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GAME CREDITS
Game Director
Rasmus Højengaard
Technical Producer
Martin Amor
Art Director
Tore Blystad
Gameplay Director
Peter Fleckenstein
Producer
Helle Marijnissen
Programmers
Jens Bo Albretsen
Brian Meidell Andersen
Marcell Baranyai
Carsten Brügmann
Zoltán Buzáth
Bo Cordes
Neil Coxhead
Theo Engell-Nielsen
Chris Gilbert
Martin Harring
Morten Heiberg
Michael Holm
Morten Suldrup Larsen
Pèter Màlnai
Peter Wraae Marino
Sandor Nyako
Stein Nygård
Lars Piester
Mads Østerby Olesen
Rasmus Sigsgaard
Jens Skinnerup
Hakon Steinø
Jeroen Wagenaar
Artists
Jacob Andersen
Tobias Biehl
Marek Bogdan
Svend Christensen
Timothy Evison
Peter Fleckenstein
Thor Frølich
David Giraud
Allan Hansen
Bo Heidelberg
Tom Isaksen
Søren B. Jensen
Sascha Jungnickel
Jesper Vorsholt Jørgensen
Rasmus Kjær
Sebastian “Vlad” Lindoff
Oskar Lundqvist
Stephan Nilsson
Mads H. Peitersen
Anders Pedersen
Jesper Kieler Petersen
Alexander Pshenichniy
Birgitte Bay Overgaard
Thomas Storm
Gyorgyi Szakmar
Animators
Barbara Bernád
Frederik Budolph-Larsen
Jens Peter Kurup
Søren Lumholtz
Frederic Poirier
Martin Poulsen
Thomas P Theede
Gameplay Scripters
Jesper Donnis
Jonas Lind
Thomas Løfgren
Jacob Mikkelsen
Sound Designers
Ivan Brandt
Thomas “Tomzen” Dietl
Simon Holm
Michael Ziegler
Engine Programmers
Rune Brinckmeyer
Micky Kelager Christensen
Kasper Engelstoft
Károly Faragó
David Guldbrandsen
Karsten Hvidberg
Michael Bach Jensen
Asger Mangaard
Mircea Marghidanu
Allan Merrild
Morten Mikkelsen
Kasper Høy Nielsen
Martin Pollas
Jon Rocatis
Henning Semler
Gyula “Luppy” Szentirmay
Torsten Kjær Sørensen
Andreas Thomsen
Script Writer
Greg Nagan
Additional Programmers
Peter Andreasen
Jesper Christiansen
Henrik Edwards
Martin Gram
Martin Lütken
Michael Juel Nielsen
Additional Artists
Michael Bing
Alan Cameron Boyle
Morten Bramsen
Miklos Büte
Johan Flod
Henrik Hansen
Mads Prahm
Morten “Mazy” Hedegren
Michael Heilemann
Balàzs von Kiss
Peter von Linstow
Roberto Marchesi
Peter Eide Paulsen
Rasmus Poulsen
Additional Animators
Anders Haldin
Gabor Horvath
Craig Kristensen
Martin Madsen
Doron Meir
Simon Sonnichsen
Kim Zoll
Additional Sound Designer
Peter Wendelboe Hansen
Additional Engine
Programmers
Thomas Jakobsen
Ulf Johansen
Steffen Toksvig
Additional Script Writer
Morten Iversen
Music
Composed and Produced
by Jesper Kyd (Score)
Performed by the Budapest
Symphony Orchestra (Score)
QA
Petronela Cimpoesu
Hugh Grimley
Klavs Kofod
Janus Rau
Oliver Winding
Additional QA
Natasza Ashkanani
Christian Egense
Mikkel Havmand
Frederikke Hoff
Uffe Holm
Tatiana Højengaard
Marja Konttinen
Jakob Mygind
Thomas Møller
Kristian Rise
Jakob Rød
Management
Janos Flösser
Morten Borum
Support
Mette Agerbæk
Else Andersen
Michael Andersen
Ulla Andersen
Anni Greve Andersen
Fredrik Ax
Jakob Bondesen
Charlotte Delran
Chris Edgar
Peter Fischer
Cæcilie Heising
Thomas Howalt
Tantiana Højengaard
Niels Jørgensen
Søren Reinhold Jensen
Christoffer Kay
IO-IN
TERA
C
TIVE
20
The professional
meticulously plans
the contract ahead
using information
provided in the
Agency’s mission
briefing. From the briefing, the professional knows where TV cameras
are located, but sometimes under pressure he is forced to perform an
unplanned action that may be caught on camera. The professional always
(circumstances allowing) carries out his own cleaning on an untidy contract.
The professional locates the TV control room and removes all evidence.
Stand in front of the recording unit and press
A
to remove the tape.
POST MISSION
Once the professional has successfully
completed a mission, he will often need to
address several expenses. These cover
a number of different circumstances,
for example the retrieval and replacement
of items left at the scene, such as suits
and custom weaponry.
It may also happen that potential witnesses
have been left at the scene. These can both
jeopardize your anonymity and make future
contracts that much harder to complete efficiently.
Additionally, the unlawful killing of innocents and law enforcement officials
will raise the profile of completed missions. This is also an expense
to the professional; the Agency charges him for the killing of innocent
civilians and officers in duty. Unnecessary publicity is bad for business
and this contributes to the final Damage Control penalty, displayed
post mission.
The professional can handle all expenses (both mandatory and optional)
upon successful completion of the mission.
RECOVERING SURVEILLANCE TAPES
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