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5

Operating the  Bass Attack

Setting Up the BASS ATTACK

The basic procedure for setting up and using your Bass Attack is simple and takes only a
few minutes.  Remove all packing materials (save them in case of need for future service). 

Power the BASS ATTACK

You can power the Bass Attack with a standard 9-volt battery, a standard DC power
adapter, or by applying standard 48-volt phantom power. You can use which ever power
source is most convenient, however, you should keep in mind that there are, from time-
time, trade-offs. You may have a well grounded live sound or studio set-up that will not
exhibit ground loop problems, but when you are on the road or in other studios you can
have ground loops.  Because of possible ground loops, which are part of live sound and
recording, you may want to consider using a battery to keep the grounds from the Bass
Attack isolated from the grounds the rest of your gear. You can check the phantom or AC
operation with a quick sound check to listen for any buzzing. If there is no buzz you have
a well-grounded system. If your hear buzzing, go to battery operation. Hey, life’s a trade
off, so is powering your audio gear.

PHANTOM ON - OFF / GROUND CONNECT / LIFT SWITCH

The PHANTOM ON -OFF / GROUND CONNECT / LIFT SWITCH is a latching switch that
provides two functions at the same time. In the up position, the switch connects Ground
on the XLR cable, and by doing that, the switch also allows the unit to be powered by a
phantom power supply.  When the switch is set to the down position, the ground is discon-
nected, and therefore, the phantom power operation is disabled.

Using Phantom Power

If you are connecting to a mixer that has phantom power, the Bass Attack can be powered
by connecting a standard mic cable to the Direct Output. Be sure to check that the mixer’s
phantom power switch is set to the “on” position. Then, make sure that the PHANTOM ON
- OFF /GROUND CONNECT / LIFT SWITCH is out so that phantom power is enabled.

WARNING

: To avoid a possible loud pop that can damage speakers, be sure to mute your

speaker system and bass amp before un-plugging any mic cable with phantom power.

Summary of Contents for Acoustic Attack

Page 1: ...BASS PRE AMP DI...

Page 2: ...Copyright 2004 Hartke Version 1 1 Printed April 2004 Hartke 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

Page 3: ...3 Side Panel Layout 4 Operating the Bass Attack Powering the Bass Attack 5 6 Using the BASS and TREBLE Equalizer 6 Using the HARMONICS Control 7 Using the SHAPE Control 7 Bass Attack System Diagrams 8...

Page 4: ...re playing live you can take advantage of the two footswitches that let you change your sound by engaging the Shape or Harmonics The Bass Attack has extensive input and output connectors including 1...

Page 5: ...n be swept through the wide frequency range 5 LEVEL Used to adjust the overall Output volume 3 6 BRITE Used to adjust the extreme high frequencies 7 ON OFF LED RED LED which illumi nates to indicate t...

Page 6: ...ST switch When the switch is out the Direct Output signal is a parallel output of the input with no effects When the switch is pressed in the Direct Output signal is with effects E DIRECT OUTPUT XLR b...

Page 7: ...a quick sound check to listen for any buzzing If there is no buzz you have a well grounded system If your hear buzzing go to battery operation Hey life s a trade off so is powering your audio gear PHA...

Page 8: ...witch The HAR MONICS and BRITE controls are activated by the ON OFF switch and are engaged when the red LED is illuminated The SHAPE control is activated by the SHAPE footswitch and is engaged when th...

Page 9: ...re high frequencies Using the SHAPE control The SHAPE control applies a specialized 20 dB notch filter to the specified frequency area so that you can customize the effect of the Shape curve to best c...

Page 10: ...ost common applications for using a DI like the Bass Attack is getting the signal of a bass guitar into the PA system Simply put the low frequencies produced by bass are difficult to mic so use of a D...

Page 11: ...econd input with the LINE OUTPUT to create an effects loop This will allow you to add an additional effect like a digital multi effects processor for delay chorus and reverb and have them mixed in wit...

Page 12: ...to warm up your tone all the way to funky fuzz Note The shaded LED indicates that the footswitch is engaged Use these as a starting point then use your ears to adjust the control knobs to find the so...

Page 13: ...11 Bass Attack Set ups...

Page 14: ...Bass Attack Set ups 12...

Page 15: ...Bass Attack Set ups Template 13...

Page 16: ...Hartke 575 Underhill Blvd P O Box 9031 Syosset NY 11791 9031 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 516 364 3888 www samsontech com...

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