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(1) MICROPHONE 

Accepts a standard XLR male connector. Ground = shield / hot = signal input / cold = ground (shield). 

Maximum -60dB~ -10dB signal level set by the gain control. 
 

(2) LINE INPUT 

Accepts a standard 1/4 inch standard line connector. You can use unbalanced (tip/signal) and balanced 

(tip/ring/signal). Used to connect keyboards or other electric instruments. Tip = positive / ring = negative / sleeve = ground. 
 

(3) LOW CUT 

This switch cuts the input signal below 75Hz. 

 

(4) GAIN CONTROL 

Adjusts the sensitivity from -60dB to -16dB for mics and -34dB to +10dB for line input. 

 

(5) HIGH FREQUENCY EQUALISATION CONTROL 

Pr/-15dB of fixed frequency equalisation that shelves at 12KHz. 

 

(6) MID RANGE GAIN CONTROL 

Up to 15dB of cut and boost with a centre detent for off. 

 

(7) MID RANGE CONTROL 

Semi-parametric with peaking response, Q fixed at 1 octave, sweepable from 100Hz to 8KHz. 

 

(8) LO FREQUENCY EQUALISATION CONTROL 

Pr/-15dB of fixed frequency equalisation that shelves 80Hz. 

 

(9) AUX CHANNEL 

Provides PFL reverb or can be connected to other related equipment. 

 

(10) AUX SIGNAL SWITCH 

To set where the signals are sourced from. 

 

(11) DIGITAL EFFECTS PROCESSOR 

Integrated effects processor which offers 99 different standard effects like reverb, chorus, 

delay, pitch shift and various combination effects. 

 

(12) PAN CONTROL 

The pan control sends continuously variable amounts of the post fader signal to either the Left & Right main 

busses. In the centre position, equal amounts of signal are sent to the and right busses. As the control is rotated in either 

direction, more signal is sent to the buss indicated in the direction of the rotation while less signal is sent to the other buss. 
 

(13) PRE-FADER LEVEL (PFL) 

Pressing channel mode switch once disengages the stereo solo bus, and replaces it with a 

separate mono PFL bus. PFL should always be used for gain setting. 
 

(14) MUTE ON/OFF 

This switch, when pushed, sends the signal into MUTE and outputs from ALT 3-4. 

 

(15) CHANNEL FADER 

You can adjust the volume of signal sources which connected to the relevant channel. 

 

(16) & (17) STEREO 2 TRACK IN/OUT 

Used to record and playback mixer output. 

 

(18), (19), (22) & (23) LINE IN 

Line level inputs. 

 

(20) CTRL ROOM OUT 

Control room / headphone output. 

 

(21) MAIN OUT 

This output signal can be connected with external amplifiers and speakers. 

 
(24) HI MID 

Up to 15dB cut and boost at 3KHz mid and hi frequencies. 

 

(25) LO MID 

Up to 15dB cut and boost at 500Hz mid and low frequencies. 

 

(26) EFX PROCESSOR DIRECT IN 

External signals can be connected with the DSP input. 

 

(27) AUX SEND 

Aux signal output jack. 

 

(28) EFX SEND 

FX signal output jack. 

 

(29) AUX RETURN 

AUX output signal return jack. 

 

(30) EFX RETURN 

FX output signal return jack. 

 

(31) HEADPHONE JACK 

Output for headphones. 

 

(32) FOOT SWITCH 

 

 

Summary of Contents for KMD14.2

Page 1: ...truction manual updates and information on the entire Kam range visit www kam co uk Kam products are manufactured by Lamba plc Unit 1 Southfields Road Dunstable Bedfordshire United Kingdom LU6 3EJ Tel...

Page 2: ...sure that the power supply voltage of the area where this unit is to be used meets the required written on the unit The lightning flash symbol inside a triangle is intended to alert the user to the pr...

Page 3: ......

Page 4: ...ombination effects 12 PAN CONTROL The pan control sends continuously variable amounts of the post fader signal to either the Left Right main busses In the centre position equal amounts of signal are s...

Page 5: ...SENDS GAIN CONTROL Gives a further 15dB from the FX sends 38 AUX PFL 39 FX PFL 40 AUX OUTPUT CONTROL Adjusts the output level from AUX 41 FX OUTPUT CONTROL Adjusts the output level of FX 42 ALT 3 4 OU...

Page 6: ...UT FOR SIGNALS FROM AMPLIFIER Get different signals from the source 70 LEFT binding output red black 71 RIGHT binding output red black 72 LEFT Speakon output 1 2 1 2 73 RIGHT Speakon output 1 2 1 2 74...

Page 7: ...erter in DSP Sampling rate 31 25KHz 1MB SRAM chip for high quality stereo reverb and delay sounds Audio signal overshooting indication circuit on board Automatic audio mute activation during program c...

Page 8: ...Frequency response 20Hz 20KHz 2dB 20Hz 20KHz 2dB 20Hz 20KHz 2dB Distortion THD N 0 1 at 4dBu 20Hz 20KHz 0 1 at 4dBu 20Hz 20KHz 0 1 at 4dBu 20Hz 20KHz Channel fader range 10dB to 60dB 10dB to 60dB 10dB...

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