AMPLIFIER AND EFFECTS MODELS
AMPLIFIERS
Recently added Mustang GT amplifier models:
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IIC+ CLEAN: Inspired by the clean channel of the Mesa/Boogie Mark IIC+MB.
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IIC+ LEAD: Quintessential mid-’80s metal tones inspired by the Mesa/Boogie Mark IIC+MB lead channel.
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BB15 LOW: Based on the low gain structure setting of the Bassbreaker 15.
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BB15 MED: Based on the medium gain structure setting of the Bassbreaker 15.
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BB15 HIGH: Based on the high gain structure setting of the Bassbreaker 15.
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FBE-100: Inspired by both lead channels (BE and HBE) of the Friedman BE-100.
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DUAL SHOWMAN: Based on the ’60s/’70s all-tube Fender classic used on big stages everywhere.
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TUBE PREAMP: Direct-to-mixing-desk studio purity with increased tube console-like harmonic coloration.
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ACOUSTASONIC: For use with piezo-equipped electric/acoustic guitars. Based on the preamp of Fender’s award-winning Acoustason-
ic amps; flexible string-dynamics feature with selectable notch frequency.
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ACOUSTIC SIM: Six distinctive acoustic guitar simulations for transforming electric guitar with great-sounding acoustic tone. Paired
with Acoustasonic preamp for additional tone shaping.
CABINETS
Recently added Mustang GT cabinet models:
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1x12 BB15: Based on Fender’s open-back Bassbreaker 15 cabinet with Celestion® V-Type speaker.
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1x12 EV: Based on an open-back Mesa Boogie Mark IIC+ bubinga cabinet with EVM12L speaker.
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2x15 D130: Based on a Fender Showman® cab with the distinctive attack of JBL® D130F speakers.
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4x12 RCT: Based on a closed-back Mesa Boogie Rectifier 4x12 cabinet with Celestion® V30 speakers.
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4x12 SOL: Based on a closed-back Soldano 4x12 cabinet with Eminence® Legend speakers.
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4x12 FRD: Based on a closed-back Friedman 4x12 cabinet with Celestion® Greenback speakers.
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4x12B FRD: Brighter version of the Friedman 4x12 cabinet model.
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4x12B V30: Brighter version of the 4x12 V30 cabinet model.
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4x12B GB: Brighter version of the 4x12 GB cabinet model.
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4x12B 75W: Brighter version of the 4x12 75-watt cabinet model.
EFFECTS
Recently added Mustang GT effects models:
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METAL GATE: Inspired by the ISP Technologies Decimator II G String pedal. Especially ideal for high-gain metal, with a very fast
attenuation curve.
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MOD SMALL HALL REVERB: Builds on Fender’s Small Hall Reverb by adding lush modulation to internal reverb structure. Added
high- and low-frequency cut controls further expand creative possibilities.
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MOD LARGE HALL REVERB: Similar to Mod Small Hall Reverb above, with modulation added to internal structure of Fender Large
Hall Reverb.
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MYTHIC DRIVE: Inspired by the ’90s-era Klon Centaur; a germanium-diode overdrive with smoothly subtle color and character from a com-
plex gain structure that blends clean and distorted signals without significantly altering guitar tone.
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SUSTAIN: Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with a particularly strong compression effect and a
short attack time.
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2290 DELAY: Inspired by the TC Electronic TC 2290 delay, a 1980s studio-standard digital delay still sought after today for its crisp
repeats and versatile panning/modulation options.
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MEMORY DELAY: Inspired by the Electro-Harmonix Deluxe Memory Man, a late-’70s “bucket-brigade” delay pedal that imparts dis-
tinctive character to repeats and modulation.
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