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16

AC75 and AC150 Effects Presets

00 

Medium Bright Plate.che

01 

Best Plate .che

02 

Medium Dark Spring.che

03 

Short Plate.che

04 

Long Bright Spring.che

05 

slapback 2.che

06 

slapback w verb.che

07  

Echo-Verb echo long verb.che

08  

slow st chor.che

09 

Hall Best Hall 2.che

10 

Hall Short Hall.che

11 

Hall Short Dark Hall.che

12 

Hall Short Bright Hall.che

13 

Hall Medium Hall.che

14 

Hall Medium Dark Hall.che

15 

Hall Medium Bright Hall.che

16 

Hall Long Hall.che

17 

Hall Long Dark Hall.che

18 

Hall Long Bright Hall.che

19 

Hall Best Hall.che

20 

Short Plate.che

21 

Short Dark Plate.che

22 

Short Bright Plate.che

23 

Plate Long Brite Plate.che

24 

Medium Dark Plate.che

25 

Medium Bright Plate.che

26 

med plate.che

27 

Long Plate.che

28 

Long Dark Plate.che

29 

Best Plate .che

30 

Short Spring.che

31 

Short Dark Spring.che

32 

Short Bright Spring.che

33 

Medium Spring.che

34 

Medium Dark Spring.che

35 

Medium Bright Spring.che

36 

Long Spring.che

37 

Long Dark Spring.che

38 

Long Bright Spring.che

39 

Best Spring.che

40 

slapback 2.che

41 

short echo.che

42  

420mS Delay high Feedback.che

43  

420mS Delay low Feedback.che

44  

550-275mS Delay cross Feedback.che

45  

550mS Delay high Feedback.che

46  

550mS Delay low Feedback.che

47  

650-325mS Delay cross Feedback.che

48  

650mS Delay high Feedback.che

49  

650mS Delay low Feedback.che

50  

flanger-reverb.che

51  

flanger-short reverb.che

52  

lt flanger-med reverb.che

53  

med flanger-med reverb.che

54  

slo flanger-long reverb.che

55  

flanger-long reverb.che

56  

stereo flanger-med reverb.che

57  

stereo flanger-long reverb.che

58  

whip flanger-short reverb.che

59  

whip flanger-long reverb.che

60  

slow chor short reverb.che

61  

slow chor med reverb.che

62  

slow chor long reverb.che

63  

med chor med reverb.che

64  

med chor long reverb.che

65  

fast chor short reverb.che

66  

fast chor long reverb.che

67  

trem chor med reverb.che

68  

trem chor long reverb.che

69  

big chor med reverb.che

70  

Echo-Verb 1.che

71  

Echo-Verb hard echo med verb.che

72  

Echo-Verb 2.che

73  

Echo-Verb 4.che

74  

Echo-Verb 3.che

75  

pre delay serial.che

76  

cross echo.che

77  

Echo-Verb echo long verb.che

78  

Echo-cross  verb.che

79  

echoverb.che

80  

Chorus 1.che

81  

Chorus 2.che

82  

Chorus fast.che

83  

deep slo chor.che

84  

deep fast chor.che

85  

med slo chor.che

86  

slow st chor.che

87  

leslie.che

88  

med leslie.che

89  

st chor.che

90  

slo lt flange.che

91  

lt flange.che

92  

deep slo flange.che

93  

deep lt flange.che

94  

deep lazer flange.che

95  

jet flange.che

96  

jet flange 2.che

97  

med flange.che

98  

med lazer flange.che

99  

strong flange.che

Summary of Contents for AC75

Page 1: ...Acoustic Instrument Ampli er...

Page 2: ...cep tacles and at the point at which they exit from the unit 11 Unplug this unit during lightning storms or when unused for long periods of time 12 Refer all servicing to qualified personnel Servicing...

Page 3: ...die Gefahr eines Stromschlags zu verringern sollten Sie weder Deckel noch R ckwand des Ger ts entfernen Im Innern befinden sich keine Teile die vom Anwender gewar tet werden k nnen berlassen Sie die...

Page 4: ...lg n objeto dentro de la unidad si esta ha quedado expuesta a la lluvia o la humedad si no funciona normalmente o si ha ca do al suelo ATTENZIONE per ridurre il rischio di incendio o di scariche elett...

Page 5: ...3 SAMSON 1 800 372 6766 Fax 631 784 2201 www samsontech com Table of Contents Introduction 2 Hartke AC75 and AC150 Acoustic Amplifier Features 3 Guided Tour Front Panel 4 Guided Tour Rear Panel 5 Set...

Page 6: ...ernal bracing Hartke engineers have applied the same careful approach in the selection of the critical components and with the internal construction to produce a sound that is truly unique to the Acou...

Page 7: ...d Piezo inputs on Channel 1 and XLR mic and RCA line inputs on Channel 2 You can add a splash of delay and chorus or gallons of lush reverb to either input channel using one of the Acoustic Ribbon s 1...

Page 8: ...2 Used to add effects to the signal connected to the Channel 2 input 12 FREQUENCY Notch Filter Used to set the center frequency for the Notch Filter 13 DEPTH Notch Filter Control Knob used to control...

Page 9: ...and effects is sent out of this 1 4 inch jack and can be used with the AMP IN jacks as an effects loop I AMP IN LEFT jack A connection directly into the left side power amplifier that can be used with...

Page 10: ...a battery use the PIEZO or passive input 4 Before we turn up the volume let s set the Acoustic Ribbon controls to the default setting for getting good sound quickly On Channel 1 set the GAIN knob to...

Page 11: ...0kHz Setting the BASS and TREBLE knobs to 0 twelve o clock position produces a flat frequency response To add more lows to the input connected to Channel 1 raise the BASS control above 0 and to reduce...

Page 12: ...er clockwise to descend through the preset list For this exer cise let use a large room reverb Use the SELECT control to choose preset number 08 Now slowly raise the effects LEVEL until you add the de...

Page 13: ...to connect a microphone first start by turning the main VOLUME all the way down Use a low impedance mic and make the connection with a standard XLR mic cable to the to the Channel 2 XLR mic input loca...

Page 14: ...of your instrument By using the NOTCH FILTER you can get the maximum level out of your amplifier without feedback The NOTCH filter has two controls FREQUENCY and DEPTH The FREQUENCY control is used t...

Page 15: ...nal from a acoustic pre amp or drum machine Connect the CD player or other Line level device to the LINE Input using a standard RCA cable If you connected a signal to the Channel 2 MIC input you will...

Page 16: ...equalizer and effects from the AC series preamp If you want send the signal of your instrument directly to the PA system set the PRE POST switch to PRE If you want the signal with the sound of the to...

Page 17: ...nge speakers and the right side of the effects will be heard in the right pair of 5 inch full range speak ers Using a standard shielded instrument cable connect the AC series rear panel PRE AMP OUT to...

Page 18: ...of cut or boost in five narrow frequency bands The five band graphic equalizer provides seven sliders each corresponding to a single narrow frequency band 100Hz 315Hz 1kHz 3 5kHz and 10kHz This allow...

Page 19: ...er The specific EQ you will apply to your Acoustic signal is very much dependent upon your particular instrument and personal taste and playing style However here are a few general suggestions For tha...

Page 20: ...he 45 550mS Delay high Feedback che 46 550mS Delay low Feedback che 47 650 325mS Delay cross Feedback che 48 650mS Delay high Feedback che 49 650mS Delay low Feedback che 50 anger reverb che 51 anger...

Page 21: ...dphone St TRS 1 4 phone Direct Output Male XLR Speaker System Impedance Ohms 4 Ohms Impedance Low Frequency Drivers AC75 2 x 5 Special Design Hartke full range 8 ohm 25 watt Drive Unit AC150 4 x 5 Spe...

Page 22: ...18 Notes...

Page 23: ......

Page 24: ...Hartke 45 Gilpin Avenue Hauppauge New York 11788 8816 Phone 1 800 3 SAMSON 1 800 372 6766 Fax 631 784 2201 www samsontech com...

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