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Ambient
This
algorithm
mode
blurs
the
line
between
delay
and
reverb.
Repeats
get
more
diffuse
with
each
itera
‐
tion,
and
as
REGEN
knob
is
turned
up
the
echoes
wash
out
into
reverb
‐
like
ambience.
PARAM
knob
controls
the
type
and
level
of
a
secondary
pitch
‐
shifted
voice.
The
first
half
of
the
knob
range
constitutes
Perfect
‐
fifth
pitch
interval
and
the
second
half
constitutes
Octave
interval.
The
voice
level
is
adjustable
within
each
region
(loudness
increases
as
the
knob
is
turned
clockwise).
15
Perfect
5th
softest
PARAM
softest
loudest
loudest
Octave
Finally,
the
repeats
bounce
between
the
two
output
channels
(ping
‐
pong),
resulting
in
a
very
wide
stereo
impression.
As
such,
this
mode
works
best
in
stereo
setup.
To
summarize,
this
variation
mode
is
about
reverb
‐
like
ambience
+
pitch
‐
shifted
voices
+
stereo
rhythmic
groove.
There
are
lots
of
wonderful
sound
textures
to
be
discovered.
16
H
3
(3
‐
heads
delay)
This
is
a
model
of
tape
delay
with
3
“playback
heads”.
Each
input
sound
event
will
be
played
back
thrice
at
different
delay
times,
and
signals
from
the
playback
heads
are
re
‐
injected
into
the
feedback
loop,
creating
layers
of
warm
and
complex
multi
‐
tap
echoes.
4
choices
of
heads
matrix
configurations
(tap
patterns)
are
accessible
through
the
PARAM
knob.
PARAM
C
B
D
A
Heads
Matrix
configuration
(tap
patterns)
A
:
Pattern
I
B
:
Pattern
II
C
:
Pattern
III
D
:
Pattern
IV
*
As
the
REGEN
knob
is
turned
up
higher,
a
touch
of
reverb
‐
like
ambience
starts
to
appear,
and
the
stereo
spread
of
the
echoes
increases.
H
4
(4
‐
heads
delay)
Same
as
above,
but
with
4
playback
heads.