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A: Channel section: 

 

  All channels of powered mixers & mixing consoles are the same. 

 

 

 (MONO CHANNEL) 

 

(1)MICROPHONE 

Electronically Microphone inputs accept a standard XLR male connector. 

1.GROUND=shield,   2.HOT=signal input,    3.COLD=ground(shield). 

You can use max -60dB~ -10dB according to signal level by GAIN control.

   

(2)LINE INPUT 

Using by1/4"standard line connector, You can use unbalance(tip/signal) and 

balance(tip/ring/signal). It can be connected with keyboards or other electric instruments. 

Tip=positive  ring=negative  sleeve=ground. 

(3)LOW CUT 

This switch, when push, cut the input signal below 75Hz. 

(4)GAIN CONTROL 

Adjust input sensitivity from -60dB to -16dB with the MIC and -34dB to +10dB with the LINE. 

(5)HIGH FREQUENCY EQUALIZATION CONTROL 

Provides ±15dB of fixed frequency equalization that shelves at 12KHz. 

(6) MIDRANGE GAIN CONTROL 

It has up to 15dB of cut and boost, with a centre detent for off. 

(7) MIDRANGE CONTROL 

It is semi-parametric with peaking response, Q fixed at 1 octave, sweepable from 100 Hz to 8 

KHz. 

(8).LO FREQUENCY EQUALIZATION CONTROL 

Provides ±15dB of fixed frequency equalization that shelves 80Hz.

 

(9) AUX CHANNEL 

It provide PFL l reverb or be connected with other related equipments. 

(10) AUX SIGNAL SWITCH 

Adjusting the switch, you can know where the signals are from. 

(11) DIGITAL EFFECTS PROCESSOR 

It is integrated effects processor which offers 99 different standard effects like reverb, chorus, 

delay, pitch shifter and various combination effects. 

(12).PAN CONTROL 

The pan control sends continuously variable amounts of the post fader signal to either the 

 

Left & Right main busses. In the center position, equal amounts of signal are sent to the and 

right busses. As the control is roated in either direction, more signal is sent to the buss 

indicated in the direction of the rotation while less signal is sent to the other buss, if the control 

is turned all the way to one side, the signal is only. 

(13) PRE-FADER LEVEL(PFL) 

Pressing channel mode switch once disengages the stereo solo bus, and replaces it with a 

separate mono PFL bus. PFL should always be used for gain setting. 

(14) MUTE ON/OFF 

This switch, when push, put the signal into MUTE and output from alt3-4 

(15).CHANNEL FADER 

You can adjust the volume of signal sources which connected to the relevant channel.     

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