17
8 MUTE
All outputs from the channel except inserts are on when the MUTE switch is released
and muted when the switch is down, allowing levels to be pre-set before the signal is
required.
9 INPUT CHANNEL FADER
The 60mm FADER, with a custom-designed law to give even smoother control of the
overall signal level in the channel strip, allows precise balancing of the various source
signals being mixed to the Master Section. You get most control when the input GAIN is
set up correctly, giving full travel on the fader. See the “Initial Setup” section on page 22
for help in setting a suitable signal level.
10 PFL
When the latching PFL switch is pressed, the pre-fade pre-mute signal is fed to the
headphones, control room output and meters, where it replaces the MIX. The PFL
ACTIVE LED on the Master section illuminates to warn that a PFL is active. This is a
useful way of listening to any required input signal without interrupting the main mix, for
making adjustments or tracing problems. When PFL is pressed anywhere on the console,
the Control Room outputs automatically switch from monitoring the Mix Outputs.
11 PEAK LED
This LED will light when the signal level approaches clipping at any of the three monitored
points:
a) PRE-EQ
b) POST-EQ
c) POST-FADE
Summary of Contents for EPM12
Page 1: ...1 User Guide User Guide User Guide User Guide User Guide...
Page 14: ...14 BLOCK DIAGRAM...
Page 30: ...30 TYPICAL CONNECTING LEADS...
Page 31: ...31...
Page 33: ...33...
Page 36: ...36...
