1 (shield)
2
3
1
2
3
XLR/F to XLR/M Mi crophone Cable
TRS (Unbalanced) 1/4” Phone to XLR/M Cable
Ti p
Ring
Sleev e
1 (shield)
2
3
TS (Unbalanced) 1/4” Phone to XLR/M Cable
Ti p
Sleev e
1 (shield)
2
3
TRS 1/4” Phone to dual TS 1/4 ” P
hone
Ti p
Ring
Sleev e
Ti p
Sleeve (shield)
Ti p
Sleeve (shield)
XLR/M to RC A (phono) Cable
1
2
3
Ce
nter
Shield
TRS (Balanced) 1/4 ” P
hone to XLR/M Cable
Ti p
Ring
Sleev e
1 (shield)
2
3
1 (no connec tion)
2
3
1
2
3
XLR/F to XLR/M Audio Ground Lif t
Ti p
Sleev e
Ce nter
Sleeve (shield)
TS (Unbalanced) 1/4” Phone to RCA (phono ) C
able
CABLES AND CONNECTORS
XLR/F to XLR/M Microphone Cable
The standard cable for interconnection of microphone and line
level signal in professional audio systems.
• Microphone to mixer
• Microphone to PRX500 direct input
• Professional audio mixer to PRX500
• Daisy chaining PRX500 speakers
TRS (balanced) 1/4 inch phone jack
to XLR/M
For connecting balanced devices with 1/4 inch phone and maybe
used interchangeably.
TRS (unbalanced) 1/4 inch
phone jack to XLR/M
For connections of instruments with unbalanced outputs to balanced
XLR inputs.
TS (unbalanced) 1/4 inch phone jack
to XLR/M
This cable is electrically identical to “TRS (unbalanced) 1/4 inch
phone and maybe used interchangeably.
XLR/M to RCA (phono) cable
Connects consumer audio products and some DJ mixer outputs to
professional audio equipment inputs
TRS 1/4 inch Phone jack to dual 1/4
inch Phone jack
Splits a stereo output into separate left/right signals.
TRS 1/4 inch Phone jack to dual 1/4
inch Phone jack
Change to a TRS mini-phone jack to connect to the output of a portable.
MP3/CD – player and computer sound cards to a mixer or two PRX500
speakers for stereo performance.
XLR/F to XLR/M audio ground lift
Used to “telescope” a ground to eliminate hum caused by ground loops.
Use only with balanced in – and outputs
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