Page 1: ......
Page 2: ...your own way is another unique feature of your instrument The basic purpose of this synthesizer is to allow you to demonstrate your own creativity and to deepen your self expression The challenge is y...
Page 3: ...n of LFO on VCF f Function of ENV I on VCF 3 3 VCA 8 a Gain Controller b Function of KYBD and ENV II on VCF 3 4 Envelope Generator 8 a Envelope Selector and Controller b Function of ENV II on VCA c Fu...
Page 4: ...control signals of t N rLT Exp P LFO and ENV I 3 VCA This is the amplifier which controls the volume of the sound signal at its attack or decay time On the 100F the volume can be controlled by two di...
Page 5: ...atch the positions shown in Fig 4 then play on the keyboard It will give you the 8 feet pitch sound which is equivalent to the pitch of pianos or organs Tuning the 100F with another musical instrument...
Page 6: ...ed to the VCF is selected by the Sound Source Selector which is placed on the right hand side of the Wave form Selector When it is set in the middle it transmits the sound source signai of the VCO Whe...
Page 7: ...Waveform Changing of the Changing VCO frequency Selector of depth ofDelay pitch level LFO Vibrato d Delay Vibrato The Delay Vibrato is the effect to obtain the vibrato a little while after a key is d...
Page 8: ...ial effects like a bird singing can be produced Now setting the Peak Contolier around LEVEL 6 then move the Cutoff Controller up and down It is noted that the frequency to be emphasized is changed by...
Page 9: ...e Gain Controller Fig 13 located at the upper right of the panel the voltage fed to the VCA increases and the sound begins to come out then gradually becomes larger If a note is depressed on the keybo...
Page 10: ...Envelope Selector of the ENV I to ADR AJ Then raise the Attack ENV I Changing Cutoff frequency Fig 16 Controller and depress a key The cutoff frequency rises gradually to the level which has been set...
Page 11: ...depressing a key only the wave form of a 1 is obtained Now switch the Operation Selector of the ENV I to LFO TRIG and depress a key Wave forms like Fig 19 a 1 2 3 are obtained continuously This is bec...
Page 12: ...ns strong fundamental tone the tone with the basic pitch of the sound and few overtones beyond the second harmonics the tone of one octave higher than the basic pitch The sawtooth wave which contains...
Page 13: ...ther for instance the pitch may have a sliding change And also there is a subtfe Vibrato in the sound Therefore by adding the pitch shift utilizing the Portamento or the Delay Vibrato you can create m...
Page 14: ...level Therefore set the Envelope Selector of the ENV II to ARif and adjust the volume during the attack time by the Attack Controller Also overtones increase almost equally at the first stage but they...
Page 15: ...then decays gradually The variation of the volume can be made by controlling the VCA with the ENV II The variation of the sound timbre features that the low overtones dominate at the beginning then ov...
Page 16: ...timbre The timbre change of the mandolin sound is that the overtones are enormousely emphasized at the beginning This is made by controlling the cutoff frequency of the VCF with the ENV I In order to...
Page 17: ...do this by the ENV II 4 Selecting the Sound Timbre and its Change When the changing state of both the volume and the pitch are already set determine the sound timbre and its change The sound timbre c...
Page 18: ...the volume gradually increases then fades down Set this effect by controlling the VCA with the ENV II 4 Setting the Effect of Repetitious Rolling Switch the Operation Selector to LFO TRIG to operate...
Page 19: ...n AUDIO CONTfiOLTOUAGE t AMPLIFIER B wsm m AMPLIFIER A Connection Ex 2 The third one 100F Connect the UPPER OUT of the 100F A with the SYNTHESIZER IN of the 100F B You can control the 100 B by the 10...
Page 20: ...t VCF CUTOFF PEAK VOLTAGE CONTROLLED FILTER rur EXP P r Fn t LFO ENV I t VCA 100F B ENVI SlOW LONG A s ATTACK DECAY ENVELOPE GENERATOR KYBD TRIG LFO TRIG ENVI yv Si ATTACK DECAY ENVELOPE GENERATOR VCO...
Page 21: ...W FREQUENCY OSC NK VCF 20KHz OSC CUTOFF PEAK VOLTAGE CONTROLLED FILTER DELAY VIB LFO t r n HPF ruri LFO ENV I r 2 SHAKUHACHI ENVI SlOW LONG A A 1 J ATTACK OECAY ENVELOPE GENERATOR KYBD TRIG LFO TRIG E...
Page 22: ...A Mb MODE PORTAMENTC VCF CUTOFF PEAK VOLTAGE CONTROLLED FILTER NKl n al exrp r B 4 VIOLIN ENVI ATTACK DECAY ENVELOPE GENERATOR KYBD TRIG LFO TRIG SLOW Envi LONG 1 J 1 A w r r Li ECAY I ATT ENVELOPE AC...
Page 23: ...IB LFO 1 1_ U0K INPUT I t CUT OFF PEAK VOLTAGE CONTROLLED FILTER I rLTLi T I I I t LFO HPF I6KH2 b s 10Hz CUT p DFF r 6 WIND Key FJ ENVI A A yV J 1 ATTACK DECAY ENVELOPE GENERATOR KYBD TRIG LFO TRIG J...
Page 24: ...LFO CUT OFF PEAK VOLTAGE CONTROLLED FILTER an r T i VCA _t 1 0 LFO ENV I Q ON 8 SIREN Key F2 ENVI s yi_ ATTACK DECAY ENVELOPE GENERATOR KY8D TRIG 4 U LFO TRIG ENVI SLOW LONG A ATTACK DECAY ENVELOPE GE...
Page 25: ...FO _Jl 1_ N T INPUT CUT OFF PEAK VOLTAGE CONTROLLED FILTER INN nil EXPP r r T LFO ENV I HPF glB 10Hz CUT OFF f 10 MOTORBICYCLE ENVI SLOW LONG ATTACK DECAY ENVELOPE GENERATOR KYBD TRIG i ff LFO TRIG EN...
Page 26: ...r VCA Control Selector Volume CUT OFF GAIN KYBD ENV II VOLUME Envelope Generator ENV I Envelope Selector Envelope Controller ENV II Same as ENV I Envelope Trigger Selector LFO Frequency Controller Wav...
Page 27: ...CV 7 18 GAIN A m HIGH OUT 4 HIGH PASS FILTER HPF 3 7 pi KYBD 8 KYBD TRIG 10 H LOW FREQUENCY OSC LFO 3s 6 8 LOW OUT 4 LOWER OUT 18 U MODE 6 50 NOISE 5 g pEAK 7 PORTAMENTO 6 RANGE 4 RELEASE 3 SUSTAIN 3...
Page 28: ......
