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Figure 6

5.1 mode - method 1 (switch in 5.1 position) 

In the second connection, method 2, all the monitor signal

outputs (normally left, centre, right, left surround and right

surround) are connected to the inputs on the HHB Circle 1,

and the outputs are fed to the loudspeakers. This method

filters the low frequencies (below 120Hz) from the

loudspeaker feeds. The sub-woofer is always driven from the

SUB input - it receives no low frequency information from

the other five inputs. This connection method is widely used,

since by removing the extreme low frequencies, the five 

full-range loudspeakers can be utilized more efficiently. This

method of signal connection makes the most of the 

Circle 1’s high quality filters.

Figure 7

5.1 mode - method 2 (switch in 5.1 position)

Using the HHB Circle 1 in ‘B mode’, the bass frequencies are

extracted from the left, centre and right inputs and not from

the SUB input. The left and right monitor signals (or left,

centre and right) are connected to the XLR inputs and the

bass (below 120 Hz) is filtered from these signals, equally

mixed together and fed to the sub-woofer. The rest of the

frequency spectrum from these inputs is output from the left

and right (or left, centre and right) XLRs as normal for

connection to Circle 3 or Circle 5 speakers. This mode allows

optimum flexibility with both stereo and LCR source formats.

Figure 8

B mode (switch in B position)

The three controls on the HHB Circle 1 allow simple

configuration for each particular surround setup. An input

sensitivity level adjusts the volume of the sub woofer, without

affecting any of the other signals that may be passing through

the filter stages of the unit. The bass boost control provides

approximately 10dB of boost in a half octave centred at 33Hz.

The function of this is to compensate for the frequency

response of the human ear when listening at low levels. The

boost control should be normally be set near minimum when

listening at mid to high levels, but the boost level may be

increased as the listening level is reduced. Please note that

the HHB Circle 1 is not designed to be used at full boost and

very high level. Some user adjustment is required to obtain

the optimum balance between the preferred sound and power

handling / power capacity of the system. The phase control is

provided to enable smooth integration of the Circle 1 with

other loudspeakers in the surround system; this control alters

the phase of the sub-woofer signal through 180°, enabling

the sub-woofer to blend with the other loudspeakers in the

system, whatever your monitoring requirements. The phase

control should be adjusted to obtain the best, smoothest

balance between the deep, mid and upper bass along with the

mid and high frequencies in the Circle surround system, with

the entire system installed and in the correct positions.

Summary of Contents for Circle 1

Page 1: ...STUDIO MONITORS CIRCLE SERIES Operating Instructions interstage Phistersvej 31 2900 Hellerup Danmark Telefon 3946 0000 fax 3946 0040 www interstage dk pro audio with a smile...

Page 2: ...2...

Page 3: ...Circle 3 rear panel fig 4 9 CIRCLE 1 10 Key features active 10 Active Circle 1 sub woofer rear panel fig 5 11 LOUDSPEAKER CONNECTION 12 Circle 5 and Circle 3 active 12 Circle 5 and Circle 3 passive 12...

Page 4: ...cones or grilles and a durable black paint finish on all models further strengthen the family resemblance With their high quality audio components and low distortion filters the HHB Circle studio mon...

Page 5: ...akers the mains power should be derived from a central set of outlets that have a solid ground connection Should a problem exist with hum loops the ground connections on the XLR input connectors shoul...

Page 6: ...h on and off axis Tight controlled low end performance Accurate bass treble driver time alignment 200mm 8 bass mid driver with a unique injection moulded cone for increased dynamics and minimal bass c...

Page 7: ...Figure 1 Active Circle 5 Rear Panel Figure 2 Passive Circle 5 Rear Panel MIN MAX 0 2 10 4 6 8 7...

Page 8: ...t 110mm 4 5 non resonant suspension coupling bass mid driver with a paper pulp cone optimised for smooth accurate sound reproduction with minimum distortion Individually tested ferro fluid cooled soft...

Page 9: ...Figure 3 Active Circle 3 Rear Panel Figure 4 Passive Circle 3 Rear Panel 9...

Page 10: ...Circle 1 Designed for use as an integral part of any surround sound monitoring system Increases the bandwidth of a loudspeaker system down to 33Hz Exceptionally low colouration and distortion 300mm 12...

Page 11: ...11 Figure 5 Active Circle 1 Sub Woofer Rear Panel...

Page 12: ...ff when connecting or disconnecting any signal to or from the loudspeakers or when changing the position of the selector switch since the loudspeakers and internal amplifiers may be damaged When audio...

Page 13: ...ity with both stereo and LCR source formats Figure 8 B mode switch in B position The three controls on the HHB Circle 1 allow simple configuration for each particular surround setup An input sensitivi...

Page 14: ...ngle where all sides are of equal length The listener should not sit too close to the speakers i e within this imaginary triangle since the important centre image sweet spot can be greatly affected wh...

Page 15: ...in films and pop music extreme low frequency effects as produced by the HHB Circle 1 are often felt rather than actually heard Since the Circle 1 sub woofer will only produce low frequencies often wit...

Page 16: ...mme 120W Crossover Pro grade components on fibreglass PCB critically damped 2 6kHz crossover Connectors Binding posts Dimensions HxWxD 420mm x 255mm x 300mm 16 5 x 10 0 x 11 8 Weight 10 0kg 22 0lbs ea...

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