Fender CYBER-CHAMP Manual Download Page 12

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12

MIDI

Delay Effects

Delay Effect parameters in the figure and tables below are accessible for the
current effect only by MIDI continuous controller numbers 120-124 (except

Delay Time 

(CC# 121) which is also accessible by the TAP button).  Continuous

controller messages have a value range of 0-127.

D

IG

IT

A

L

TAPE

D

U

C

K

IN

G

CC#

Digital

Tape

Ducking

120

Level

Level

Level

121

Delay Time

Delay Time

Delay Time

122

Feedback

Feedback

Feedback

123

Low-Pass Freq. Cutoff

Wow & Flutter

Release Time

124

Input Level

Low-Pass Freq. Cutoff

Ducking Threshold

TAPE  — 

Parameter value definitions

Level

Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time

Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback

Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Wow & Flutter

Amount of random volume and pitch changes – tape recorder nostalgia effect (0 is minimum fluctuation, 127 is maximum fluctuation)

Low-Pass Frequency Cutoff

Brightness of the Delay signal (0 is darkest, 127 is brightest)

DIGITAL  — 

Parameter value definitions

Level

Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time

Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback

Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Low-Pass Frequency Cutoff

Brightness of the Delay signal (0 is minimum (dark tone), 127 is maximum brightness)

Input Level

Signal level going into the Delay effect (versus output level controlled by the numbered DELAY knob)  (0 is minimum, 127 is maximum)

DUCKING  — 

Parameter value definitions

Level

Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time

Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback

Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Release Time

Duration that the delayed signal is suppressed after “live” playing (input) stops (0 is shortest wait, 127 is longest wait)

Ducking Threshold

Sensitivity of the ducking action to your playing strength (signal level) (0 in least reactive, 127 is most reactive)

Delay parameter

Continuous Controller

numbers

Summary of Contents for CYBER-CHAMP

Page 1: ......

Page 2: ...he outlet when left unused for a long period of time or during electrical storms Do not drip nor splash liquids nor place liquid filled containers on the unit CAUTION No user serviceable parts inside refer servicing to qualified personnel only Fender amplifiers and loudspeaker systems are capable of producing very high sound pressure levels which may cause temporary or permanent hearing damage Use...

Page 3: ...liver powerful responsive Tone to you and your audience It s not just loud on paper 21 Amp Design presets selectable using the Preset and Bank buttons or a MIDI controller 14 Permanent presets great amp and effects setups that are always available Fender Custom Shop bank 7 premium amp and effects combinations Your Amp Collection bank 7 stock classic amplifiers 7 Rewritable presets create and save ...

Page 4: ...uitry B GAIN Controls the distortion level and contributes to the overall amp loudness Use VOLUME C to adjust for normalize any undesired volume level change resulting from a GAIN level change C VOLUME Controls the post distortion signal level and contributes to the overall amp loudness Use in conjunction with GAIN B to normalize volume differences between presets 40 GAIN VOLUME 10 INPUT w ww ww w...

Page 5: ...rns the tuner on and off The tuner borrows the preset button lights to indicate the nearest note and the capture LEDs to indicate flat in tune or sharp Nearest Note Fine Tuning 40 10 IN TUNE 40 10 Half notes are indicated by two preset button lights For example A and B would light up to indicate A sharp B flat Delay Type Description DIGITAL 130 ms delay single repeat panning TAPE 300 ms delay low ...

Page 6: ...old down the A and G preset buttons while turning the Cyber Champ amplifier on M HUM REDUCTION Turns Hum Reduction on and off Reduces environmental hum in some situations using an algorithm that seeks out hum frequencies and squelches only the hum without degrading your music N MIDI IN OUT Musical Instrument Digital Interface ports for connecting MIDI devices to the Cyber Champ amplifier MIDI can ...

Page 7: ... wow flutter D Texas High Gain Blackface with vintage Pre Spring medium bright Vibratone fast rate 130ms Tape Delay low feedback Shuffle Distortion Fender Blackface tone controls Blackface Reverb with medium depth with medium wow flutter E Modified Maximum Gain Modern Modified Combo None None None Combo with Post Distortion tone controls F Euro High Gain British Combo with Post None Tremolo fast r...

Page 8: ...ith medium decay rate with high depth with medium wow flutter E Clean Crunch Blackface with vintage Pre Arena bright frequency None None Arena Distortion Fender Blackface tone controls response with long decay F Jazz Clean Dyna Touch with Hall bright frequency None None Box Pre Distortion tone controls response with medium decay G Barracuda Maximum Gain Dyna Touch Room dark frequency Phaser medium...

Page 9: ...nsure that you have captured a particular setting on all amplifiers turn the knob through its full range of values then to the desired value Further adjustments will be synchronized Selecting Presets You can select presets using MIDI program changes A continuous controller pedal set to number 11 can be used to control either the Modulation effect rate or the Delay effect interval according to the ...

Page 10: ... can control their settings To do this ramp the continuous controller through the full range of values then return it to the desired value setting The sequencer will then have active control of the knob parameter NOTE If sequencer capture is lost by manually turning the knob for example the sequencer must recapture control of that parameter to use it again See the MIDI Implementation Chart on page...

Page 11: ...um feedback Left Right Phase1 Stereo Phase between left and right channel low frequency oscillators 0 is minimum stereo effect 127 is maximum stereo effect PHASER Parameter value definitions Level Amount of the Phaser effect 0 is off 127 is maximum Rate Sweep rate of the Phaser effect 0 08 Hz selected as 0 is slowest 10 Hz selected as 127 is fastest Depth Width of the Phaser sweep and how apparent...

Page 12: ...n 127 is maximum fluctuation Low Pass Frequency Cutoff Brightness of the Delay signal 0 is darkest 127 is brightest DIGITAL Parameter value definitions Level Amount of the Delay effect 0 is off 127 is maximum Delay Time Interval between Delay repeats 30 milliseconds selected as 0 is shortest 1450 milliseconds selected as 127 is longest Feedback Number of Delay repeats 0 is 1 repeat 127 is many rep...

Page 13: ...er Champ amplifier then hold the BANK button for 2 seconds Computer to Cyber Champ Connect MIDI OUT on your computer to MIDI IN on your Cyber Champ amplifier Open a SysEx file containing a preset in your MIDI utility application then initiate the transfer dump After the preset buttons flash on the Cyber Champ amplifier hold any preset button for 2 seconds to save to that location in the Players Lo...

Page 14: ...es X X Altered X X Note Note Number X X Number True Voice X X Velocity Note ON X X Note OFF X X After Keys X X Touch Channel X X Pitch Bender X X Control Change O O Continuous Controller Number is fixed at 11 Program Implemented O O All program changes in Bank 00 Change True 0 6 10 16 20 26 0 6 10 16 20 26 Program changes to program 127 any bank 30 36 40 46 50 56 30 36 40 46 50 56 activates deacti...

Page 15: ...a bytes The data bytes have been formatted following the MIDI Specification 1 0 cbH Checksum byte used for error checking F7H End of System Exclusive Message System Exclusive Packet System Exclusive Header VALUE DESCRIPTION F0H Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus one 21H Amp ID number 31H The upper nibble identifies the Cyber Champ amplifier and the ...

Page 16: ... controls See table below vvH Value for the parameter you wish to edit See table below 7BH End of System Exclusive File Byte F7H End of System Exclusive Message PARAMETER ID PARAMETER ID NUMBER ddH VALUE vvH Reserved 00H Reverb Type Selection 01H 00H Room 01H Reserved 02H Reserved 03H Hall 04H Reserved 05H Reserved 06H Arena 07H Reserved 08H Reserved 09H Reserved 0AH Spring 0BH Reserved 0CH Reserv...

Page 17: ...5985000 FUSES PRIMARY F4A 125V 100V 120V units F1 6A 250V 230V 240V units SECONDARY T1A 250V digital supply all units MIDI JACKS IN OUT PHONES JACK 1 4 Stereo DIMENSIONS HEIGHT 17 25 in 43 8 cm WIDTH 18 5 in 47 0 cm DEPTH 9 5 in 24 1 cm WEIGHT 30 lb 13 6 kg Product specifications are subject to change without notice PROBLEM SOLUTIONS No sound coming from the amp Remove anything plugged into the PH...

Page 18: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t Notes ...

Page 19: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t Notes ...

Page 20: ...P N 059813 REV A ...

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