background image

Shenandoah™ Acoustic Pro LT

ENGINEERING  SPECIFICATIONS

INPUTS

 

XLR Balanced channel input impedance:  

2.2 k ohms

 

XLR Balanced channel input sensitivity:   

-60 to –30 dBV

 

¼” Unbalanced channel input impedance:  

150 k ohms

 

¼” Unbalanced channel input sensitivity:  

-30 to +4 dBV

 

¼” Unbalanced aux. input impedance:    

10 k ohms

 

¼” Unbalanced aux. input sensitivity:    

-20 to +4 dBV

 

Phantom power (XLR Inputs)    

 

+13.6V

AMPLIFIER OUTPUT

 

 

Power at 8 ohm load:    

 

 

175 watts RMS

 

Power at 4 ohm load:    

 

 

300 watts RMS             

            THD + N (preamp):  

 

 

 

<0.1% typ.

 

THD + N (power amp):   

 

 

<0.1% typ.

 

Frequency response:    

 

 

20 Hz – 20 kHz +/- 1dB

CHANNEL EQUALIZATION

 

Low frequency:   

 

 

 

85 Hz shelving, +/-15dB

 

Mid frequency (sweep):   

 

 

250 Hz – 5 kHz , peaking, +/-12dB

 

High frequency:  

 

 

 

8 kHz shelving, +/-15dB

DIRECT OUTPUTS

 

XLR balanced output level:  

 

 

-30 dBV nominal

 

XLR balanced output impedance:  

 

150 ohms

 

¼” unbalanced output level:  

 

 

+4 dBv nominal

 

¼” unbalanced output impedance:  

 

1 k ohm

EFFECTS LOOP

 

¼” unbalanced output level:  

 

 

-10 dBV

 

¼” unbalanced output impedance:  

 

1 k ohm

 

¼” unbalanced input level:  

 

 

-10 dBV

 

¼” unbalanced input impedance:  

 

47 k ohm

 

¼” TRS effects cancel jack:  

 

 

short tip or ring to sleeve to cancel

DIGITAL EFFECTS

 

Processor type:  

 

 

 

Wavefront™ DSP engine

 

Internal processing:  

 

 

 

24 bit

 

A/D converter:    

 

 

 

24 bit – 64X over-sampling

 

D/A converter:    

 

 

 

24 bit – 128X over-sampling

 

Dynamic Range:  

 

 

 

80 dB

 

THD + N (1 kHz):  

 

 

 

<0.01%

 

Sampling rate:    

 

 

 

48 kHz

INTERNAL PRESET EFFECTS PROGRAMS:

 

3 – Plate Reverbs  

 

 

 

1 – Chorus/Plate

 

3 – Room Reverbs  

 

 

 

1 – Chorus

 

2 – Hall Reverbs  

 

 

 

1 – Flange

 

1 – Rotary Effect  

 

 

 

2 – Delays (long and short)

 

1 – Chorus/Room  

 

 

 

1 – Bypass

Due to continuing product improvements and changes, all specifications are subject to change without notice

7

Summary of Contents for Shen Pro LT

Page 1: ...qualizers with a sweepable midrange frequency band This powerful equal izer circuitry was developed specifically for use with acoustic instruments and offers maximum flexibility in tone shap ing and feedback control A Phase Switch is also provided to reduce acoustic feedback and enhance both the feel and response The advanced design of the FET TUBE preamp 300 watt power amp and light weight cabine...

Page 2: ... biased condenser mics will not be compatible and will require 48 volt phantom power Some suggested live sound condenser mics AKG C4500B C4000B Elle C C5 Audio Technica AT3035 3032 ATM 710 CAD C195 P12 Shure SM2 86 SM 48 and Crown CM 200A CM200 ASW CM 310A CM 310ASW PREAMP GAIN CONTROL This level control sets the amount of gain at the Input of the Preamp Use this control to set the input level in ...

Page 3: ...zation will be common to both inputs on the channel ON BOARD DIGITAL EFFECTS The Shenandoah Acoustic Pro LT contains two studio quality 15 program digital effects processors We chose industry standard digital signal processing for realistic high quality effect algorithms Not all effects will be suitable for all types of instruments or playing styles but everyone should find a good selection of sol...

Page 4: ... until it becomes second nature but soon you will find out just how quick it can be You will hear a clear and obvious accentuation of the ugliness you wish to remove Then reduce the gain control until the sound you desire is attained The ear is a most sensitive and discriminating piece of test equipment when used in this manner another good reason to protect them This is the way many touring sound...

Page 5: ...supply to achieve unprecedented high performance and light weight packaging The switch mode power supply utilizes high frequency switching to reduce the size and weight of the magnetic and filter components while increasing the performance by recharging the power supply rails about 120 000 times each second The class D amplifier uses digital PWM pulse width modulation techniques similar to those i...

Page 6: ...ith the operation of high powered professional audio equipment should attempt to opera this device In addition by use of this device the user agrees to hold Genz Benz Enclosures Inc and it s designers sales agents and all other affiliates and related parties harmless in the event of any accident injury damage or loss resulting fro such use Manufacturer s sole responsibility is to provide a warrant...

Page 7: ... DIRECT OUTPUTS XLR balanced output level 30 dBV nominal XLR balanced output impedance 150 ohms unbalanced output level 4 dBv nominal unbalanced output impedance 1 k ohm EFFECTS LOOP unbalanced output level 10 dBV unbalanced output impedance 1 k ohm unbalanced input level 10 dBV unbalanced input impedance 47 k ohm TRS effects cancel jack short tip or ring to sleeve to cancel DIGITAL EFFECTS Proces...

Page 8: ...ition 100 115 230 240V 50 60Hz Effective Date 12 01 2007 Conforms to the Following Standards X EN 55013 2001 A1 2003 X EN 55020 2002 A1 2003 X EN 60065 X IEC 61000 3 3 1994 A1 2001 X IEC 61000 4 2 X IEC 61000 4 3 X IEC 61000 4 4 X FCC 15 107 and 15 109 X RoHS Directive 2002 95 EC X WEEE Directive 2002 96 EC X CE Mark LV Directive 73 23 EEC A Kaman Music Company Bloomfield CT 7811 E Pierce St Scott...

Reviews: