background image

2

Introduction

Thank you for purchasing the Hydrive Bass Combo Amplifier from Hartke!  We know 

you don’t like reading owners manuals, but you’ve just purchased one of the finest 

bass amplifiers around, and we want to tell you about it.  So, before you plug in and 

start popping and slapping, we’d like to suggest you take just a few moments to scan 

these pages.  We’ll make it as painless as possible, we promise—and, who knows, you 

might just pick up a tip or two. 

The Hydrive series is new line up of 250-watt bass combo amplifiers featuring Hartke’s 

Hydrive hybrid cone bass transducers.  This manual covers three models, the 112C 

featuring a 300 watt, 12-inch Hydrive speaker, the 115C with a 300, watt 15-inch 

Hydrive speaker and the 210C with two, 150 watt, 10-inch Hydrive speakers. Hydrive 

transducers are a radical change, and improvement, in bass speaker technology. 

Hartke’s unique hybrid cone speaker is constructed using an outside paper cone 

producing deep and warm low frequencies and an inside aluminum cone that 

produces mids that cut, yet are still sweet. Hydrive speakers incorporate a cast frame 

design, supporting robust motors constructed with large voice coils and neodymium 

magnets providing increased power handling while being lightweight!  To complete 

the speakers systems, there’s a 1-inch titanium compression driver with level control, 

producing the high frequency response that allows you to get a sweet tone that 

cuts through the backline. All of the Hydrive combos feature 250 watts of true, clean, 

robust linear power. The beefy power supply features a massive toroidal transformer 

and oversize filter caps.  Plus, there’s internal protection circuitry to help protect 

the amplifier and speaker during power up and power down. The Hydrive combos’ 

front panel features a unique and powerful complement of signal processing and 

tone shaping controls. The Hydrive’s input has been designed to handle the output 

signal from virtually any bass - passive basses with low output pickups, to active 

basses powered by dual car batteries will work fine. Next to the input is a variable 

Compressor control that allows you to squeeze the signal just a little or quite a bit. 

You can use the Compressor to help keep the signal clean or to dial up a sound. The 

Hartke Shape control adds a pre-set equalization curve with a slight lift in the low 

frequencies, a cut in the mids and then a slight lift again in the highs. The Shape 

circuit has a backlit on/off switch to engage the Shape EQ circuit. As you turn the 

Frequency control, you are adjusting the center frequency so the entire contour curve 

is adjusted. For added control on stage, the Shape circuit can be controlled using 

the optional Hartke FS2 footswitch.  The Hydrive combos also feature Hartke’s Bass 

Attack Overdrive. The Bass Attack Overdrive section has three controls: Harmonics- 

which is used to set the amount of drive; Brite- to add highs that additionally excite 

the harmonics; Mix- that blends the overdrive and the clean signal. You can add just 

a touch, which is almost unnoticeable(until you turn it off), a modern overdrive, 

or you can even dial up a creamy fuzz tone. On stage, the Overdrive circuit can be 

controlled using the optional Hartke FS2 footswitch. For expanded tonal control, the 

Hydrive combos feature a 7-band graphic EQ with, +/- 12 db cut and boost allowing 

you tocontour a tone that’s perfect for your sound. Finally, the Bass and Treble 

controls (with Bass providing a low frequency shelving EQ at 100 Hz and Treble, a high 

frequency shelving EQ at 8 kHz). The Hydrive cabinets are constructed using high 

quality plywood with extensive bracing and dado joinery, which makes them rigid 

Summary of Contents for Hydrive 112C

Page 1: ...Hartke Hartke 112C 115C 210C...

Page 2: ...cep tacles and at the point at which they exit from the unit 11 Unplug this unit during lightning storms or when unused for long periods of time 12 Refer all servicing to qualified personnel Servicing...

Page 3: ...e of Contents Introduction 2 Hartke 112C 115C and 210C Combo Bass Amplifier Features 4 5 Guided Tour Front Panel 6 Guided Tour Rear Panel 8 Setting Up and Using Your Hartke Hydrive Combo Bass Amplifie...

Page 4: ...power down The Hydrive combos front panel features a unique and powerful complement of signal processing and tone shaping controls The Hydrive s input has been designed to handle the output signal fro...

Page 5: ...ind a warranty card enclosed please don t forget to fill it out and mail it so that you can receive online technical support and so we can send you updated information about this and other Hartke and...

Page 6: ...of an Hydrive Combos bass amplifier Bass and Treble plus a high quality seven band Graphic Equalizer allow you to create a broad range of tonal colors for your bass instrument In addition to the bass...

Page 7: ...or recording mixing consoles Bipolar circuit design ensures that every nuance of your bass performance is reproduced faithfully Rugged plywood construction makes the Hydrive Combos eminently road wort...

Page 8: ...compression circuitry When the LED is off for example when the Limiter knob see 3 above is set to Zero no compression is being applied When flashing compression is being applied to the incoming signal...

Page 9: ...e flat When a slider is moved up above the 0 position towards the 12 position the selected frequency area is boosted and when it is moved down below the 0 position towards the 12 position the selected...

Page 10: ...s F PRE POST switch This switch selects the routing of Direct Output signal from before or after the pre amp controls If PRE is selected the signal sent to the direct output is directly from the Input...

Page 11: ...has been designed to handle a wide range of input signals So If your bass has passive electronics that is if it has no battery or if your bass has active electronics that is if it has a battery you ll...

Page 12: ...ynamic range but an overall leveling of signal throughout the full pitch range of your instrument In the 112C 115C and 210C the Compression LED will be off when no compression is being applied will go...

Page 13: ...t you can plug any line level signal into the CD input including the signal from a keyboard or drum machine Connect the CD player or other Line level device to the CD Input using standard RCA cable Yo...

Page 14: ...At the fully clockwise position the filter is applied to the 1 kHz frequency area at the fully counterclockwise position the filter is applied to the 80 Hz frequency area Even when Shape is activated...

Page 15: ...Harmonics Finally MIX allows you blend between the origi nal clean signal and the overdriven signal If you want to add a little tube tone start with all three knobs at the 12 00 position Slowly move t...

Page 16: ...pproximately 15 db of boost and attenuation The Graphic Equalizer points are at 80 Hz 160 Hz 315 Hz 630 Hz 1 25kHz 2 5kHz and 5kHz and the sliders provide 12 db of boost and attenuation We carefully s...

Page 17: ...p reggae or Motown sound boost the Bass EQ moderately while attenuating the Treble EQ To remove boxiness and make your instrument sound more hi fi try attenuating the Mid EQ control For a twangy cutti...

Page 18: ...ow Remember 112C 115C and 210C use different speaker systems plus different basses are made of different wood and have different pick ups so the sound will vary a little bit on each individual set up...

Page 19: ...17 Hydrive Combo Sample Settings...

Page 20: ...18 Hydrive Combo Setting Template...

Page 21: ...19 Hydrive Combo Setting Template...

Page 22: ...Graphic 80 Hz 160 Hz 315 Hz 630 Hz 1 25kHz 2 5kHz and 5kHz 12 dB Fuse Type 3AG slo blo US Japan TAL time delay UK European Fuse Rating US Japan 5 0A UK European 2 5A Weight 112C 57 2 lbs 26 kg 115C 63...

Page 23: ......

Page 24: ...45 Gilpin Avenue Hauppauge New York 11788 8816 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 631 784 2201 www hartke com Hartke Hartke...

Reviews: