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Under normal circumstances your loudspeakers

will be commissioned by your retailer or

consultant, who will have been trained in their

installation by KEF.

KEF strongly recommend that you do

not attempt to level your loudspeakers

single-handed.

Recruit the assistance of another adult -

or consult an authorised KEF Reference outlet

for assistance which may be chargeable if the

purchase was not made through them originally.

The spike/locking nut combination supplied is

designed to provide small adjustments, not to

compensate for seriously irregular floors.

A spirit level is provided with certain models to

gauge when the loudspeaker is perfectly level.

A rigidly-sited loudspeaker performs better than

one that can move because it enables the cabinet

to remain fixed while the drive units are allowed

to move as determined by the source signal. 

Best results will be obtained if the loudspeakers

are level and stable. Check the general stability

of each loudspeaker by gently rocking it from

side to side, front-to-back and diagonally.

Often, you will find that the loudspeaker is close

to vertical, but rocks because one spike (or two

spikes diagonally) seems too short.

If the general stability is good, but the

loudspeaker is leaning to left, right, backward or

forward, then equal minor adjustments to the

two spikes opposite to the direction of lean

should be made. 

Adjusting the Feet and/or Spikes

* Only supplied with

Model 207/2

*

The listening room is one of the most variable

elements in the hi-fi chain and its effect cannot

be emphasised too strongly, nor can its effects be

reliably predicted. Spacing the loudspeakers

approximately 2m - 3m (6ft. - 10ft.) apart will

allow the stereo images to develop fully.

You should sit at a distance at least equal to and

preferably greater than the distance between

the loudspeakers.

Positioning the loudspeaker in a corner or near

to a side wall is not recommended as the

significant bass boost caused by this position will

affect the sound and cause the stereo image to

deteriorate. However, placement close to the

front wall is catered for in the Uni Balance

feature (see later). It is best to place the

loudspeakers symmetrically within the room,

relative to the walls, ceiling and floor,

where possible.

Be aware also that soft furnishings near to a

loudspeaker will deaden the sound - similarly,

nearby reflective surfaces may brighten up the

sound. Move the loudspeakers until you are

satisfied that the sound is right and that the

stereo image is well defined.

Like all other KEF Uni-Q loudspeakers,

your Reference Series loudspeakers are

designed to be used with little or no ‘toe-in’.

However if required a ‘brighter’, or ‘sharper’

sound may be obtained by pointing the

loudspeakers directly towards the listening

position or adjusting the HF output

(via Uni Balance).

Loudspeaker Placement and Room Acoustics

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Summary of Contents for 202/2

Page 1: ...ray if however this is compromised and the dome itself is dented it will permanently impair performance 1 Avoid temperature extremes 2 Avoid damp 3 Avoid direct sunlight 4 Clean with the KEF cloth pro...

Page 2: ...es 10 Loudspeaker Placement and Room Acoustics 11 Loudspeaker Positioning 12 Amplifier to Loudspeaker Connections 14 Amplifier Requirements and Power Handling 14 Uni Balance Adjustment Models 201 2 20...

Page 3: ...st possible focus With properly recorded material and as part of a good quality system well set up loudspeakers with KEF Uni Q can reveal the location of each musical voice in the stereo image with pi...

Page 4: ...has the advantage of maintaining a slim profile for the cabinet and subsequently wide and even sound dispersion Internally however a tall slim enclosure suffers from strong top to bottom acoustic stan...

Page 5: ...c is timbre matched to the other Reference Series loudspeakers thereby allowing a seamlessly integrated 3D soundstage to be set up in the listening room The size has been chosen to allow it to be moun...

Page 6: ...site to the direction of lean should be made Adjusting the Feet and or Spikes Only supplied with Model 207 2 The listening room is one of the most variable elements in the hi fi chain and its effect c...

Page 7: ...13 12 2m 6 8 2m 6 8 Loudspeaker Positioning...

Page 8: ...ition tweeter level setting Three gold plated screw caps are supplied with each loudspeaker one for the LF and two for the HF adjustment LF Adjustment With the supplied cap screwed into the LF Adjust...

Page 9: ...adjusts the bass level depending on whether the loudspeaker is mounted freestanding or close to a TV or wall boundary In the Model 202 2c the television setting corrects the bass response for when th...

Page 10: ...n from one amplifier known as tri wiring or to separate power amplifiers driven from the same pre amplifier tri amping Further adjustment of this cable will allow connection of just two pairs of adjac...

Page 11: ...gle wire connections Centre loudspeaker bi wire connections Centre loudspeaker tri wire connections x8 x4 Loudspeaker bi amplification connections Loudspeaker tri amplification connections Loudspeaker...

Page 12: ...re guaranteed against manufacturing defects in both materials and workmanship For further details of how this guarantee affects you please read the enclosed Warranty leaflet It should be noted however...

Page 13: ...433 mm 43 5 x 11 2 x 17 in Finishes Piano Black High Gloss Cherry High Gloss American Walnut Satin Sycamore MODEL 205 2 Design Bass reflex three way floorstanding loudspeaker magnetically shielded Dri...

Page 14: ...esponse 15 horizontally off axis 3dB 53Hz 60kHz Crossover frequencies 400Hz 2 3kHz Amplifier Requirements 50 300W Sensitivity 2 83V 1m 90dB Maximum Output 115dB Impedance 8 3 2 min Bass Extension 40Hz...

Page 15: ...und quality in the mid band by using it as the surround to the loudspeaker diaphragm while using new materials for the diaphragm itself Cooke was always looking for new materials and settled on Bextre...

Page 16: ...ity an evolution of the 105 2 but with KEF s coupled cavity bass loading a system which positions the drivers internal to the enclosure each separately loaded and firing into a third common chamber wh...

Page 17: ...ed during 1996 but with the knowledge that all of his original and noble principles remained intact and would always do so Recognition that year for the Reference Series Model Four had reached a peak...

Page 18: ...ecular process known as adsorption the presence of the granules makes each enclosure sound twice as big as it actually is Yet more KEF innovations soon followed The KIT KEF Instant Theatre concept for...

Page 19: ...ber Lane Marlboro New Jersey 07746 U S A Telephone 1 732 683 2356 Fax 1 732 683 2358 GP Acoustics GmbH Heinrichstra e 51 D 44536 L nen Deutschland Telephone 49 0 231 9860 320 Fax 49 0 231 9860 330 GP...

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