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6.3 Envelope

With the envelope modulation source, a set of values are produced based on a user-defined envelope.  Unlike 

the LFO (which repeats), the envelope only executes once (single shot) when triggered. It’s also a common 

feature found in analog synthesis, mostly used for amplitude and filter expression.

Your controls are: 
A:
  

Attack, sets the rate the values rise for the first step of the envelope.

D/R:  

Decay / release, determines the rate the values fall for both the decay and release steps of the envelope. 

S:  

Sustain, sets the level at which the values hold or stay when a key is pressed. 

DEST:   Modulation destination or target
LVL:  

Modulation level for the selected destination. You can have negative values. This allows you to 

 

shape the envelope in the opposite direction.

6.4 Random

The random modulation source, is exactly what the title describes: A random value generator, or as frequently 

(but not correctly) described a sample and hold. 

Your controls are: 
RATE: 
  Speed at which the different values are randomly produced. When the LFO is synced to the unit  

 

BPM, this will also be governed by BPM divisions

LAG:  

Time at which different values slide 

PROB:   Chances that a new value will be produced 
DEST:   Modulation destination or target
LVL:  

Modulation level for the selected destination. You can have negative values. This allows you to  

 

have the random moving into inverted values.

6.5 Step sequencer

Like the note sequencer, the step sequencer is synchronized to the Typhon’s BPM setting, but the two should 

not be confused as both provide different functions.  While the note sequencer acts like a controller playing 

notes, the step sequencer is just another way to modulate parameters like the Filter Cutoff or the waveforms 

of the Oscillators. 

The step sequencer always runs at the BPM rate, and it will also take advance of the note sequencer param-

eter “DIVISIONS” ( for more info about this go to the “Note sequencer” section). The step sequencer continu-

ously runs in the background, but restarts with every new note trigger, or every time you press the play button 

(when play is already engaged, it must first be stopped before it can take action again). 

Your controls are: 
#: 
 

Number of active steps

Step:  

Chosen step to edit

->LVL:    Selected step value 
DEST:      Modulation destination or target
LVL:  

Modulation level for the selected destination. You can also have negative values. This lets the  

 

step sequencer modulation subtract from the destination’s values.

Create a step sequencer pattern: 

Let’s make a simple pattern that modulates the filter cut off. 

1. Push down the encoder and from the menu choose option 1. INITIAL PRESET

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Summary of Contents for TYPHON

Page 1: ...USER S MANUAL...

Page 2: ...tep Sequencer 10 7 The Sinevibes Effects 7 1 FX1 Distortion and Bit crush 11 7 2 FX2 Enhancers Chorus Ensemble Flanger 11 7 3 FX3 Reflections Delay Ping pong Reverb 12 8 Other settings 12 9 Note Seque...

Page 3: ...edicated to the filter and the amp respectively 3 x Modulators that can be either a LFO envelope random or step sequencer 32 bit 96kHz Stereo DSP effects coded by Sinevibes including 5 Different disto...

Page 4: ...1 3 Block Diagram 4...

Page 5: ...equencer and turn the encoder Active page Sliders 1 to 5 are used to control parameters on the screen Button used to control screen features or to shift between diferent options for each page Screen B...

Page 6: ...can easily avoid those situations though by following these simple rules When powering the Typhon from a computer if you use a DAW to process the unit s audio a ground loop can be created causing a n...

Page 7: ...ter ADSR envelope settings from 10 times as slow up to 6 times as fast Amp Time Scales the initial amp ADSR envelope settings from 10 times as slow up to 6 times as fast Volume Sets the master level I...

Page 8: ...The Typhon has a 256 patch storage locations divided into 4 banks for easy access On start up Typhon will load Bank A preset 1 Upon loading a preset you can start editing and sculpting its sound Note...

Page 9: ...modulator destinations DEST CV Pitch of both VCO CV1 Pitch of VCO 1 CV2 Pitch of VCO 2 WAVE Waveform of oscillators as shown on the WAVE knob CUT Filter cut off frequency RESON Filter resonance amoun...

Page 10: ...on destination or target LVL Modulation level for the selected destination You can have negative values This allows you to have the random moving into inverted values 6 5 Step sequencer Like the note...

Page 11: ...X1 then FX2 and finally FX3 Only one FX type can be active for each of the 3 categories For example you cannot have both the delay and re verb algorithms running at the same time because they are both...

Page 12: ...P A filter is added to the feedback loop of the effect Minus values set a low pass filter and positive a High Pass one MIX Dry wet balance This parameter is global for all 3 algorithms The 3 first con...

Page 13: ...u can edit DVS BPM divisions PROB Chances that a step will be played If a step isn t played a rest will be produced instead SWI Swing amount For more info about swing check this awesome article https...

Page 14: ...MODE button 1 until you have the step sequencer armed 3 Set 5 Step Chosen step to edit see below LVL Selected step value see below DEST FX1 LVL 100 4 Choose STEP 1 and set LVL 0 STEP 2 and set LVL 40...

Page 15: ...then the amount for that destination 10 5 Key Track This will set one or more destinations for the key track parameter Key tracking will add an offset according to what note the synth plays Entering...

Page 16: ...e is a list of the current open CC orders This will be continuously upgraded with every Firmware update release Expect a full MIDI implementation on September 2020 TARGET VALUE CC No MOD WHEEL 0 127 1...

Page 17: ...tions USB powered at least 500mA 60 Playing hours with 20 000mA portable power bank MIDI Din IN and OUT in Stereo Out in Headphone Out in Mono Audio In for routing via Typhon FX Dimensions 23 x 13 x 6...

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