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©Eastman Kodak Company, 2007

May 2007 

 F-4017

TECHNICAL DATA / 

BLACK-AND-WHITE FILM

KODAK PROFESSIONAL TRI-X 

320 and 400 Films

—NOTICE—

To reflect our enduring commitment to black-and-white 
photography, black-and-white film production will take place in an 
even more advanced film-coating facility. New technology applied 
to these superior, time-tested emulsions will result in slightly 
different processing times for the film family. But the same great 
films—those you've known and trusted for years—will still deliver 
the same breathtaking results.

Use the packaging examples below to determine which film you 
have, then refer to the corresponding publication for development 
times.

New packaging, refer to this 
publication (F-4017):

Former packaging, refer to 
Kodak publication F-9:

KODAK PROFESSIONAL TRI-X 320 and 400 Films are 

high-speed panchromatic films that are a good choice for 
photographing dimly lighted subjects or fast action, for 
photographing subjects that require good depth of field 
and fast shutter speeds, and for extending the distance 
range for flash pictures. TRI-X 400 Film (400TX) is 
available in120 and 135 sizes and 35 and 70 mm long rolls. 
You can retouch the 120-size film on the emulsion side. 
TRI-X 400 Film is recommended for push-processing 
applications.

TRI-X 320 Films (320TXP) feature excellent tone 

gradation and brilliant highlights. They are especially well 
suited to low-flare interior lighting or flash illumination. 
They are also useful for portraiture with low-contrast 
backlighting outdoors.

One TRI-X 320 Film (320TXP) is available in 120 and 

220 sizes on a 3.9-mil acetate base, the other is available 
in sheets on a 7-mil ESTAR Thick Base. You can retouch 
these films on the emulsion or base side.

FEATURES

BENEFITS

• Fine grain

• Good for producing 

high-quality images

• Wide exposure latitude

• Rich tonality maintained

with overexposure and
underexposure

• High sharpness

• Good for applications

that require a moderate
degree of enlargement

• High resolving power

• Good rendition of detail

Summary of Contents for TRI-X 320

Page 1: ...ted subjects or fast action for photographing subjects that require good depth of field and fast shutter speeds and for extending the distance range for flash pictures TRI X 400 Film 400TX is availabl...

Page 2: ...6 at 1 500 for backlit close up subjects Use f 8 at 1 500 for backlit close up subjects Subject shaded from the sun but lighted by a large area of clear sky Exposure and Development Adjustments for L...

Page 3: ...aking separation negatives For TRI X 320 sheet film only DARKROOM RECOMMENDATIONS Handle unprocessed film in total darkness Using a safelight will affect your results If absolutely necessary after dev...

Page 4: ...the first minute Then agitate once per minute by lifting the basket rack or spindle out of the developer tilting it approximately 30 degrees draining it for 5 to 10 seconds and reimmersing it Alternat...

Page 5: ...41 2 41 4 33 4 31 4 HC 110 B 51 4 43 4 41 4 4 31 2 61 4 51 2 5 41 2 4 D 76 10 9 81 4 71 2 61 2 111 2 101 4 91 2 83 4 71 2 D 76 1 1 141 4 123 4 113 4 103 4 91 4 XTOL 83 4 73 4 71 4 61 2 53 4 101 4 9 8...

Page 6: ...21 2 21 4 D 76 6 51 4 43 4 41 2 4 D 76 1 1 9 8 71 4 63 4 6 MICRODOL X 73 4 63 4 61 4 53 4 5 FINAL STEPS 65 to 75 F 18 to 24 C PUSH PROCESSING Push processing allows you to expose the film at higher fi...

Page 7: ...ent Time Minutes EI 3200 3 Stop Push Process Development Time Minutes 65 F 18 C 68 F 20 C 70 F 21 C 72 F 22 C 75 F 24 C 65 F 18 C 68 F 20 C 70 F 21 C 72 F 22 C 75 F 24 C T MAX RS 83 4 8 71 2 7 HC 110...

Page 8: ...rocessor Model 5 11 or 411 with KODAK DURAFLO RT Developer Starter KODAK DURAFLO RT Developer Replenisher and KODAK Rapid Fixer Processing Steps and Conditions for KODAK VERSAMAT Film Processors The r...

Page 9: ...n a machine speed that transfers the film every 2 minutes The times given below are starting point recommendations for T MAX RS Developer and Replenisher and XTOL Developer Make tests to determine if...

Page 10: ...RI X 320 Film 16 fine CURVES Modulation Transfer Function Spectral Sensitivity Curves Note Modulation Transfer Function and Spectral Sensitivity were generated using the older version of this film KOD...

Page 11: ...ometry 0 0 1 0 4 0 3 0 2 0 1 0 DENSITY 2 0 0 0 4 0 LOG EXPOSURE lux seconds Characteristic Curves KODAK PROFESSIONAL TRI X 400 Film 400TX 35 mm NOTICE The sensitometric curves and data in this publica...

Page 12: ...PROFESSIONAL TRI X 400 Film 400TX 120 size LOG EXPOSURE lux seconds 4 0 0 0 2 0 DENSITY 1 0 2 0 3 0 4 0 1 0 0 0 Densitometry Process KODAK PROFESSIONAL D 76 Developer Diffuse visual 1 0 3 0 12 minutes...

Page 13: ...sitometry Process Large Tank at 20 C 68 F Diffuse visual 0 8 25 D 76 T MAX RS XTOL HC 110 B MICRODOL X Characteristic Curves KODAK PROFESSIONAL TRI X 320 Film 320TXP 120 220 Contrast Index Curves KODA...

Page 14: ...Tank 20 C 68 F Process Densitometry 1 1 0 7 0 6 0 5 0 4 CONTRAST INDEX 15 10 5 0 0 3 DEVELOPMENT TIME MINUTES 20 1 0 0 9 Characteristic Curves KODAK PROFESSIONAL TRI X 320 Film 320TXP Sheets Contrast...

Page 15: ...es KODAK PROFESSIONAL TRI X 320 Film 320TXP Sheets D 76 1 1 XTOL 1 1 MICRODOL X HC 110 B XTOL T MAX RS D 76 25 0 8 Diffuse visual Rotary Tube Development at 20 C 68 F Process Densitometry 1 1 0 7 0 6...

Page 16: ...OME II RC Paper G 21 KODAK POLYCONTRAST III RC Paper G 24 KODAK POLYMAX Fine Art Paper G 26 KODAK POLYMAX II RC Paper G 27 KODAK PANALURE SELECT RC Paper G 28 KODAK P MAX Art RC Paper J 24 KODAK HC 11...

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