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7

Parallel or series are the two basic ways which
multiple speakers can be connected to a single
power amplifier.  When speakers are connected in
parallel, their combined impedance decreases.  For
speakers wired in series the opposite is true, their
combined impedance increases.  Also, when
speakers are wired in series, higher impedance
speakers in the series draw more power from the
amplifier than do speakers in the series with lower
impedances.  When speakers are wired in parallel,
the opposite is true. 

At Fender

®

, we recommend connecting multiple

speakers in parallel for several reasons.  First, if one
speaker fails, the others will continue to operate.
Second, because in a series connection one
speaker affects the output of the other speakers,
unpredictable frequency response is a concern.
Third, most speaker cabinets are already wired for
parallel connections making parallel connections the
most common wiring method.  

When using your SRM 6302 / 8302, be sure that the
minimum load connected to each channel is 4
ohms.  Below are two charts demonstrating how to
calculate both parallel and series impedance.

Additionally, power and audio signal cables are the
most common sources of sound system failure.
Well made and carefully maintained cables are
essential to the reliability of the entire sound system.
If long speaker cables are required, it is important to
ensure the cable is sufficient to transfer all of the
available amplifier power to the speakers rather than
absorbing the power itself.  As a rule of thumb,
larger wires are better as they conduct more power
to the speakers (larger wire has smaller gauge
numbers).  

Below are two charts listing speaker wire gauges
and recommendations for best results.

SPEAKER WIRING AND CONNECTIONS

*Example - If the speaker wire length
required is between 25-50 feet (7.60-
15.25 meters) and the speaker
impedance is 8

, the minimum

recommended speaker wire gauge is 16.

100'-UP

(30.5 m-UP)

   50'-100'

(15.25-30.5 m)

  *25'-50'

(7.60-15.25 m)

   10'-25'

(3.05-7.60 m)

     0'-10'

(0.00-3.05 m)

SPEAKER WIRE GAUGE

SPEAKER IMPEDANCE [z]

SPEAKER WIRE LENGTH

AWG

Resistance in 

 per foot

(30.5 cm) @ 77º F (25º C)

18

16

14

12

10

.00651

.00409

.00258

.00162

.00102

8

.00064

0.83

1.32

2.10

3.32

5.27

8.38

10

12

14

12

14

16

14 *16

18

16

18

18

18

18

18

4

*8

16

Cross-

Section

[mm ]

2

Cabinet A

Impedance

Cabinet B

Impedance

16

*

8

8

* 16

PARALLEL IMPEDANCE

*Example-  Cabinet A is 8 ohms.  Cabinet B is
16 ohms .  The total impedance when connected
in parallel is:

+

-

+

-

+    -

A

B

*Example-  Cabinet A is 4 ohms.  Cabinet B is
16 ohms.  The total impedance when
connected in series is  4  +  16  =  20 ohms.

2

n

1

Z

Z

Z

...

+

Z s =

2

n

1

18

20*

24

32

10

12

16

24

6

8

12

20

4

6

10

18

Cabinet A

Impedance

Cabinet B

Impedance

16

*

8

4

2

2

4

*

8

16

+

-

+

-

+    -

B

A

SERIES  IMPEDANCE

5.3*

8

4

5.3

...

1

1
Z

1
Z

1
Z

+

Z p =

1
8

1
16

+

1

= 5.3 ohms.

Z

p

=

Summary of Contents for SRM 6302

Page 1: ...6 3 0 2 8 3 0 2 6 3 0 2 8 3 0 2 Owner s Manual for SRM 6302 8302 P N 050804 REV A From Fender Pro Audio POWERED MIXERS...

Page 2: ...be treated with special care and attention to detail At Fender we know what building quality musical instruments and sound reinforcement equipment is all about In fact many of the world s best soundi...

Page 3: ...input jacks and stereo RCA input jacks your SRM 6302 8302 can accommodate almost any input connection and signal level Ideal for live music churches auditoriums hotel conference or meeting rooms your...

Page 4: ...level output is designed to feed the SRM 6302 8302 s main bus signal to an external power amplifier or main house mixer J PA 1 IN This 1 4 inch TS unbalanced line level input jack allows the SRM 6302...

Page 5: ...nal sent to the main mix H MAIN The main output volume control of the SRM 6302 8302 Any adjustments to this control will affect the signal level at the Main Out as well as PA1 and PA2 depending upon t...

Page 6: ...Connecting a load of less than 4 ohms may result in unsatisfactory performance such as overheating to the point of thermal shutdown PA 1 Out jacks are intended for the main speakers The use of the PA...

Page 7: ...ility of the entire sound system If long speaker cables are required it is important to ensure the cable is sufficient to transfer all of the available amplifier power to the speakers rather than abso...

Page 8: ...ment ON then the SRM 6302 8302 8 Increase volume controls and effects level controls to their desired levels listening for feedback or ringing 9 When shutting down the SRM 6302 8302 turn OFF the SRM 6...

Page 9: ...on the operating surface heat sink grille volume and tone controls switches and line cord ALWAYS unplug the SRM 6302 8302 before cleaning it or approaching it with fluids Before plugging in the SRM 6...

Page 10: ...djusts the amount of signal sent to the main bus where all channel signals are summed The Main control in the master section adjusts the volume level to the main speakers The Monitor control in each c...

Page 11: ...e SRM When PA 2 is assigned to the main front of house enclosures be sure one enclosure is connected to a PA 1 Out jack and the other is connected to a PA 2 Out jack 3 The Effects control in each chan...

Page 12: ...main bus for additional power to the front of house speakers When PA 2 is assigned to the main front of house enclosures be sure one enclosure is connected to the PA 1 Out jacks and the other is conne...

Page 13: ...r speakers by connecting a small shielded jumper cable from the Mon Out jack to PA 1 In Next connect the PA2 power amp to Monitor Out by placing the PA2 Assign switch to the Mon position The Monitor c...

Page 14: ...R EFFECTS REVERB MAIN PHANTOM EFFECTS IN L MONITOR EFFECTS REVERB MAIN PHANTOM PHANTOM POWER SWITCH 48 VDC REVERB DELAY LINE REVERB RETURN TO MONITOR EFFECTS REVERB RETURN TO MAIN MAIN GRAPHIC EQ MONI...

Page 15: ...15 dB 30 Hz Mid 15 dB 750 Hz High 15 dB 15 kHz GRAPHIC EQUALIZER 12 dB 63 125 250 500 1 k 2 k 4 k 8 k and 16 kHz OVERALL AMPLIFIER 3 dB 10 Hz to 3 dB 50 kHz FREQUENCY RESPONSE Line In 10 mV PHANTOM PO...

Page 16: ...5 mV CHANNEL TONE CONTROLS Low 15 dB 30 Hz Mid 15 dB 750 Hz High 15 dB 15 kHz GRAPHIC EQUALIZER 12 dB 63 125 250 500 1 k 2 k 4 k 8 k and 16 kHz OVERALL AMPLIFIER 3 dB 10 Hz to 3 dB 50 kHz FREQUENCY RE...

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