background image

AMPLIFIER CONTROLS

Input Sensitivity

These controls, labeled 

“Input Sens.”

,can be

used to match the source unit's output voltage(s)

to each input stage of the e4300M for maximum

clean output. Rotating an 

“Input Sens.” 

control

clockwise will result in higher sensitivity (louder for

a given input voltage). Rotating an 

“Input Sens.”

control counter-clockwise will result in lower

sensitivity (quieter for a given input voltage.) 

To properly set the amplifier for maximum clean

output, please refer to Appendix A (page 14) in this

manual. After using this procedure, you can then

adjust any or all 

“Input Sens.”

levels 

downward

if this

is required to achieve the desired system balance.

Do not increase any “Input Sens.” setting for

any channel(s) of any amplifier in the system

beyond the maximum level established during the

procedure outlined in Appendix A (page 14).

Doing so will result in audible distortion and

possible speaker damage.

Filter Controls

Most speakers are not designed to reproduce

the full range of frequencies audible by the human

ear. For this reason, most speaker systems are

comprised of multiple speakers, each dedicated to

reproducing a specific frequency range. Filters are

used to select which frequency range is sent to

each section of a speaker system.The division of

frequency ranges to different speakers can be

done with passive filters (coils and/or capacitors

between the amplifier outputs and the speakers),

which are acceptable and commonly used for

filtering between mids and tweeters. Filtering

between subwoofer systems and satellite speaker

systems is best done with active filters, which cut

off frequency content at the input to the amplifier.

Active filters are more stable than passive filters

and do not introduce extraneous resistance,

which can degrade subwoofer performance.

The active filter built into each channel of the

e4300M can be used to eliminate potentially

harmful and/or undesired frequencies from making

their way through the amplifier sections to the

speaker(s).This serves to improve tonal balance and

to avoid distortion and possible speaker failure.

Correct use of these filters can substantially increase

the longevity and fidelity of your audio system.

1) “Filter Mode” Control:

The e4300M employs a

12dB per octave filter for each pair of channels (one

filter for channels 1&2 and another filter for channels

3&4). Each of these filters can be configured

independently into one of two filter types or

defeated completely by way of the three-position

“Filter Mode” 

switches:

“Off”:

Defeats the filter completely, allowing the full

range of frequencies present at the inputs to feed the

amplifier.This is useful for systems utilizing outboard

crossovers or requiring full-range reproduction from

one or both of the e4300M’s channel pairs.

“LP” (Low-Pass):

Configures the filter to attenuate

frequencies above the selected filter frequency at a

rate of 12dB per octave.This is useful for connection

of subwoofer(s) to one or both of the e4300M’s

channel pairs in a bi-amplified system.

“HP” (High-Pass):

Configures the filter to attenuate

frequencies below the selected filter frequency at a

rate of 12dB per octave.This is useful for connection

of component speakers to one or both of the

e4300M’s channel pairs in a bi-amplified system.

2) “Filter Freq. (Hz)”

The filter frequency

markings surrounding this rotary control are for

reference purposes and are generally accurate to

within 1/3 octave or better. If you would like to

select the filter cutoff frequency with a higher level of

precision, consult the chart in Appendix B (page 15).

Tuning Hint:

If you are using the e4300M to drive

a subwoofer system (

“LP”

mode), a component

satellite speaker system (

“HP”

mode) or both,

100 Hz is a good baseline 

“Filter Freq. (Hz)”

setting. After properly adjusting the 

“Input Sens.”

,

as outlined in Appendix A (page 14), you can fine

tune the 

“Filter Freq. (Hz)”

control to achieve the

desired system frequency response.

JL AUDIO

e4300M 

7

TURN-ON LEAD

The e4300M uses a conven12V remote

turn-on lead, typically controlled by the source unit's

remote turn-on output.The amplifier will turn on

when +12V is present at its

“Remote”

input and

turn off when +12V is switched off. If a source unit

does not have a dedicated remote turn-on output,

the amplifier’s turn-on lead can be connected to

+12V via a switch that derives power from an

ignition-switched circuit.

The e4300M's 

“Remote”

turn-on connector is

designed to accept 18 AWG – 12 AWG wire.To

connect the remote turn-on wire to the amplifier,

first back out the set screw on the top of the

terminal block, using the supplied 2.5mm hex

wrench. Strip 1/2 inch (12mm) of wire and insert

the bare wire into the terminal block, seating it

firmly so that no bare wire is exposed. While

holding the wire in the terminal, tighten the set

screw firmly, taking care not to strip the head of the

screw and making sure that the wire is firmly

gripped by the set screw.

INPUT SECTION

The e4300M’s input section allows you to send

signal to the amplifier section through the use of

either two or four inputs and offers two distinct

input connection options.These are:

1)

Two pairs of traditional RCA type connections

designed to accept input from source units with line

level outputs. (This is the preferred input method.)

2)

An eight-pin connector designed to accept

input from amplified sources such as factory source

units or source units not equipped with line 

level outputs.

If you wish to send four discrete channels into the

e4300M, simply use all four inputs (channels 1 & 2

and channels 3 & 4) and set the 

“CH 3&4 Input

From”

switch to 

“Discrete”

.

If you wish to feed all four channels by using only

two channels of input, set the 

“CH 3&4 Input

From”

switch to 

“1&2”

and use only the inputs to 

channels 1 & 2.

The same input connection option does not

need to be used for each channel pair.The 

“Input

Sens.”

adjustment is independent for each channel

pair and must be adjusted based on input level and

the impedance of the load on that pair of channels.

Specific 

“Input Sens.”

adjustment information is

given in Appendix A (page 14).

6

JL AUDIO

e4300M

Summary of Contents for E4300M

Page 1: ...t to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its installation requirements and setup procedures If you have any questions regarding the instructions in this manual or any aspect of your amplifier s operation please contact your authorized JL Audio dealer f...

Page 2: ...erproof and it should not be mounted where it is likely to get wet IMPORTANT IMPORTANT JL AUDIO e4300M 3 Channels 3 4 Speaker Outputs pg 9 Channels 1 2 Speaker Outputs pg 9 PROTECTYOUR HEARING We value you as a long term customer For that reason we urge you to practice restraint in the operation of this product so as not to damage your hearing and that of others in your vessel Studies have shown t...

Page 3: ...wer connection If one is desired we recommend the use of a 40A AGU fuse or MaxiFuse type IMPORTANT JL AUDIO e4300M 5 PRODUCT DESCRIPTION The JL Audio e4300M is a four channel full range marine amplifier utilizing patented Absolute Symmetry Class AB technology for all channels The e4300M can be operated with a wide variety of source units and system configurations TYPICAL INSTALLATION SEQUENCE The ...

Page 4: ...of subwoofer s to one or both of the e4300M s channel pairs in a bi amplified system HP High Pass Configures the filter to attenuate frequencies below the selected filter frequency at a rate of 12dB per octave This is useful for connection of component speakers to one or both of the e4300M s channel pairs in a bi amplified system 2 Filter Freq Hz The filter frequency markings surrounding this rota...

Page 5: ...above make sure to connect negative wires to negative wires and positive wires to positive wires 2 Left Right Channel Information When bridged and fed by a stereo input a pair of the e4300M s channels will automatically combine the left and right channels into a summed mono left right channel This option is useful when using a pair of the e4300M s channels to drive a subwoofer system or a summed m...

Page 6: ...e ability to control the absolute level of the LF channels relative to the HF channels Set the Input Sens in the Channel 3 4 Controls section with the source unit s subwoofer level control set at 3 4 of full output See Appendix A page 14 for details Crossover Setup for Bi Amplified System with one e4300M Once the input sections have been configured appropriately go to the Channel 3 4 Controls Sele...

Page 7: ... settings as well as the subwoofer amplifier s settings and will not be user adjustable from the front of the vessel B Fade Subwoofer Level vs HF Level Required a source unit or processor with front and rear pairs of stereo outputs Input Connections one stereo pair of source unit outputs is connected to the CH 1 Left and CH 2 Right inputs of the e4300M select 1 2 on the CH 3 4 Input From switch Th...

Page 8: ...in the frequency range to be amplified for that set of channels 50 Hz for subwoofer channels 1 kHz for a midrange application Do not use attenuated test tones 10 dB 20 dB etc The Nine Step Procedure 1 Disconnect the speaker s from the amplifier s speaker output connectors 2 Turn off all processing bass treble loudness EQ etc on the source unit processors if used and amplifier Set fader control to ...

Page 9: ...make sure there is 12V at the Remote connection of the amplifier In some cases the turn on lead from the source unit is insufficient to turn on multiple devices and the use of a relay is required To test for this problem jump the 12V wire to the Remote terminal to see if the amplifier turns on If this does not work proceed to the next step Check the fuse not just visually but with a continuity met...

Page 10: ...JL AUDIO e4300M 19 18 JL AUDIO e4300M INSTALLATION NOTES Use this diagram to document your amplifier s switch and control positions ...

Page 11: ...ies therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO product All warranty returns should be sent to JL AUDIO s Amplifier Service Facility freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase a copy of the o...

Reviews: