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a bs o l u t e   f i d e l i t y

This results in a perfect line-source ribbon generating a continuous 
and perfectly coupled wave front. The benefit of this to the listener is 
a wide and even horizontal dispersion yielding a large and highly 
stable sweet spot.  

Mid-Bass Couplers 

In order to create a “sound bridge” between the midrange ribbon and 
the bass section, the 450XS incorporates two 6.5inch metal cone 
mid-bass couplers. One front and one rear firing, again working as a 
dipole. 

Made of aluminum, this metal cone is extremely light and stiff. The 
driver is hence capable of handling the huge dynamic range 
demands of the system while maintaining extremely low coloration 
and excellent transient response. 

The Servo-bass Advantage 

Very few loudspeakers use servo drive, either because most 
designers think that it is too difficult to design, too expensive or 
because of the extraordinary demands a servo system makes on 
the amplifier and the transducer. However, the Chief Scientist of 
Genesis, Arnie Nudell, first introduced the servo system in the 
legendary Infinity Servo Statik One in 1968(!) – so we know how to 
design and build servo systems. 

The concept of the Genesis servo bass system is an easy one to 
understand: It employs an accelerometer as a sensor, to constantly 
monitor the movement of the woofer cone and instantaneously 
compare it to the input signal. This comparison circuit identifies any 
deviation from the input, and instantaneously applies a corrective 
signal to compensate, thus practically eliminating the inherent 
distortion of the woofer. 

As an example, when you have a high-impact, low-bass signal that 
starts and stops suddenly (for example a tympani), the inertia of the 
woofer cone makes it slow to start moving, and then after it is 
moving, the momentum of the cone makes it continue moving even 
after the signal has stopped. 

The sonic result is overhang, bloat, lack of tautness and definition, 
and a blurring of dynamic impact. With the servo system, the circuit 
senses that the woofer is not moving as fast as it should and it 
instantaneously applies much more current to make it move faster. 

Summary of Contents for 450XS

Page 1: ...NECTIONS 5 CONTROLS 5 TUNING THE SYSTEM 6 ADJUSTING BASS GAIN 6 LOW PASS FILTER 6 IMAGING AND SOUNDSTAGE 7 FURTHER ADJUSTMENTS 8 THE REFINEMENT STAGE 9 ROOM TREATMENT 10 MASTERING THE REFINEMENTS OF T...

Page 2: ...the performer Standing 57 inches tall 23 5 inches deep and only 14 5 inches wide the Genesis 450XS is a diminutive giant By means of an active servo bass response down to 16Hz is achieved and the full...

Page 3: ...5kgs each so we suggest a minimum of two strong people to move the speakers around We will not be held liable for damage to either the speakers or your backs during unpacking and setting up Room Place...

Page 4: ...his purpose We do not recommend using an extension cord for the 450XS due to the high power demands of the 1000W amplifier However if you MUST use an extension cord use an extremely heavy duty one Bef...

Page 5: ...able to connect the output of your preamplifier to the Preamp level input RCA connector on the back plate of the 450XS Using this connection switch the Bass Input Selector to the up position This will...

Page 6: ...his control will be addressed later Turn the gain control of the woofer amplifier up or down until the voice sounds correct Whatever controls you use turn them up and down only a little at a time less...

Page 7: ...t there are several remedies that will address this If the vocal appears to be larger than life you should first check the system volume Is it a volume that would be appropriate for someone actually s...

Page 8: ...phone the music may appear to come directly from the loudspeaker This is normal Typically however the sound should appear to be detached from the loudspeakers A simple rule of thumb to follow is that...

Page 9: ...ll the speaker away from the front wall This is typically preferable to separating the two speakers too far and will almost always give you better depth and soundstage information A word of caution ho...

Page 10: ...is wall to wall and with pinpoint focus the speakers disappearing completely on a recording containing such information Room Treatment No room is perfect To optimize your sonic presentation it may be...

Page 11: ...ers or absorbers behind you for best sound Absorption behind the listener is usually beneficial Mastering the Refinements of the system Fine tuning an audio system is an art that will take time and pa...

Page 12: ...ipoles radiate the same sound from both front and rear out of phase in a push pull fashion Thus the sound waves from the front and back of the speakers cancel each other out as they radiate from the s...

Page 13: ...er However the Chief Scientist of Genesis Arnie Nudell first introduced the servo system in the legendary Infinity Servo Statik One in 1968 so we know how to design and build servo systems The concept...

Page 14: ...lt in 1000W servo amplifier for the bass section Aluminium cone Woofers The transducer used in a servo system must be strong enough to withstand the high current approach of the servo yet delicate and...

Page 15: ...amounts of current to make the woofer follow the input signal Combined with the metal cones this means that the amplifier used must deliver extraordinarily large amounts of clean power In the 450XS t...

Page 16: ...designed loudspeaker system For example by going the more expensive route of using several smaller capacitors in parallel instead of a single big one transparency and musicality were improved Specifi...

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