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DESCRIPTION

The  Stereo  35  is  a  dual  power  amplifier  of  deceptively

simple  appearance  and  circuitry.  Behind  its  seemingly

conventional  design  is  an  extremely  sophisticated  circuit

configuration  representing  the  most  recent  advances  in

power  amplifier  engineering  and  construction.  This  high

degree  of  technical  refinement,  combined  with  the  conserva

tive  use  of  premium-grade  components,  has  resulted  in  a

typical  Dynakit  design  offering  superb  performance  at  low

cost.

Each  of  the  two  channels  in  the  Stereo  35  is  rated  as  a

17,5-watt  amplifier. Although  not  evident  from  this  simple

rating,  the  power  stated  is  available  on  a 

continuous

  basis

at  any  frequency  from  20  to  2,000  cycles  per  second.  A

"music  power"  rating  would  make  the  Stereo  35  a  45-watt

amplifier,  although  even  this  rating  would  non  disclose  that

full  power  is  available  at  low  distortion  throughout  the

audio  spectrum.  Nor  would  such  a  rating  indicate  that  the

Stereo  35,  even  when driven to power output levels beyond

its  rating,  is  able  to  handle  these  overloads  gracefully,  with

minimum  detriment  to  the  sound.  As  a  result,  the  Stereo

35  can,  if  necessary,  duplicate  the  sound  intensity  of

amplifiers  with  much  higher  power  ratings  when  called

upon to do so.

The  heart  of  the  Stereo  35  is  the  special  Dynaco  Z-565

output  transformer,  a  patented  design  tailored  specifically

to  this  circuit.  The  transformer  is  free  of  resonances,  has

extended  frequency  response  (from  6  to  over  60,000

cycles),  and  is  wound  by  special  techniques  on  a  carefully

designed  core  to  insure  low  distortion  over  a  wide  fre-

quency  spectrum.  Transformers  of  this  caliber  have  never

previously  been  used  in  low-cost  equipment  of  moderate

power rating.

The transformer provides an optimum match between the

loud  speaker  load  and  the  output  tubes  used.  These  tubes

are  supplied  as  a  matched  group  with  the  kit,  and  are

used in a circuit configuration which gives low inherent dis-

tortion  and  high  stability  of  their  d.c.  operating  point.

The  output  stage  is  preceded  by  a  composite  voltage

amplifier  and  cathodyne  phase  inverter  (a  7247  tube  with

direct  coupling  between  sections).  The  phase  inverter  used

is  unique;  its  operations  is  independent  of  the  age  of  con-

dition  of  the  tube.  The  phase  inverter  stage  is  therefore

able  to  maintain  its  capabilities  permanently  with  no  need

for  adjustment  or  balancing.  Gain  in  this  part  of  the  ampli-

fier  is  augmented  by  a  feedback  connection  from  cathode

to cathode.

Two  negative  feedback  loops,  one  mostly  resistive  and

the  other  purely  capacitive,  are  carried  over  the  amplifier

to  provide  20  db  of  negative  feedback.  This  provides  low

distortion  and  noise,  a  high  damping  factor,  and  further

benefits.  The  feedback  loop  is  unconditionally  stable  under

all  load  arrangements,  so  that  the  Stereo  35  is  suitable

for  use  with  any  loudspeaker,  including  electrostatic  types

The values of components selected for the Stereo 35 have

been  carefully  determined,  to  be  certain  that  the  operating

conditions  for  each  stage  have  been  set  at  the  center  of

the  optimum  range.  The  use  of  close  tolerance  parts

provides  additional  assurance  that  these  settings  will  not

shift,  and  will  remain  accurate,  so  that  every  amplifier  will

meet  its  specifications.  This  is  very  important  to  the  kit

builder,  as  it  gives  immunity  from  the  variations  to  which

much  electronic  equipment  is  subject.  Heavy-duty  circuit

boards  give  additional  stability  and  reproducibility  of

characteristics,  assuring  a  level  of  performance  which  takes

full  advantage  of  the  capabilities  of  the  design.  The    con-

servatively  rated  power  transformer,  after  testing,  is  com-

pletely  sealed  in  a  special  encapsulating  material  which

prevents  core  vibration  and  also  serves  to  dissipate  heat

effectively.

One  of  the  outstanding  aspect  of  the  design  of  the

Stereo  35  is  the  attention  which  as  been  paid  to  the  repro-

duction of transient signals. Specifications commonly quoted

for  amplifier  refer  only  to  performance  with  pure  sine-

waves  as  the  signal  content;  however,  music  and  speech

are  actually  composed  of  non-repetitive  sounds  which  are

non-sinusoidal  in  character.  It  is  this  irregular,  or  transient

type of waveform which the amplifier will usually be called

upon  to  reproduce.  Pulse  tests  and  square  wave  measure-

ments  help  to  evaluate  the  transient  performance  of  cir-

cuits,  and  these  have  been  applied  to  derive  the  correct

operating  parameters  for  the  Stereo  35. The  success  of  this

approach  is  particularly  evident  in  listening  tests  where  the

source  material  includes  percussive  sounds-drums,  tam-

bourines,  piano,  cymbals,  etc.  The  Stereo  35  reproduces

these  sounds  with  a  transparency  and  absence  of  blurring

which  is  only  obtained  when  an  amplifier  has  extended

frequency  response,  without  bounce,  flutter  or  overshoot.

In  addition,  the  Stereo  35  recovers  almost  immediately

from  overload,  so  that  the  tones  immediately  following

are  not  affected  by  the  overload  signals.  Thus,  even  whit

low-efficiency  speaker  systems,  where  an  occasional  peak

signal  might  overload  the  amplifier,  reproduction  of  every-

thing  except  the  highest  peak  of  the  heaviest  passage  is

effortlessly reproduced.

It  is  this  characteristic  subtlety  of  design  approach

which  distinguishes  the  Stereo  35  from  other  equipment

with  superficially  similar  specifications.  These  differences

provide  a  perceptible  improvement  in  clarity  and  natural-

ness  of  sound;  this  was  the  design  objective  of  the  Stereo

35,  and  it  has  been  achieved  in  a  unit  of  remarkably  low

cost.

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INSTRUCTIONS FOR ASSEMBLY AND USE OF
THE DYNAKIT STEREO 35 POWER AMPLIFIER

Summary of Contents for Stereo 35

Page 1: ...This number must be men tioned in all communica tions concerning Dynakit INSTRUCTIONS FOR THE ASSEMBLY AND USE OF DYNAKIT STEREO 35 POWER AMPLIFIER 3 9 1 6 P O W E L T O N A V E P H I L A D E L P H I A 4 P A Price 1 00 046414 ...

Page 2: ...sumption Tube Complements Size Shipping Weight 35 watts continuous 45 watts IHFM Music Power both channels 1db from 10 cps to 40 000 cps 20 cps to 20 000 cps without exceeding 1 distortion within 1 db of 17 5 watts each channel Less than 1 at 17 5 watts each channel Less than 0 1 at average listening levels Inaudible more than 80 db below rated output 1 volt input for 17 5 watts out put each chann...

Page 3: ...enefits The feedback loop is unconditionally stable under all load arrangements so that the Stereo 35 is suitable for use with any loudspeaker including electrostatic types The values of components selected for the Stereo 35 have been carefully determined to be certain that the operating conditions for each stage have been set at the center of the optimum range The use of close tolerance parts pro...

Page 4: ...point to point without strain on terminals or components The lead dress that is the manner in which the wiring is arranged as it goes from one point to another should follow that shown in the pictorial diagram as closely as possible Care must be exercised to see that uninsulated wires do not touch each other and cannot do so through vibration or sagging unless of course they are connected to the s...

Page 5: ...be closest to the circuit board 7 Mount the filter capacitor in the cutout provided First look at the symbols stamped in the plastic at the base of each connecting lug These must be oriented as shown in the pictorial diagram Insert the four mounting lugs of the capacitor in the slots and then twist each of the mounting lugs one quarter turn with a pliers while holding the capacitor snugly against ...

Page 6: ... to chassis mounting lug A of the filter capacitor 6 The four remaining power transformer leads are con nected next Cut the green and green and white leads to 6 each and twist them together as shown in the diagram Connect the green and white lead to pin 5 of V 3 on the LEFT circuit board 7 Connect the green power transformer lead to pin 4 of V 3 IMPORTANT Because the tube sockets lugs are small an...

Page 7: ...d white lead to pin 9 of V 5 S 20 Twist together the blue and green leads from the RIGHT output transformer Connect the blue lead to pin 7 of V 6 on the RIGHT circuit board S 21 Connect the green lead to pin 9 of V 6 Be sure that exposed wire or stray filaments from them cannot touch other wires or terminals or cause a short circuit to the chassis hardware 22 Cut the red lead from the RIGHT output...

Page 8: ... Connect one end of a 5 wire to lug 4 no symbol of the filter capacitor Connect the other end to pin 3 of V 5 on the RIGHT circuit board 36 Prepare a 1 piece of wire by stripping of insu lation from one end and from the other end Push the longer bare end through pin 3 of V 6 on the RIGHT circuit board S and bend it around to connect to pin 4 of V 6 also Connect the other end to pin 3 of V 5 S 37 C...

Page 9: ...ssis and then lowering the cover onto the chassis The three pieces are fastened together by four sheet metal screws through the sides of the chassis The four rubber feet are installed by pressing them into the corner holes of the bottom plate The cover should be used whenever the amplifier is operated where it may be touched accidentally not only do the tubes become quite hot in operation but some...

Page 10: ...f a third loud speaker playing a combination of the left and right channel material may improve the spatial effect consider ably Those listeners who feel a need for a third loudspeaker can try this arrangement without need for a third amplifier or a special output on their preamplifier by using the follow ing method A monophonic extension loudspeaker may be connected to a stereo system in the same...

Page 11: ...nnel alone examine the solder connections on that side Filament glow is normal but if the plate the large metal area of a tube tends to glow red either the tube or its associated circuitry is faulty It all four of the output tubes glow in this manner there is a short circuit in either the cathode pin 3 of any 6BQ5 or filament pin 4 and 5 or at lug 4 of the filter capacitor The voltage chart printe...

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