Escalante Design Pinyon Reference Manual Download Page 7

 

7

Initial Impressions 

 

Introduction: 

The tweeter that we selected for this particular design 

represents a true breakthrough! It is the subject of years of research, 
and the development of some innovative and truly exciting patents  
(Vifa of Denmark). This tweeter single-handedly provides extension 
(35 KHz!) 

and

 dynamics; smoothness 

and

 detail; timbres 

and

 

transparency. 
 
In the presentation of many musical virtues—vibrance, timbres, 
lucidity, and low coloration, to name a few--we’ve found this tweeter 
to be a in a class by itself. To this end, we feel that it is the perfect 
match to the companion woofer, and its low-distortion-loading.   
 
In the application of this woofer/tweeter combination, we’ve 
discovered new heights of musical control, predictability, and 
articulation. The levels of “coloration” and distortion are lower than we 
ever thought possible, only a few years ago. 

Rather than imposing 

an “Escalante flavor,” each piece of music displays a character 
and flavor unique to the style and quality of the original.

 You 

should notice an almost unprecedented variance from recording-to-
recording…this is how it should be! 
 

Break-in:

 As befits a new technology, the burn-in process 

demonstrates several distinct characteristics: The crossover itself 
takes approximately 50-75 hours to form. Once this occurs, the upper-
bass to lower-midrange transition will flesh out, increasing 
cohesiveness and dimensionality in that range. After 200-250 hours 
the bottom-end will flesh out and gain greater solidity. 
 
After burn-in, the sound will become progressively more open and 
detailed. The components and technologies developed for The Pinyon™ 
loudspeaker yield expanding performance with use. Additionally, 
cabinets, passive parts, cables and connections have all been designed 
to last a lifetime. 

 

 

Program Material:

 Escalante Design does 

not

 recommend recordings 

specifically designed for loudspeaker, system or cable burn-in. The 

quickest and most enjoyable way to facilitate break-in is to play music 

that is fun, dynamic and harmonically dense. Instruments combining 

transients and rich harmonics seem to be most useful--for example, 

piano, guitar, and harpsichord—for breaking in crossovers.  Material 

containing dynamic and powerful bass works best for breaking in 

woofers.

 

 

Summary of Contents for Pinyon

Page 1: ...erence Manual Guidebook A collection of system descriptions and recommendations designed to provide the owner with an expanded understanding of the use care and enjoyment of The Pinyon loudspeaker sys...

Page 2: ...mpressions 7 Introduction Break In Program Material Set up 8 Sound Your Room an Overview Architecture Room Shape Placement Room Loudspeaker Integration Bass 9 Midrange 9 Treble 10 Spiking Leveling 10...

Page 3: ...otice Escalante Design L C The Pinyon and Escalante Design are trademarks of Escalante Design and Escalante Design L C Patents BUWA Tech L L C has granted rights to Escalante Design L C for the use of...

Page 4: ...f air vs harmonic extension Music is intended to be disarmingly joyous Come Listen Welcome to Escalante Design We set out to create a technology which would adeptly accommodate all the styles moods an...

Page 5: ...loudspeakers need to be moved up or down stairs Shock Hazard Children should not be left unattended around electronic devices with accessible power and loudspeaker level cables To reduce the risk of f...

Page 6: ...ditional information regarding room and loudspeaker integration can be found in the Set up section Stands In order to obtain the highest degree of performance we recommend the use of well designed sta...

Page 7: ...ce an almost unprecedented variance from recording to recording this is how it should be Break in As befits a new technology the burn in process demonstrates several distinct characteristics The cross...

Page 8: ...le and manageable virtues They are simple to build pleasing to the eye and easy to decorate and furnish In the cases where d cor is second to sonic fidelity loudspeakers should be placed in the closed...

Page 9: ...ins to open up At this point position the backside of the loudspeaker to fall within the region where the greatest part of the wooliness disappears Once repositioned you may wish to reconfirm this pla...

Page 10: ...speaker placement Once individually positioned slight changes may need to take place while listening in stereo in order to obtain good focus and imaging Note After significant run in time we recommend...

Page 11: ...eneral tonal acceptance level than any other single component Your authorized Escalante dealer most likely carries a line of cable that will match well with The Pinyon Follow recommendations trust you...

Page 12: ...ith exceptional functionality Cabinet cleaning should be performed with warm water on a soft cloth Also you may use a mild glass cleaner to enhance the sheen of the veneered portion of The Pinyon cabi...

Page 13: ...mS Sensitivity 1 Watt 1 meter 90 dB SPL 10 Watts input 100 dB cont 103 dB peak 1m SPL 100 Watts input 110 dB cont 113 dB peak 1m Bandwidth system 32 Hz 50 kHz 3dB Nominal impedance 8 low freq minimum...

Page 14: ...modification or neglect b incurred during shipment or transport by purchaser or purchaser s agent c resulting from failure to follow Escalante s product instructions or d resulting from repairs or upg...

Page 15: ...the limited warranty then you will be responsible for the return shipping charges as well Limitation of Implied Warranties ALL IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS F...

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