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Congratulations on your purchase of the DP30/C Earthworks Drum Periscope 

Microphone(s). After reading this manual, if you have any unanswered ques-

tions, please email or phone us using the contact information on the back 

cover of this manual. 

First, identify all the items that came with your DP30/C to verify that you 

have received each of the items listed below.

Included with DP30/C Tom and Snare Microphone
1 – DP30/C Drum Periscope™ Microphone
1 – PW1 Foam Windscreen
1 – Users Manual
1 – Case with foam insert

IMPORTANT NOTICE - Please Read This:

Use of the LevelPad™ - The DP30/C microphones have a high output level, 

which may overload the preamps of some mixers or consoles. Many outboard 
microphone preamplifiers and preamplifiers in mixing consoles will handle as 
much as +24dBv at the microphone input, without distortion. We suggest that 
you check the “maximum preamp input level” specifications of your mixer or 
preamplifier to see if it will accommodate signal levels this high. Some mix-
ers and preamps will not handle levels this high at the microphone input. To 
prevent overload, please use an Earthworks LP1530 LevelPad™ in the micro-
phone cable feeding each Drum Periscope Microphone. 

Some mixer or outboard preamplifiers may have a pad that can be switched in 
or out.  However, some of these pads are not attenuators that precede the pre-
amplifier input, instead they only reduce the gain of the preamplifier. These (so 
called) pads will provide no input overload protection from high level microphone 
signals (see Fig. 1-A). In contrast, other outboard or mixer preamplifiers have 
actual pads that precede the preamplifier. These types of pads will provide the 
input overload protection that is needed (see Fig. 1-B). Such pads will typically 
provide –10dB or –20dB attenuation. However, due to the very high output level 
of the Drum Periscope™ microphones, -10dB or even –20dB may not be enough 
attenuation when close miking snares or toms with DP30/C Drum Periscope™ 
Microphones. 

 (continued on next page)

Version 5, June 1, 2012

2

NOTES

13

Summary of Contents for DP30C

Page 1: ...ic input 145dB SPL Output XLR PIN 2 Minimum output load 600 balanced between pins 2 3 Noise 22dB SPL A weighted Dimensions L x D Weight 30Hz to 30kHz 2dB 1 10 75 x 860 inches 275mm x 22mm 22lb 100g Ma...

Page 2: ......

Page 3: ...eamplifier to see if it will accommodate signal levels this high Some mix ers and preamps will not handle levels this high at the microphone input To prevent overload please use an Earthworks LP1530 L...

Page 4: ...gure 2 A LevelPad inserted at the microphone base Figure 2 B LevelPad inserted in the microphone cable for live performance The DP30 C Drum Periscope Microphones will provide you with years of excepti...

Page 5: ...High Definition Microphones for overheads and kickdrum with exceptional results They then wanted the same exceptional sound qual ity from their snare and tom mics With the introduction of the DP30 C...

Page 6: ...a large room with high ambient sound as it will reduce the amount of unwanted room sound and for 5 Plug in the LevelPad if Necessary In close miking drums one should keep in mind that the peak sound l...

Page 7: ...nventional microphone the one in front of the mic sounds great but the two on the sides have a dramatic loss of quality These drastic changes in high frequency response on the sides of the microphone...

Page 8: ...80 degrees will place the rim guide furtherest away from the drum shell and 3 the center grooves will allow placement in between the positions described in 1 and 2 The various types of metal drum rims...

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