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Once the studio monitors have been placed in their final location, it is time to proceed to connecting your

made using XLR or TRS connectors.  The gain control on the back of the monitor allows continuously variable
adjustments to match most input types from -10dBV to +4dBu. The input is electronically balanced and is
compatible with unbalanced sources, although this may require an adapter.  The connection of  the  PM-1 MK

to the console/digital workstation should be done in the following order.

Setup Instructions

continued

Back Panel Overview

Step 1: Make sure that all equipment has been powered down.
Step 2: Confirm that all gain controls, on the monitor and the source, are set to the minimum setting.
Step 3: Connect the source to the PM-1 MK

 monitor.

Step 4: Power up the all source equipment and then turn on the PM-1 MK

 last.

Step 5: Set the gain of both monitors at medium setting and slowly bring up the gain of the console.
Step 6: Adjust the gain of both monitors for balance and for best signal to noise ratio

Once the above steps have been completed, you are ready to use your PM-1 MK

monitors. It is

recommended that you now play some familiar audio material and make any final adjustments, as far
as placement or level, to get the optimum performance in your monitoring environment.

1. XLR & TRS Combination Input

This input is an electronically balanced input and

is compatible with both -10dBV and +4dBu

signals.

2. Continuously variable gain control

This control adjusts the input level to the internal

amplifiers.

3. Heatsink

The heatsink dissipates heat from the amplifier.  It

is important the heatsink receives proper

ventilation and is not placed near any sources of

heat.

4. Power Switch

Turns power to the amplifier section on or off.

On - position is the spot side.

The apparatus shall be used in an open area.

5.  Standard IEC Power Input

This power terminal should be used with a

properly grounded three pin power cable, such as

the one provide with the product.

p-5

WARNING:

To reduce the risk of fire or electrical

shock, do not expose this equipment to rain or

moisture. Do not remove cover.No user serviceable

parts inside.Refer servicing to qualified personal.

PM-1 MK

Ⅱ 

studio monitors to the mixing console or digital workstation. Connection to the PM-1 MK

can be

AVIS: RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

INPUT

G A I N

M A X

O F F

POWER

AC IN

1

2

3

4

5

PM-1 MK

Summary of Contents for PM-1MKII

Page 1: ...Introduction Unpacking Setup Instructions continued Product Cleaning Instructions Setup Instructions Back Panel Overview Safety Instructions Cable and Wiring Information Product Specifications Declaration of EC Directive p 3 p 5 p 6 p 4 p 5 p 2 p 6 p 6 p 7 p 1 PM 1MK ...

Page 2: ...8 19 20 21 22 23 NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED SERVICE PERSONNEL SHOCK DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE manufacturer 10 11 Power Sources The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance Grounding or Polarization The precautions that should be taken so that the g...

Page 3: ...ad this manual so that you may take full advantage of all the benefits of the Fostex PM 1 MKⅡ Professional Studio Monitor manufacturing techniques Prior to unpacking your Fostex PM 1 MKⅡ Studio Monitor carefully inspect the packing material for excessive damage Once it has been determined that the packing material has not been compromised carefully unpack the PM 1 MKⅡ Studio Monitor and inspect it...

Page 4: ...ic center aimed at seated ear height Monitoring Angle 60 Degrees easiest way to determine this is to place the speakers in such a way that the position should equal 60 degrees The distance between the left and right monitor is equal to the monitoring distance listening position see Figure speakers be toed in towards the The PM 1 MKⅡ was designed to be mounted 2 It is also recommended that both lis...

Page 5: ... PM 1 MKⅡ monitors It is recommended that you now play some familiar audio material and make any final adjustments as far as placement or level to get the optimum performance in your monitoring environment 1 XLR TRS Combination Input This input is an electronically balanced input and is compatible with both 10dBV and 4dBu signals 2 Continuously variable gain control This control adjusts the input ...

Page 6: ...ems susceptibility to external interference Another important tip to keep in mind when wiring your system is to route all line level cables away from the AC and other power sources this will reduce the probability of having AC hum emanating from your studio monitors 215mm W 380mm H 283mm D includes heatsink 250mm D cabinet only no heatsink 8 5 W 15 H 11 25 D includes heatsink 9 7 8 D cabinet only ...

Page 7: ...87 0300 FAX 33 1 4987 0324 FRANCE Cedex France NAME Noretron Oy Audio ADD P O Box 22 FIN 02631 Espoo Finland TEL 358 9 5259330 FAX 358 9 52593352 FINLAND NAME Mega Audio GmbH ADD Stromberger Str 32 D 55411 Bingen Germany TEL 49 6721 94330 FAX 49 6721 32046 GERMANY NAME Bon Studio S A ADD 6 Zaimi Street Exarchia 106 83 Athens Greece TEL 30 210 3809 605 606 607 608 FAX 30 210 3845 755 210 3827 868 G...

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