X Y control settings SW1 2 and slider function settings Pad note and velocity settings M3 PG p 138 P2...

Page 56: ...ttons along with information about what they are controlling For instance you can Adjust the volume and pan for all 16 Timbres Control each Timbre s EQ settings and Master Effects Send levels Modulate sounds and effects using the Real Time Knobs Control KARMA and select KARMA scenes using the sliders and switches Edit sounds using Tone Adjust Assign sliders knobs and switches to different Tone Adj...

Page 57: ...Adjust Parameters on page 22 RADIAS Tone Adjust Parameters These are the same as the RADIAS Tone Adjust Parameters in Program mode For more information please see RADIAS Tone Adjust Parameters on page 23 COMBI P1 DT X Y Ctrls Here you can select a pattern for the drum track and make settings for it as well as make settings for X Y control and pads 1 8 For details on the available parameters and me...

Page 58: ...coder Source Audio Inputs Send to RADIAS Off S PDIF L R FireWire L R Here you can select the audio input that will be the input source to the EXB RADIAS AUX Bus Send to RADIAS on page 26 Analog Input 1 2 The signal coming directly from the AUDIO INPUT 1 2 jacks will be the input source The input from the AUDIO INPUT 1 jack will be input to the L channel of the oscillator and the input from the AUD...

Page 59: ...tor of the vocoder Insert Effects Insert Effects L R Bus AUX 1 2 AUX 3 4 Bus L R or IFX1 5 Insert Effects Analog Input 1 2 S P DIF L R Insert Effects FireWire L R Level Pan Level Pan Level Pan AUX Bus 1 2 Audio Inputs Send to RADIAS AUX Bus Send to RADIAS Vocoder On In Source1 Select T01 Timbre 02 EDS Program Audio Input Source AUX Bus Source RADIAS Program Timbre 01 Analog Input 1 2 AUX 1 2 Level...

Page 60: ...s not using a RADIAS program or a timbre other than the one selected here you should use the AUX bus AUX Bus Send to RADIAS on page 50 For more information see the diagram Combination Audio In OSC Vocoder Source on 51 page In Source 1 Level 000 127 In Source 2 Select Audio In1 AUX Send L R AUX Send L AUX Send R In Source 2 Level 000 127 For details on these parameters please see 6 1b Carrier Input...

Page 61: ... Source Fc Modulation Source EG1 X Y Y Mod 88 Mod Intensity Fc Modulation Intensity 63 63 For details on these parameters please see 6 2a Filter on page 44 2 8b Band1 16 Pan and Level Band1 Band16 Pan L000 C064 R127 Level 000 127 For details on these parameters please see 6 2b Band1 16 Pan and Level on page 44 2 8 Menu Command Write Formant Motion Data p 56 Copy Vocoder p 56 2 8a 2 8b 2 8 MC ...

Page 62: ...d by the program settings Off Portamento will be off even if the original program settings specified for it to be on 001 127 Portamento will be applied with the portamento time you specify here even if it is turned off by the program settings If the Status Combination 3 1a is set to INT CC 05 portamento time message will be received and will control and change these settings These messages will be...

Page 63: ... If you select a scale that cannot be specified for a RADIAS program such as Stretch User All Notes Scale or User Octave Scale 01 15 the program will play using Equal Temperament Key C B Random 0 7 For more information please see 3 7 8 c KARMA Scale on page 152 of the M3 parameter guide COMBI P4 Zone Delay Here you can specify the key range and velocity range for which timbres 1 8 and 9 16 will so...

Page 64: ...r parameter settings of the copy source RADIAS program will also be copied This is invalid if you ve selected an EDS program as the copy source For the procedure and other settings please see Copy from Program on page 185 of the M3 parameter guide Write Formant Motion Data This command saves the recorded formant motion data into internal memory If you turn off the power before saving formant motio...

Page 65: ... on to beginning of sound M3 PG p 231 P5 1 MIDI Filter1 MIDI transmit receive filter 1 settings M3 PG p 235 P5 2 MIDI Filter2 MIDI transmit receive filter 2 settings M3 PG p 239 P6 Track Edit Step recording Event recording Copy delete and other track editing M3 PG p 241 KARMA P7 1 KARMA1 GE Overall KARMA settings M3 PG p 243 P7 2 KARMA2 Module Settings for each KARMA module M3 PG p 250 P7 3 KARMA3...

Page 66: ...s being controlled For details on the available parameters and menu commands please see 0 2 2 KARMA RTC on page 206 of the M3 parameter guide 0 2 8 Control Surface The Control Surface is the set of 8 sliders and 8 switches to the left of the display It looks like a mixer but it can do other things as well including editing sounds controlling KARMA and sending MIDI messages to external devices This...

Page 67: ...on Tone Adjust Parameters in Program mode For more information please see Common Tone Adjust Parameters on page 22 RADIAS Tone Adjust Parameters These are the same as the RADIAS Tone Adjust Parameters in Program mode For more information please see RADIAS Tone Adjust Parameters on page 23 SEQ P1 DT X Y Ctrls Here you can select a pattern for the drum track and make settings for it as well as make ...

Page 68: ...f S PDIF L R FireWire L R AUX Bus Send to RADIAS Off AUX 1 2 AUX 3 4 Here you can select the audio input and AUX buses that will be the input source to the EXB RADIAS For more information please see 1 1c AudioIn OSC Vocoder Source on page 26 2 7 RADIAS Vocoder1 Here you can make vocoder related settings for the song Only one instance of the vocoder function can be used in each song It can be used ...

Page 69: ...ble Enable Modulator High Mix 000 127 For details on these parameters please see 6 1d Out Mix on page 43 2 7 Menu Command Write Formant Motion Data p 64 Copy Vocoder p 64 2 8 RADIAS Vocoder2 2 8a Filter Formant Shift 2 2 Resonance 000 127 Env Follower Sens Envelope Follower Sensitivity 000 127 Frequency Offset 63 63 Mod Source Fc Modulation Source EG1 X Y Y Mod 88 Mod Intensity Fc Modulation Inten...

Page 70: ...gram is determined by adding this value to the Transpose setting Program 2 2a of the RADIAS program used by the track However a RADIAS program cannot be transposed farther than 48 Values below 48 are treated as 48 and values above 48 are treated as 48 For more information please see Transpose on page 54 Detune Use BPM Adjust in Menu 1200 0000 1200 Adjusts the pitch in one cent units from the norma...

Page 71: ... settings will have no effect for RADIAS program SEQ P5 MIDI Filter Here you can select whether or not to apply filtering to the MIDI data received by MIDI tracks 1 16 For details on the available parameters and menu commands please see SEQ P5 MIDI Filter on page 235 of the M3 parameter guide SEQ P6 Track Edit Here you can edit MIDI tracks and the master track For details on the available paramete...

Page 72: ...rently selected song If you select a RADIAS program from the INT F bank etc as the copy source the RADIAS Vocoder check box in the dialog box will be enabled If you check RADIAS Vocoder and execute the copy the vocoder parameter settings of the copy source RADIAS program will also be copied This is invalid if you ve selected an EDS program as the copy source For the procedure and other settings pl...

Page 73: ...ded 1 Select Load Preload Demo Data to open the dialog box 2 Use Kind to select the type of data you want to load Loading RADIAS programs In the Kind field select Program If you specify Bank as the range to be loaded select I F as the load source data and I F or a user bank set to the RADIAS bank type as the load destination To M3 parameter guide p 66 If you specify Single as the range to be loade...

Page 74: ... will appear and the data will not be loaded 1 Select Set Program User Bank Type to open the dialog box This indicates the current type for each user bank 2 Select RADIAS as the bank type for USER F Note If you execute with a setting other than No Change all data in that bank will be initialized even if you have specified the same bank type as before If you want to keep your data you must first us...

Page 75: ...ile will be loaded 1 To load the data press the OK button To cancel without loading press the Cancel button 12 Load a RADIAS Formant Motion Data for the selected formant motion will be loaded into the number you specify 1 If you wish to load a formant motion data other than the one already selected use Formant Motion upper line to select the formant motion data that you wish to load 2 In Formant M...

Page 76: ...68 ...

Page 77: ... 16 step modulation sequencers Eight virtual patches Envelope generators LFOs and the M3 s selectors can modulate major parameters Vocoder section 16 band vocoder level and pan adjustable for each band Formant Motion function sixteen sets of formant motion data can be recorded Formant Shift function Formant Hold function Structure Program Synth programs synthesizer section Vocoder programs synthes...

Page 78: ...or via a telephone sale you must verify that this product is intended to be used in the country in which you reside WARNING Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer s or distributor s warranty Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufactur...

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