Key To Illustration:
1.Voice Input 1 Volume
2. Music Input 1 Volume
3. Music Bass & Treble
4. Punch Button for mp3 In
5. Music2 Input Volume
6. iJax Cable Input
7. USB Power Charging
8. Power On/Off
9. 24V DC In
10. USB Power Charging
11. Balanced Mic XLR In
12. TRS Mic Input
13. Mic Insert Socket
14. Mic Gain trim pot
15. Mic Bass Cut
16. Music1 RCA Inputs
17. Music2 RCA Inputs
18. Master Level Control
19. Music Mute
Relay Connector
20. Left & Right
Channel Outputs
21. Mono Output
22. Music Only Monitor
(MOM) Output
4.1 Use the
MOM (MUSIC ONLY MONITOR)(22)
to drive an on-stage foldback monitor for the
instructors to hear the beat. We recommend using a powered wedge speaker positioned at the
back and centre, firing up from the floor of the stage, of a size and power that will do the job.
You could also install a smaller powered speaker on the ceiling about a metre in front of centre
stage firing down at the instructors head. It
ʼ
s all about letting the Instructors hear the beat as
loud as they want it on stage without the mic giving any feedback problems.
5. Power On
With the speakers connected to the power amplifier, connect the 24VDC Power Pack to
your power point, turn the
Power Switch (8)
on and make sure the full system is fully powered
up. There
ʼ
s a cable restraining post to secure the DC plug, so wrap the cable once around to
prevent it being accidentally pulled out.
6. Setting the volume levels.
Start from the end! Firstly adjust the level controls of your power amplifier - set its volume
controls up to maximum. Next set the
Master Level (18)
on the rear panel to the minimum
point using a small screwdriver and the
Mic Trim (14)
screwpot to about half way.
6.1 Minimum Level Volume Control
You
ʼ
ll notice that the
MUSIC 2 Volume Control (5)
doesn
ʼ
t have a true “off” position. This is
intentional. Set your MP3 Player to the loudest output setting and plug the white iJax cable into
the headphone socket and the other end into the mixer socket (
6)
. Make sure the Music 2
Volume Control is set at minimum. Now start a typical loud track playing from the player and
adjust the Master upwards to establish a minimum loudness level for talk-over purposes. Now
you can increase the loudness from there up to high energy class levels the same as you
would get from a CD.
6.2 Setting the microphone level.
Check that the receiver's mic/line output selector (if there is one) is set to MIC. If you're
using receiver with a variable output volume control then turn the it to the midway or 12 o'clock
position. Next turn the
Voice (1)
control on the Aeromix up to the 2 o'clock position. Put the
OUTPUTS
MOM
MONO
RIGHT
LEFT
MUSIC MUTE
4
1
CD IN
MP3 IN
MASTER
VOLUME
MIC
TRIM
MIC
FILTER
MIC INSERT
— MIC INPUTS —
24V DC IN
USB
POWER
—
—
!
"
#
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'(
&)
VOICE
MUSIC 1
MUSIC 2
ALT. 2 IN
USB
POWER
OFF
ON
BASS
TREBLE
PUNCH
OUTPUTS
MOM
MONO
RIGHT
LEFT
MUSIC MUTE
4
1
CD IN
MP3 IN
MASTER
VOLUME
MIC
TRIM
MIC
FILTER
MIC INSERT
— MIC INPUTS —
24V DC IN
USB
POWER
—
—
!
"
#
$
%
&
'
(
')
'* '% '$ '# '!
'"
'&
*
''
&'
&&
'(
&)
VOICE
MUSIC 1
MUSIC 2
ALT. 2 IN
USB
POWER
OFF
ON
BASS
TREBLE
PUNCH
