Duncan Deja Vu SFX-10 User Manual Download Page 11

11

Long Delay Times (Press and hold) 

The Déjà Vu is capable of extremely long delay times (around 20 sec-

onds) and contains a stealth loop mode at the end of the Delay Time 

knob’s travel. (Loop feature not available in Ratio mode) The Tap switch 

is intelligent. It can differentiate between a short tap and a “press and 

hold”.  This serves two purposes: First, if you’d like a longer delay time 

than the 2.6 seconds available on the delay time knob, simply press and 

hold the tap switch for the desired amount of time. When you release 

the tap switch, your new delay time will begin. 

Loop Mode: 

When in the loop mode, the Tap switch now becomes your “press and 

hold” record button. Pressing the Tap switch immediately begins record-

ing your loop, and releasing the button starts the playback, which will 

repeat infinitely and at unity gain. Use the Wet/Dry Blend knob to set the 

balance between the loop and your live play over the top of the loop. 

There are two ways to stop the loop: Simply tap in a new delay time, 

and the unit will return to regular delay pedal behavior, or reach for 

the Delay Time knob and make an adjustment. It will override the loop 

mode and return to its normal delay time function. 

Advanced loop features:

Remember the Bucket Brigade, Modulation, and Wet Loop are all avail-

able to the loop. While the loop is playing, you can experiment with 

sweeping the sound from digital to analog, with and without modula-

tion. Using the Modulation control, you can actually add chorus, rotary 

emulation, or vibrato to the loop simply by adjusting the Wet/Dry and 

Modulation knobs. But you can also insert any effect (including a vol-

ume pedal) into the Wet Loop jack, and just like with delays you can add 

any effect you wish to the loop. Imagine recording a loop, then deciding 

to add distortion or a phaser or whatever to it later while you jam. This 

is all possible with the Déjà Vu. 

Summary of Contents for Deja Vu SFX-10

Page 1: ...elay w BBD right away and you ll be able to immediately revel in the lush spacious repeats that this pedal is capable of You might want to first read through these instructions in their entirety to ga...

Page 2: ...want inspiring and new tex tures the SFX 10 can do that too In short the D j Vu begins with the soul of the most musical analog bucket brigade delay units of the past and takes you places both digita...

Page 3: ...beginning with slow wide and subtle and ending with a jittery warble perfect for slap back delays 5 Ratio DelayTime This knob carries two functions When in Delay Time mode this knob simply adjusts the...

Page 4: ...io knob For example when set to dotted 8th notes you can tap in your tempo on the ones and the delays will occur as dotted eight notes Don t worry if this sounds confusing it s actually really intuiti...

Page 5: ...he possibilities are endless Insert a volume pedal and it becomes your delay level expression pedal controlling the amount of delay 4 FB Insert Also an insert jack this pedal interrupts the feedback s...

Page 6: ...ding on where you put it in your signal chain so see what sounds best to you In an Effects Loop The SFX 10Tap Delay w BBD will sound different depending on where you place it in your signal chain If p...

Page 7: ...spiration in all forms Introduce modulation into the bucket brigade and then blend it with the digital delay for delays that not only chorus but degenerate into a cosmic wash of modulation with each r...

Page 8: ...e warmth of the bucket brigade Slap Back Hell Ratio DelayTime set for short delay time or choose 4 1 Ratio and tap it in to the beat of the song Like Slap Back Heaven but with a super fast Doppler lik...

Page 9: ...new dimensions as these delays trail down into modulation stew Rhythm Chime Ratio DelayTime Choose Dotted 8th note in Ratio mode tap it in to the beat of the song This will give you a textural wash o...

Page 10: ...hosen Remember If the Ratio DelayTime switch is set to DelayTime hitting theTapTempo footswitch will generate one delay cycle per tap When this switch is set to Ratio you can choose between quarter no...

Page 11: ...ry Blend knob to set the balance between the loop and your live play over the top of the loop There are two ways to stop the loop Simply tap in a new delay time and the unit will return to regular del...

Page 12: ...e following processors in theWet Loop Volume Pedal If you put a volume pedal in that loop it now becomes a volume con trol on your delays You can set the Mix knob for the desired amount of maximumWet...

Page 13: ...to the BBD this will create a more tape like quality When set to digital it will sound more like the earlier digital delays that were working within a much smaller bandwidth Pitch Shifter Each pass th...

Page 14: ...amplitude Analog Delay Element NMOS Bucket Brigade Device BBD Digital Delay Element Microprocessor controlled 24 bit Codec and SDRAM Output Clipping Level 7V Peak to Peak Dynamic Range Dry Signal 116d...

Page 15: ...pedal and therefore requires great power to operate If you must use the 9v battery to power the unit we highly recommend a quality lithium or alkaline battery for the longest battery life A good alkal...

Page 16: ...use or abuse of this product Seymour Duncan assumes no liability for any incidental or consequential damages which may result from the failure of this product Any warranties implied in fact or by law...

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