Kodak SPECIAL How To Use Manual Download Page 82

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Summary of Contents for SPECIAL

Page 2: ......

Page 3: ...THE CINE KODAK SPEC AL EASTMAN KODAK COMPANY ROCHESTER NEW YORK ...

Page 4: ...tant Rules 28 Turret Head 29 Camera Speeds 35 Variable Shutter 36 Masks 37 OPERATION ON THE CINE KODAK TRIPOD 41 CONTENTS Reflex Finder 42 Fades 45 Dissolves 46 Single Frames 49 Frame Counter 50 Double Exposure 52 Running Down the Motor 54 Hand Cranking 55 FILMS FILTERS AND ARTIFICIAL LIGHTS 56 SPECIAL EFFECTS AND TRICKS 61 CARE OFTHE CINE KODAK SPECIAL 70 Cleaning the Gate 70 Cleaning the Lenses ...

Page 5: ...lens Several long focus lenses are available so that telephoto effects can be obtained These lenses will be found very desirable for making motion pictures of athletic games from the grandstand hunting big game and similar subjects where it is not possible to get close to the object These telephoto lenses also permit obtaining close up effects from intermediate distances when it is inconvenient to...

Page 6: ...100 foot film chamber in position and with I inch f l 9 lens and 3 inch fA S telephoto lens on turret Cine Kodak Special with 200 foot film chamber in position and with 1 inch f 1 9 lens and 6 inch fA S telephoto lens on turret ...

Page 7: ...res in Kodachrome you will not have to wait until the rest of the black and white film is exposed Also you may be making a special sequence that requires considerable time such as animation yet not want to tie up the camera for this use exclusively By hand cranking or by using the Electric Motor Drive over eight minutes of uninterrupted action can be filmed This makes the 200 foot chamber invaluab...

Page 8: ...Removing the Chamber FIGURES 3 4 and 5 show graphically how this is done Fig 3 Push aperture cover button to CLOSED Make sure exposure button 5 OUT 6 ...

Page 9: ... Raise chamber release until it snaps out L 7 Disengage chamber by swinging it down as indicated by arrows then lift it off ...

Page 10: ...Replacing the Chamber FIGURES 6 7 8 and 9 show the method of doing this Fig 6 Drive couplings are shown which must be engaged Pins engage holes automatically 8 ...

Page 11: ...Fig 7 Drive couplings engaged Push chamber in direction of arrows Push in and down on chamber release Fig 9 Push aperture cover button to OPEN 9 L ...

Page 12: ...film chamber so that no film is fogged when the chamber is removed from the camera You cannot run the camera when this button is at CLOSED The chamber cannot be removed with the button at OPEN If you wish to operate the mechanism of the Cine Kodak Special with the film chamber removed see instructions on page 54 Fig 11 10 l v ...

Page 13: ...r as it will go so that the FILM METER ARM will clear the spool Figure 12 TENSION LEVER FILM METER ARM Fig 12 With the camera is supplied a 50 foot spool a lOO foot spool and some dummy film with which to practice threading Save the spools After pushing TENSION LEVER in direction of the arrow in Fig 12 remove the spools Open the SPROCKET CLAMP by pushing in and down on the CLAMP RELEASE Figure 13 ...

Page 14: ...GATE TENSION LEVER SPROCKET CLAMP Fig 13 GUIDES TAKE UP SPINDLE SPROCKET KNOB rI STUD SPROCKET CLAMP SPROCKET Fig 14 12 SPROCKET ...

Page 15: ...nserting it in the slot Give the spool a few turns in the direction in dicated by the arrow A Figure 14 to make sure film is securely attached Be sure TENSION LEVER is pushed down as in Figure 13 then place the empty spool square hole down on the TAKE UP SPINDLE Figure 14 The TENSION LEVER can be released by pushing the lug near the hinge if this operation is forgotten the door will perform it aut...

Page 16: ...CLAMP RELEASES SPROCKET CLAMPS Fig 16 14 TENSION LEVER ...

Page 17: ... holding FILM METER ARM to the right and open the SPROCKET CLAMPS by pushing the CLAMP RELEASES in and away from the sprocket The chamber will now appear as in Figure 16 After removing the film from the carton and metal container unroll about two and one half feet of film and place the spool on the SUPPLY SPINDLE square hole down Thread the film over the top of the sprocket engaging the teeth with...

Page 18: ...ure 16 page 14 square hole down The threaded chamber should now appear as in Figure 17 A short trial run should be given to see if the threading is correct and the loops maintained as described for the lOO foot chamber Close the chamber by replacing the DOOR and rotating DOOR LOCK a half turn to the left Figure IS page 14 If the door does not close easily the sprocket clamps or the spools are not ...

Page 19: ...BER FILM METER Fig 18 CHAMBER FILM METER This meter operates on the circumfer ence of the supply roll of film and requires no setting Its purpose is to indicate the amount of unexposed film in the chamber whether the latter is on or off the camera CAMERA FILM METER This is geared to the camera mechanism and requires setting with each roll of film Its purpose is to provide an accurate measure of th...

Page 20: ...r pull down the tension lever as when loading and remove the full spool from the take up spindle Quickly replace it in its metal container To prevent edge fog unload only in subdued light or in the shade of the body The film is now ready for development Print your name and address plainly in the space provided on the back of the yellow carton Then return the exposed roll of film to your dealer who...

Page 21: ...in a motion picture camera can be accomplished only by increasing the number of adjustments giving the operator greater con trol over the way film is drawn through the camera and the manner in which the frames are exposed The next few pages give instructions in how to use the Cine Kodak Special as a simplified camera such as the Cine Kodak Model K which requires but two adjustments for each scene ...

Page 22: ...hile winding a bell signals when the camera is nearly wound about three turns before the stop is reached If you wish to continue winding after the bell rings turn the crank slowly to avoid undue strain on the motor stop Also a bell signals when the motor is nearly run down about 3 feet of film will be carried through after signal requiring about seven seconds at speed 16 The motor has a total run ...

Page 23: ... DIAL at 16 SHUTTER LEVER at OPEN With the speed and shutter fixed exposure control is confined to the diaphragm leaving but two adjustments to make before photograph ing each scene namely dia phragm and distance DIAPHRAGM Set the DIAPHRAGM POINTER at the figure that is next to the description of the prevailing ligh t condition on _ the EXPOSURE GUIDE For Kodachrome Film use the guide included wit...

Page 24: ...first or second finger of the left hand push the EXPOSURE BUTTON Figure 19 page 20 all the way in holding it there until you wish to terminate the scene Unless you are photographing long con tinued action a ten second exposure is effective for average scenes The EXPOSURE BUTTON can be locked in running position by pushing it in and down To unlock push button up then release For ordinary hand work ...

Page 25: ... to the last starting point open the shutter and start again Thus there need be no film wastage or failure to photograph the desired scene When the film is being wound backward for a lap dissolve or a double exposure the audible signal will be heard if the shutter is closed as it should be Finder THE eye level finder consists of two parts the FINDER proper which is attached to the mount of the I i...

Page 26: ...corded on film To compensate for parallax 6 FT and 2 FT lines are etched on the finder lens of the I inch f 1 9 lens They show the top of the picture when the subject is 6 or 2 feet respectively from the camera The finder lens of the adapter for the 15 mm f 2 7 wide angle lens is marked 4 ft and 2 ft and the adapter used with the telephoto lenses has masks with pointers that accomplish the same pu...

Page 27: ...osure given as it runs through the camera Too much exposure produces a picture that is too light insufficient exposure gives a picture that is too dark DIAPHRAGM DIAPHRAGM POINTER EXPOSURE GUIDE Exposure can be varied either by changing the camera speed or the shutter opening or by altering the size of the diaphragm in the lens SPEED and SHUTTER control the duration of exposure while the DIAPHRAGM...

Page 28: ...lighting conditions are very ppor When this is done you sacrifice normal action so you must warn the subject to move slowly to avoid rapid jerky motion pictures When the camera speed is increased each frame on the film remains behind the lens for a shorter time thus exposure is decreased If you decide to use speed 32 instead of speed 16 you cut the duration in half Therefore to give the film suffi...

Page 29: ...omewhat nearer and farther than that distance will be in good focus This range is called depth of focus or range of sharpness This depth is greater the smaller the diaphragm used For example the I inch f 1 9 lens wide open focused at 6 feet has a depth from S to 7 feet Objects not in that range will be blurred But when the smallest opening f 16 is used the depth increases so that objects from 2 fe...

Page 30: ...landscapes large buildings etc To panoram successfully hold the camera steady and move it very slowly and evenly You can hardly panoram too slowly The slow panoram is not used however when there is a subject that is to be followed and shown in action such as races etc Here the camera should be so moved as to keep the subject in the center of the finder Important Rules 1 Never try to take a picture...

Page 31: ...Fig 25 Figure 25 shows the TURRET HEAD turned at an angle The turret is turned by grasping either of the lenses or the turret itself and rotating it until the desired lens is on the film chamber side of the camera In rotating the turret it will be noted that when either lens comes in front of the aperture the turret snaps into position 29 ...

Page 32: ...Fig 26 The eight lenses and two adapters regularly available For use with the Cine Kodak Special 3D ...

Page 33: ... 5 15 mm f 2 7 2 inch f 3 5 or X 3 inch f 4 5 I inch f 1 9 272 inch f 2 7 or 472 inch X All filters interfere optically f 4 5 4 inchf 2 7 or 6 inchf 4 5 Lens mounts interfere optically 4 inchf 2 7 and 6 inchf 4 5lens 2 inch n 5 All lenses X mounts interfere physically when 2 inchf 3 5lens is racked out for close ups 15 mm f 2 7 I inch f 1 9 X 2 inch f 3 5 or 3 inch f 4 5 2Yz inch f 2 7 4 inch f 2 ...

Page 34: ... Remove the protec tive cap and plug before attaching lenses To remove a lens from the turret push the LOCK up and to the left so that the PLATE will be at an angle as shown in Figure 27 To attach a lens place the lens or suitable lens adapter over the LENS SOCKET in the turret with the two holes in the PLATE over the STUDS in Figure 28 Press the PLATE firmly against the turret and push it back to...

Page 35: ... a large diameter in relation to its focal length The smaller the f number the faster the lens When comparing I values for relative speeds the numbers must be squared USES OF VARIOUS LENSES The magnification of the image de pends upon the camera distance and the focal length of the lens With anyone lens the size of the image can be changed by moving the camera away from or closer to the subject Si...

Page 36: ... of the 6 inch lens is about 472 by 6 feet These lenses are very useful in filming natural history subjects or for taking candid close ups of people at a distance CLOSE RANGE WORK To work closer than the focusing scales per mit write for instructions on adjusting the lenses For even greater magnification send for particulars on auxiliary lenses and lens exten sion tubes FOCUSING TELEPHOTO LENSES E...

Page 37: ... times as many as normally F Suppose it takes one second for a Ig 29 ball to drop from a certain height If photographed at speed 64 4 times the normal number of frames will be exposed Projected at normal speed the 64 frames require four seconds In short the ball will drop in four seconds instead of one and the effect is slow motion Therefore the camera is speeded up to make the action slow slowed ...

Page 38: ...er it self when the SHUTTER LEVER is at CLOSED at CLOSED U OPEN at Yii OPEN and at OPEN Fig 30 The size of the shutter opening as well as the speed of rotation determines the duration of ex posure I OPEN I OPEN OPEN Fig 31 USES For the sake of simplicity most users will prefer to control exposure with the diaphragm and the camera speed eliminating the variable shutter by always using it at the OPE...

Page 39: ...ng C74 OPEN The exposure time is I reduced to a minimum necessitating good light and a fast lens FOR BLURRED BACKGROUNDS It may be desired in certain in stances to emphasize the subject in the foreground by throwing the background out of focus This can be done by using a larger diaphragm in the lens to decrease the depth of focus and reducing the shutter opening to avoid overexposure MASKS A SET o...

Page 40: ...l go as in Figure 35 Keep the important parts of the scene in the center of the picture to prevent obscur ingthesubjectwith themask The subject should have sufficient light colored areas to make the shape of the MASK mask clear SLOT The half masks are for double exposures see page 52 Keep the masks covered with prevent rusting Fig 33 a thin film of Cine Kodak Oil to 38 1 ...

Page 41: ...Effect when using oval mask Effect when using round mask I Fig 34 Fig 35 39 ...

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Page 43: ...ine Kodak Special and the exacting tasks imposed upon it It is designed to permit interchang ing the film chambers without removing the camera The tripod head can be panor amed horizontal ly vertically and diagonally at any speed yet can be locked in any po sition for double exposure and Fig 37 other work where accurate registration is es sential The camera can be pointed straight down Figure 38 o...

Page 44: ...t the camera can follow action forward backward to either side It is made in two easily assembled sections REFLEX FINDER THE REFLEX FINDER Figure 40 is valuable for exacting work be cause it shows an actual image formed by the camera lens It is there fore free from parallax described on pages 23 and 24 it also shows the focus visually It is absolutely necessary for extreme close up work REFLE FIND...

Page 45: ... for close ups If the image is dim open the lens diaphragm to its largest stop while composing and focusing FOCUSING The simplest quickest method of focusing whenever there is ample depth of focus is by estimating the distance and setting the focusing scale When depth of focus is at a minimum however it is a great ad vantage to focus visually with the reflex finder Average depth is lacking 1 when ...

Page 46: ... A Facie in A Facie out 44 ...

Page 47: ...de in and fade out serve to group scenes of one sequence The speed of fades should be in keeping with the tempo of the scene fades on a sunset should be very slow while those on athletic events and other scenes containing rapid action should be quite fast Fig 42 Fig 43 MAKING A FADE IN Set the SHUTTER LEVER at CLOSED Push in the exposure button in the usual way The instant the motor starts slowly ...

Page 48: ...otor will stop when this position is reached When moving the SHUTTER LEVER for fades be sure to bear to wards the front of the camera this will prevent the lever from stopping in the X OPEN and OPEN notches Do not operate the shutter lever for fades oftener than necessary at speed 64 DISSOLVES IMPORTANT Practice making dissolves several times with the camera empty before taking actual scenes Fig 4...

Page 49: ... end of the first scene note the CAMERA FILM METER indication or the FRAME COUNTER see page 50 2 Gradually push SHUTTER LEVER as far as it will go beyond CLOSED using two feet of film for the complete movement 3 Prepare to wind back the film by engaging the hand crank on the EIGHT FRAME SHAFT and holding it to prevent its turning then 4 Watching the METER hold in the EXPOSURE BUTTON and wind the f...

Page 50: ...Dissolving from a close up to a distant subject 48 Dissolving from a medium distance to a close up ...

Page 51: ...ly the same as when the camera is running on speed 8 There fore the normal exposure should be halved either by using the next smaller diaphragm opening or by using shutter at 4 0PEN Greatest uniformity of exposure from frame to frame is obtained by using the release only when motor is tightly wound Fig 45 ONE FRAME SHAFT Can be used for single picture work by attach Fig 46 49 ing to it the crank f...

Page 52: ...ill be useful when exposures are made with the SINGLE FRAME RELEASE and the ONE FRAME SHAFT as it gives the exact number of individual frames exposed FRAME COUNTER THE individual FRAME COUNTER is a dial graduated to indicate frames or individual pictures from 0 to 40 see Figure 47 One revolu tion of the dial indicates that one foot of film has passed through the gate At the figure 0 there is an ex...

Page 53: ...run or 4 feet 33 frames Close the shutter and wind the film backward to the 7 foot 23 frame position open the shutter and run to the 12 foot 16 frame position again Stopping at the exact frame for the second time requires some practice If there is motion in the scene it will be neces sary to watch the rotating dials and stop as close as possible to the desired position But if there is no motion it...

Page 54: ...g note on the CAM ERA FILM METER and the FRAME COUNTER the starting and stopping points of the scene With the SHUT TER LEVER at CLOSED wind back the film to the starting point with the crank on the EIGHT FRAME SHAFT and the EXPOSURE BUTTON locked in Figure 50 being cautious not to move the camera or tripod Place the person on the other side of the field change half masks set SHUTTER LEVER at the p...

Page 55: ...er opening must be maintained the light must not vary between halves The masks must be clean By watching the camera film meter for cues the action can be synchro nized between the two halves of the picture In using the horizontal half masks be sure that each mask is fully seated before making exposures Remember that to film the top of a scene use the mask with the lower opening and vice versa IMPO...

Page 56: ... camera is loaded and it is desired to run down the motor remove the film cham ber see page 6 and press the PLUNGER Figure 51 using a flat door key then push the EXPOSURE BUTTON in the usual way Before running down the motor note footage indication on CAMERA FILM METER and reset it to this figure after running down the motor NOTE When the camera is used with Fig 51 the Electric Motor Drive the spr...

Page 57: ...a must be hand cranked as in Figure S2 To hand crank the Cine Kodak Special allow the motor to run down and with the crank on the EIGHT FRAME SHAFT turn the crank in the directioil marked FORWARD For nor mal speed turn the crank two turns per second Setting the SPEED DIAL at 16 will help you to maintain this speed uni formly Turn the hand from the wrist do not rotate entire forearm as this tends t...

Page 58: ... SUPER SENSITIVE PANCHROMATIC SAFETY FILM SUPER SENSITIVE PANCHROMATIC is much faster than regular Panchro matic Film which makes it possible to photograph scenes that do not have sufficient illumination for regular Panchromatic Film Pictures can even be made at night without special lighting equipment For instance the light from two ordinary lOO watt lamps two feet from the subject will give good...

Page 59: ...Kodachrome Haze Filter will improve the results under some conditions When this film is used with Photoflood illumination the Kodachrome Filter for Photoflood should be used in front of the lens KODACHROME FILM TypE A is intended for Photoflood illumination but it can also be used in daylight When using the Photoflood Lamps no filter is required because the film has been corrected for the excess r...

Page 60: ...onship one to the other The result is a black and white picture of surpassing quality In outdoor photography marine or landscape where there is a bril liant cloud effect and when photographing all objects that include colors which act weakly on the sensitive film the use of the Cine Kodak Color Filter will be adva tageous The CK 3 filter is of the haze cutting or contrast type It is to be used for...

Page 61: ...U7 CK 3 is for the Cine Kodak Universal Filter Holder used on various lenses the IS mm j 2 7 Wide Anglelens and for the 6 inch jA S Telephoto lens U9 CK 3 is for the Cine Kodak Universal Filter Holder the 2Yz inch j 2 7 lens the 4Yz inch jA S and the 6 inch jA S Telephoto lenses UlO CK 3 is for the 2 inch j 3 S lens and 3 inch jA S Telephoto lens U12 CK 3 is for the Cine Kodak Universal Filter Hol...

Page 62: ... on page 79 PHOTO FLOOD LAMPS The No 1 Photoflood Lamp has a rated life of two hours on a llS volt line the No 2 Lamp is larger it has a life of six hours and gives twice the illumination Three or four No 1 Lamps will illuminate a medium sized room sufficiently when using Super Sensitive Panchromatic Film and with a lens used at f l 9 See exposur e tables on page 77 KODAFLECTORS High efficiency re...

Page 63: ...th you and that have never been filmed before Important In all multiple exposure work the camera must be locked on a rigid tripod to insure accurate registration of each successive image recorded Be sure to have the shutter closed when the film is wound back If you have inadvertently wound up the motor and find that you cannot wind back run down the motor with film chamber removed as de scribed on...

Page 64: ...d in Double exposure Ghost effect the normal way with normaI exposure After winding back and changing the half masks photograph the other half as described in the preceding paragraph Thus the film will be exposed a total number of three times for this scene wound back twice In think ing through this type of shot it can be readily seen that the ghost and the solid subject can be either the same per...

Page 65: ... outer housing fades away showing the mechanism housing the mechanism housing fades away showing the working parts some of the working parts fade away to emphasize the design and construction of other working parts To make such a scene first photo graph the finished product fade out wind back and remove the outer housing fade in and photograph the product without the outer housing etc etc The seco...

Page 66: ...OSURE THE types of double exposures you can make are almost without limit Half masks enable you to have human and animated subjects in the same scene By having a narrow tree or post in the center of the pic ture a group of people or a vehicle can hide behind it A person can be made to vanish into thin air simply by having him walk from one side of the field to the other thus crossing the dividing ...

Page 67: ...ed by using black backgrounds A man could appear to stand next to a pack of cigarets and will look no larger than Tom Thumb with the film exposed once with the camera close to the cigarets and againwith the camera far away from the man Since it is difficult to obtain black backgrounds of sufficient size to fill the field for the latter shot a good alternative is to place a piece of black paper wit...

Page 68: ...Same person appearing three times in picture Photo montage effect 66 Multiple exposure showing person clwarfecl on table with flowers ...

Page 69: ...ibili ties of animation to try your hand at the more complicated type say of a playlet with jointed dolls for actors To animate a subject expose a single frame move the subject a bit expose another frame move the subject a little more and so on The amount you move the subject each time determines the speed of the action on the screen It is necessary to decide on the approximate speed desired for i...

Page 70: ... as titles etc To produce a wipe the field must be blocked off bit by bit as single frames are exposed The film is then wound back and the next scene uncovered as single frames are made A method for accomplishing this is to have the camera mounted on a table with a piece of fine ruled paper such as graph paper laid flat on the table surface between the camera and subject Attach the paper to the ta...

Page 71: ...urned to the same position in relation to the graph paper and a new scene or title be fore the camera place the block so as just to cover the field Uncover the new scene by one square expose a frame and so on until the scene is entirely cleared Be sure to move the block in the same direction for both phases of the wipe The speed of the wipe depends upon the number of frames consumed in blocking of...

Page 72: ...ball of the thumb Backing and emulsion can be removed from the two polished tracks of the APERTURE PLATE and GUIDE by rubbing with a match covered with a clean cloth that has been dipped in car bon tetrachloride gasoline or any pop ular brand of dry cleaning fluid Do not use alcohol Also remove any dust or lint around the edge of the rectangular aperture Use great care not to scratch the polished ...

Page 73: ...ant when focusing accurately with the reflex finder If dust collects on the ground glass of the reflex finder slide the magnifier to the right and blow on the glass If this does not remove the dust wrap a small clean lintless cloth around a match stick and carefully wipe the top surface of the ground glass Do this very gently with light pressure To reach the mirror and the under surface of the gro...

Page 74: ...ermittently as before Wipe off excess oil particularly at those points near the film track as oil on the film will cause spots in the developed image Follow this same pro cedure for both the IOO foot and 2oo foot film chambers Finally remove the film chamber and lay the camera part flat so that the surface shown in Figure 56 page 73 is face up and oil the points indicated Run the camera intermitte...

Page 75: ...OIL Fig 55 OIL Fig 56 73 ...

Page 76: ... Toronto only The special Kodachrome Titles are obtainable at Rochester only CARD TITLES These titles for black and white pictures or on tinted base for Kodachrome pictures are limited to approximately 35 words and are made at the rate of three cents a word with a minimum of twenty five cents per title The minimum charge for an order is 1 00 SCROLL TITLES The Scroll Title is ideally suited for tho...

Page 77: ...m to us together with your order for them imme diately after you have projeCted it the first time Kodachrome Film cannot be duplicated in color although satisfactory black and white duplicates of it can be supplied Prices for duplicates 77 to 100 feet 5 00 100 feet or more 05 per foot Orders for less than 77 feet 06 per foot minimum charge 3 25 Duplicates are obtainable in the United States and Ca...

Page 78: ... sky Slightly Sun just obscured soft shadows cast j 8 Cloudy Also for clear days when only part of subject is in sunlight Direct Full sunlight distinct shadows cast II Sunlight Intensely Unusually brilliant sunlight without large shaded areas j 16 Bright Special directions for taking interiors at night are given on pages 77 to 79 This guide is for the hours from two hours after sunrise until two h...

Page 79: ... at 3 feet Number of Lamps 2 at 9 feet 2 at 6 feet 2 at 4 2 feet 2 at 3 feet and Distance between Lamps and Subject 3 at 11 feet 3 at 8 feet 3 at 6 feet 3 at 4 feet 4 at 13 feet 4 at 9 feet 4 at 7 feet 4 at 4 2 feet Use only for close ups Camera should be two to four feet from subject so that reflectors will not be included in the picture tNo 2 Photoflood Lamps should not be used unless Kodaflecto...

Page 80: ... be placed near the camera axis and at camera height By moving it toward and away from the subject the most pleasing amount of shadow illumination can be easily ob served Considerable life and sparkle can be put into the pictures by back lighting the subject This will give a pleasing result with a flat lighted subject with the main lights near the camera axis Since the light used for backlighting ...

Page 81: ...e illumination at speed 8 Total Wattage and Distance from Lamps to Subject 200 at 275 feet or 300 at 3 feet or 500 at 4 feet or 1000 at 6 feet 400 at 275 feet or 600 at 3 feet or 800 at 375 feet or 1200 at 475 feet 550 at 2 feet or 800 at 275 feet or 1200 at 3 feet Diaphragm Opening f 1 9 f 2 8 f 3 5 This table is for portraits and light colored interiors For dark colored interiors without people ...

Page 82: ...8 I I I 1 I 5 I 1 I 1 1 I 1 I n 1 11tI I 8t I 8 I I 6t 10 I I I I 319 I 21 10 11 10 I 115 115 I 1 I 1 1 I 2 I 1 10 1 111 I 8t I 9tI I 7 I 6 1I I 5 8 I 41 10 1317 31 1213 116 1111 1121 1 10 Illi l 181 811 6t 17i1 15t I I I 6 1 317 I 218 21 3 I 118 111 I 1 10 1 10tI I 8 I 8t I I 6 6t1 4i I 5t I I 4 I I I 5 I 31 I 21 3 I I I IlOtI I 8 I 8tI I 6t I 6 1I I 5 5 I 3 1 I 4t I I 3 I I I 4t I I I I I I I 9i...

Page 83: ...eds through a line voltage range of lOO to IL Gear shift and cali brated adjusting knob permit quick setting on any speed ftom r to 64 frames per second Large sturdy base equipped with tripod socket for r6 mm or profes sional tripods Motor directly connected to gears which run in oil Smooth acting positive coupling between gear box and Special Outfit includes lO foot cord small wrench and instruct...

Page 84: ...the lefe They can be fitted to any filter mount the U7 mount with the Cine Kodak Universal Filter Holder is the most con venient combination 6 inch f 4 5 CINE KODAK UNIVERSAL FILTER HOLDER WITH U1 FILTER MOUNT This combination simplifies the line of filter mounts since it fits the 1 2 2Y2 3 and 4Y2 inch lenses The U7 mount alone fits the 6 inch lens and 15 mm lens A threaded tube to give extra hoo...

Page 85: ...room or in a large auditorium Twelve different lens and lamp combinations are available making this Kodascope suitable to almost every conceivable projection condition The Kodascope Model L has many unusual features making it very easy to operate There is a beauty of appearance and dependability of performance thilt stamp the Kodascope Model L as outstanding among 16 mm projection equipment Price ...

Page 86: ... carrying case available on special order for camera and acces sories The case shown accommo dates the stand ard model cam era an extra 100 foot film cham ber three IOO foot rolls of film five accessory lenses and it has compartments for incidental accessories After deciding upon the accessories required every purchaser of the Cine Kodak Special will do well to acquire a sturdy attractive and usef...

Page 87: ...cene 5 Set shutter at OPEN and camera speed at 16 for average scenes 6 When camera speed is changedJ open dia phragm one stop for each higher speed 7 Panoram very slowly and evenly except when following a moving object 8 When using the reflex finder jt is desirable to use the lens wide open to obtain the brightest image Be sure to reset the lens for I proper exposure before taking pictures ...

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