background image

 
OVERVIEW 

The KAM KAP1010 mixer is designed to give the DANCE DJ, MOBILE DJ, KARAOKE ARTIST, PUBLIC HOUSE AND SMALL 
CLUB INSTALLATION maximum flexibility and features for minimum cost. This mixer combines all the features required while 
maintaining a high level of build quality and specification. 
 

INPUTS 

KAP1010 is a 11 input mixer (max of 9 inputs at any one time). All the music channels have two separate inputs being a 

combination of Line/phono or Line/Line. The unit also features a dedicated microphone channel with bass and treble adjustments 
and combination JACK and XLR socket inputs, sound adjustment is via shared 5 band EQ. Care should be taken when 
connecting to the mixer that the correct connections are made. Connecting a CD player to the Phono input or a turntable to the 

Line input can cause damage to the unit. When connecting a turntable to the Phono input always use the signal earth cable from 
the turntable to the ground point on the mixer. NOTE: the line /phono switch above the input sockets must be set to phono and 
always use shielded signal cables to reduce hum and background noise. The unit should always be switched off when connecting 

cables. 
 

OUTPUTS 

The unit has two unbalanced outputs on the rear, 1 x Record Output (2) and 1 x Master Output (1) These can be Connected to 
either an external amplifier or tape deck. Care should be taken not to distort the output Signals above 0dB on the meters) as this 
could cause damage to the external equipment. 

 
MASTER OUTPUT CONTROL  

(3) This controls the overall output from the mixer to the PA System. NOTE: care should be taken not to produce distortion with 
these controls as this could result in damage to both the unit and any external equipment connected. 

 
LED DISPLAYS 

(4) The unit has two LED displays Left output, Right output The left and right output display shows the output level of the mixer. 

 
MICROPHONE GAIN CONTROLS

   

(5) The microphone channel has a rotary gain control. The gain control adjusts the input level allowing the user to reduce or 

increase the sound level. NOTE: care should be taken not to produce distortion with these controls as this could result in damage 
to both the unit and any external equipment connected. 

 
MICROPHONE TONE CONTROLS 

 

(6) The microphone channel has a Bass, and treble control. The master Output also has five band tone controls. NOTE: Care 

should be taken not to distort the output signal using these controls. 

 
CHANNEL SELECTORS  

(7) These are used to switch between Line / line input or Phono input on each channel. 

 

CHANNEL LEVEL FADERS  

(8) These are used to adjust the output level for each channel. NOTE: care should be taken not to produce distortion with these 
controls as this could result in damage to both the unit and any external equipment connected. 

 
PFL ASSIGN  

(9) Each channel has a PFL assign switch. This should be activated when you wish to monitor that channel through the 
headphone circuit. 

 

PHONES LEVEL  

(10) This controls the output volume of the headphones. Care should be taken not to have this set to high as it could result in 
damage to both the hearing of the user and the headphones. The channel to be monitored is selected via the cue assign control 

switch. 

 

MICROPHONE CONTROLS 

 

(5) The DJ/Mc or Vocalist microphone channel has its own dedicated gain control NOTE: To achieve the best results from the 
microphone channel check out our range of Kam Mics. 

 
POWER 

 

(11) The Power On LED will show the current status (lit = on). Ensure the mixer is turned off when connecting external 

Equipment. 

 

KAM PROFADE CROSSFADER 

 

(12) This allows the user to mix smoothly between both music channels selected on the crossfader assign. 

Reviews: