Hill Audio LMD-1402FX User Manual Download Page 11

PAGE 10

GLOSSARY OF TERMS

BALANCED 

A 3-conductor (including shield), low-impedance connection. 
Balanced cables are the preferred method for hum-free 
intercon¬nection of a sound system for their noise-rejection 
characteristics. (Also see Unbalanced.) 

BUS

 

An output destination in a mixer. For example, the left and right 
main outputs are called busses, because you can send a channel 
to one or both of them. Also spelled Bus. 

CHANNEL

 

One of any number of signal paths in an audio circuit, such as 
input channel, output channel, recording channel, left channel, 
right channel, etc. 

DELAY 

Like an echo, this effect duplicates the original signal, then plays it 
back at a rate you control. The rate at which these repeats occur 
is the “delay time.” 

EQUALIZATION

 

Electronic filters that adjust the level of certain frequencies. Used 
for tone enhancement or to reduce extraneous sounds. Two 
types of EQ shapes are Peak and Shelving, described below. 

IMPEDANCE 

Resistance in an electrical circuit measured in Ohms (

Ω

). 

Maintaining proper impedance (between amplifier and speakers 
for example) is important to prevent damage to the amp. 

PEAK EQUALIZER CONTROL

Increase or decrease of a frequency range centered at a specific 
point, resulting in an EQ curve that looks like a hill (increase) or a 
valley (decrease). 

PHANTOM POWER

 

A voltage signal that runs through a microphone cable to power 
condenser microphones. Harmless to microphones that don't 
need it, except for very old and/or damaged ribbon microphones. 

REVERB

 

An audio effect that emulates the echo reflections and decay time 
of a large space. 

SHELVING EQUALIZER CONTROL 

Increase or decrease of all frequencies above or below a specific 
point. (Compare to Peak Equalizer Control; see pages 8-9 for 
more information.) 

TRS 

Acronym for Tip-Ring-Sleeve — the three parts of a three-
conductor (including shield) audio plug. TRS phone plugs are often 
used for “balanced” mono connections, or stereo "unbalanced" 
(head¬phone) connections.

TS

 

Acronym for Tip-Sleeve, the two parts of an unbalanced, 
two-conductor (including shield) phone plug. TS connectors are 
some¬times called mono or unbalanced plugs or jacks. 

UNBALANCED 

A two-conductor (including shield), high-impedance connection. 
These are most commonly used for instrument connections and 
cable runs of less than 20 feet. 

XLR 

The three-pin connector universally used for balanced audio 
connections. A balanced connection reduces outside noise and 
interference. (See Balanced above.)

BLOCK DIAGRAM

USER MANUAL - LMD1402FX AUDIO MIXER

PHANTOM

MIC IN

+48 VDC

LINE IN

LINE IN LEFT (MONO)

LINE IN RIGHT

PEAK

PEAK

MONO CHANNELS

1 through 8

GAIN

EQ

75Hz

HI PASS

HIGH

MID

80

12K

2.5K

LOW

+4

–10

PAN

LEVEL

LEVEL

AUX2/FX

MAIN MIX

STEREO CHANNELS
9/10 and 11/12

L

L

R

R

PAN

L

R

AUX SEND

HEADPHONE
OUTPUT

LEFT

RIGHT

TAPE TO CTRL RM/
PHONES

AUX2 TO 
CTRL RM

TAPE TO MIX

CONTROL

ROOM/

PHONES

LEFT MAIN
MIX OUT

RIGHT MAIN
MIX OUT

LEFT

CONTROL
ROOM
OUTPUTS

RIGHT

CD/TAPE OUT

LEFT

RIGHT

CD/TAPE IN

AUX2/FX

METER

LEFT MAIN BUS

RIGHT MAIN BUS

AUX2/FX (POST) BUS

VARI

FX SEL

FX RTN

DSP EFFECTS

AUX1 (PRE) BUS

AUX1

AUX1

USB

CODEC

USB

ROUTING

Summary of Contents for LMD-1402FX

Page 1: ...RevA 10 2015...

Page 2: ...onnections to and from the product are neither subject to potentially des tructive mechanical impact nor present any risk of stumbling or other accident risk to people Audio equipment may generate sou...

Page 3: ...s specified for see sticker on power supply Whenever the specified voltage or your AC plug should not match the local conditions do NOT plug the AC cord into the wall outlet and contact your dealer im...

Page 4: ...on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic...

Page 5: ...so sends 48V phantom power to a microphone when Phantom Power is switched on 2 Line Input A input that accepts a line level signal Either a balanced TRS or unbalanced TS cable can be plugged in here 3...

Page 6: ...e effects processor When the clip turns on the effects are being distorted 15 Effects Preset Changes the effects processor preset as listed on the top of the mixer 16 FX Return The overall level from...

Page 7: ...section so that some instruments have more reverb than others 2 Setting up a headphone mix so that a recording musician can hear exactly what they want while you listen to your own mix 3 Creating a m...

Page 8: ...f the Main Outputs You might plug the main outs into a PA amplifier or a mixdown recorder All of the channels should show up at the Main outputs If they don t make sure that the Aux RCA to Mix button...

Page 9: ...t with short delays 3 Delay M Feedback from single repeat to long repeating echos Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Ti...

Page 10: ...2 3 1 3 1 2 3 1 2 cable side plug side red 2 black 3 shield 1 red 2 shield 1 3 tip sleeve ring tip sleeve ring red tip shield sleeve ring red tip black ring shield sleeve tip sleeve tip sleeve ring r...

Page 11: ...very old and or damaged ribbon microphones REVERB An audio effect that emulates the echo reflections and decay time of a large space SHELVING EQUALIZER CONTROL Increase or decrease of all frequencies...

Page 12: ...e 2006 95 EC EN60065 2002 A1 2006 A11 2008 A2 2010 ROHS Directive 2002 95 EC and is marked as follows Burnham on Crouch 09 October 2015 Authorized Signature Place and date of issuing Manufacturer Adel...

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