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9

Main D.I. Outputs

 – These fully balanced stereo XLR outputs provide

+16dBm maximum. They can be used to send a stereo signal to a mixing
board or recording console, or to connect to a power amplifier. Please note,
however, that the signal from these outputs is not as hot as that from the
Main Outputs.

Recording Out (D.I.)

– This fully balanced XLR output allows you to send

a signal to a recording or sound reinforcement mixing console. We use Pin 2
hot configuration. Adjusting the Master Volume cont rol will not affect this
send. This output is designed to be used with phantom powered systems
However, it never hurts to turn off the phantom power at the board, if
possible.

This output can be set to send a signal from three points in the signal chain:

Pre-compressor and pre-EQ
Post-compressor and pre-EQ
Post compressor and post EQ

To set the point at which the D.I. is taken, use the switches on the front
panel.

Side Chain Effects Loop

 – This mono effects loop operates a bit differently

than the other two loops. The other two send the entire signal to an outboard
device and accept the return. This loop, however, splits the signal. The
unaffected part of the signal goes through the EQ section while the other part
goes to your outboard gear

before the EQ

section and returns to the chain

after the EQ

. Then, using the blend knob on the front panel, the user can

blend the two signals together.

Footswitch Jack

 – Connect the Footswitch here. Even with the footswitch

connected, the Front Panel Controls take precedence.

Mono Pre-EQ Effects Send/Return

– These standard 1/4-inch jacks allow

you to send and receive your signal to and from external devices. This
effects loop is positioned post (behind) the compressor and before the
Enhance control and the tone section. This loop is at line level; do not use
instrument level effects in this loop as they tend to be overloaded by the
higher signal level which can cause distortion.

All manuals and user guides at all-guides.com

Summary of Contents for World Tour WTX1000N Powered Navigator

Page 1: ...N BASS AMPLIFICATION World Tour Bass Guitar Amplifier Covering Model WTX1000N Powered Navigator Never Compromise 04 16 2009 by U S Music Corp All manuals and user guides at all guides com a l l g u i...

Page 2: ...ions to connect with virtually all outboard gear In addition we ve incorporated a Tube Character circuit that allows the user to control the amount of tube warmth in their sound and more complete comp...

Page 3: ...eplaced as easily as your other gear Please take the following warning seriously This product when used in combination with loudspeakers and or additional amplification may be capable of producing sou...

Page 4: ...more detail later in the manual Compressor Ratio and Threshold Controls The WTX1000N s internal studio quality compressor uses a dbx style state of the art compressor chip with a fully adjustable Rati...

Page 5: ...rol top knob and a Level control bottom knob The Level controls provide 15 dB of cut or boost The control is FLAT in the 12 00 position From left to right the Frequency controls have the following ran...

Page 6: ...iter switch in the off position the Main sends can reach 21 dBm NOTE The limiters will also effect the Headphones and the Stereo D I output Side Chain Level Control This control sets the amount of sid...

Page 7: ...ation to help you adjust controls in low light situations REAR PANEL FEATURES Ground Lift Switches These switches lift the ground from the D I sends on the back panel They do not lift the ground from...

Page 8: ...nth module etc The signal is summed added in prior to the tone controls and Master Volume control This jacks can also be used to return a studio cue signal allowing the WTX1000N to provide you with yo...

Page 9: ...witches on the front panel Side Chain Effects Loop This mono effects loop operates a bit differently than the other two loops The other two send the entire signal to an outboard device and accept the...

Page 10: ...Mute to Tune Compressor Defeat Enhance Defeat Turbo Boost OPERATING INSTRUCTIONS Mechanical and Thermal Issues During operation your amplifier should always be placed away from sources of moisture or...

Page 11: ...crossover control so you could make your own decision If necessary us the Balance control to balance the volume between the low and high speakers GETTING A GREAT TONE As bassists each of us has in our...

Page 12: ...This will prevent any unexpected signal from being sent to your speakers Setting Your Level Remember begin with the Input Gain Enhance Compressor and Master Volume completely OFF fully counter clockwi...

Page 13: ...compression you desire SETTING YOUR EQ The frequencies that you ll need to boost or cut are dependent upon your instrument playing style speaker cabinets and venue Extreme settings of boost or cut ar...

Page 14: ...speakers NOTE Many players rely on the Enhance Control and perhaps a little Midrange Massage to get their sound This method leaves the Bass and Treble controls available to dial in to a particularly d...

Page 15: ...ther reduce Input Gain or cut back on one or more EQ ranges As we said earlier Clipping in the preamp section is a very bad thing and is to be avoided at all times If you find yourself running out of...

Page 16: ...from your Eden amplifier As previously mentioned it make take a few extra minutes the first few times you go through this especially if you take the time to experiment with all the knobs and switches...

Page 17: ...ning of the plugs on your cords is also recommended Learn More If you d like to learn more about your amplifier or about our company and its activities we invite you to visit our website www eden elec...

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