Gibson Digital Guitar, Owner'S Manual

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without the “dog ears” are nicknamed “soapbar” because the original cre a m - c o l o red plastic
covers on the 1952 Les Paul Model resembled bars of soap. When the P-90 was intro d u c e d
in 1946, it was the most powerful pickup of its kind. And it still is. Among the many exam-
ples of the P-90 sound are Carlos Santana’s Les Paul Special on Santana’s classic re c o rd i n g s ,
Leslie We s t ’s Les Paul Jr. with the group Mountain, and the Who’s Pete Townshend with an SG
Special on
Live at Leeds and at Woodstock.
Pickup adjustments. Although the pickups on each Les Paul are set to Gibson standards at the
f a c t o ry, they can be adjusted. The height of the pickup can be adjusted by the two scre w s
found at either end of the pickup, in the mounting ring. Individual string volume can be adjust-
ed by turning the polepiece screws. Bringing the pickup or pole screw closer to the strings
makes the signal stronger or “hotter.”
C o n t ro l s .
The standard Gibson electronic configuration is two pickups, four knobs, and a pick-
up selector switch. The four knobs provide individual tone and volume control for each pick-
up. Models with only three knobs provide individual volume and master tone control. Single
pickup models have only two knobs—for volume and tone control—and no pickup selector.