Hill Audio LMD-0502 User Manual Download Page 9

PAGE 8

EFFECTS SECTION

USER MANUAL - LMD1202FX AUDIO MIXER

PRESET

 

The LMD1202FX Effects Processor has 16 presets. Each of 
these is a different effect type. The preset names are listed on the 
top of the mixer. They are explained in further detail below. 

VARIABLE PARAMETER 

This knob changes the character of the effect depending on the 
effect type. It either changes the length of a reverb, the feedback/ 
repeat amount of a delay, or the depth of a modulation effect. See 
the preset descriptions below for more information on how this 
control works.

TAP

 

On effects presets with delay, press this button twice to set the 
delay time. This is useful for setting the delay time in tempo with 
the music. If you want a quarter note delay, press the Tap button 
on two successive beats of the music and the delay time will jump 
to that tempo. 

SIGNAL/CLIP LEDS

 

These show the level going to the input of the effects processor. 
When you send a channel to the effects processor, using the Aux 
Send knob, you should see the green Sgn light turn on. If the level 
gets too high, you'll see the red Clip LED turn on. If this happens, 
turn down the Aux Send knobs on each channel to avoid distorting 
the effects.

EFFECT PRESET CHART

The chart below describes the presets and what the Variable and Tap controls do for each one.

Preset

Name

Variable Paramenter

Tap Control

Description

1

Flanger

Depth, from low to deep

Classic stereo 

fl

anger with a slow sweep

2

Chorus

Depth, from low to deep

Chorus/ensemble effect with short delays

3

Delay-M

Feedback, from single repeat to long 
repeating echos

Delay Time

Simple mono delay, great for vocals and guitars

4

Delay-PP

Feedback, from single repeat to long echo

Delay Time

Stereo "Ping Pong" delay that jumps from left to right 
output for complex effects

5

RV Plate

Decay & Brightness - from Short/Bright to 
Long/Warm

Emulation of a '70s plate reverb – a smooth decay 
for instruments 

6

RV PPlate

Decay & Brightness - from Short/Bright to 
Long/Warm

Plate reverb with a short (20ms) pre-delay, perfect 
for adding space to vocals while keeping them clear 
and intelligible 

7

RV Room

Decay & Brightness - from Short/Bright to 
Long/Warm

Emulates a small studio room, great for adding  
ambience to drums and instruments

8

RV Hall

Decay & Brightness - from Short/Bright to 
Long/Warm

Gives the sound of a concert hall, ideal for 
keyboards, string, and wind instruments

9

RV Spring

Decay & Brightness - from Short/Bright to 
Long/Warm

-

The sound of a spring reverb, adds a funky vintage 
sound to guitars

10

VocD

Detune amount, light to deep

Vocal doubler effect – a Pitch shifter with a slight 
echo to fatten vocals or guitars

11

Rev+DelM

Reverb decay, short to long

Delay Time

Reverb with a short mono delay

12

Rev+DelPP

Reverb decay, short to long

Delay Time

Reverb with a short stereo ping-pong delay

13

RV+Chorus

Reverb decay, short to long

Reverb and chorus multieffect, nice on keyboards

14

RV+Flange

Reverb decay, short to long

Reverb and 

fl

anger multieffect, interesting with guitar

15

RV+VocD

Reverb decay, short to long

Reverb with vocal doubler multieffect, great for  
pop vocals

16

Rotary

Depth light to deep

Emulation of the rotary speaker from an organ, fun 
for guitars or keyboards

Summary of Contents for LMD-0502

Page 1: ...RevA 06 2014...

Page 2: ...onnections to and from the product are neither subject to potentially des tructive mechanical impact nor present any risk of stumbling or other accident risk to people Audio equipment may generate sou...

Page 3: ...same as this product is specified for see sticker on power supply Whenever the specified voltage or your AC plug should not match the local conditions do NOT plug the AC cord into the wall outlet and...

Page 4: ...s on Are their level controls turned up Do you need to switch phantom power on Look at the mark ings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic...

Page 5: ...p the GAIN on channel 2 9 Switch on your stage monitor Turn up the AUX knob on any channel you want to hear on stage Remember that the more microphones and speakers you use the more possibilities ther...

Page 6: ...hones and control room outs 14 Control Room Phones level Controls the level going to the Control Room outputs and the Phones outputs 15 Aux Send to Phones When pressed the aux send is sent to the Head...

Page 7: ...ts section so that some instruments have more reverb than others 2 Setting up a headphone mix so that a recording musician can hear exactly what they want while you listen to your own mix 3 Creating a...

Page 8: ...player to the PA between sets Pressing AUX RCA TO PHONES CONTROL ROOM means that only the Aux RCA input is heard through the Control Room and Phones outputs This is useful if you are recording the mi...

Page 9: ...t with short delays 3 Delay M Feedback from single repeat to long repeating echos Delay Time Simple mono delay great for vocals and guitars 4 Delay PP Feedback from single repeat to long echo Delay Ti...

Page 10: ...hield black tip sleeve tip sleeve red tip shield sleeve red tip black sleeve shield uncon 3 1 2 plug side 3 1 2 cable side red 2 black 3 shield 1 red 2 shield 1 3 2 3 1 3 1 2 3 1 2 cable side plug sid...

Page 11: ...hat don t need it except for very old and or damaged ribbon microphones REVERB An audio effect that emulates the echo reflections and decay time of a large space SHELVING EQUALIZER CONTROL Increase or...

Page 12: ...s Essex SS3 9QY UK We declare on our own responsibility that the equipment Hill Audio LMD1202FX is in conformity with the following directives and standards or regulations EMC Directive 2004 108 EC EN...

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