Genz Benz SHUTTLE MAX 12.0 Owner'S Manual Download Page 4

SIGNAL SHAPE

 – The SHUTTLE MAX 12.0 is equipped with 3 SIGNAL SHAPE circuits, each with a level control to 

adjust the amount of level the tone shaping circuit produces. 

L.F. BOOST – This filter adds low frequency peaking gain in the 35-65 HZ band range. This is especially effective 

when used with a 5 string bass.  The level control has a range of 0 to +7dB. This filter is unique in that it provides 

compound, asymmetrical slopes critical to achieving well-controlled low frequency extension.

MID SCOOP -- Engaging this switch generates a midrange frequency cut centered at 600 Hz. The level control ad-

justs the amount of cut from 0db to –15dB.

H.F. ATTACK -- adds a peaking high frequency boost in the 2.5K – 16 KHz range.  The level control has a range of 0 

to +7dB. 

LED indicators are provided to visually show when each filter is engaged. Each filter Q (bandwidth) is optimized for 

its particular function and is different for each filter. These functions are also foot-switchable from the 5-button foot-

switch. 

The switches on the amplifier’s faceplate must be in the out position for the footswitch to work properly.

MASTER VOLUME – 

The MASTER VOLUME

 

control adjusts the overall volume of the amplifier and the effects 

return. Typically, best results are obtained when this control is operated between the 9:00 and 3:00 positions.

OUTPUT LIMITER –

 The SHUTTLE MAX 12.0 contains an internal power amplifier “Soft Clip” LIMITER. This 

LIMITER allows simulation of the output stage saturation of a tube power amp output stage as the amplifier nears it 

maximum power. The LIMITER is a compound multi-stage analog circuit, is quite graceful in nature and is particularly 

musical sounding, even when driven hard.  

The amber output “LIMIT” LED shows limiting action for the first 6dB above the illumination threshold and then indi-

cates power amplifier clipping as the power amplifier gradually transitions into gentle clipping.

NOTE: In order to achieve full power from the amplifier the LIMIT LED may be flashing regularly.  If the LED is il-

luminated constantly then the amplifier output could be clipping.   With our unique LIMITER circuit you may not hear 

drastic “harsh” distortion but it is recommended to keep the LIMIT LED away from the “constantly on” state. 

MASTER SECTION STATUS INDICATORS -

•The “POWER” light indicates that the amplifier is ON and the low voltage power supplies are active.

•The red “PROTECT” LED indicates that the amp is in “PROTECT” mode. This LED may flash during power turn-on 

and turn-off.  This is normal. It will also illuminate during any internal fault condition. If this happens, turn the amp off 

and consult a repair technician.   

•The blue “SIGNAL” LED indicates that the power amplifier has received signal (over several watts output) and is 

performing properly.

•The Amber “LIMIT” LED indicates that the power amp has reached maximum power and/or the limiter

threshold has been crossed. Under high output conditions it is normal that this LED will light with the strongest pulses 

of the signal.  Driving hard beyond this point will cause the amplifier to gradually begin clipping.  

NOTE --- The PROTECT circuit senses both AMP A and AMP B power amp modules.   It is possible that if one mod-

ule goes into the PROTECT mode, the remaining power amp module will perform properly.   

In an emergency situation, if the PROTECT circuit engages during use, it is possible to unplug the failed power amp 

speaker cable at the amplifier connection and continue on with the remaining power amp module to complete the per-

formance.  Additionally, this amplifier utilizes redundant backup preamp power supplies, so that in the unlikely event 

of a power amp module failure, the backup power supply will automatically take over and supply the preamp insuring 

that the remaining module and direct output signal continues to function normally.

4

Summary of Contents for SHUTTLE MAX 12.0

Page 1: ... 4 band ACTIVE equalization with 2 sweepable midrange bands 3 switched SIGNAL SHAPE filters with level adjustments MASTER VOLUME proprietary OUTPUT LIMITER TUNER OUT AUX INPUT 3 EFFECTS LOOPS balanced DIRECT OUTPUT with GROUND LIFT PRE or POST EQ and MIC LINE switches HEADPHONE OUTPUT and 2 Neutrik NL 4 Speakon speaker jacks The power amp design is a powerful lightweight Class D design and is supp...

Page 2: ...ity for the FET channel It works somewhat like an Active Passive switch The amber LED indicates that the HIGH setting is selected The difference between the LOW and HIGH gain positions is approx 10dB Since there is a GAIN Switch provided for each channel this allows the player to set different gain structures for the FET or TUBE channels If the cleanest possible signal is desired we rec ommend tha...

Page 3: ...e the more radical the EQ boost and volume level of the PREAMP VOLUME control the more possibility of an overload condition If overloading of the TUBE channel is occurring adjusting the PREAMP VOLUME and or PREAMP GAIN controls down will reduce or eliminate the over load condition and adjusting the MASTER VOLUME control up will return the overall loudness Note It is OK for this LED to flash occasi...

Page 4: ...di cates power amplifier clipping as the power amplifier gradually transitions into gentle clipping NOTE In order to achieve full power from the amplifier the LIMIT LED may be flashing regularly If the LED is il luminated constantly then the amplifier output could be clipping With our unique LIMITER circuit you may not hear drastic harsh distortion but it is recommended to keep the LIMIT LED away ...

Page 5: ...our PREAMP VOLUME levels and your MASTER VOLUME levels operating in approximately the same range generally between 9 3 o clock This is not a hard fast rule but it is a good starting place NOTE In the TUBE channel if you are using an aggressive TUBE distortion your PREAMP GAIN may be set very high and your PREAMP VOLUME set very low to keep the O L LED from lighting In this case the MASTER VOL UME ...

Page 6: ...gnal is then fed into a custom high frequency transformer that steps the voltage down a high frequency rectifier and high ESR filter capacitors fin ish the process off by converting the high frequency AC signal back to the DC voltages that the amplifier s internal circuitry uses One advantage of this conversion process is that the DC power supply rails are refreshed more than 1000 times more often...

Page 7: ...urs a qualified service technician is required to correct the problem CHASSIS DESIGN The SHUTTLE MAX S ULTRA LIGHT DESIGN utilizes the highest quality aircraft grade computer machined aluminum chassis To clean the amplifier nothing more than a damp cloth and a little bit of glass cleaner like Windex should be used RACK MOUNTING The SHUTTLE MAX is designed to be rack mounted in a standard EIA style...

Page 8: ...pment should attempt to operate this device In addition by use of this device the user agrees to hold Genz Benz and its designers sales agents and all other affiliates and related parties harmless in the event of any accident injury damage or loss resulting from such use Manufacturer s sole responsibility is to provide a warranty on the specified performance of the product under normal operating c...

Page 9: ...1 2009 Conforms to the Following Standards X EN 55013 2001 A1 2003 X EN 55020 2002 A1 2003 X EN 60065 2001 A1 X IEC 61000 3 3 1994 A1 2001 X IEC 61000 4 2 X IEC 61000 4 3 X IEC 61000 4 4 X FCC 15 107 and 15 109 X RoHS Directive 2002 95 EC X WEEE Directive 2002 96 EC X CE Mark LV Directive 73 23 EEC A division of KMC Music Corporation Bloomfield CT 7811 E Pierce St Scottsdale AZ 85257 Ph 480 941 07...

Reviews: